George Boyne, Oliver James, Peter John, and Nicolai Petrovsky
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199573547
- eISBN:
- 9780191722677
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199573547.003.0011
- Subject:
- Business and Management, Public Management, Organization Studies
This chapter examines the Comprehensive Performance Assessment (CPA) regime in English local government, a scheme introduced in the early 2000s to improve performance across local authorities. A ...
More
This chapter examines the Comprehensive Performance Assessment (CPA) regime in English local government, a scheme introduced in the early 2000s to improve performance across local authorities. A paradox lies in the fact that even though the CPA was a classical performance management system, overall it was a success, whereas most other performance measurement systems have failed or have been replaced quickly by systems of performance review. The scheme worked by improving the information environment for stakeholders, incentivizing poor performers to improve and make a substantive difference to local authority performance overall. This result is surprising, particularly given some contradictory elements of the incentivization under the CPA, such as a context where deprivation beyond local authority control influences public service outcomes and an asymmetric electoral response to performance — electoral punishment for low performance, but no corresponding reward for high performance. Yet the system actually worked, in spite of a volume of commentary and research on public management reform that says otherwise.Less
This chapter examines the Comprehensive Performance Assessment (CPA) regime in English local government, a scheme introduced in the early 2000s to improve performance across local authorities. A paradox lies in the fact that even though the CPA was a classical performance management system, overall it was a success, whereas most other performance measurement systems have failed or have been replaced quickly by systems of performance review. The scheme worked by improving the information environment for stakeholders, incentivizing poor performers to improve and make a substantive difference to local authority performance overall. This result is surprising, particularly given some contradictory elements of the incentivization under the CPA, such as a context where deprivation beyond local authority control influences public service outcomes and an asymmetric electoral response to performance — electoral punishment for low performance, but no corresponding reward for high performance. Yet the system actually worked, in spite of a volume of commentary and research on public management reform that says otherwise.
David B. Audretsch, Max C. Keilbach, and Erik E. Lehmann
- Published in print:
- 2006
- Published Online:
- January 2007
- ISBN:
- 9780195183511
- eISBN:
- 9780199783663
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195183511.003.0007
- Subject:
- Economics and Finance, Development, Growth, and Environmental
This chapter tests the Entrepreneurial Performance Hypothesis, which suggests that the performance of knowledge-based startups should be superior when they are able to access knowledge spillovers ...
More
This chapter tests the Entrepreneurial Performance Hypothesis, which suggests that the performance of knowledge-based startups should be superior when they are able to access knowledge spillovers through geographic proximity to universities as a source of knowledge. It is shown that the exact relationship between location and entrepreneurial performance is complex. The impact of geographic proximity on entrepreneurial performance is shaped by the amount and type of knowledge produced at a university. If the research output of a university is meagre, close proximity to a university will not bestow significant performance benefits. However, close proximity to a university with strong research output and spillover mechanisms enhances entrepreneurial performance.Less
This chapter tests the Entrepreneurial Performance Hypothesis, which suggests that the performance of knowledge-based startups should be superior when they are able to access knowledge spillovers through geographic proximity to universities as a source of knowledge. It is shown that the exact relationship between location and entrepreneurial performance is complex. The impact of geographic proximity on entrepreneurial performance is shaped by the amount and type of knowledge produced at a university. If the research output of a university is meagre, close proximity to a university will not bestow significant performance benefits. However, close proximity to a university with strong research output and spillover mechanisms enhances entrepreneurial performance.
Dominic Johnson
- Published in print:
- 2019
- Published Online:
- May 2019
- ISBN:
- 9780719091605
- eISBN:
- 9781526141958
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719091605.001.0001
- Subject:
- Art, Visual Culture
Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by ...
More
Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance.Less
Unlimited action concerns the limits imposed upon art and life, and the means by which artists have exposed, refused, or otherwise reshaped the horizon of aesthetics and of the practice of art, by way of performance art. It examines the ‘performance of extremity’ as practices at the limits of the histories of performance and art, in performance art’s most fertile and prescient decade, the 1970s. Dominic Johnson recounts and analyses game-changing performance events by six artists: Kerry Trengove, Ulay, Genesis P-Orridge, Anne Bean, the Kipper Kids, and Stephen Cripps. Through close encounters with these six artists and their works, and a broader contextual milieu of artists and works, Johnson articulates a counter-history of actions in a new narrative of performance art in the 1970s, to rethink and rediscover the history of contemporary art and performance.
Brittany P. Kennedy
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628461978
- eISBN:
- 9781626744943
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628461978.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
For centuries, Spain and the South have existed on the margins of U.S. and European identities—as much for the Francoist and Jim Crow periods as for their “exotic” cultures and sunny beaches ...
