Blake Atwood
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231178174
- eISBN:
- 9780231543149
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231178174.003.0001
- Subject:
- Film, Television and Radio, Film
Establishes reform as a cinematic category, the inheritor of revolutionary cinema in certain state-controlled cinemas. It surveys the contentious position of film in revolutionary discourse in Iran ...
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Establishes reform as a cinematic category, the inheritor of revolutionary cinema in certain state-controlled cinemas. It surveys the contentious position of film in revolutionary discourse in Iran and connects "reform cinema" to the scholarship on Third Cinema and Post-Third Cinema aesthetics. This chapter also establishes Mohammad Khatami's professional career as an organizing scheme for the book and discusses the tenets most important to his political platform.Less
Establishes reform as a cinematic category, the inheritor of revolutionary cinema in certain state-controlled cinemas. It surveys the contentious position of film in revolutionary discourse in Iran and connects "reform cinema" to the scholarship on Third Cinema and Post-Third Cinema aesthetics. This chapter also establishes Mohammad Khatami's professional career as an organizing scheme for the book and discusses the tenets most important to his political platform.
Blake Atwood
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231178174
- eISBN:
- 9780231543149
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231178174.003.0002
- Subject:
- Film, Television and Radio, Film
In 1992 Khatami abruptly left his position in the Ministry of Culture and Islamic Guidance, and he cited the strict regulation of art as the reason for his resignation. This chapter examines the ...
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In 1992 Khatami abruptly left his position in the Ministry of Culture and Islamic Guidance, and he cited the strict regulation of art as the reason for his resignation. This chapter examines the circumstances leading to his resignation and, in particular, it investigates the case of Mohsen Makhmalbaf’s controversial film Time for Love (1991). The release of Time for Love, which openly depicts a married woman’s affair, sparked a media frenzy, as conservative religious leaders, policymakers, and commentators blamed Khatami for its release, since the film had gone through the Ministry’s inspection process. The criticism launched against Khatami became so severe that he was forced to respond publically and defend his support of the film. This chapter examines the debates about Time for Love as they unfolded in newspaper editorials, political speeches, and religious sermons. These debates instruct us that the film industry helped to shape certain reformist ideas in the early 1990s, and it was Time for Love’s appropriation of a mystic aesthetic that appealed to these budding reformists.Less
In 1992 Khatami abruptly left his position in the Ministry of Culture and Islamic Guidance, and he cited the strict regulation of art as the reason for his resignation. This chapter examines the circumstances leading to his resignation and, in particular, it investigates the case of Mohsen Makhmalbaf’s controversial film Time for Love (1991). The release of Time for Love, which openly depicts a married woman’s affair, sparked a media frenzy, as conservative religious leaders, policymakers, and commentators blamed Khatami for its release, since the film had gone through the Ministry’s inspection process. The criticism launched against Khatami became so severe that he was forced to respond publically and defend his support of the film. This chapter examines the debates about Time for Love as they unfolded in newspaper editorials, political speeches, and religious sermons. These debates instruct us that the film industry helped to shape certain reformist ideas in the early 1990s, and it was Time for Love’s appropriation of a mystic aesthetic that appealed to these budding reformists.
Afshon Ostovar
- Published in print:
- 2016
- Published Online:
- April 2016
- ISBN:
- 9780199387892
- eISBN:
- 9780190491727
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199387892.003.0008
- Subject:
- Political Science, International Relations and Politics, Comparative Politics
This chapter examines the postwar expansion of the IRGC. A key transformation during this period was the decision by Iranian President Akbar Hashemi Rafsanjani to avoid total demobilization by ...
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This chapter examines the postwar expansion of the IRGC. A key transformation during this period was the decision by Iranian President Akbar Hashemi Rafsanjani to avoid total demobilization by instead expanding the purviews of the IRGC and the Basij to include morals policing, domestic security, and state-funded construction. With expanded interests and a larger portfolio, the IRGC gained a greater stake in the regime and more power to influence domestic politics. The IRGC used its influence to counter the reformist movement. Through grassroots activism and outright political pressure, the IRGC stymied President Mohammad Khatami’s reformist government. Backed by war veteran activist groups such as Ansar-e Hezbollah, the IRGC became the leading bulwark against social and political change in Iran. It became the chief advocate for the Supreme Leader Ali Khamenei, and a defender of hardliner and conservative interests.Less
This chapter examines the postwar expansion of the IRGC. A key transformation during this period was the decision by Iranian President Akbar Hashemi Rafsanjani to avoid total demobilization by instead expanding the purviews of the IRGC and the Basij to include morals policing, domestic security, and state-funded construction. With expanded interests and a larger portfolio, the IRGC gained a greater stake in the regime and more power to influence domestic politics. The IRGC used its influence to counter the reformist movement. Through grassroots activism and outright political pressure, the IRGC stymied President Mohammad Khatami’s reformist government. Backed by war veteran activist groups such as Ansar-e Hezbollah, the IRGC became the leading bulwark against social and political change in Iran. It became the chief advocate for the Supreme Leader Ali Khamenei, and a defender of hardliner and conservative interests.
Blake Atwood
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231178174
- eISBN:
- 9780231543149
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231178174.001.0001
- Subject:
- Film, Television and Radio, Film
It’s nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and ...
More
It’s nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007.
Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami’s Taste of Cherry (1997) and Mohsen Makhmalbaf’s Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami’s presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.Less
It’s nearly impossible to separate contemporary Iranian cinema from the Islamic revolution that transformed film production in the country in the late 1970s. As the aims of the revolution shifted and hardened once Khomeini took power and as an eight-year war with Iraq dragged on, Iranian filmmakers confronted new restrictions. In the 1990s, however, the Reformist Movement, led by Mohammad Khatami, and the film industry, developed an unlikely partnership that moved audiences away from revolutionary ideas and toward a discourse of reform. In Reform Cinema in Iran, Blake Atwood examines how new industrial and aesthetic practices created a distinct cultural and political style in Iranian film between 1989 and 2007.
Atwood analyzes a range of popular, art, and documentary films. He provides new readings of internationally recognized films such as Abbas Kiarostami’s Taste of Cherry (1997) and Mohsen Makhmalbaf’s Time for Love (1990), as well as those by Rakhshan Bani, Masud Kiami, and other key Iranian directors. At the same time, he also considers how filmmakers and the film industry were affected by larger political and religious trends that took shape during Mohammad Khatami’s presidency (1997-2005). Atwood analyzes political speeches, religious sermons, and newspaper editorials and pays close attention to technological developments, particularly the rise of video, to determine their role in democratizing filmmaking and realizing the goals of political reform. He concludes with a look at the legacy of reform cinema, including films produced under Mahmoud Ahmadinejad, whose neoconservative discourse rejected the policies of reform that preceded him.