John Williamson and Martin Cloonan
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781784991326
- eISBN:
- 9781526120786
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784991326.003.0004
- Subject:
- History, Social History
This chapter outlines the AMU’s history immediately post 1918 and its moves towards merger with the National Orchestral Union of Professional Musicians (NOUPM) to form the Musician’s Union (MU) in ...
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This chapter outlines the AMU’s history immediately post 1918 and its moves towards merger with the National Orchestral Union of Professional Musicians (NOUPM) to form the Musician’s Union (MU) in 1921. It examines the resignation of Joe Williams and the problems faced by his successor as General Secretary, E.S.Teale and his successor, Fred Dambman. Changes within the music profession as musical tastes change are outlined. The advent of broadcasting is discussed and the BBC’s developing role as a key employer of musicians is highlighted. The development of the recording industry is discussed and the crisis in musical employment caused by the advent of the “talkies” in the cinema outlined. Problems caused for the Union by “alien” musicians working in the UK are noted.Less
This chapter outlines the AMU’s history immediately post 1918 and its moves towards merger with the National Orchestral Union of Professional Musicians (NOUPM) to form the Musician’s Union (MU) in 1921. It examines the resignation of Joe Williams and the problems faced by his successor as General Secretary, E.S.Teale and his successor, Fred Dambman. Changes within the music profession as musical tastes change are outlined. The advent of broadcasting is discussed and the BBC’s developing role as a key employer of musicians is highlighted. The development of the recording industry is discussed and the crisis in musical employment caused by the advent of the “talkies” in the cinema outlined. Problems caused for the Union by “alien” musicians working in the UK are noted.
Andrew Talle
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9780252040849
- eISBN:
- 9780252099342
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252040849.001.0001
- Subject:
- Music, History, Western
This book investigates the musical life of Johann Sebastian Bach’s Germany from the perspectives of those who lived in it. The men, women, and children of the era are treated here not as extras in ...
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This book investigates the musical life of Johann Sebastian Bach’s Germany from the perspectives of those who lived in it. The men, women, and children of the era are treated here not as extras in the life of a famous composer but rather as protagonists in their own right. The primary focus is on keyboard music, from those who built organs, harpsichords, and clavichords, to those who played keyboards recreationally and professionally, and those who supported their construction through patronage. Examples include: Barthold Fritz, a clavichord maker who published a list of his customers; Christiane Sibÿlla Bose, an amateur keyboardist and close friend of Bach’s wife; the Countesses zu Epstein, whose surviving library documents the musical interests of teenage girls of the era; Luise Gottsched, who found Bach’s music less appealing than that of Handel; Johann Christoph Müller, a keyboard instructor who fell in love with one of his aristocratic pupils; and Carl August Hartung, a professional organist and fanatical collector of Bach’s keyboard music. The book draws on published novels, poems, and visual art as well as manuscript account books, sheet music, letters, and diaries. For most music lovers of the era, J. S. Bach himself was an impressive figure whose music was too challenging to hold a prominent place in their musical lives.Less
This book investigates the musical life of Johann Sebastian Bach’s Germany from the perspectives of those who lived in it. The men, women, and children of the era are treated here not as extras in the life of a famous composer but rather as protagonists in their own right. The primary focus is on keyboard music, from those who built organs, harpsichords, and clavichords, to those who played keyboards recreationally and professionally, and those who supported their construction through patronage. Examples include: Barthold Fritz, a clavichord maker who published a list of his customers; Christiane Sibÿlla Bose, an amateur keyboardist and close friend of Bach’s wife; the Countesses zu Epstein, whose surviving library documents the musical interests of teenage girls of the era; Luise Gottsched, who found Bach’s music less appealing than that of Handel; Johann Christoph Müller, a keyboard instructor who fell in love with one of his aristocratic pupils; and Carl August Hartung, a professional organist and fanatical collector of Bach’s keyboard music. The book draws on published novels, poems, and visual art as well as manuscript account books, sheet music, letters, and diaries. For most music lovers of the era, J. S. Bach himself was an impressive figure whose music was too challenging to hold a prominent place in their musical lives.
