Rebecca M. Bodenheimer
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781628462395
- eISBN:
- 9781626746886
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628462395.003.0001
- Subject:
- Music, Ethnomusicology, World Music
This chapter summarizes the nationalist notions of race that have been dominant since Cuban independence, focusing on critiques of the discourse of mestizaje, or racial mixture, that has been issued ...
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This chapter summarizes the nationalist notions of race that have been dominant since Cuban independence, focusing on critiques of the discourse of mestizaje, or racial mixture, that has been issued by many Cuba scholars. It lays out the theoretical approaches underpinning the book’s arguments, explaining how the politics of place includes several elements: regionalist sentiment, racialized discourses of place, and localized notions of hybridity. The chapter also elucidates methodological approaches employed in research for the book, and presents a discussion of the politics of representation entailed in conducting fieldwork in Cuba.Less
This chapter summarizes the nationalist notions of race that have been dominant since Cuban independence, focusing on critiques of the discourse of mestizaje, or racial mixture, that has been issued by many Cuba scholars. It lays out the theoretical approaches underpinning the book’s arguments, explaining how the politics of place includes several elements: regionalist sentiment, racialized discourses of place, and localized notions of hybridity. The chapter also elucidates methodological approaches employed in research for the book, and presents a discussion of the politics of representation entailed in conducting fieldwork in Cuba.
Rebecca M. Bodenheimer
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781628462395
- eISBN:
- 9781626746886
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628462395.001.0001
- Subject:
- Music, Ethnomusicology, World Music
Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all ...
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Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes of identity. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since Independence in 1898. This book argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic nationalist discourse. Given that music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional and local, as well as national, identities, and the book thus suggests that regional identity exerts a significant influence on the aesthetic choices Cuban musicians make. Through the examination of several genres, the book explores the various ways that race and the politics of place are entangled in contemporary Cuban music-making. It argues that racialized discourses that circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.Less
Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes of identity. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since Independence in 1898. This book argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic nationalist discourse. Given that music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional and local, as well as national, identities, and the book thus suggests that regional identity exerts a significant influence on the aesthetic choices Cuban musicians make. Through the examination of several genres, the book explores the various ways that race and the politics of place are entangled in contemporary Cuban music-making. It argues that racialized discourses that circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
Malcolm Petrie
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781474425612
- eISBN:
- 9781474445214
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474425612.003.0005
- Subject:
- Political Science, UK Politics
The role of place remains a neglected factor in the political history of modern Britain. Yet where and how parties conducted their political campaigns was of fundamental importance in conferring ...
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The role of place remains a neglected factor in the political history of modern Britain. Yet where and how parties conducted their political campaigns was of fundamental importance in conferring legitimacy on movements and causes. In the immediate post-war period, urban public space provided a platform for the expression of a range of radical identities, most notably on occasions such as May Day. Yet after the 1926 General Striketolerance of such occasions declined; more than this, the willingness of leading Labour Party figures to appear amid the pageantry and class symbolism on display at May Day rallieswaned. Local public space became instead the venue for occasions such as Armistice Day, which expressed a shared national identity.Less
The role of place remains a neglected factor in the political history of modern Britain. Yet where and how parties conducted their political campaigns was of fundamental importance in conferring legitimacy on movements and causes. In the immediate post-war period, urban public space provided a platform for the expression of a range of radical identities, most notably on occasions such as May Day. Yet after the 1926 General Striketolerance of such occasions declined; more than this, the willingness of leading Labour Party figures to appear amid the pageantry and class symbolism on display at May Day rallieswaned. Local public space became instead the venue for occasions such as Armistice Day, which expressed a shared national identity.
