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Creating a Mood: Pars pro toto

Jan-Christopher Horak

in Saul Bass: Anatomy of Film Design

Published in print:
2014
Published Online:
May 2015
ISBN:
9780813147185
eISBN:
9780813154787
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813147185.003.0004
Subject:
Film, Television and Radio, Film

Bauhaus and Gestalt aesthetics influenced Saul Bass’s art, and this was most visible in his film posters, which often reduced a film’s narrative content to a single iconic image. These logos achieved ... More


Exodus and the Credit Announcements

Larry Ceplair and Christopher Trumbo

in Dalton Trumbo: Blacklisted Hollywood Radical

Published in print:
2014
Published Online:
May 2015
ISBN:
9780813146805
eISBN:
9780813154770
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813146805.003.0019
Subject:
Film, Television and Radio, Film

While working on the Spartacus script, Otto Preminger asked Trumbo to write the script for Exodus. Preminger publicly announced that Trumbo would receive screen credit. (The announcement that Trumbo ... More


Otto É. May(zo)—Elaine May’s Screenplay of Otto Preminger’s Such Good Friends (1971) as Affirmation that Hell is Other People

Paul Jeffery

in ReFocus: The Films of Elaine May

Published in print:
2019
Published Online:
May 2020
ISBN:
9781474440189
eISBN:
9781474476607
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474440189.003.0010
Subject:
Film, Television and Radio, Film

In February 1971, while her studio-seized debut feature A New Leaf was being readied its premiere, Elaine May took a job-for-hire – adapting Lois Gould's newly published, fictionalized semi-memoir ... More


Summer Holiday

David Luhrssen

in Mamoulian: Life on Stage and Screen

Published in print:
2012
Published Online:
May 2013
ISBN:
9780813136769
eISBN:
9780813141336
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813136769.003.0010
Subject:
Film, Television and Radio, Film

After being fired from the set of the film noir classic Laura (1944) through the machinations of producer Otto Preminger, Mamoulian enjoyed only a spotty career in Hollywood. He would complete only ... More


Distance, representation and criticism

James Zborowski

in Classical Hollywood Cinema: Point of view and communication

Published in print:
2016
Published Online:
May 2016
ISBN:
9780719083341
eISBN:
9781526104090
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719083341.003.0003
Subject:
Film, Television and Radio, Film

Chapter 2 demonstrates, by reviewing existing theoretical accounts and by using as a case study Anatomy of a Murder (Preminger, 1959), that to conceptualise an artwork as comprising a range of axes ... More


Postmortem

Larry Ceplair and Christopher Trumbo

in Dalton Trumbo: Blacklisted Hollywood Radical

Published in print:
2014
Published Online:
May 2015
ISBN:
9780813146805
eISBN:
9780813154770
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813146805.003.0027
Subject:
Film, Television and Radio, Film

With difficulty, Cleo Trumbo finally resolved the financial mess her husband had left behind. The family also struggled to ensure that Trumbo received screen credit for Roman Holiday and that Kirk ... More


The Politics of Color in Oscar Hammerstein’s Carmen Jones

Melinda Boyd

in Blackness in Opera

Published in print:
2012
Published Online:
April 2017
ISBN:
9780252036781
eISBN:
9780252093890
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5406/illinois/9780252036781.003.0011
Subject:
Music, Opera

This chapter explores the politics of color in Oscar Hammerstein's Carmen Jones by focusing on the various layers of representation in its stage and film versions. Carmen Jones uses lyrics that adopt ... More


Hitchcock in Ascendance

John Billheimer

in Hitchcock and the Censors

Published in print:
2019
Published Online:
January 2020
ISBN:
9780813177427
eISBN:
9780813177441
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813177427.003.0025
Subject:
Film, Television and Radio, Film

This chapter describes Hitchcock’s working relationships during his most productive years as a director. Under terms negotiated by his agent, Lew Wasserman, ownership of the films he directed for ... More


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