More
For centuries, Spain and the South have existed on the margins of U.S. and European identities—as much for the Francoist and Jim Crow periods as for their “exotic” cultures and sunny beaches attractive to tourists worldwide. Between Distant Modernities theorizes this trans-Atlantic link to show exactly how Spanish and Southern exceptionality became a performance developed as a specific response to modernity, and its perceived threat of homogenization, in the United States and Europe across the twentieth century. Seeing the War of 1898 as a climactic moment, this book begins by exploring the writings of the Nashville Agrarians and members of the so-called Generation of 1898, who each tried to regenerate a “traditional” Spain and South located in an agrarian past. That desire is constantly re-enacted by main characters in cultural production across the twentieth century as these characters simultaneously enact and problematize the issue of self/other, exile/citizen, and tourist/native that dominate both literary traditions.Less
For centuries, Spain and the South have existed on the margins of U.S. and European identities—as much for the Francoist and Jim Crow periods as for their “exotic” cultures and sunny beaches attractive to tourists worldwide. Between Distant Modernities theorizes this trans-Atlantic link to show exactly how Spanish and Southern exceptionality became a performance developed as a specific response to modernity, and its perceived threat of homogenization, in the United States and Europe across the twentieth century. Seeing the War of 1898 as a climactic moment, this book begins by exploring the writings of the Nashville Agrarians and members of the so-called Generation of 1898, who each tried to regenerate a “traditional” Spain and South located in an agrarian past. That desire is constantly re-enacted by main characters in cultural production across the twentieth century as these characters simultaneously enact and problematize the issue of self/other, exile/citizen, and tourist/native that dominate both literary traditions.
Dean Allbritton, Alejandro Melero, and Tom Whittaker (eds)
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780719097720
- eISBN:
- 9781526121172
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097720.001.0001
- Subject:
- Film, Television and Radio, Film
While several critical works on Spanish cinema have centred on the cultural, social and industrial significance of stars, there has been relatively little critical scholarship on what stars are paid ...
More
While several critical works on Spanish cinema have centred on the cultural, social and industrial significance of stars, there has been relatively little critical scholarship on what stars are paid to do: act. Bringing together a range of scholars that attend carefully to the performances, acting styles, and historical influences of Spanish film, Performance and Spanish Film is the first book to place the process of Spanish acting centre stage. Comprising fifteen original essays, the book casts light on the manifold meanings, methods and influences of Spanish screen performance, from the silent era to the present day. It situates the development of Spanish screen acting in both its national and global contexts, tracing acting techniques that are largely indigenous to Spain, as well as unpicking the ways in which Spanish performance has frequently been shaped by international influences and forces. As the volume ultimately demonstrates, acting can serve as a powerful site of meaning through which broader questions around Spanish film practices, culture and society can be explored.Less
While several critical works on Spanish cinema have centred on the cultural, social and industrial significance of stars, there has been relatively little critical scholarship on what stars are paid to do: act. Bringing together a range of scholars that attend carefully to the performances, acting styles, and historical influences of Spanish film, Performance and Spanish Film is the first book to place the process of Spanish acting centre stage. Comprising fifteen original essays, the book casts light on the manifold meanings, methods and influences of Spanish screen performance, from the silent era to the present day. It situates the development of Spanish screen acting in both its national and global contexts, tracing acting techniques that are largely indigenous to Spain, as well as unpicking the ways in which Spanish performance has frequently been shaped by international influences and forces. As the volume ultimately demonstrates, acting can serve as a powerful site of meaning through which broader questions around Spanish film practices, culture and society can be explored.
Donald A. Marchand, William J. Kettinger, and John D. Rollins
- Published in print:
- 2002
- Published Online:
- January 2010
- ISBN:
- 9780199252213
- eISBN:
- 9780191714276
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199252213.001.0001
- Subject:
- Business and Management, Information Technology
In today's fast-moving, e-commerce economy, information is power. For years, companies have been investing in IT, expecting to develop their ability to exploit the power of information and achieve ...
