Balagangadhara
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780198082965
- eISBN:
- 9780199081936
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198082965.001.0001
- Subject:
- History, Historiography
As India emerges as an important global player, a serious question arises: how to relate to the existing descriptions of India that are centuries old? This question presents itself as a task for the ...
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As India emerges as an important global player, a serious question arises: how to relate to the existing descriptions of India that are centuries old? This question presents itself as a task for the current and future generations of intelligentsia in the twenty-first century, whether Indian or Western. This task will consist of reconceptualizing India Studies because most studies on India have been carried out using theories and concepts drawn primarily from the western culture. It also consists of reacquiring the insight that neither knowledge nor truth is a matter of majority decision or based on the strength of common-sense prejudice. Questioning inherited beliefs requires an intellectual courage that is on par with the bold nature of the challenge. Responding to this challenge in any meaningful way requires that we identify the scientific weakness of the current theories about the Indian culture and society. In this book, a first step is taken towards this end. It not only looks at debates about the concept of culture in anthropology and into the merits of critiques of Orientalism but also scrutinizes Studies on Hinduism, the nature of Inter-cultural dialogues, and their implications to normative political philosophy. It also outlines the methodology for a comparative study of cultures. Cutting across disciplinary boundaries, this book brings home the basic truth that understanding cultures and societies straddles multiple intellectual domains. By initiating a process of comparative study of cultures, this work is bound to challenge many uncritical assumptions made by students and scholars of Indian society and culture.Less
As India emerges as an important global player, a serious question arises: how to relate to the existing descriptions of India that are centuries old? This question presents itself as a task for the current and future generations of intelligentsia in the twenty-first century, whether Indian or Western. This task will consist of reconceptualizing India Studies because most studies on India have been carried out using theories and concepts drawn primarily from the western culture. It also consists of reacquiring the insight that neither knowledge nor truth is a matter of majority decision or based on the strength of common-sense prejudice. Questioning inherited beliefs requires an intellectual courage that is on par with the bold nature of the challenge. Responding to this challenge in any meaningful way requires that we identify the scientific weakness of the current theories about the Indian culture and society. In this book, a first step is taken towards this end. It not only looks at debates about the concept of culture in anthropology and into the merits of critiques of Orientalism but also scrutinizes Studies on Hinduism, the nature of Inter-cultural dialogues, and their implications to normative political philosophy. It also outlines the methodology for a comparative study of cultures. Cutting across disciplinary boundaries, this book brings home the basic truth that understanding cultures and societies straddles multiple intellectual domains. By initiating a process of comparative study of cultures, this work is bound to challenge many uncritical assumptions made by students and scholars of Indian society and culture.
Violet Showers Johnson, Gundolf Graml, and Patricia Williams Lessane (eds)
- Published in print:
- 2018
- Published Online:
- January 2020
- ISBN:
- 9781786940339
- eISBN:
- 9781786945006
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786940339.001.0001
- Subject:
- History, African-American History
Deferred Dreams, Defiant Struggles interrogates Blackness and illustrates how it has been used as a basis to oppress, dismiss and exclude Blacks from societies and institutions in Europe, North ...
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Deferred Dreams, Defiant Struggles interrogates Blackness and illustrates how it has been used as a basis to oppress, dismiss and exclude Blacks from societies and institutions in Europe, North America and South America. Employing uncharted analytical categories that tackle intriguing themes about borderless non-racial African ancestry, “traveling” identities and post-blackness, the essays provide new lenses for viewing the “Black” struggle worldwide. This approach directs the contributors’ focus to understudied locations and protagonists. In the volume, Charleston, South Carolina is more prominent than Little Rock Arkansas in the struggle to desegregate schools; Chicago occupies the space usually reserved for Atlanta or other southern city “bulwarks” of the Civil Rights Movement; diverse Africans in France and Afro-descended Chileans illustrate the many facets of negotiating belonging, long articulated by examples from the Greensboro Woolworth counter sit-in or the Montgomery Bus Boycott; unknown men in the British empire, who inverted dying confessions meant to vilify their blackness, demonstrate new dimensions in the story about race and religion, often told by examples of fiery clergy of the Black Church; and the theatres and studios of dramatists and visual artists replace the Mall in Washington DC as the stage for the performance of identities and activism.Less
Deferred Dreams, Defiant Struggles interrogates Blackness and illustrates how it has been used as a basis to oppress, dismiss and exclude Blacks from societies and institutions in Europe, North America and South America. Employing uncharted analytical categories that tackle intriguing themes about borderless non-racial African ancestry, “traveling” identities and post-blackness, the essays provide new lenses for viewing the “Black” struggle worldwide. This approach directs the contributors’ focus to understudied locations and protagonists. In the volume, Charleston, South Carolina is more prominent than Little Rock Arkansas in the struggle to desegregate schools; Chicago occupies the space usually reserved for Atlanta or other southern city “bulwarks” of the Civil Rights Movement; diverse Africans in France and Afro-descended Chileans illustrate the many facets of negotiating belonging, long articulated by examples from the Greensboro Woolworth counter sit-in or the Montgomery Bus Boycott; unknown men in the British empire, who inverted dying confessions meant to vilify their blackness, demonstrate new dimensions in the story about race and religion, often told by examples of fiery clergy of the Black Church; and the theatres and studios of dramatists and visual artists replace the Mall in Washington DC as the stage for the performance of identities and activism.
