Xin Wei Sha
- Published in print:
- 2014
- Published Online:
- September 2014
- ISBN:
- 9780262019514
- eISBN:
- 9780262318914
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262019514.001.0001
- Subject:
- Philosophy, Aesthetics
Movement, and in particular, gesture are arguably essential aspects of engendering human experience. But rather than taking “the body” or “cognition” for granted as conceptual starting points, we ...
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Movement, and in particular, gesture are arguably essential aspects of engendering human experience. But rather than taking “the body” or “cognition” for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place. An experimental approach to such questions motivates the exploration of responsive, and in particular, computational media created for sustaining experientially rich, improvisational activity. This book explores rehearsed as well as unrehearsed activity in distributed, continuous fields of responsive media—topological matter. This philosophical and interdisciplinary investigation reworks our understanding of embodiment and the formation of subjective experience. The investigation also puts in play notions such as interaction, responsive media and performativity, contributing to contemporary exchanges between art and philosophy. This draws on emerging techniques in computational video, realtime gestural sound, sensors, and active textiles, as well as experimental techniques in performance, movement, and visual arts. It also offers insights and inspirations for designers, media artists, musicians, movement artists, architects, researchers in multimedia, interaction design, interactive and responsive environments, architecture, science and technology studies, philosophy and cultural studies.Less
Movement, and in particular, gesture are arguably essential aspects of engendering human experience. But rather than taking “the body” or “cognition” for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place. An experimental approach to such questions motivates the exploration of responsive, and in particular, computational media created for sustaining experientially rich, improvisational activity. This book explores rehearsed as well as unrehearsed activity in distributed, continuous fields of responsive media—topological matter. This philosophical and interdisciplinary investigation reworks our understanding of embodiment and the formation of subjective experience. The investigation also puts in play notions such as interaction, responsive media and performativity, contributing to contemporary exchanges between art and philosophy. This draws on emerging techniques in computational video, realtime gestural sound, sensors, and active textiles, as well as experimental techniques in performance, movement, and visual arts. It also offers insights and inspirations for designers, media artists, musicians, movement artists, architects, researchers in multimedia, interaction design, interactive and responsive environments, architecture, science and technology studies, philosophy and cultural studies.
Leah Perry
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781479828777
- eISBN:
- 9781479833108
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479828777.003.0001
- Subject:
- Society and Culture, Cultural Studies
This chapter introduces the social, historical, and political elements of 1980s immigration debates in both policy-making and popular culture. Drawing on scholarship in American Studies, Gender and ...
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This chapter introduces the social, historical, and political elements of 1980s immigration debates in both policy-making and popular culture. Drawing on scholarship in American Studies, Gender and Sexuality Studies, Race and Ethnic Studies, Critical Legal Studies, and Media Studies, it outlines the two central tropes in 1980s immigration debates that culminated with the passing of the Immigration Reform and Control Act of 1986, the “nation of immigrants” and “immigration emergency” tropes. It argues that in response to the civil rights and second-wave feminist movements, gendered Reagan-era discourse about Latin American, Asian, and white ethnic immigration was a crucial ingredient in the forming of the neoliberal idea of democracy. The history of immigration and popular culture is outlined, as is the book’s methodology, which blends feminist media studies with critical legal analysis to dialectally examine significant moments in immigration policymaking and contemporary popular culture.Less
This chapter introduces the social, historical, and political elements of 1980s immigration debates in both policy-making and popular culture. Drawing on scholarship in American Studies, Gender and Sexuality Studies, Race and Ethnic Studies, Critical Legal Studies, and Media Studies, it outlines the two central tropes in 1980s immigration debates that culminated with the passing of the Immigration Reform and Control Act of 1986, the “nation of immigrants” and “immigration emergency” tropes. It argues that in response to the civil rights and second-wave feminist movements, gendered Reagan-era discourse about Latin American, Asian, and white ethnic immigration was a crucial ingredient in the forming of the neoliberal idea of democracy. The history of immigration and popular culture is outlined, as is the book’s methodology, which blends feminist media studies with critical legal analysis to dialectally examine significant moments in immigration policymaking and contemporary popular culture.