More
In today's fast-moving, e-commerce economy, information is power. For years, companies have been investing in IT, expecting to develop their ability to exploit the power of information and achieve better business performance. Frequently, a company's investment has been a cost with no clear payback; a competitive necessity rather than a strategic advantage. The book presents a framework for evaluating IT strategies: Information Orientation. Information Orientation does this by determining the degree to which a company implements and realizes the synergies across three information capabilities: information behaviours and values; information management practices; and information technology practices. This book provides a description of the dimensions of each of the capabilities, along with the analytical basis which validates the research, finding that a company must integrate all three information capabilities as a precondition for achieving superior business performance. It presents the Information Orientation Dashboard as a diagnostic tool to measure and evaluate the strengths and weaknesses of a company's information capabilities.Less
In today's fast-moving, e-commerce economy, information is power. For years, companies have been investing in IT, expecting to develop their ability to exploit the power of information and achieve better business performance. Frequently, a company's investment has been a cost with no clear payback; a competitive necessity rather than a strategic advantage. The book presents a framework for evaluating IT strategies: Information Orientation. Information Orientation does this by determining the degree to which a company implements and realizes the synergies across three information capabilities: information behaviours and values; information management practices; and information technology practices. This book provides a description of the dimensions of each of the capabilities, along with the analytical basis which validates the research, finding that a company must integrate all three information capabilities as a precondition for achieving superior business performance. It presents the Information Orientation Dashboard as a diagnostic tool to measure and evaluate the strengths and weaknesses of a company's information capabilities.
Edna Lim
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474402880
- eISBN:
- 9781474444613
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474402880.001.0001
- Subject:
- Film, Television and Radio, Film
Celluloid Singapore is not about Singapore cinema per se, or Singapore, but both. It is a ground-breaking study of the three major periods in Singapore cinema’s fragmented history – the golden age ...
More
Celluloid Singapore is not about Singapore cinema per se, or Singapore, but both. It is a ground-breaking study of the three major periods in Singapore cinema’s fragmented history – the golden age (50s and 60s), post-studio 70s and revival from the 1990s onwards. Set against the context of Singapore’s own trajectory of development, the book poses two central questions: how can the films of each period be considered Singapore films, and how is this cinema specifically national? Celluloid Singapore argues that the films of these three periods collectively constitute a national cinema through different performances of Singapore, offering a critical framework for understanding this cinema and its history in relation to the development of the country and the national.Less
Celluloid Singapore is not about Singapore cinema per se, or Singapore, but both. It is a ground-breaking study of the three major periods in Singapore cinema’s fragmented history – the golden age (50s and 60s), post-studio 70s and revival from the 1990s onwards. Set against the context of Singapore’s own trajectory of development, the book poses two central questions: how can the films of each period be considered Singapore films, and how is this cinema specifically national? Celluloid Singapore argues that the films of these three periods collectively constitute a national cinema through different performances of Singapore, offering a critical framework for understanding this cinema and its history in relation to the development of the country and the national.
Susannah Crowder
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781526106407
- eISBN:
- 9781526141989
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526106407.001.0001
- Subject:
- Literature, Early and Medieval Literature
Performing women takes on a key problem in the history of drama: the “exceptional” staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. These two creators ...
More
Performing women takes on a key problem in the history of drama: the “exceptional” staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. These two creators have remained anonymous, despite the perceived rarity of this familiar episode; this study of their lives and performances brings the elusive figure of the female performer to center stage, however. Beginning with the Catherine of Siena play and broadening outward, Performing women integrates new approaches to drama, gender, and patronage with a performance methodology to trace connections among the activities of the actor, the patron, their female family members, and peers. It shows that the women of fifteenth-century Metz enacted varied kinds of performance that included and extended beyond the theater: decades before the 1468 play, for example, Joan of Arc returned from the grave in the form of a young woman named Claude, who was acknowledged formally in a series of civic ceremonies. This in-depth investigation of the full spectrum of evidence for female performance – drama, liturgy, impersonation, devotional practice, and documentary culture – both creates a unique portrait of the lives of individual women and reveals a framework of ubiquitous female performance. Performing women offers a new paradigm: women forming the core of public culture. Networks of gendered performance offered roles of expansive range and depth to the women of Metz, and positioned them as vital and integral contributors to the fabric of urban life.Less
Performing women takes on a key problem in the history of drama: the “exceptional” staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. These two creators have remained anonymous, despite the perceived rarity of this familiar episode; this study of their lives and performances brings the elusive figure of the female performer to center stage, however. Beginning with the Catherine of Siena play and broadening outward, Performing women integrates new approaches to drama, gender, and patronage with a performance methodology to trace connections among the activities of the actor, the patron, their female family members, and peers. It shows that the women of fifteenth-century Metz enacted varied kinds of performance that included and extended beyond the theater: decades before the 1468 play, for example, Joan of Arc returned from the grave in the form of a young woman named Claude, who was acknowledged formally in a series of civic ceremonies. This in-depth investigation of the full spectrum of evidence for female performance – drama, liturgy, impersonation, devotional practice, and documentary culture – both creates a unique portrait of the lives of individual women and reveals a framework of ubiquitous female performance. Performing women offers a new paradigm: women forming the core of public culture. Networks of gendered performance offered roles of expansive range and depth to the women of Metz, and positioned them as vital and integral contributors to the fabric of urban life.