Jason Herbeck
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940391
- eISBN:
- 9781786944948
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940391.001.0001
- Subject:
- Literature, World Literature
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, ...
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Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.Less
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.
Drucilla Cornell
- Published in print:
- 2014
- Published Online:
- September 2014
- ISBN:
- 9780823257577
- eISBN:
- 9780823261574
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823257577.001.0001
- Subject:
- Philosophy, Political Philosophy
This book grapples with fundamental questions regarding what type of revolution took place in South Africa over a more than 50 year long struggle. Each chapter grapples with the questions related to ...
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This book grapples with fundamental questions regarding what type of revolution took place in South Africa over a more than 50 year long struggle. Each chapter grapples with the questions related to the idea that the revolution in South Africa was a substantive revolution, because of its insistence on the establishment of a democratic and constitutional state that recognized the thoroughgoing wrongs of the colonial and apartheid past.Less
This book grapples with fundamental questions regarding what type of revolution took place in South Africa over a more than 50 year long struggle. Each chapter grapples with the questions related to the idea that the revolution in South Africa was a substantive revolution, because of its insistence on the establishment of a democratic and constitutional state that recognized the thoroughgoing wrongs of the colonial and apartheid past.
Jocelyn Sakal Froese (ed.)
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496815118
- eISBN:
- 9781496815156
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496815118.003.0017
- Subject:
- Literature, Comics Studies
This chapter employs a framework informed predominantly by queer theory in order to untangle the complex structures that Lemire uses in writing the Canada that he does, and ultimately suggests that ...
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This chapter employs a framework informed predominantly by queer theory in order to untangle the complex structures that Lemire uses in writing the Canada that he does, and ultimately suggests that the text contains the possibility for another, less conservative Canada than the predominately white, masculinist and heteronormative model that appears on the surface. Lemire's text acts dually as one that writes a particular kind of Canada: one that makes claim to rural life as freeing, that centralizes particular forms of masculinity, and that makes claims to rightful ownership and occupancy on behalf of those citizens with ties to the land rooted equally in settler lineages and a combined commitment and ability to make the land productive. In accordance with the logics of extermination that make up the foundation for modern settler sexualities, and by extension modern settler structures of power, indigenous populations are necessarily excluded from all markers of proper occupancy that the text puts forth.Less
This chapter employs a framework informed predominantly by queer theory in order to untangle the complex structures that Lemire uses in writing the Canada that he does, and ultimately suggests that the text contains the possibility for another, less conservative Canada than the predominately white, masculinist and heteronormative model that appears on the surface. Lemire's text acts dually as one that writes a particular kind of Canada: one that makes claim to rural life as freeing, that centralizes particular forms of masculinity, and that makes claims to rightful ownership and occupancy on behalf of those citizens with ties to the land rooted equally in settler lineages and a combined commitment and ability to make the land productive. In accordance with the logics of extermination that make up the foundation for modern settler sexualities, and by extension modern settler structures of power, indigenous populations are necessarily excluded from all markers of proper occupancy that the text puts forth.
Uppinder Mehan
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496811523
- eISBN:
- 9781496811561
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496811523.003.0004
- Subject:
- Literature, Film, Media, and Cultural Studies
Uppinder Mehan, in “India and Indians in SF by Indians and Others,” examines the representation of India in recent science fiction in the works of contemporary writers outside India, such as Ian ...
