Elizabeth L. Wollman
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780199747481
- eISBN:
- 9780199979417
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199747481.003.0003
- Subject:
- Music, History, American, Popular
Chapter 2 focuses on the rise of the gay rights movement, the Caffe Cino scene, and the growth and development of the Off Off Broadway scene through the late 1960s. The play The Boys in the Band and ...
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Chapter 2 focuses on the rise of the gay rights movement, the Caffe Cino scene, and the growth and development of the Off Off Broadway scene through the late 1960s. The play The Boys in the Band and the musical Company, both of which influenced the depiction of the gay man in post-Oh! Calcutta! adult musicals, are analyzed.Less
Chapter 2 focuses on the rise of the gay rights movement, the Caffe Cino scene, and the growth and development of the Off Off Broadway scene through the late 1960s. The play The Boys in the Band and the musical Company, both of which influenced the depiction of the gay man in post-Oh! Calcutta! adult musicals, are analyzed.
Carol Bunch Davis
- Published in print:
- 2015
- Published Online:
- May 2017
- ISBN:
- 9781496802989
- eISBN:
- 9781496803023
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802989.003.0007
- Subject:
- Society and Culture, Media Studies
This coda discusses recent revivals of the five plays examined in this book. The plays have been staged in a range of venues over the last ten years. A Raisin in the Sun, for example, returned to ...
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This coda discusses recent revivals of the five plays examined in this book. The plays have been staged in a range of venues over the last ten years. A Raisin in the Sun, for example, returned to Broadway in 2014 and earned a Tony award for the year's best revival of a play or musical. The other plays were revived Off-Broadway or in university or regional theaters. Critics reviewing the plays approached them as cultural artifacts, historicizing the productions and situating them as markers of a pivotal era in the nation's history and its narrative about race. In effect, the plays become a history lesson about the African American Freedom Struggle. But as they argued for the historical significance of the plays, they elided the representation of African American identity's complexities present in the play. In light of cultural memory's dialectic of remembering and forgetting in service of the narrative of the Freedom Struggle era, the coda urges a reconsideration of postblackness's literary genealogies.Less
This coda discusses recent revivals of the five plays examined in this book. The plays have been staged in a range of venues over the last ten years. A Raisin in the Sun, for example, returned to Broadway in 2014 and earned a Tony award for the year's best revival of a play or musical. The other plays were revived Off-Broadway or in university or regional theaters. Critics reviewing the plays approached them as cultural artifacts, historicizing the productions and situating them as markers of a pivotal era in the nation's history and its narrative about race. In effect, the plays become a history lesson about the African American Freedom Struggle. But as they argued for the historical significance of the plays, they elided the representation of African American identity's complexities present in the play. In light of cultural memory's dialectic of remembering and forgetting in service of the narrative of the Freedom Struggle era, the coda urges a reconsideration of postblackness's literary genealogies.
Richard Gilman
- Published in print:
- 2005
- Published Online:
- October 2013
- ISBN:
- 9780300100464
- eISBN:
- 9780300133035
- Item type:
- book
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300100464.001.0001
- Subject:
- Literature, Criticism/Theory
This book presents a collection of one of America's finest drama critics. The book chronicles a major period in American theatre history, one that witnessed the birth or spread of Off-Broadway, ...
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This book presents a collection of one of America's finest drama critics. The book chronicles a major period in American theatre history, one that witnessed the birth or spread of Off-Broadway, regional theatre, nonprofit companies, and avant-garde performance, as well as growing interest in plays by women and minorities and in world drama. This book is a criticism for the ages. There are essays, profiles, and book reviews dealing with such topics as the “new naturalism” in theatre, Brecht's collected plays, and the legacy of Stanislavski. There is also a generous sampling of other comments on plays by O'Neill, Miller, Chekhov, Albee, Ibsen, Anouilh, Beckett, Ionesco, Pinter, Fugard, and many others.Less
This book presents a collection of one of America's finest drama critics. The book chronicles a major period in American theatre history, one that witnessed the birth or spread of Off-Broadway, regional theatre, nonprofit companies, and avant-garde performance, as well as growing interest in plays by women and minorities and in world drama. This book is a criticism for the ages. There are essays, profiles, and book reviews dealing with such topics as the “new naturalism” in theatre, Brecht's collected plays, and the legacy of Stanislavski. There is also a generous sampling of other comments on plays by O'Neill, Miller, Chekhov, Albee, Ibsen, Anouilh, Beckett, Ionesco, Pinter, Fugard, and many others.
Raymond Malewitz
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780804791960
- eISBN:
- 9780804792998
- Item type:
- chapter
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804791960.003.0002
- Subject:
- Literature, American, 20th Century Literature
This chapter shows how Utopian versions of American rugged consumerism emerged from the material limitations of the nation's counterculture theaters during the late sixties. In keeping with ...
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This chapter shows how Utopian versions of American rugged consumerism emerged from the material limitations of the nation's counterculture theaters during the late sixties. In keeping with left-libertarian DIY projects such as the Whole Earth Catalog and Adhocism, off-off-Broadway playwrights such as Sam Shepard drew inspiration from their financial limitations and wrote plays to accommodate the discarded objects that they re-appropriated on walks around New York City. Drawing upon a number of autobiographical accounts from off-off-Broadway playwrights collected in the New York Public Library's theater archives as well as important historical studies by Stephen Bottoms and David Crespy, the chapter show how both within and beyond the magic circle of the stage, off-off-Broadway's rugged consumers transformed commodities and their waste products (including the commercial spaces of American theater) into renewed sites of creative production.Less
This chapter shows how Utopian versions of American rugged consumerism emerged from the material limitations of the nation's counterculture theaters during the late sixties. In keeping with left-libertarian DIY projects such as the Whole Earth Catalog and Adhocism, off-off-Broadway playwrights such as Sam Shepard drew inspiration from their financial limitations and wrote plays to accommodate the discarded objects that they re-appropriated on walks around New York City. Drawing upon a number of autobiographical accounts from off-off-Broadway playwrights collected in the New York Public Library's theater archives as well as important historical studies by Stephen Bottoms and David Crespy, the chapter show how both within and beyond the magic circle of the stage, off-off-Broadway's rugged consumers transformed commodities and their waste products (including the commercial spaces of American theater) into renewed sites of creative production.
