Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.001.0001
- Subject:
- Religion, Religion and Society
In August 1934 Adolf Hitler attended the world-famous Oberammergau Passion Play, falsely branding the villagers as Nazi ideologues. In fact, the drama reflected traditional interpretations of the ...
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In August 1934 Adolf Hitler attended the world-famous Oberammergau Passion Play, falsely branding the villagers as Nazi ideologues. In fact, the drama reflected traditional interpretations of the biblical narrative, pitting Jewish leaders and crowds against Jesus and his loyal followers. Yet elite Europeans and Americans flocked to Oberammergau each decade after 1850 to witness the play because actors and audience shared the anti-Semitic messages they read into the Gospel story. Oberammergau’s population was split between Hitler’s supporters and opponents because some villagers were true believers and others tolerated the Nazi regime’s extreme cultural restructuring, while Catholic loyalists resisted efforts to replace their customary practices with Nazified alternatives. All sides united in defending their centuries-old tradition of dramatizing the Passion. Villagers appeared on stage as children and grew up hoping to perform major roles as adults, so their entire lives revolved around the play seasons. This commitment nurtured a powerful communal identity in Oberammergau, carving out maneuvering room for dissent at the margins of Nazi tyranny even by party members who defied superiors threatening Oberammergau’s special interests. Their actions represented an extreme example of the maxim: “All politics is local.” Drawing on a huge array of records, the book tells the up-close and personal story of a community in crisis, illuminating heart-wrenching decisions made by villagers alternatively wooed and threatened by their Nazi leaders. Biographies bring these everyday Germans to life as complex human beings struggling with the extreme challenges of the Nazi Era.Less
In August 1934 Adolf Hitler attended the world-famous Oberammergau Passion Play, falsely branding the villagers as Nazi ideologues. In fact, the drama reflected traditional interpretations of the biblical narrative, pitting Jewish leaders and crowds against Jesus and his loyal followers. Yet elite Europeans and Americans flocked to Oberammergau each decade after 1850 to witness the play because actors and audience shared the anti-Semitic messages they read into the Gospel story. Oberammergau’s population was split between Hitler’s supporters and opponents because some villagers were true believers and others tolerated the Nazi regime’s extreme cultural restructuring, while Catholic loyalists resisted efforts to replace their customary practices with Nazified alternatives. All sides united in defending their centuries-old tradition of dramatizing the Passion. Villagers appeared on stage as children and grew up hoping to perform major roles as adults, so their entire lives revolved around the play seasons. This commitment nurtured a powerful communal identity in Oberammergau, carving out maneuvering room for dissent at the margins of Nazi tyranny even by party members who defied superiors threatening Oberammergau’s special interests. Their actions represented an extreme example of the maxim: “All politics is local.” Drawing on a huge array of records, the book tells the up-close and personal story of a community in crisis, illuminating heart-wrenching decisions made by villagers alternatively wooed and threatened by their Nazi leaders. Biographies bring these everyday Germans to life as complex human beings struggling with the extreme challenges of the Nazi Era.
Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.003.0001
- Subject:
- Religion, Religion and Society
Chapter One introduces master potter Anton Lang, the most famous player of Christ and an exemplary Catholic whose lifestyle helped to promote the Bavarian People’s Party (BVP) and whose success as a ...
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Chapter One introduces master potter Anton Lang, the most famous player of Christ and an exemplary Catholic whose lifestyle helped to promote the Bavarian People’s Party (BVP) and whose success as a hotelier contributed to Oberammergau’s growth as a tourism center. In Lang’s Alpine village, families survived as wood carvers marketing Catholic devotionalia to an international clientele. Locals joined pilgrimages and Corpus Christi processions, a statement of Catholic loyalism, developed charities, and venerated “charity” saints. Oberammergau’s Passion Play drew a growing audience, including English speakers, to stay with ethnically intriguing villagers and, later, in hotels and upgraded homes. The play’s text highlighted antagonism between “Jews” and “Christians” in the Crucifixion story, but elite visitors validated its anti-Semitic message. The community’s subsequent evolution as a tourism center created diverse social and political groups, while village insiders acquired an exclusive mentality as Passion players, creating a deep social rift with newcomers in Oberammergau.Less
Chapter One introduces master potter Anton Lang, the most famous player of Christ and an exemplary Catholic whose lifestyle helped to promote the Bavarian People’s Party (BVP) and whose success as a hotelier contributed to Oberammergau’s growth as a tourism center. In Lang’s Alpine village, families survived as wood carvers marketing Catholic devotionalia to an international clientele. Locals joined pilgrimages and Corpus Christi processions, a statement of Catholic loyalism, developed charities, and venerated “charity” saints. Oberammergau’s Passion Play drew a growing audience, including English speakers, to stay with ethnically intriguing villagers and, later, in hotels and upgraded homes. The play’s text highlighted antagonism between “Jews” and “Christians” in the Crucifixion story, but elite visitors validated its anti-Semitic message. The community’s subsequent evolution as a tourism center created diverse social and political groups, while village insiders acquired an exclusive mentality as Passion players, creating a deep social rift with newcomers in Oberammergau.
Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.003.0002
- Subject:
- Religion, Religion and Society
Chapter Two introduces Oberammergau’s increasingly complex political culture by describing the Corpus Christi procession in which youths carry banners, costumed girls display a Marian statue, and ...
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Chapter Two introduces Oberammergau’s increasingly complex political culture by describing the Corpus Christi procession in which youths carry banners, costumed girls display a Marian statue, and priests surround the Host under a baldachin. Political Catholics dominated elections before 1914, although a Liberal challenger paved the way for Catholics to join non-denominational parties. Defeat in World War I brought Oberammergau both a Soviet-style council that competed briefly with traditional political structures and armed revolutionaries in Bavaria’s capital whom local paramilitary forces helped to defeat. Villagers became passionately anti-Communist, often laced with anti-Semitism because of the Munich uprising’s Jewish leaders. In the 1920s, political Catholicism (BVP) declined as the electorate fragmented, although voters participated extensively in local politics, including Passion Play management. The Nazis performed surprisingly well in the 1930 election, which took place during the Passion season; newcomers, including temporary workers, helped them succeed in Oberammergau.Less
Chapter Two introduces Oberammergau’s increasingly complex political culture by describing the Corpus Christi procession in which youths carry banners, costumed girls display a Marian statue, and priests surround the Host under a baldachin. Political Catholics dominated elections before 1914, although a Liberal challenger paved the way for Catholics to join non-denominational parties. Defeat in World War I brought Oberammergau both a Soviet-style council that competed briefly with traditional political structures and armed revolutionaries in Bavaria’s capital whom local paramilitary forces helped to defeat. Villagers became passionately anti-Communist, often laced with anti-Semitism because of the Munich uprising’s Jewish leaders. In the 1920s, political Catholicism (BVP) declined as the electorate fragmented, although voters participated extensively in local politics, including Passion Play management. The Nazis performed surprisingly well in the 1930 election, which took place during the Passion season; newcomers, including temporary workers, helped them succeed in Oberammergau.
Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.003.0005
- Subject:
- Religion, Religion and Society
Chapter Five focuses on a special 1934 anniversary Passion Play season, the success of which required a truce between Nazi and Catholic villagers soon threatened by an escalating feud between the ...
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Chapter Five focuses on a special 1934 anniversary Passion Play season, the success of which required a truce between Nazi and Catholic villagers soon threatened by an escalating feud between the local Motorstorm commander and the new Nazi mayor, Raimund Lang. Just before the first performance, Motorstorm troopers even mutinied over their commander’s confrontational activities. Both he and Lang faced danger during the murderous Night of the Long Knives in late June. Nazi leaders did not disrupt the traditional process by which Oberammergau’s actors were chosen, so party members received no preferential treatment, although Mayor Lang moved to control play proceeds in an unpopular way that set up a persistent negative dynamic once the Passion season’s unity had disintegrated into divisive confrontations. The 1934 season itself proceeded without incident, other than Chancellor Hitler’s visit to Oberammergau that thrilled visitors and villagers alike.Less
Chapter Five focuses on a special 1934 anniversary Passion Play season, the success of which required a truce between Nazi and Catholic villagers soon threatened by an escalating feud between the local Motorstorm commander and the new Nazi mayor, Raimund Lang. Just before the first performance, Motorstorm troopers even mutinied over their commander’s confrontational activities. Both he and Lang faced danger during the murderous Night of the Long Knives in late June. Nazi leaders did not disrupt the traditional process by which Oberammergau’s actors were chosen, so party members received no preferential treatment, although Mayor Lang moved to control play proceeds in an unpopular way that set up a persistent negative dynamic once the Passion season’s unity had disintegrated into divisive confrontations. The 1934 season itself proceeded without incident, other than Chancellor Hitler’s visit to Oberammergau that thrilled visitors and villagers alike.
Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.003.0006
- Subject:
- Religion, Religion and Society
Chapter Six introduces Oberammergau’s venerable Music Club, whose members, dressed in colorful uniforms, played a crucial role in both Catholic processions and the entertainment of tourists, as well ...
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Chapter Six introduces Oberammergau’s venerable Music Club, whose members, dressed in colorful uniforms, played a crucial role in both Catholic processions and the entertainment of tourists, as well as Passion seasons. Yet they led an oblique form of democratic opposition to Mayor Lang after the 1934 Passion Play season was completed. Both Nazis and Catholics pursued their separate cultural agendas in an increasingly hostile dynamic during the mid 1930s. Nazi organizations included the Women’s League, the German Labor Front and its Strength through Joy subsidiary, the Community Welfare Association, the Hitler Youth and the League of German Girls. Catholics faced increasing restrictions on their associational activities but maintained an active ritual round, despite eventual circumscription of their traditional processions. The single Jew living in Oberammergau was driven out during Kristallnacht in 1938 and forced into emigration following a brief stint in Dachau.Less
Chapter Six introduces Oberammergau’s venerable Music Club, whose members, dressed in colorful uniforms, played a crucial role in both Catholic processions and the entertainment of tourists, as well as Passion seasons. Yet they led an oblique form of democratic opposition to Mayor Lang after the 1934 Passion Play season was completed. Both Nazis and Catholics pursued their separate cultural agendas in an increasingly hostile dynamic during the mid 1930s. Nazi organizations included the Women’s League, the German Labor Front and its Strength through Joy subsidiary, the Community Welfare Association, the Hitler Youth and the League of German Girls. Catholics faced increasing restrictions on their associational activities but maintained an active ritual round, despite eventual circumscription of their traditional processions. The single Jew living in Oberammergau was driven out during Kristallnacht in 1938 and forced into emigration following a brief stint in Dachau.
Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.003.0008
- Subject:
- Religion, Religion and Society
A local resistance group named after a rare Alpine bird opens Chapter Eight. Oberammergau’s forestry chief led this effort at peaceful surrender to the occupying Americans who brought a harsh postwar ...
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A local resistance group named after a rare Alpine bird opens Chapter Eight. Oberammergau’s forestry chief led this effort at peaceful surrender to the occupying Americans who brought a harsh postwar environment to a village population swollen by refugees from Germany’s lost eastern provinces and expelled ethnic Germans. All adults were subject to denazification procedures that attempted to sort out the guilty from the innocent, although most local Nazis were lightly punished as fellow travelers. The denazified villagers included Raimund Lang, who returned as mayor after a controversial local election. Village-level democracy had resumed early in 1946 while, gradually, regional and state-level democratic structures revived in their turn. Once the Federal Republic was established in 1949, Lang could lead preparations for a 1950 Passion Play season. The community had seemingly returned to normal life but the reprieve was short-lived; the shadow of their Nazi past would not disappear.Less
A local resistance group named after a rare Alpine bird opens Chapter Eight. Oberammergau’s forestry chief led this effort at peaceful surrender to the occupying Americans who brought a harsh postwar environment to a village population swollen by refugees from Germany’s lost eastern provinces and expelled ethnic Germans. All adults were subject to denazification procedures that attempted to sort out the guilty from the innocent, although most local Nazis were lightly punished as fellow travelers. The denazified villagers included Raimund Lang, who returned as mayor after a controversial local election. Village-level democracy had resumed early in 1946 while, gradually, regional and state-level democratic structures revived in their turn. Once the Federal Republic was established in 1949, Lang could lead preparations for a 1950 Passion Play season. The community had seemingly returned to normal life but the reprieve was short-lived; the shadow of their Nazi past would not disappear.
Helena Waddy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195371277
- eISBN:
- 9780199777341
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195371277.003.0009
- Subject:
- Religion, Religion and Society
The Conclusion explores the author’s acquired understanding of how the Nazis’ dictatorial intrusions were refracted through the special lens of Oberammergau’s Passion Play culture; both Nazis and ...
