Leela Gandhi
- Published in print:
- 2014
- Published Online:
- September 2014
- ISBN:
- 9780226019871
- eISBN:
- 9780226020075
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226020075.003.0010
- Subject:
- History, Asian History
The epilogue shifts the scene of analysis to matters of disciplinary or academic askesis. It addresses questions of methodology arising from the problem of accurately describing and historicizing a ...
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The epilogue shifts the scene of analysis to matters of disciplinary or academic askesis. It addresses questions of methodology arising from the problem of accurately describing and historicizing a property as diffuse as moral imperfection; otherwise, a cynic art of the un-manifest that consists more in dismantling existing systems than in clarifying modular alternatives. Always conjectural and provisional, as also geared toward the unimaginable, does the ethics of imperfection require an imperfectionist style of narration and of thought? The discussion presents a manifesto for an ahimsaic or non-violent historiography. A two-part analysis generalizes some themes from the material in earlier chapters, and turns summary attention to an additional archive drawn from post-war ordinary language philosophy.Less
The epilogue shifts the scene of analysis to matters of disciplinary or academic askesis. It addresses questions of methodology arising from the problem of accurately describing and historicizing a property as diffuse as moral imperfection; otherwise, a cynic art of the un-manifest that consists more in dismantling existing systems than in clarifying modular alternatives. Always conjectural and provisional, as also geared toward the unimaginable, does the ethics of imperfection require an imperfectionist style of narration and of thought? The discussion presents a manifesto for an ahimsaic or non-violent historiography. A two-part analysis generalizes some themes from the material in earlier chapters, and turns summary attention to an additional archive drawn from post-war ordinary language philosophy.
Chana Kronfeld
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780804782951
- eISBN:
- 9780804797214
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804782951.003.0002
- Subject:
- Society and Culture, Jewish Studies
Simplicity and accessibility are for Amichai serious ethical principles, guidelines for a poetic effect that are part of the fabric of everyday life, not just the mark of “a playful poet” writing ...
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Simplicity and accessibility are for Amichai serious ethical principles, guidelines for a poetic effect that are part of the fabric of everyday life, not just the mark of “a playful poet” writing “easy” verse who has “no worldview,” as some scholars have argued, mistaking his egalitarian imperative for a lack of philosophical gravitas. Poetic philosophy is revealed in the process to be a feature of stylistics as of thematics. Chapter Two outlines the major principles that underlie Amichai's poetic philosophy, focusing on the state of “in-between-ness” as the privileged yet endangered site of the poetic subjects-cum-ordinary human beings. This sets the stage for an array of systematic correlations between liminality as the governing feature of Amichai's poetic worldview and many of his signature rhetorical practices discussed throughout the book, such as juxtaposition, intertextuality and metaphor, which map two domains together without ignoring their distinctness.Less
Simplicity and accessibility are for Amichai serious ethical principles, guidelines for a poetic effect that are part of the fabric of everyday life, not just the mark of “a playful poet” writing “easy” verse who has “no worldview,” as some scholars have argued, mistaking his egalitarian imperative for a lack of philosophical gravitas. Poetic philosophy is revealed in the process to be a feature of stylistics as of thematics. Chapter Two outlines the major principles that underlie Amichai's poetic philosophy, focusing on the state of “in-between-ness” as the privileged yet endangered site of the poetic subjects-cum-ordinary human beings. This sets the stage for an array of systematic correlations between liminality as the governing feature of Amichai's poetic worldview and many of his signature rhetorical practices discussed throughout the book, such as juxtaposition, intertextuality and metaphor, which map two domains together without ignoring their distinctness.