Anna Dahlgren
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526126641
- eISBN:
- 9781526139016
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526126641.003.0001
- Subject:
- Art, Art History
The introduction expands on the rationale, aim and layout of the book. It also the develops the core concepts of the book, such as image, art world, borderlands, and image ecology. The notion ‘art ...
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The introduction expands on the rationale, aim and layout of the book. It also the develops the core concepts of the book, such as image, art world, borderlands, and image ecology. The notion ‘art world’ emphasizes that the distinctions between art and non-art are constructed by diverse agents and institutions. Moreover the term ‘borderlands’ is used to defy the idea that there is a definite demarcation or border between what is ‘inside’ and ‘outside’ of the art world. The term image ecology serves as a metaphor for a desire to understand the interrelationships of things such as the nature of change, adaption and community and as a way to locate how and why images operate in certain ‘environments’ or systems of meaning. Finally the introduction posits the book in the long tradition of image studies and also in recent development within media studies, particularly studies on mediatization and media archaeology.Less
The introduction expands on the rationale, aim and layout of the book. It also the develops the core concepts of the book, such as image, art world, borderlands, and image ecology. The notion ‘art world’ emphasizes that the distinctions between art and non-art are constructed by diverse agents and institutions. Moreover the term ‘borderlands’ is used to defy the idea that there is a definite demarcation or border between what is ‘inside’ and ‘outside’ of the art world. The term image ecology serves as a metaphor for a desire to understand the interrelationships of things such as the nature of change, adaption and community and as a way to locate how and why images operate in certain ‘environments’ or systems of meaning. Finally the introduction posits the book in the long tradition of image studies and also in recent development within media studies, particularly studies on mediatization and media archaeology.
Joanne Garde-Hansen
- Published in print:
- 2011
- Published Online:
- September 2012
- ISBN:
- 9780748640348
- eISBN:
- 9780748670949
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748640348.003.0002
- Subject:
- Society and Culture, Media Studies
This chapter will offer a critical introduction to the key issues, debates and ideas within memory studies research. It is not always clear from existing literature how and why memory studies ...
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This chapter will offer a critical introduction to the key issues, debates and ideas within memory studies research. It is not always clear from existing literature how and why memory studies (ranging from the sociological to the cognitive science approaches) should synthesise with media studies. The connections will be made explicit in this chapter. Drawing together foundational theories of memory from for example Halbwachs (1980), Nora (1989), Lowenthal (1996), Olick (1999), Bergson (2004), Ricoeur (2006) and Connerton (2008), the chapter will consider such theorisations of history, remembering, forgetting, amnesia, flashback, archive and nostalgia with a view to making very clear the connections and disconnections between these lines of thoughts and media studies.Less
This chapter will offer a critical introduction to the key issues, debates and ideas within memory studies research. It is not always clear from existing literature how and why memory studies (ranging from the sociological to the cognitive science approaches) should synthesise with media studies. The connections will be made explicit in this chapter. Drawing together foundational theories of memory from for example Halbwachs (1980), Nora (1989), Lowenthal (1996), Olick (1999), Bergson (2004), Ricoeur (2006) and Connerton (2008), the chapter will consider such theorisations of history, remembering, forgetting, amnesia, flashback, archive and nostalgia with a view to making very clear the connections and disconnections between these lines of thoughts and media studies.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0002
- Subject:
- Film, Television and Radio, Film
This introduction offers an overview of relevant literature, a brief trajectory of the history of pornography before the video era, and an analysis of why the topic has not received much attention. ...
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This introduction offers an overview of relevant literature, a brief trajectory of the history of pornography before the video era, and an analysis of why the topic has not received much attention. Additionally, it offers one of the central arguments in the book, that the industry’s quest for respectability by foregrounding quality (both aesthetically and narratively) had critical ramifications in terms of gender and sexuality—particularly for women—that have been previously overlooked.Less
This introduction offers an overview of relevant literature, a brief trajectory of the history of pornography before the video era, and an analysis of why the topic has not received much attention. Additionally, it offers one of the central arguments in the book, that the industry’s quest for respectability by foregrounding quality (both aesthetically and narratively) had critical ramifications in terms of gender and sexuality—particularly for women—that have been previously overlooked.