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The Conclusion explores the author’s acquired understanding of how the Nazis’ dictatorial intrusions were refracted through the special lens of Oberammergau’s Passion Play culture; both Nazis and their Catholic opponents thought from the play out. Waddy’s intensive community study led to struggles with two possible extreme reactions. Revulsion against the Holocaust could reach beyond outright condemnation of perpetrators to harsh judgments about ordinary citizens who carved out room for dissent to protect their own interests yet responded weakly to the many atrocities of the Third Reich. But apologism could also grow out of understanding locals as complex actors facing a myriad of personal and communal concerns. Waddy concludes that no true resisters like the Kreisau Circle’s von Moltke couple emerged in Oberammergau, so when even Freya von Moltke condemns her own attempts to survive, she indicts other Germans like Oberammergau’s villagers.Less
The Conclusion explores the author’s acquired understanding of how the Nazis’ dictatorial intrusions were refracted through the special lens of Oberammergau’s Passion Play culture; both Nazis and their Catholic opponents thought from the play out. Waddy’s intensive community study led to struggles with two possible extreme reactions. Revulsion against the Holocaust could reach beyond outright condemnation of perpetrators to harsh judgments about ordinary citizens who carved out room for dissent to protect their own interests yet responded weakly to the many atrocities of the Third Reich. But apologism could also grow out of understanding locals as complex actors facing a myriad of personal and communal concerns. Waddy concludes that no true resisters like the Kreisau Circle’s von Moltke couple emerged in Oberammergau, so when even Freya von Moltke condemns her own attempts to survive, she indicts other Germans like Oberammergau’s villagers.
Paul Friedland
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199592692
- eISBN:
- 9780191741852
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199592692.003.0005
- Subject:
- History, European Medieval History, European Early Modern History
At the turn of the fifteenth century, with the introduction of mandatory confession by a Catholic priest in all cases of capital punishment, a common penal ritual developed with decidedly religious ...
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At the turn of the fifteenth century, with the introduction of mandatory confession by a Catholic priest in all cases of capital punishment, a common penal ritual developed with decidedly religious overtones. Part public shaming, part ritual expulsion, and part Passion Play, executions in France were very much the product of France's penal history, combining elements of Roman exemplary deterrence with atonement and compensation. The endurance of various types of execution with little or no deterrent function—the trial and punishment of animals, cadavers and effigies—reveals the extent to which the theory and practice of capital punishment were drawn from different cultural influences and frequently functioned at cross purposes.Less
At the turn of the fifteenth century, with the introduction of mandatory confession by a Catholic priest in all cases of capital punishment, a common penal ritual developed with decidedly religious overtones. Part public shaming, part ritual expulsion, and part Passion Play, executions in France were very much the product of France's penal history, combining elements of Roman exemplary deterrence with atonement and compensation. The endurance of various types of execution with little or no deterrent function—the trial and punishment of animals, cadavers and effigies—reveals the extent to which the theory and practice of capital punishment were drawn from different cultural influences and frequently functioned at cross purposes.
Brian Mcnair
- Published in print:
- 2009
- Published Online:
- September 2012
- ISBN:
- 9780748634460
- eISBN:
- 9780748670925
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748634460.003.0012
- Subject:
- Film, Television and Radio, Film
This book has examined journalists portrayed in cinema to be heroes and villains; as complex, richly drawn characters; and as crude stereotypes. It has looked at lurid anti-tabloid revenge fantasies ...
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This book has examined journalists portrayed in cinema to be heroes and villains; as complex, richly drawn characters; and as crude stereotypes. It has looked at lurid anti-tabloid revenge fantasies where journalists are exterminated like cockroaches; and illustrated poignant reconstructions of real-life tragedies in which the journalist is the victim, or the target. The final release of the 1997–2008 period was a film which portrays the scrutinising, adversarial, watchdog function of journalism at its best. The decline of print journalism, and its potentially adverse implications for democratic societies, inspired the making of the film in question, State of Play. The film, released in the UK just after this book went to press, was intended to defend the value of ‘grubby’, old fashioned, adequately resourced investigative journalism in the era of ‘sharp-suited bloggery and the internet’.Less
This book has examined journalists portrayed in cinema to be heroes and villains; as complex, richly drawn characters; and as crude stereotypes. It has looked at lurid anti-tabloid revenge fantasies where journalists are exterminated like cockroaches; and illustrated poignant reconstructions of real-life tragedies in which the journalist is the victim, or the target. The final release of the 1997–2008 period was a film which portrays the scrutinising, adversarial, watchdog function of journalism at its best. The decline of print journalism, and its potentially adverse implications for democratic societies, inspired the making of the film in question, State of Play. The film, released in the UK just after this book went to press, was intended to defend the value of ‘grubby’, old fashioned, adequately resourced investigative journalism in the era of ‘sharp-suited bloggery and the internet’.