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Uppinder Mehan, in “India and Indians in SF by Indians and Others,” examines the representation of India in recent science fiction in the works of contemporary writers outside India, such as Ian McDonald’s River of Gods (2004) and Cyberabad Days (2009). Mehan makes comparisons to the SF of Indian writers such as Anuradha Marwah’s Idol Love (1999), Manjula Padmanabhan’s Escape (2008), and Rimi Chatterjee’s Signal Red (2005) and how they effortlessly explore concerns in their science fiction that are beyond the received images of India and Indians and surface knowledge available to the casual observer. Mehan interrogates the distorted and truthful reflections of Indian culture in science fiction.Less
Uppinder Mehan, in “India and Indians in SF by Indians and Others,” examines the representation of India in recent science fiction in the works of contemporary writers outside India, such as Ian McDonald’s River of Gods (2004) and Cyberabad Days (2009). Mehan makes comparisons to the SF of Indian writers such as Anuradha Marwah’s Idol Love (1999), Manjula Padmanabhan’s Escape (2008), and Rimi Chatterjee’s Signal Red (2005) and how they effortlessly explore concerns in their science fiction that are beyond the received images of India and Indians and surface knowledge available to the casual observer. Mehan interrogates the distorted and truthful reflections of Indian culture in science fiction.
Vineet Thakur
- Published in print:
- 2018
- Published Online:
- March 2019
- ISBN:
- 9780199479641
- eISBN:
- 9780199094066
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780199479641.003.0005
- Subject:
- Political Science, Comparative Politics
This chapter summarizes the findings of the book. It compares the Indian and South African cases and finds ideational and institutional similarities and differences in the two experiences.
This chapter summarizes the findings of the book. It compares the Indian and South African cases and finds ideational and institutional similarities and differences in the two experiences.
Véronique Machelidon and Patrick Saveau
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780719099489
- eISBN:
- 9781526135902
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099489.003.0001
- Subject:
- Literature, Criticism/Theory
Retracing and resisting the long and controversial use of the terms “beur” and “post-beur” first coined by literary critics of immigration literature and cinema, this preface affirms the central ...
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Retracing and resisting the long and controversial use of the terms “beur” and “post-beur” first coined by literary critics of immigration literature and cinema, this preface affirms the central place of a new generation of authors with roots in North Africa, who use French as their language of choice in film, television, or literature in order to break the chains of ideological, literary, memorial, spatial, gender, sexual and ethnic constraints. These new writers and filmmakers stage identity in flux, undermine the ideological division of cultural space, engage in postmemorial work, and collapse clichés and stereotypes. The preface continues to define the orientation of the whole volume, which does not seek to examine literature in contrast with film or television, but instead emphasizes the common strategies and themes that bridge the generic divide and define the joint cultural corpus dedicated to the issues of immigration to France and of post-colonial heritage. The preface further outlines the theoretical perspectives used in the essays and pays tribute to the works of Fiona Barclay, Stuart Hall, Alec Hargreaves, Will Higbee, Marianne Hirsch, Benjamin Stora, Carrie Tarr, and others.Less
Retracing and resisting the long and controversial use of the terms “beur” and “post-beur” first coined by literary critics of immigration literature and cinema, this preface affirms the central place of a new generation of authors with roots in North Africa, who use French as their language of choice in film, television, or literature in order to break the chains of ideological, literary, memorial, spatial, gender, sexual and ethnic constraints. These new writers and filmmakers stage identity in flux, undermine the ideological division of cultural space, engage in postmemorial work, and collapse clichés and stereotypes. The preface continues to define the orientation of the whole volume, which does not seek to examine literature in contrast with film or television, but instead emphasizes the common strategies and themes that bridge the generic divide and define the joint cultural corpus dedicated to the issues of immigration to France and of post-colonial heritage. The preface further outlines the theoretical perspectives used in the essays and pays tribute to the works of Fiona Barclay, Stuart Hall, Alec Hargreaves, Will Higbee, Marianne Hirsch, Benjamin Stora, Carrie Tarr, and others.
Steve Puig
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9780719099489
- eISBN:
- 9781526135902
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099489.003.0002
- Subject:
- Literature, Criticism/Theory
This essay traces the change in focus from beur literature in the 1980s to urban literature in the 1990s onwards. Whereas beur literature showed characters torn between their original culture and ...
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This essay traces the change in focus from beur literature in the 1980s to urban literature in the 1990s onwards. Whereas beur literature showed characters torn between their original culture and their adopted culture, urban literature presents characters claiming and asserting their belonging to France and refusing to be confined to racist stereotypes. Relying on a collection of short stories entitled Chroniques d’une société annoncée published in 2005 by a group of writers named Qui Fait la France?, Puig shows how the short stories give fresh and different representations of people living in the banlieue.Less
This essay traces the change in focus from beur literature in the 1980s to urban literature in the 1990s onwards. Whereas beur literature showed characters torn between their original culture and their adopted culture, urban literature presents characters claiming and asserting their belonging to France and refusing to be confined to racist stereotypes. Relying on a collection of short stories entitled Chroniques d’une société annoncée published in 2005 by a group of writers named Qui Fait la France?, Puig shows how the short stories give fresh and different representations of people living in the banlieue.