Raghbendra Jha
- Published in print:
- 2004
- Published Online:
- August 2004
- ISBN:
- 9780199271412
- eISBN:
- 9780191601255
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199271410.003.0012
- Subject:
- Economics and Finance, Development, Growth, and Environmental
This is the first of five country case studies on income inequality, and looks at the case of India. Discusses the differences between the approach taken to liberalization in India (the Delhi ...
More
This is the first of five country case studies on income inequality, and looks at the case of India. Discusses the differences between the approach taken to liberalization in India (the Delhi Consensus) and the standard approach (the Washington Consensus); the Delhi Consensus has emphasized the slow liberalization of trade and very gradual privatization, and has avoided capital account liberalization. This prudent approach has sidestepped major shocks, and the changes in inequality consequent upon these reforms have been relatively modest, although rural inequality has risen at a slower pace than have urban and overall inequality. The rise in inequality is attributed to three factors: a shift in earnings from labour to capital income; the rapid growth of the services sector, particularly the FIRE sector (banking, financial institutions, insurance, and real estate), with a consequent explosion in demand for skilled workers; and a drop in the rate of labour absorption during the reform period, associated with an increase in regional inequality, especially in the incidence of rural poverty. The chapter has five sections: Introduction: Salient Economic Performance Aspects and Recent Policy Reforms—an outline of the economic performance of the Indian economy since the 1950s, with a brief overview of the economic reforms initiated; Trends in Inequality and Poverty in India—an analysis trends in aggregate inequality and poverty, with suggested explanations; Poverty and Inequality at the State Level—an outline of the major characteristics of poverty and inequality at the level of individual Indian states; and Tentative Conclusions.Less
This is the first of five country case studies on income inequality, and looks at the case of India. Discusses the differences between the approach taken to liberalization in India (the Delhi Consensus) and the standard approach (the Washington Consensus); the Delhi Consensus has emphasized the slow liberalization of trade and very gradual privatization, and has avoided capital account liberalization. This prudent approach has sidestepped major shocks, and the changes in inequality consequent upon these reforms have been relatively modest, although rural inequality has risen at a slower pace than have urban and overall inequality. The rise in inequality is attributed to three factors: a shift in earnings from labour to capital income; the rapid growth of the services sector, particularly the FIRE sector (banking, financial institutions, insurance, and real estate), with a consequent explosion in demand for skilled workers; and a drop in the rate of labour absorption during the reform period, associated with an increase in regional inequality, especially in the incidence of rural poverty. The chapter has five sections: Introduction: Salient Economic Performance Aspects and Recent Policy Reforms—an outline of the economic performance of the Indian economy since the 1950s, with a brief overview of the economic reforms initiated; Trends in Inequality and Poverty in India—an analysis trends in aggregate inequality and poverty, with suggested explanations; Poverty and Inequality at the State Level—an outline of the major characteristics of poverty and inequality at the level of individual Indian states; and Tentative Conclusions.
Alison Fraunhar
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781496814432
- eISBN:
- 9781496814470
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496814432.001.0001
- Subject:
- Society and Culture, Gender Studies
Mulata Nation traces the figure of the mulata, the woman of mixed racial heritage in Cuban artwork and performance from the colonial era through the modern to the contemporary. While perhaps most ...
More
Mulata Nation traces the figure of the mulata, the woman of mixed racial heritage in Cuban artwork and performance from the colonial era through the modern to the contemporary. While perhaps most widely linked with sensuality and sexual desirability, the mulata also serves as the embodiment of Cuba’s spirituality, and as emblematic of Cuban identity. Through close readings of representations of the mulata in fine and graphic art, mulata performers and the performance of mulata characters at distinct historical and ideological moments, the book claims that far from being a static, flat figure, images of the mulata have shifted over time and continue to find new expressions.
Different expressions of the mulata are linked to specific historical moments. Representations of the mulata on cigarette packaging, marquillas cigarreras, and in the musical theater form zarzuela of the late colonial era, cabaret performance, fine art and popular magazine covers during the Republic, as an icon of Mexican cinema in the first wave of the diaspora of Cuban artists and Cuban cultural forms, and as an icon of the new (wo)man of revolutionary Cuba in Cuban cinema of the 1960s and 70s all figure the mulata as crucial figures in national culture.