Andrew Talle
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9780252040849
- eISBN:
- 9780252099342
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252040849.003.0011
- Subject:
- Music, History, Western
Chapter ten presents an account of the lives and careers of musicians, with a particular emphasis on the diverse ways they were compensated for their work. Boys who dreamed of becoming organists, ...
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Chapter ten presents an account of the lives and careers of musicians, with a particular emphasis on the diverse ways they were compensated for their work. Boys who dreamed of becoming organists, cantors, and kapellmeisters in eighteenth-century Germany often endured discouragement and even contempt from the authority figures in their lives. Pursuit of such work on behalf of courts or cities seldom brought fame or fortune, and many professional musicians often endured hardship. Those who persevered were compensated largely by the freedom to spend their careers doing what they loved to do, and by the encouragement they received from fellow music enthusiasts. The primary means by which most organists interacted with the communities they served was not performing but rather private teaching.Less
Chapter ten presents an account of the lives and careers of musicians, with a particular emphasis on the diverse ways they were compensated for their work. Boys who dreamed of becoming organists, cantors, and kapellmeisters in eighteenth-century Germany often endured discouragement and even contempt from the authority figures in their lives. Pursuit of such work on behalf of courts or cities seldom brought fame or fortune, and many professional musicians often endured hardship. Those who persevered were compensated largely by the freedom to spend their careers doing what they loved to do, and by the encouragement they received from fellow music enthusiasts. The primary means by which most organists interacted with the communities they served was not performing but rather private teaching.
John Williamson and Martin Cloonan
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781784991326
- eISBN:
- 9781526120786
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784991326.003.0008
- Subject:
- History, Social History
The chapter reports on the impact of the election of Joh Morton as General Secretary on the Union and outlines developments during his years in office. Attempts to split the MU and attempts to make ...
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The chapter reports on the impact of the election of Joh Morton as General Secretary on the Union and outlines developments during his years in office. Attempts to split the MU and attempts to make the Union more relevant of popular musicians are reported. The advent of commercial radio and the Union’s response to it are outlined. The 1977 Annan Report is outlined and the continuing importance of the Performing Right Tribunal stressed. Trade Unions reforms and a key Monopolies and Mergers Commission report on Collective Licensing are explained. A strike at the BBC is reported.Less
The chapter reports on the impact of the election of Joh Morton as General Secretary on the Union and outlines developments during his years in office. Attempts to split the MU and attempts to make the Union more relevant of popular musicians are reported. The advent of commercial radio and the Union’s response to it are outlined. The 1977 Annan Report is outlined and the continuing importance of the Performing Right Tribunal stressed. Trade Unions reforms and a key Monopolies and Mergers Commission report on Collective Licensing are explained. A strike at the BBC is reported.
Andrew Talle
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9780252040849
- eISBN:
- 9780252099342
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252040849.003.0001
- Subject:
- Music, History, Western
The last several generations of scholars have made great progress in illuminating the mundane details of J. S. Bach’s working life. Our intense focus on this famous composer, however, has skewed our ...
More
The last several generations of scholars have made great progress in illuminating the mundane details of J. S. Bach’s working life. Our intense focus on this famous composer, however, has skewed our understanding of his era. If we are to truly know the world Bach inhabited, we need to learn more about the musical lives of ordinary people. This book explores the musical culture of Bach’s Germany from the perspectives of those who lived in it. The protagonists are not famous composers but rather amateur and professional musicians, patrons, instrument builders, and audience members. They are treated here not as extras in the grand sweep of music history, but rather as stars in their own private dramas.Less
The last several generations of scholars have made great progress in illuminating the mundane details of J. S. Bach’s working life. Our intense focus on this famous composer, however, has skewed our understanding of his era. If we are to truly know the world Bach inhabited, we need to learn more about the musical lives of ordinary people. This book explores the musical culture of Bach’s Germany from the perspectives of those who lived in it. The protagonists are not famous composers but rather amateur and professional musicians, patrons, instrument builders, and audience members. They are treated here not as extras in the grand sweep of music history, but rather as stars in their own private dramas.