Ryan M. Milner
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780262034999
- eISBN:
- 9780262335911
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262034999.001.0001
- Subject:
- Society and Culture, Technology and Society
This book presents an analysis of internet memes, the linguistic, image, audio, and video texts created, circulated, and transformed by countless cultural participants across vast networks and ...
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This book presents an analysis of internet memes, the linguistic, image, audio, and video texts created, circulated, and transformed by countless cultural participants across vast networks and collectives. They can be widely shared catchphrases, auto-tuned songs, manipulated stock photos, or recordings of physical performances. They’re used to make jokes, argue points, and connect friends. As these texts have become increasingly prominent and prolific, the logics underscoring them—multimodality, reappropriation, resonance, collectivism, and spread—have become lynchpins of mediated participation. Even as individual internet memes rise and fall, the contemporary media ecology persists in being memetic. In this ecology, vibrant collective conversations occur across constellations of mediated commentary, remix, and play. Through memetic media, everyday members of the public can contribute their small strands of expression to the vast cultural tapestry.
This book assesses the relationship between those small strands and that vast tapestry, exploring the good, the bad, and the in-between of collective conversation. Memetic media are used to connect participants across distance and context, but they’re also used to dehumanize others through the dominant perspectives they normalize. They’re used to express beyond narrow gatekeeping systems, but they’re still embedded in wider culture industries. Memetic media bring with them a mix of new potentials and old tensions, woven into the cultural tapestry by countless contributors. This book charts that intertwine.Less
This book presents an analysis of internet memes, the linguistic, image, audio, and video texts created, circulated, and transformed by countless cultural participants across vast networks and collectives. They can be widely shared catchphrases, auto-tuned songs, manipulated stock photos, or recordings of physical performances. They’re used to make jokes, argue points, and connect friends. As these texts have become increasingly prominent and prolific, the logics underscoring them—multimodality, reappropriation, resonance, collectivism, and spread—have become lynchpins of mediated participation. Even as individual internet memes rise and fall, the contemporary media ecology persists in being memetic. In this ecology, vibrant collective conversations occur across constellations of mediated commentary, remix, and play. Through memetic media, everyday members of the public can contribute their small strands of expression to the vast cultural tapestry.
This book assesses the relationship between those small strands and that vast tapestry, exploring the good, the bad, and the in-between of collective conversation. Memetic media are used to connect participants across distance and context, but they’re also used to dehumanize others through the dominant perspectives they normalize. They’re used to express beyond narrow gatekeeping systems, but they’re still embedded in wider culture industries. Memetic media bring with them a mix of new potentials and old tensions, woven into the cultural tapestry by countless contributors. This book charts that intertwine.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.001.0001
- Subject:
- Film, Television and Radio, Film
Smutty Little Movies traces the adult film industry’s transition from celluloid to home video beginning in the late 1970s alongside an examination of the cultural and legal efforts to regulate, ...
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Smutty Little Movies traces the adult film industry’s transition from celluloid to home video beginning in the late 1970s alongside an examination of the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industrial histories and contexts. In doing so, the book argues that the struggles to contain and regulate pleasure represent a primary entry point for situating adult video’s place in a larger history, not just of pornography, but media history as a whole.Less
Smutty Little Movies traces the adult film industry’s transition from celluloid to home video beginning in the late 1970s alongside an examination of the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industrial histories and contexts. In doing so, the book argues that the struggles to contain and regulate pleasure represent a primary entry point for situating adult video’s place in a larger history, not just of pornography, but media history as a whole.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0001
- Subject:
- Film, Television and Radio, Film
In this prologue, I describe my own background in relation to this topic, particularly important given my religious family upbringing describe the book’s guiding questions, and set the stage for the ...