At present, both the significant diaspora of Cuban artists and others to the US and other countries have been re-inscribing the mulata and mulataje to bear, contest and sometimes reinforce the tropic positions explored in previous chapters. Furthermore, the performance of mulataje on and off the island is no longer limited to women; the performance of mulataje is prominent in highly popular drag shows and film in contemporary Cuba.Less
Mulata Nation traces the figure of the mulata, the woman of mixed racial heritage in Cuban artwork and performance from the colonial era through the modern to the contemporary. While perhaps most widely linked with sensuality and sexual desirability, the mulata also serves as the embodiment of Cuba’s spirituality, and as emblematic of Cuban identity. Through close readings of representations of the mulata in fine and graphic art, mulata performers and the performance of mulata characters at distinct historical and ideological moments, the book claims that far from being a static, flat figure, images of the mulata have shifted over time and continue to find new expressions.
Different expressions of the mulata are linked to specific historical moments. Representations of the mulata on cigarette packaging, marquillas cigarreras, and in the musical theater form zarzuela of the late colonial era, cabaret performance, fine art and popular magazine covers during the Republic, as an icon of Mexican cinema in the first wave of the diaspora of Cuban artists and Cuban cultural forms, and as an icon of the new (wo)man of revolutionary Cuba in Cuban cinema of the 1960s and 70s all figure the mulata as crucial figures in national culture.
At present, both the significant diaspora of Cuban artists and others to the US and other countries have been re-inscribing the mulata and mulataje to bear, contest and sometimes reinforce the tropic positions explored in previous chapters. Furthermore, the performance of mulataje on and off the island is no longer limited to women; the performance of mulataje is prominent in highly popular drag shows and film in contemporary Cuba.
Murray Pomerance and Kyle Stevens (eds)
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474417037
- eISBN:
- 9781474444750
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474417037.001.0001
- Subject:
- Film, Television and Radio, Film
This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes ...
More
This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.
This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshirô Mifune, and Choi Min Sik, amongst many others.Less
This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.
This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman, Gael Garcia Bernal, Nikolai Cherkassov, Alec Guinness, Setsuko Hara, Isabelle Huppert, Peter Lorre, Madhubala, Anna Magnani, Toshirô Mifune, and Choi Min Sik, amongst many others.
Leslie A. Wade, Robin Roberts, and Frank de Caro
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781496823786
- eISBN:
- 9781496823823
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496823786.001.0001
- Subject:
- Sociology, Culture
After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New ...
More
After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell. We ARE Mardi Gras”. Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.Less
After Hurricane Katrina devastated New Orleans and the surrounding region in 2005, the city debated whether to press on with Mardi Gras or cancel the parades. Ultimately, they decided to proceed. New Orleans’s recovery certainly has resulted from a complex of factors, but the city’s unique cultural life—perhaps its greatest capital—has been instrumental in bringing the city back from the brink of extinction. Voicing a civic fervor, local writer Chris Rose spoke for the importance of Carnival when he argued to carry on with the celebration of Mardi Gras following Katrina: “We are still New Orleans. We are the soul of America. We embody the triumph of the human spirit. Hell. We ARE Mardi Gras”. Since 2006, a number of new Mardi Gras practices have gained prominence. The new parade organizations or krewes, as they are called, interpret and revise the city’s Carnival traditions but bring innovative practices to Mardi Gras. The history of each parade reveals the convergence of race, class, age, and gender dynamics in these new Carnival organizations. Downtown Mardi Gras: New Carnival Practices in Post-Katrina New Orleans examines six unique, offbeat, Downtown celebrations. Using ethnography, folklore, cultural, and performance studies, the authors analyze new Mardi Gras’s connection to traditional Mardi Gras. The narrative of each krewe’s development is fascinating and unique, illustrating participants’ shared desire to contribute to New Orleans’s rich and vibrant culture.
Dan Hassoun
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628462388
- eISBN:
- 9781626746831
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628462388.003.0001
- Subject:
- Literature, Comics Studies
Dan Hassoun begins our exploration, engaging the Joker’s propensity to fluctuate as a character over time by analyzing a generally under-researched dimension of screen and media studies: performance. ...
More
Dan Hassoun begins our exploration, engaging the Joker’s propensity to fluctuate as a character over time by analyzing a generally under-researched dimension of screen and media studies: performance. In pursuing a deep reading of the Cesar Romero, Jack Nicholson and Heath Ledger screen performances (but leaving aside those of voice actors such as Mark Hamill), Hassoun argues that the decisions of actors have a central importance when considering our collective interpretation of so prominent a character. Moreover, Hassoun’s article serves as a case study for how performance studies might be more closely aligned with film and television analysis, to the respective fields’ mutual benefit.Less
Dan Hassoun begins our exploration, engaging the Joker’s propensity to fluctuate as a character over time by analyzing a generally under-researched dimension of screen and media studies: performance. In pursuing a deep reading of the Cesar Romero, Jack Nicholson and Heath Ledger screen performances (but leaving aside those of voice actors such as Mark Hamill), Hassoun argues that the decisions of actors have a central importance when considering our collective interpretation of so prominent a character. Moreover, Hassoun’s article serves as a case study for how performance studies might be more closely aligned with film and television analysis, to the respective fields’ mutual benefit.