Paul Julian Smith
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9781781383247
- eISBN:
- 9781786944054
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781383247.003.0005
- Subject:
- Film, Television and Radio, Television
Chapter 4, the last on Spain, deals with post-colonial TV, a subject as yet little studied. Having explored the halting media relationship between the Spanish metropolis and its one time Moroccan ...
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Chapter 4, the last on Spain, deals with post-colonial TV, a subject as yet little studied. Having explored the halting media relationship between the Spanish metropolis and its one time Moroccan protectorate, the chapter gives a close account of two exceptional series. The first is a lush historical romance set in the 1930s, which takes the woman’s work of sewing as a metaphor for international relations. The second is a gritty police drama exploring the drug and terror gangs in the contemporary Spanish enclave of Ceuta. Both series are shot and set in North Africa, a region that embodies a bloody heritage for Spain and which recent cinema has failed to investigate.Less
Chapter 4, the last on Spain, deals with post-colonial TV, a subject as yet little studied. Having explored the halting media relationship between the Spanish metropolis and its one time Moroccan protectorate, the chapter gives a close account of two exceptional series. The first is a lush historical romance set in the 1930s, which takes the woman’s work of sewing as a metaphor for international relations. The second is a gritty police drama exploring the drug and terror gangs in the contemporary Spanish enclave of Ceuta. Both series are shot and set in North Africa, a region that embodies a bloody heritage for Spain and which recent cinema has failed to investigate.
Zahia Smail Salhi
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780748645800
- eISBN:
- 9781474464833
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748645800.003.0002
- Subject:
- Society and Culture, Middle Eastern Studies
This chapter attempts to construct a non-biased definition of Occidentalism and argues that the term is still an evolving concept being constantly nourished by the ongoing relationship between Orient ...
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This chapter attempts to construct a non-biased definition of Occidentalism and argues that the term is still an evolving concept being constantly nourished by the ongoing relationship between Orient and Occident.
It rejects the view that Occidentalism is the exact reverse of Orientalism and contends that there are many Occidentalisms as expressions by diverse ‘Orientals’ about their equally diverse encounters with the Occident. Occidentalism is therefore, the multi-conceptions produced by multi-nations not only as a reaction against Orientalism, but also as the position of at least four continents out of six, vis-à-vis Western civilisation and as Westernisation.
The chapter brings into discussion scholarly views from both Orient and Occident on the issue of Occidentalism and concludes that the differing facets and meanings of Occidentalism in different theoretical perspectives and settings should be interpreted as a sign that testifies to the power of the concept rather than its inadequacy.Less
This chapter attempts to construct a non-biased definition of Occidentalism and argues that the term is still an evolving concept being constantly nourished by the ongoing relationship between Orient and Occident.
It rejects the view that Occidentalism is the exact reverse of Orientalism and contends that there are many Occidentalisms as expressions by diverse ‘Orientals’ about their equally diverse encounters with the Occident. Occidentalism is therefore, the multi-conceptions produced by multi-nations not only as a reaction against Orientalism, but also as the position of at least four continents out of six, vis-à-vis Western civilisation and as Westernisation.
The chapter brings into discussion scholarly views from both Orient and Occident on the issue of Occidentalism and concludes that the differing facets and meanings of Occidentalism in different theoretical perspectives and settings should be interpreted as a sign that testifies to the power of the concept rather than its inadequacy.
Graham Harrison
- Published in print:
- 2013
- Published Online:
- September 2013
- ISBN:
- 9780719088858
- eISBN:
- 9781781705773
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719088858.003.0003
- Subject:
- Political Science, UK Politics
This chapter provides an overview of the history of British-African interaction. It begins with pre-modern interactions which were very sparse. It goes on to focus on slavery as a major starting ...
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This chapter provides an overview of the history of British-African interaction. It begins with pre-modern interactions which were very sparse. It goes on to focus on slavery as a major starting point in British-African relations. It then proceeds to review abolitionist politics, missionary travels, colonialism, decolonisation, and post-colonialoism. It highlights the centrality of Christianity and liberalism in the ways that the British thought about Africa.Less
This chapter provides an overview of the history of British-African interaction. It begins with pre-modern interactions which were very sparse. It goes on to focus on slavery as a major starting point in British-African relations. It then proceeds to review abolitionist politics, missionary travels, colonialism, decolonisation, and post-colonialoism. It highlights the centrality of Christianity and liberalism in the ways that the British thought about Africa.