Jay Schulkin
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231176767
- eISBN:
- 9780231541978
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231176767.001.0001
- Subject:
- Biology, Evolutionary Biology / Genetics
Sports are as varied as the people who play them. We run, jump, and swim. We kick, hit, and shoot balls. We ride sleds in the snow and surf in the sea. From the Olympians of ancient Greece to today’s ...
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Sports are as varied as the people who play them. We run, jump, and swim. We kick, hit, and shoot balls. We ride sleds in the snow and surf in the sea. From the Olympians of ancient Greece to today’s professional athletes, from adult pickup soccer games to children’s gymnastics classes, people at all levels of ability at all times and in all places have engaged in sport. What drives this phenomenon?
In Sport, the neuroscientist Jay Schulkin argues that biology and culture do more than coexist when we play sports—they blend together seamlessly, propelling each other toward greater physical and intellectual achievement. To support this claim, Schulkin discusses history, literature, and art—and engages philosophical inquiry and recent behavioral research. He connects sport’s basic neural requirements, including spatial and temporal awareness, inference, memory, agency, direction, competitive spirit, and endurance, to the demands of other human activities. He affirms sport’s natural role as a creative evolutionary catalyst, turning the external play of sports inward and bringing insight to the diversion that defines our species. Sport, we learn, is a fundamental part of human life.Less
Sports are as varied as the people who play them. We run, jump, and swim. We kick, hit, and shoot balls. We ride sleds in the snow and surf in the sea. From the Olympians of ancient Greece to today’s professional athletes, from adult pickup soccer games to children’s gymnastics classes, people at all levels of ability at all times and in all places have engaged in sport. What drives this phenomenon?
In Sport, the neuroscientist Jay Schulkin argues that biology and culture do more than coexist when we play sports—they blend together seamlessly, propelling each other toward greater physical and intellectual achievement. To support this claim, Schulkin discusses history, literature, and art—and engages philosophical inquiry and recent behavioral research. He connects sport’s basic neural requirements, including spatial and temporal awareness, inference, memory, agency, direction, competitive spirit, and endurance, to the demands of other human activities. He affirms sport’s natural role as a creative evolutionary catalyst, turning the external play of sports inward and bringing insight to the diversion that defines our species. Sport, we learn, is a fundamental part of human life.
Miriam J. Petty
- Published in print:
- 2016
- Published Online:
- January 2018
- ISBN:
- 9781496807045
- eISBN:
- 9781496807083
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496807045.003.0012
- Subject:
- Society and Culture, Media Studies
Miriam J. Petty contributes a brief reflection on her personal and professional engagement with Perry’s controversial character Madea. She thinks about Madea as a figure that allows Perry the freedom ...
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Miriam J. Petty contributes a brief reflection on her personal and professional engagement with Perry’s controversial character Madea. She thinks about Madea as a figure that allows Perry the freedom to cross otherwise uncrossable lines and boundaries, and to play generically, iconographically, intertextually, cross-culturally, visually, intergenerationally and performatively. Playing in this multitude of ways allows him to bring Madea forth in all of her taboo, ideologically vexed, contradictory glory. Ultimately, the one act enables the other; their interconnectedness is at the core of Perry’s significance as contemporary cultural phenomenon.Less
Miriam J. Petty contributes a brief reflection on her personal and professional engagement with Perry’s controversial character Madea. She thinks about Madea as a figure that allows Perry the freedom to cross otherwise uncrossable lines and boundaries, and to play generically, iconographically, intertextually, cross-culturally, visually, intergenerationally and performatively. Playing in this multitude of ways allows him to bring Madea forth in all of her taboo, ideologically vexed, contradictory glory. Ultimately, the one act enables the other; their interconnectedness is at the core of Perry’s significance as contemporary cultural phenomenon.
Joseph McBride
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780813142623
- eISBN:
- 9780813145242
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813142623.003.0037
- Subject:
- Film, Television and Radio, Film
McBride queries Hawks on current projects. The director talks about his work on When It’s Hot Play It Cool and the challenges of filming in international locations due to political unrest. He also ...