Peter Kirwan
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199641819
- eISBN:
- 9780191749025
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199641819.003.0022
- Subject:
- Literature, 16th-century and Renaissance Literature, Shakespeare Studies
In January 2011, MokitaGrit produced the first professional production of Double Falsehood since the eighteenth century. This review pays particular attention to the implications of producing Double ...
More
In January 2011, MokitaGrit produced the first professional production of Double Falsehood since the eighteenth century. This review pays particular attention to the implications of producing Double Falsehood as a piece in its own right rather than as the basis for reconstruction of Cardenio. A combination of relative textual fidelity and creative non-verbal decisions allows the play to be entertainingly staged, drawing out class divisions that underpin the dynamic between the lovers and amongst their parents. In making a case for the effectiveness of Theobald’s play on the modern stage, the production usefully, if unintentionally, encouraged audiences to move away from questions of authenticity and authorship to consideration of the extant play’s theatrical worth.Less
In January 2011, MokitaGrit produced the first professional production of Double Falsehood since the eighteenth century. This review pays particular attention to the implications of producing Double Falsehood as a piece in its own right rather than as the basis for reconstruction of Cardenio. A combination of relative textual fidelity and creative non-verbal decisions allows the play to be entertainingly staged, drawing out class divisions that underpin the dynamic between the lovers and amongst their parents. In making a case for the effectiveness of Theobald’s play on the modern stage, the production usefully, if unintentionally, encouraged audiences to move away from questions of authenticity and authorship to consideration of the extant play’s theatrical worth.
Anders Esmark
- Published in print:
- 2020
- Published Online:
- January 2021
- ISBN:
- 9781529200874
- eISBN:
- 9781529200898
- Item type:
- book
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781529200874.001.0001
- Subject:
- Society and Culture, Technology and Society
Setting a new benchmark for studies of technocracy, the book shows that a solution to the challenge of populism will depend as much on a technocratic retreat as democratic innovation. Esmark examines ...
More
Setting a new benchmark for studies of technocracy, the book shows that a solution to the challenge of populism will depend as much on a technocratic retreat as democratic innovation. Esmark examines the development since the 1980s of a new 'post-industrial' technocratic regime and its complicity in the populist backlash against politics and political elites that is visible today. The new technocracy – a combination of network governance, risk management and performance management – has, the author argues, abandoned the overtly anti-democratic sentiments of its industrial predecessor and proclaimed a new partnership with democracy. The rise of populism, however, is a clear sign that the inherent problems of this partnership have been exposed and that technocracy posing as democracy will only serve to exacerbate existing problems.Less
Setting a new benchmark for studies of technocracy, the book shows that a solution to the challenge of populism will depend as much on a technocratic retreat as democratic innovation. Esmark examines the development since the 1980s of a new 'post-industrial' technocratic regime and its complicity in the populist backlash against politics and political elites that is visible today. The new technocracy – a combination of network governance, risk management and performance management – has, the author argues, abandoned the overtly anti-democratic sentiments of its industrial predecessor and proclaimed a new partnership with democracy. The rise of populism, however, is a clear sign that the inherent problems of this partnership have been exposed and that technocracy posing as democracy will only serve to exacerbate existing problems.
Sruti Bala
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526100771
- eISBN:
- 9781526138927
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526100771.001.0001
- Subject:
- Art, Visual Culture
The gestures of participatory art offers a critical investigation of key debates in relation to participatory art, spanning the domains of applied and community theatre, immersive performance as well ...
