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Panoramic Flashbacks

Berthold Hoeckner

in Film, Music, Memory

Published in print:
2019
Published Online:
May 2020
ISBN:
9780226649610
eISBN:
9780226649894
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226649894.003.0006
Subject:
Music, Popular

Chapter 5's point of departure is accounts of total recall in near-death situations, which began to include terms like “flashback,” “replay,” and “slow motion” after the invention of film. The ... More


“It’s Probably Going to Be the Hardest Film to Make”: Stanley Kubrick, Arthur Schnitzler, and the Long Gestation of Eyes Wide Shut

Robert P. Kolker and Nathan Abrams

in Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film

Published in print:
2019
Published Online:
June 2019
ISBN:
9780190678029
eISBN:
9780190678067
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190678029.003.0002
Subject:
Literature, Film, Media, and Cultural Studies

Stanley Kubrick wanted to film Arthur Schnitzler’s Traumnovelle since the early 1950s. His interest lay in Schnitzler’s fascination with sexuality and domesticity. The intersection of Schnitzler’s ... More


We'll Meet Again: Musical Design in the Films of Stanley Kubrick

Kate McQuiston

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199767656
eISBN:
9780199369492
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199767656.001.0001
Subject:
Music, Popular, History, Western

Though the films of Stanley Kubrick have long been recognized for their innovation, visual impact, and challenging subject matter, they also feature unique and provocative uses of music that define ... More


Kubrick’s Spin on Max Ophüls and the Ineluctable Waltz

Kate McQuiston

in We'll Meet Again: Musical Design in the Films of Stanley Kubrick

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199767656
eISBN:
9780199369492
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199767656.003.0009
Subject:
Music, Popular, History, Western

In chapter 8, the films of Max Ophüls provide a framework for understanding prominent stylistic and thematic trends in Kubrick’s work. Kubrick’s use of waltzes owes a particular debt to Ophüls, whom ... More


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