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McBride queries Hawks on current projects. The director talks about his work on When It’s Hot Play It Cool and the challenges of filming in international locations due to political unrest. He also mentions some story ideas that are still in development.Less
McBride queries Hawks on current projects. The director talks about his work on When It’s Hot Play It Cool and the challenges of filming in international locations due to political unrest. He also mentions some story ideas that are still in development.
Ronald Hutton
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780198205708
- eISBN:
- 9780191676758
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198205708.003.0007
- Subject:
- History, British and Irish Medieval History, British and Irish Early Modern History
Reginald Tiddy wrote the Mummers' Play, a ‘classic’ found all over southern England and the south Midlands, and performed in the Christmas season. Several elements of it were also present in plays ...
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Reginald Tiddy wrote the Mummers' Play, a ‘classic’ found all over southern England and the south Midlands, and performed in the Christmas season. Several elements of it were also present in plays presented in the east Midlands on Plough Monday, in Cheshire in November, and in the north-west at Eastertide, to be described later; and also in the north-eastern Christmastide Sword Dance. Over much of the West Country, Father Christmas made the introduction, while everywhere St George or King George was the most common champion, fighting either a Saracen knight or a swaggering soldier called, most frequently, Slasher. The doctor was ubiquitous, and often had an assistant, and the combats could be single or multiple. A renowned scholar of medieval and Elizabethan drama, Sir Edmund Chambers, published a more detailed appraisal of this play, and added a lengthy discussion of the northern Sword Dance, to which it had already been linked.Less
Reginald Tiddy wrote the Mummers' Play, a ‘classic’ found all over southern England and the south Midlands, and performed in the Christmas season. Several elements of it were also present in plays presented in the east Midlands on Plough Monday, in Cheshire in November, and in the north-west at Eastertide, to be described later; and also in the north-eastern Christmastide Sword Dance. Over much of the West Country, Father Christmas made the introduction, while everywhere St George or King George was the most common champion, fighting either a Saracen knight or a swaggering soldier called, most frequently, Slasher. The doctor was ubiquitous, and often had an assistant, and the combats could be single or multiple. A renowned scholar of medieval and Elizabethan drama, Sir Edmund Chambers, published a more detailed appraisal of this play, and added a lengthy discussion of the northern Sword Dance, to which it had already been linked.
Rachel Willie
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780719087639
- eISBN:
- 9781526104052
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719087639.003.0002
- Subject:
- Literature, Criticism/Theory
Chapter one examines how drama was enacted in textual form upon the paper stage, outlining how writers used the medium of print to appropriate pre-civil war drama as a way to comment upon ...
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Chapter one examines how drama was enacted in textual form upon the paper stage, outlining how writers used the medium of print to appropriate pre-civil war drama as a way to comment upon contemporary anxieties regarding war and the closure of the playhouses. Informed by recent discussions regarding the formation of the nascent public sphere, it offers a reappraisal of the Habermassian public sphere, presenting a more fluid form of public-making and making the case for the importance of story telling as a way to enter the public realm. The chapter also discusses how drama operates and participates in the public sphere to enact political grievances through an examination of woodcuts that accompany three play pamphlets that were printed in the mid-seventeenth century.Less
Chapter one examines how drama was enacted in textual form upon the paper stage, outlining how writers used the medium of print to appropriate pre-civil war drama as a way to comment upon contemporary anxieties regarding war and the closure of the playhouses. Informed by recent discussions regarding the formation of the nascent public sphere, it offers a reappraisal of the Habermassian public sphere, presenting a more fluid form of public-making and making the case for the importance of story telling as a way to enter the public realm. The chapter also discusses how drama operates and participates in the public sphere to enact political grievances through an examination of woodcuts that accompany three play pamphlets that were printed in the mid-seventeenth century.
Rachel Willie
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780719087639
- eISBN:
- 9781526104052
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719087639.003.0003
- Subject:
- Literature, Criticism/Theory
Chapter two explores a selection of play pamphlets and how the paper stage was used to present images of Charles I and Oliver Cromwell. While the regicide silenced some of the criticism levied ...
