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The Digital Challenge: From the Theater to the Gallery

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0003
Subject:
Film, Television and Radio, Film

This chapter demonstrates how Bellour’s work on video art (or what was later termed moving-image installation art), while a product of his own preoccupations, is situated firmly within more general ... More


Film Analysis: Image and Movement

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0002
Subject:
Film, Television and Radio, Film

This chapter assesses Raymond Bellour’s contribution to the area of research known as “film analysis,” arguing that it is best understood as an “art” rather than a scientific practice. Grounded in ... More


An Elegy for Cinema1

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0005
Subject:
Film, Television and Radio, Film

This chapter describes how Raymond Bellour in the twenty-first century enters into the on-going debates about the end of cinema that commenced in France in the late 1980s. The chapter underlines how ... More


Cinema and the Body: The Ghost in the Theater

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0004
Subject:
Film, Television and Radio, Film

This chapter focuses its attention on why, in returning in the twenty-first century to a preoccupation with classical cinema, Bellour argued that hypnosis rather than the dream (as in the view of ... More


Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in Film Theory from the Twentieth to the Twenty-first Century

Hilary Radner

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0001
Subject:
Film, Television and Radio, Film

This brief introduction offers an outline of the purpose and scope of the volume, which provides a synthetic overview of the work of a scholar characterized by a subtle and complex engagement with, ... More


Raymond Bellour: Cinema and the Moving Image

Hilary Radner and Alistair Fox

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
book
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.001.0001
Subject:
Film, Television and Radio, Film

This volume offers a succinct and clear account of the evolution of the work of noted French scholar Raymond Bellour (b. 1939) as expressed in his most important publications in the areas of cinema ... More


Raymond Bellour (1939– ): A Biographical Sketch

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0012
Subject:
Film, Television and Radio, Film

This section includes a biographical sketch of Raymond Bellour, which lists his major publications, and an annotated bibliography of his major works. The biographical sketch is designed to give an ... More


Formative Influences

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0006
Subject:
Film, Television and Radio, Film

In this section of the interview, Bellour describes how he began to engage in film analysis in the 1960s, beginning with a sequence from Alfred Hitchcock’s The Birds, with the aim of establishing the ... More


Arrested Images and “the Between-Images”

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0009
Subject:
Film, Television and Radio, Film

Raymond Bellour explains his concept of “the between-images,” and comments on the status of the arrested image in relation to the time-image, suggesting how video was an instrument of transformation ... More


Theorizing Stillness

Hanneke Grootenboer

in The Pensive Image: Art as a Form of Thinking

Published in print:
2021
Published Online:
September 2021
ISBN:
9780226717951
eISBN:
9780226718002
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226718002.003.0002
Subject:
Art, Art Theory and Criticism

This chapter defines the category of pensive images as not representing a narrative or a meaning, but as articulating thought. In contrast to self-reflexive images (such as Las Meninas) that have ... More


Hypnosis, Emotions, and Animality

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0011
Subject:
Film, Television and Radio, Film

In this section of the interview, Raymond Bellour explains why he thinks hypnosis is superior as a model for explaining the effects of cinema, on the grounds that it involves a somatic displacement ... More


The Part Is Greater Than the Whole: Toward an Aesthetic Philosophy of the Fragment

Bruce Isaacs

in The Art of Pure Cinema: Hitchcock and His Imitators

Published in print:
2020
Published Online:
April 2020
ISBN:
9780190889951
eISBN:
9780190889999
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190889951.003.0004
Subject:
Literature, Film, Media, and Cultural Studies

Pure cinema is defined in terms of the interrelationship of formal “fragments” that subtend an infinite array of formal systems within the work. In this model, the aesthetic philosophy of the ... More


Spectators, Dispositifs, and the Cinematic Body

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0010
Subject:
Film, Television and Radio, Film

Raymond Bellour explains why he returned to a preoccupation with cinema in general, and the spectator in particular, and how he came to write Le Corps du cinéma, emphasizing his interest in the ... More


Film Theory: Creating a Cinematic Grammar

Felicity Colman

Published in print:
2014
Published Online:
November 2015
ISBN:
9780231169738
eISBN:
9780231850605
Item type:
book
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231169738.001.0001
Subject:
Film, Television and Radio, Film

This book addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers. It references the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, ... More


Conclusion: Desiring the Mismatch

Jennifer Fleeger

in Mismatched Women: The Siren's Song Through the Machine

Published in print:
2014
Published Online:
August 2014
ISBN:
9780199936892
eISBN:
9780199389971
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199936892.003.0008
Subject:
Music, Popular, History, American

In asking what draws us to our objects of study, the conclusion produces an explanation of desire by turning to the mimetic theory of René Girard. It explores the desire for the mismatched woman as ... More


Film Analysis and the Symbolic

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0007
Subject:
Film, Television and Radio, Film

Raymond Bellour explains the difference between Christian Metz’s semiological approach and his own approach to film analysis, and the degrees by which he became disenchanted with psychoanalysis, ... More


Thierry Kuntzel and the Rise of Video Art

Hilary Radner and Alistair Fox

in Raymond Bellour: Cinema and the Moving Image

Published in print:
2018
Published Online:
September 2018
ISBN:
9781474422888
eISBN:
9781474444767
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474422888.003.0008
Subject:
Film, Television and Radio, Film

Raymond Bellour describes how his interest in video art grew out of his personal friendship with Thierry Kuntzel and the latter’s growing interest in experimental filmmaking using the new technology, ... More


Totally Truffaut: 23 Films for Understanding the Man and the Filmmaker

Anne Gillain

Published in print:
2021
Published Online:
April 2022
ISBN:
9780197536308
eISBN:
9780197536346
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780197536308.001.0001
Subject:
Literature, Film, Media, and Cultural Studies

This book tries to answer in clear language two complex riddles: How is experience imprinted into films? What draws audiences to theaters? François Truffaut, like Fellini, Bergman, or Scorsese, ... More


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