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Technology and (Chinese) Ethnicity

Darrell William Davis

in Cinema at the City's Edge

Published in print:
2010
Published Online:
September 2011
ISBN:
9789622099845
eISBN:
9789882206731
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789622099845.003.0008
Subject:
Film, Television and Radio, Film

This chapter reflects on the themes of technology and Chinese ethnicity using two animated films by Oshii Mamoru: Ghost in the Shell (1995) and sequel Innocence (2004). In these animations, a ... More


The Cult Film as Affective Technology: Anime and Oshii Mamoru’s Innocence

Sharalyn Orbaugh

in Science Fiction Double Feature: The Science Fiction Film as Cult Text

Published in print:
2015
Published Online:
May 2016
ISBN:
9781781381830
eISBN:
9781781382363
Item type:
chapter
Publisher:
Discontinued
DOI:
10.5949/liverpool/9781781381830.003.0006
Subject:
Film, Television and Radio, Film

This chapter examines Oshii Mamoru's animated Ghost in the Shell 2: Innocence (2004). It analyzes the connections between the ‘cult’ elements of the film and the science fiction (sf)-esque issues ... More


The Rise of “Personal” Animation

Mitsuyo Wada-Marciano

in Japanese Cinema in the Digital Age

Published in print:
2012
Published Online:
November 2016
ISBN:
9780824835941
eISBN:
9780824871574
Item type:
chapter
Publisher:
University of Hawai'i Press
DOI:
10.21313/hawaii/9780824835941.003.0004
Subject:
Society and Culture, Asian Studies

This chapter examines how technological developments in media have shaped Japanese anime production and stylistic diversity, primarily as matters of production scale and targeted audience. It first ... More


Anatomy of Permutational Desire, Part III: The Artificial Woman and the Perverse Structure of Modernity

Livia Monnet

in Mechademia 7: Lines of Sight

Published in print:
2012
Published Online:
August 2015
ISBN:
9780816680498
eISBN:
9781452948706
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816680498.003.0015
Subject:
Art, Visual Culture

This chapter examines perversion in the work of Hans Bellmer and in Oshii Mamoru’s anime Innocence (Innosensu, 2004). It argues that the film elaborates a massive theory of the perverse structure of ... More


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