Michael Gott
- Published in print:
- 2016
- Published Online:
- January 2018
- ISBN:
- 9780748698677
- eISBN:
- 9781474421966
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748698677.001.0001
- Subject:
- Film, Television and Radio, Film
Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works ...
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Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismaël Ferroukhi, Bouli Lanners, Aki Kaurismäki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of ‘New Europe’ more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the ‘road movie’ not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.Less
Over the past two decades road cinema has become an increasingly popular form of expression for European directors. Focusing on a corpus of films from France, Belgium and Switzerland, including works by Ismaël Ferroukhi, Bouli Lanners, Aki Kaurismäki and Jacqueline Audry amongst many others, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of ‘New Europe’ more evident than in French-language cinema. Drawing on mobility studies, cultural geography and film theory, this innovative work sketches out the flexible yet distinctive parameters of contemporary French-language road cinema, and argues for an understanding of the ‘road movie’ not as a genre but as a thematic and formal template that crosses cinematic categories to bring together a wide array of films that narrate the movements of migrants, tourists and business executives.
Jess Bier
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780262036153
- eISBN:
- 9780262339957
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262036153.003.0005
- Subject:
- Earth Sciences and Geography, Cartography
Chapter 5, “Validating Segregated Observers”, explores the intricate ways that the Israeli occupation shapes empirical observations. Through a critique of feminist standpoint theory and Donna ...
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Chapter 5, “Validating Segregated Observers”, explores the intricate ways that the Israeli occupation shapes empirical observations. Through a critique of feminist standpoint theory and Donna Haraway’s work on situated knowledge, it shows how the most well meaning maps can be drastically different depending on who makes them. After 1967 Israeli settlers have increasingly moved to the West Bank, establishing diffuse but numerous settlements that dominate the landscape, engendering forms of segregation that are both rigid and complex. As a result, Palestinians see different parts of the landscape, and under tougher restrictions, than do Israelis, and vice versa. For example, cartographers in Palestinian non-governmental organizations (NGOs) are able to collect map data only within Palestinian areas, and must view the Israeli settlements from without. This produces a dichotomy between, and enforces a drastically unequal separation of, Palestinians and Israelis. It also buttresses imbalances of power in international technoscience, influencing even the most apparently objective, empirical knowledge. Chapter 5 explores the (by no means straightforward) implications of this segregation in detail, while also introducing the notion of refractivity, or material and spatial reflexivity. Throughout, it seeks to understand how cartographers in organizations who use the same tools to map the same landscapes can produce different results.Less
Chapter 5, “Validating Segregated Observers”, explores the intricate ways that the Israeli occupation shapes empirical observations. Through a critique of feminist standpoint theory and Donna Haraway’s work on situated knowledge, it shows how the most well meaning maps can be drastically different depending on who makes them. After 1967 Israeli settlers have increasingly moved to the West Bank, establishing diffuse but numerous settlements that dominate the landscape, engendering forms of segregation that are both rigid and complex. As a result, Palestinians see different parts of the landscape, and under tougher restrictions, than do Israelis, and vice versa. For example, cartographers in Palestinian non-governmental organizations (NGOs) are able to collect map data only within Palestinian areas, and must view the Israeli settlements from without. This produces a dichotomy between, and enforces a drastically unequal separation of, Palestinians and Israelis. It also buttresses imbalances of power in international technoscience, influencing even the most apparently objective, empirical knowledge. Chapter 5 explores the (by no means straightforward) implications of this segregation in detail, while also introducing the notion of refractivity, or material and spatial reflexivity. Throughout, it seeks to understand how cartographers in organizations who use the same tools to map the same landscapes can produce different results.