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Chapter two explores a selection of play pamphlets and how the paper stage was used to present images of Charles I and Oliver Cromwell. While the regicide silenced some of the criticism levied against Charles, Cromwell was increasingly portrayed as a Machiavellian: the saint and martyred king met his polar opposite in the portrayal of a demonic lord protector. Parliamentarians and royalists used drama as a way of reflecting upon and responding to politics. Through examining play pamphlets that use the place of the fair or the afterlife as a way to respond to the protectorate, this chapter shows that these play pamphlets are not uniform in their depictions of Charles or Cromwell, but share and modify modes of attack and defence on the page.Less
Chapter two explores a selection of play pamphlets and how the paper stage was used to present images of Charles I and Oliver Cromwell. While the regicide silenced some of the criticism levied against Charles, Cromwell was increasingly portrayed as a Machiavellian: the saint and martyred king met his polar opposite in the portrayal of a demonic lord protector. Parliamentarians and royalists used drama as a way of reflecting upon and responding to politics. Through examining play pamphlets that use the place of the fair or the afterlife as a way to respond to the protectorate, this chapter shows that these play pamphlets are not uniform in their depictions of Charles or Cromwell, but share and modify modes of attack and defence on the page.
Anders Drachen, Pejman Mirza-Babaei, and Lennart Nacke (eds)
- Published in print:
- 2018
- Published Online:
- March 2018
- ISBN:
- 9780198794844
- eISBN:
- 9780191836336
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198794844.001.0001
- Subject:
- Mathematics, Logic / Computer Science / Mathematical Philosophy, Computational Mathematics / Optimization
Today, Games User Research forms an integral component of the development of any kind of interactive entertainment. User research stands as the primary source of business intelligence in the ...
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Today, Games User Research forms an integral component of the development of any kind of interactive entertainment. User research stands as the primary source of business intelligence in the incredibly competitive game industry. This book aims to provide the foundational, accessible, go-to resource for people interested in GUR. It is a community-driven effort—it is written by passionate professionals and researchers in the GUR community as a handbook and guide for everyone interested in user research and games. The book bridges the current gaps of knowledge in Game User Research, building the go-to volume for everyone working with games, with an emphasis on those new to the field.Less
Today, Games User Research forms an integral component of the development of any kind of interactive entertainment. User research stands as the primary source of business intelligence in the incredibly competitive game industry. This book aims to provide the foundational, accessible, go-to resource for people interested in GUR. It is a community-driven effort—it is written by passionate professionals and researchers in the GUR community as a handbook and guide for everyone interested in user research and games. The book bridges the current gaps of knowledge in Game User Research, building the go-to volume for everyone working with games, with an emphasis on those new to the field.
Daniel Peretti
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496814586
- eISBN:
- 9781496814623
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496814586.003.0003
- Subject:
- Sociology, Culture
Building from the foundation of Hans Vaihinger’s philosophy of “as if”, this chapter examines how several Superman fans and writers use the character as a moral exemplar. It provides several personal ...
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Building from the foundation of Hans Vaihinger’s philosophy of “as if”, this chapter examines how several Superman fans and writers use the character as a moral exemplar. It provides several personal experience narratives that demonstrate how Superman has influenced choices these men have made, specifically with regard to morality in practice. Drawing on material from several interviews, the notion that individuals make choices based on the ideals presented in Superman stories leads to the idea that fictiveness does not deter the function and semantic weight of the character. This chapter also explores the use of Superman in education, particularly to teach science. In sum, this chapter furthers the study of how Superman affects the real world.Less
Building from the foundation of Hans Vaihinger’s philosophy of “as if”, this chapter examines how several Superman fans and writers use the character as a moral exemplar. It provides several personal experience narratives that demonstrate how Superman has influenced choices these men have made, specifically with regard to morality in practice. Drawing on material from several interviews, the notion that individuals make choices based on the ideals presented in Superman stories leads to the idea that fictiveness does not deter the function and semantic weight of the character. This chapter also explores the use of Superman in education, particularly to teach science. In sum, this chapter furthers the study of how Superman affects the real world.
Daniel Peretti
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496814586
- eISBN:
- 9781496814623
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496814586.003.0004
- Subject:
- Sociology, Culture
Annually occurring in June, Metropolis, Illinois’s, Superman Celebration brings together tens of thousands of fans, and those who might want to be fans, of Superman. This chapter documents the ...