More
The gestures of participatory art offers a critical investigation of key debates in relation to participatory art, spanning the domains of applied and community theatre, immersive performance as well as the visual arts. Rather than seeking a genre-based definition, it asks how artists, audiences and art practices approach the subject of participation beyond the predetermined options allocated to them. In doing so, it inquires into the ways that artworks participate in civic life. Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet can the participatory ideal be discarded or merely replaced with another term, just because it has become disemboweled into a tool of pacification? The gestures of participatory art insists that the concept of participation must be re-imagined and shifted onto other registers. It proposes the concept of the gesture as a rewarding way of theorizing participatory art. The gesture is simultaneously an expression of an inner attitude as well as a social habitude; it is situated in between image, speech and action. The study reads the gestural as a way to link discussions on participatory art to broader issues of citizenship and collective action. Moving from reflections on institutional critique and impact to concrete analyses of moments of unsolicited, delicate participation or refusal, the book examines a range of practices from India, Sudan, Guatemala and El Salvador, the Lebanon, the Netherlands and Germany. It engages with the critiques of participation and pleads for a critical reclaiming of participatory practices.Less
The gestures of participatory art offers a critical investigation of key debates in relation to participatory art, spanning the domains of applied and community theatre, immersive performance as well as the visual arts. Rather than seeking a genre-based definition, it asks how artists, audiences and art practices approach the subject of participation beyond the predetermined options allocated to them. In doing so, it inquires into the ways that artworks participate in civic life. Participation is the utopian sweet dream that has turned into a nightmare in contemporary neoliberal societies. Yet can the participatory ideal be discarded or merely replaced with another term, just because it has become disemboweled into a tool of pacification? The gestures of participatory art insists that the concept of participation must be re-imagined and shifted onto other registers. It proposes the concept of the gesture as a rewarding way of theorizing participatory art. The gesture is simultaneously an expression of an inner attitude as well as a social habitude; it is situated in between image, speech and action. The study reads the gestural as a way to link discussions on participatory art to broader issues of citizenship and collective action. Moving from reflections on institutional critique and impact to concrete analyses of moments of unsolicited, delicate participation or refusal, the book examines a range of practices from India, Sudan, Guatemala and El Salvador, the Lebanon, the Netherlands and Germany. It engages with the critiques of participation and pleads for a critical reclaiming of participatory practices.
Gian Maria Annovi
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780231180306
- eISBN:
- 9780231542708
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231180306.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of ...
More
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.Less
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship. Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Jessica Nydia Pabón-Colón
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781479806157
- eISBN:
- 9781479847426
- Item type:
- book
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479806157.001.0001
- Subject:
- Sociology, Law, Crime and Deviance
Since the dawn of Hip Hop graffiti writing in the late ‘60s, graffiti writers have inscribed their tag names on cityscapes across the globe to claim public space and mark their presence. In the ...
More
Since the dawn of Hip Hop graffiti writing in the late ‘60s, graffiti writers have inscribed their tag names on cityscapes across the globe to claim public space and mark their presence. In the absence of knowing the writer’s identity, the onlooker’s imagination defaults to the gendered, classed, and racialized conventions framing a public act that requires bodily strength and a willingness to take legal, social, and physical risks. Graffiti subculture is thus imagined as a “boys club” and consequently the graffiti grrlz fade from the social imagination. Utilizing a queer feminist perspective, this book is a transnational ethnography that tells an alternative story about Hip Hop graffiti subculture from the vantage point of over 100 women who write graffiti in 23 countries. Grounded in 15 years of research, each chapter examines a different site and process of transformation. Under the radar of feminist movement, they’ve remodeled Hip Hop masculinity, created an affective digital network, challenged androcentric graffiti history and reshaped subcultural memory, sustained all-grrl community, and strategically deployed femininity to transform their subcultural precarity. By performing feminism across the diaspora, graffiti grrlz have elevated their subcultural status and resisted hetero/sexist patriarchal oppression.Less
Since the dawn of Hip Hop graffiti writing in the late ‘60s, graffiti writers have inscribed their tag names on cityscapes across the globe to claim public space and mark their presence. In the absence of knowing the writer’s identity, the onlooker’s imagination defaults to the gendered, classed, and racialized conventions framing a public act that requires bodily strength and a willingness to take legal, social, and physical risks. Graffiti subculture is thus imagined as a “boys club” and consequently the graffiti grrlz fade from the social imagination. Utilizing a queer feminist perspective, this book is a transnational ethnography that tells an alternative story about Hip Hop graffiti subculture from the vantage point of over 100 women who write graffiti in 23 countries. Grounded in 15 years of research, each chapter examines a different site and process of transformation. Under the radar of feminist movement, they’ve remodeled Hip Hop masculinity, created an affective digital network, challenged androcentric graffiti history and reshaped subcultural memory, sustained all-grrl community, and strategically deployed femininity to transform their subcultural precarity. By performing feminism across the diaspora, graffiti grrlz have elevated their subcultural status and resisted hetero/sexist patriarchal oppression.
Jennifer Solheim
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781786940827
- eISBN:
- 9781786945082
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940827.001.0001
- Subject:
- Society and Culture, Media Studies
The Performance of Listening in Postcolonial Francophone Culture argues That globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences ...