Delinda Collier
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780816694440
- eISBN:
- 9781452953632
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816694440.003.0003
- Subject:
- Art, Art History
Chapter Three shifts into the immediate post-colonial period and artists’ active use of Painted Walls of Lunda and other anthropological texts in art and the cultural policies of the newly ...
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Chapter Three shifts into the immediate post-colonial period and artists’ active use of Painted Walls of Lunda and other anthropological texts in art and the cultural policies of the newly independent Angolan government. These artists sampled from the global Marxist discourse of “O Homem Novo” (The New Man) during the Cold War.Less
Chapter Three shifts into the immediate post-colonial period and artists’ active use of Painted Walls of Lunda and other anthropological texts in art and the cultural policies of the newly independent Angolan government. These artists sampled from the global Marxist discourse of “O Homem Novo” (The New Man) during the Cold War.
Victor Louzon
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9789888528288
- eISBN:
- 9789882206571
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888528288.003.0004
- Subject:
- History, Asian History
In this chapter Victor Louzon turns our historiographical focus to the violence of decolonization in Taiwan, namely the 1947 uprising known as the February 28 Incident. Louzon details how the revolt ...
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In this chapter Victor Louzon turns our historiographical focus to the violence of decolonization in Taiwan, namely the 1947 uprising known as the February 28 Incident. Louzon details how the revolt broke out, and places the incident in the context of memory wars in Taiwan since. His chapter delves into the politics and geopolitics the incident, highlighting both the KMT brutal suppression of the revolt, and the experience of Taiwanese at the center of the revolt, many of whom had been mobilized by the Japanese army and paramilitary structures. His work redirects our attention to the experience of “remobilized” Taiwanese and the repertoire of actions and symbols invoked from the imperial era which defined the incident. Even more his work suggests new insights into broader transnational questions of the imperial roots of mobilization and militarization in Cold War Asia.Less
In this chapter Victor Louzon turns our historiographical focus to the violence of decolonization in Taiwan, namely the 1947 uprising known as the February 28 Incident. Louzon details how the revolt broke out, and places the incident in the context of memory wars in Taiwan since. His chapter delves into the politics and geopolitics the incident, highlighting both the KMT brutal suppression of the revolt, and the experience of Taiwanese at the center of the revolt, many of whom had been mobilized by the Japanese army and paramilitary structures. His work redirects our attention to the experience of “remobilized” Taiwanese and the repertoire of actions and symbols invoked from the imperial era which defined the incident. Even more his work suggests new insights into broader transnational questions of the imperial roots of mobilization and militarization in Cold War Asia.
Catherine Gegout
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780190845162
- eISBN:
- 9780190943288
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190845162.003.0002
- Subject:
- Political Science, International Relations and Politics
Chapter one first defines military intervention. It can occur with or without the consent of the targeted government and/or the United Nations, be direct or indirect, and be characterized as liberal ...
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Chapter one first defines military intervention. It can occur with or without the consent of the targeted government and/or the United Nations, be direct or indirect, and be characterized as liberal and humanitarian. This section also situates military intervention among other seven other types of intervention: economic, political, cultural, institutional, legal, medical, and environmental. The following section discusses the theory of European military intervention, based on insights from realism, constructivism and post-colonialism. The realist approach is essential for explaining European intervention in Africa, as it takes account of motives such as security, economics, prestige and also, if an intervening state faces limited threats on these three counts, humanitarianism. Constructivism is used to uncover the norms of legality and Eurocentrism. Post-colonialism highlights the importance of history for the understanding of policy decisions on intervention, introduces the concept of neo-colonialism, and helps to address and refine the issue of Eurocentrism, which to date remains under-researched in the literature on international relations.Less
Chapter one first defines military intervention. It can occur with or without the consent of the targeted government and/or the United Nations, be direct or indirect, and be characterized as liberal and humanitarian. This section also situates military intervention among other seven other types of intervention: economic, political, cultural, institutional, legal, medical, and environmental. The following section discusses the theory of European military intervention, based on insights from realism, constructivism and post-colonialism. The realist approach is essential for explaining European intervention in Africa, as it takes account of motives such as security, economics, prestige and also, if an intervening state faces limited threats on these three counts, humanitarianism. Constructivism is used to uncover the norms of legality and Eurocentrism. Post-colonialism highlights the importance of history for the understanding of policy decisions on intervention, introduces the concept of neo-colonialism, and helps to address and refine the issue of Eurocentrism, which to date remains under-researched in the literature on international relations.