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Annually occurring in June, Metropolis, Illinois’s, Superman Celebration brings together tens of thousands of fans, and those who might want to be fans, of Superman. This chapter documents the Celebration with emphasis on its opening ceremony, which features a short drama enacted in front of a fifteen-foot Superman statue. The opening ceremony dramatizes the relationship between the fans who travel to the small town from all over the world and the residents and local businesses and government. Looking at the drama as a ritual that transforms the city streets into an arena for festivity, this chapter also discusses fan participation and ownership through interviews and analysis of attendees and events. It includes a related discussion of the weekly trip to buy comics at a specialty shop as ritual.Less
Annually occurring in June, Metropolis, Illinois’s, Superman Celebration brings together tens of thousands of fans, and those who might want to be fans, of Superman. This chapter documents the Celebration with emphasis on its opening ceremony, which features a short drama enacted in front of a fifteen-foot Superman statue. The opening ceremony dramatizes the relationship between the fans who travel to the small town from all over the world and the residents and local businesses and government. Looking at the drama as a ritual that transforms the city streets into an arena for festivity, this chapter also discusses fan participation and ownership through interviews and analysis of attendees and events. It includes a related discussion of the weekly trip to buy comics at a specialty shop as ritual.
Diane Tye
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496810847
- eISBN:
- 9781496810892
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496810847.003.0009
- Subject:
- Sociology, Culture
For Atlantic Canadians, particularly Newfoundlanders, boloney is a favourite comfort food. Affordable, convenient, filling, and intricately connected with Newfoundland’s past, bologna offers physical ...
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For Atlantic Canadians, particularly Newfoundlanders, boloney is a favourite comfort food. Affordable, convenient, filling, and intricately connected with Newfoundland’s past, bologna offers physical and emotional fulfillment to many Newfoundlanders who occasionally choose to ignore its high salt and fat content. This paper explores how simply fried, or more creatively transformed into dishes like Sweet and Sour Bologna, boloney brings together elements of tradition, modernity, and play in ways that speak of place and home.Less
For Atlantic Canadians, particularly Newfoundlanders, boloney is a favourite comfort food. Affordable, convenient, filling, and intricately connected with Newfoundland’s past, bologna offers physical and emotional fulfillment to many Newfoundlanders who occasionally choose to ignore its high salt and fat content. This paper explores how simply fried, or more creatively transformed into dishes like Sweet and Sour Bologna, boloney brings together elements of tradition, modernity, and play in ways that speak of place and home.
Ariane Cruz
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781479809288
- eISBN:
- 9781479899425
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479809288.003.0003
- Subject:
- Society and Culture, Cultural Studies
Chapter 2 reads black women’s diverse performance of race play in contemporary American pornography, focusing on three sites of analysis. First, I discuss the performance of black female/white male ...
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Chapter 2 reads black women’s diverse performance of race play in contemporary American pornography, focusing on three sites of analysis. First, I discuss the performance of black female/white male humiliation in the BDSM femdom website of a veteran black female performer/pornographer, Vanessa Blue, arguing that race is a critical technology of interracial BDSM pornography. Next, I read a performance of black female submission staged as a historical reenactment of chattel slavery in hard-core mainstream race-play pornography to illustrate the hold this history maintains over our erotic imaginary. Then, I turn to amateur Internet race-play pornography to analyze queer race-play performance in porn. From amateur to high budget, mainstream to margins, and across the shifting racial and gender dynamics of production and positions of domination and submission, pornographic performances of race play exhibit an unfaltering racial hyperbole and eroticization of black female racial-sexual alterity and its anxiety. Though I demonstrate the salience of race play in the pornographic imaginary, I analyze race play as a comprehensive performance with a more universal sociocultural currency and relevance. Far from being a liminal sexual practice, race play delineates the performance of racialized sexuality more generally.Less
Chapter 2 reads black women’s diverse performance of race play in contemporary American pornography, focusing on three sites of analysis. First, I discuss the performance of black female/white male humiliation in the BDSM femdom website of a veteran black female performer/pornographer, Vanessa Blue, arguing that race is a critical technology of interracial BDSM pornography. Next, I read a performance of black female submission staged as a historical reenactment of chattel slavery in hard-core mainstream race-play pornography to illustrate the hold this history maintains over our erotic imaginary. Then, I turn to amateur Internet race-play pornography to analyze queer race-play performance in porn. From amateur to high budget, mainstream to margins, and across the shifting racial and gender dynamics of production and positions of domination and submission, pornographic performances of race play exhibit an unfaltering racial hyperbole and eroticization of black female racial-sexual alterity and its anxiety. Though I demonstrate the salience of race play in the pornographic imaginary, I analyze race play as a comprehensive performance with a more universal sociocultural currency and relevance. Far from being a liminal sexual practice, race play delineates the performance of racialized sexuality more generally.