More
The Performance of Listening in Postcolonial Francophone Culture argues That globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences are informed by sounds ranging from voices, to music, to advertising, to bombs, and beyond. In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar or lay person interested in contemporary postcolonial France. This book is also a primer to contemporary Francophone culture from North Africa and the Middle East. Some of the French-speaking world’s most renowned and adored artists are the subject of this study, including preeminent Algerian feminist novelist, filmmaker and historian Assia Djebar (1936-2015), the first writer of the Maghreb to become part of the Académie Française; celebrated Iranian graphic novelist and filmmaker Marjane Satrapi (Persepolis, Chicken with Plums); the lauded Lebanese-Québecois playwright and dramaturge Wajdi Mouawad (Littorial, Incendies), and Lebanese comic artist and avant jazz trumpeter Mazen Kerbaj, whose improvisation with Israeli fighter jets during the 2006 Israeli War, “Starry Night,” catapulted him to global recognition. An interdisciplinary study of contemporary Francophone cultures, this book will be of interest to scholars and students in literary studies, performance studies, gender studies, anthropology, history, and ethnomusicology.Less
The Performance of Listening in Postcolonial Francophone Culture argues That globalized media has allowed for efficient transmission of transnational culture, and in turn, our everyday experiences are informed by sounds ranging from voices, to music, to advertising, to bombs, and beyond. In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar or lay person interested in contemporary postcolonial France. This book is also a primer to contemporary Francophone culture from North Africa and the Middle East. Some of the French-speaking world’s most renowned and adored artists are the subject of this study, including preeminent Algerian feminist novelist, filmmaker and historian Assia Djebar (1936-2015), the first writer of the Maghreb to become part of the Académie Française; celebrated Iranian graphic novelist and filmmaker Marjane Satrapi (Persepolis, Chicken with Plums); the lauded Lebanese-Québecois playwright and dramaturge Wajdi Mouawad (Littorial, Incendies), and Lebanese comic artist and avant jazz trumpeter Mazen Kerbaj, whose improvisation with Israeli fighter jets during the 2006 Israeli War, “Starry Night,” catapulted him to global recognition. An interdisciplinary study of contemporary Francophone cultures, this book will be of interest to scholars and students in literary studies, performance studies, gender studies, anthropology, history, and ethnomusicology.
Tony Jason Stafford
- Published in print:
- 2013
- Published Online:
- May 2014
- ISBN:
- 9780813044989
- eISBN:
- 9780813046747
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813044989.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
Shaw’s Settings: Gardens and Libraries shows how Shaw enlists the powerful visual component of setting, specifically gardens and libraries, to add meaningful dimensions to the other dramatic ...
More
Shaw’s Settings: Gardens and Libraries shows how Shaw enlists the powerful visual component of setting, specifically gardens and libraries, to add meaningful dimensions to the other dramatic elements, such as portraying the characters in depth, refining the conflict, creating startling crises, capturing richly suggestive imagery, clarifying the structure, and developing themes, to achieve his own complex, meaningful, and compelling dramas. A study of this garden-library pattern adds up, first, to a realization of how tactile and visual this most verbal and intellectual of writers was, and how suggestive and symbolic in his evocation of reality he was, rather than direct and explicit. The study moreover shows that Shaw is keenly aware of performance values as seen in his effective use of settings. Shaw, however, does not use these settings in the same way in any two plays but rather varies his usage as he moves from play to play, giving us numerous Shavian variations on gardens and libraries. The result of such a study reveals the astonishing depth and complexity of Shaw’s dramatic genius, and a detailed analysis of these two settings, working in tandem, yields numerous fresh perspectives as we move through the plays, as well as a sense of the depth, flexibility, resourcefulness, and complexity of his genius.Less
Shaw’s Settings: Gardens and Libraries shows how Shaw enlists the powerful visual component of setting, specifically gardens and libraries, to add meaningful dimensions to the other dramatic elements, such as portraying the characters in depth, refining the conflict, creating startling crises, capturing richly suggestive imagery, clarifying the structure, and developing themes, to achieve his own complex, meaningful, and compelling dramas. A study of this garden-library pattern adds up, first, to a realization of how tactile and visual this most verbal and intellectual of writers was, and how suggestive and symbolic in his evocation of reality he was, rather than direct and explicit. The study moreover shows that Shaw is keenly aware of performance values as seen in his effective use of settings. Shaw, however, does not use these settings in the same way in any two plays but rather varies his usage as he moves from play to play, giving us numerous Shavian variations on gardens and libraries. The result of such a study reveals the astonishing depth and complexity of Shaw’s dramatic genius, and a detailed analysis of these two settings, working in tandem, yields numerous fresh perspectives as we move through the plays, as well as a sense of the depth, flexibility, resourcefulness, and complexity of his genius.