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In this prologue, I describe my own background in relation to this topic, particularly important given my religious family upbringing describe the book’s guiding questions, and set the stage for the rest of the book.Less
In this prologue, I describe my own background in relation to this topic, particularly important given my religious family upbringing describe the book’s guiding questions, and set the stage for the rest of the book.
Francis L.F. Lee
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9789888208579
- eISBN:
- 9789888268832
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888208579.001.0001
- Subject:
- Society and Culture, Media Studies
Phone-in programs on public and commercial radio channels have been a staple of popular Hong Kong politics since the 1990s. In the absence of a fully democratic system, they have played an ...
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Phone-in programs on public and commercial radio channels have been a staple of popular Hong Kong politics since the 1990s. In the absence of a fully democratic system, they have played an influential role in channeling and mediating public opinion. This work examines the phenomenon of talk radio in Hong Kong, using as its analytical framework the idea of remediation. It argues that the circulation and re-circulation of talk radio content through the mainstream media is crucial in explaining the medium's social prominence and influence. The process has not only widened the dissemination of talk radio content, but also established talk radio as a channel as well as a symbol for free political expression, giving it a role in shaping serious debate not seen in many other societies. Drawing on interviews with radio personnel, analysis of radio and newspaper content, and audience surveys, Talk Radio explores the vital and influential world of Hong Kong's phone-in programs. The book will be of interest to scholars of politics, media studies, and cultural studies both in Hong Kong and overseas.Less
Phone-in programs on public and commercial radio channels have been a staple of popular Hong Kong politics since the 1990s. In the absence of a fully democratic system, they have played an influential role in channeling and mediating public opinion. This work examines the phenomenon of talk radio in Hong Kong, using as its analytical framework the idea of remediation. It argues that the circulation and re-circulation of talk radio content through the mainstream media is crucial in explaining the medium's social prominence and influence. The process has not only widened the dissemination of talk radio content, but also established talk radio as a channel as well as a symbol for free political expression, giving it a role in shaping serious debate not seen in many other societies. Drawing on interviews with radio personnel, analysis of radio and newspaper content, and audience surveys, Talk Radio explores the vital and influential world of Hong Kong's phone-in programs. The book will be of interest to scholars of politics, media studies, and cultural studies both in Hong Kong and overseas.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0006
- Subject:
- Film, Television and Radio, Film
The final chapter examines traditional forms of regulation, focusing on the community protests, anti-pornography feminist movements, national efforts by conservative groups, and other attempts to ...
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The final chapter examines traditional forms of regulation, focusing on the community protests, anti-pornography feminist movements, national efforts by conservative groups, and other attempts to contain the efforts by the adult video industry to find widespread public acceptance and economic success. I argue that a panic, traceable to the move of sexually explicit films from public to private spaces, resulted in a major shift in the cultural understanding of sexuality, pleasure, and pornography. Part of this panic is visible in the Meese Commission’s investigation in 1986, which aligns with the period in which the adult film industry completed the transition from celluloid to magnetic tape-based production and distribution. I conclude the book with an analysis of the mainstream video rental’s decision to stop carrying adult video in the wake of the Meese Commission and gesture toward the further regulatory actions of the 1990s.Less
The final chapter examines traditional forms of regulation, focusing on the community protests, anti-pornography feminist movements, national efforts by conservative groups, and other attempts to contain the efforts by the adult video industry to find widespread public acceptance and economic success. I argue that a panic, traceable to the move of sexually explicit films from public to private spaces, resulted in a major shift in the cultural understanding of sexuality, pleasure, and pornography. Part of this panic is visible in the Meese Commission’s investigation in 1986, which aligns with the period in which the adult film industry completed the transition from celluloid to magnetic tape-based production and distribution. I conclude the book with an analysis of the mainstream video rental’s decision to stop carrying adult video in the wake of the Meese Commission and gesture toward the further regulatory actions of the 1990s.
Francis L. F. Lee
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9789888208579
- eISBN:
- 9789888268832
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888208579.003.0001
- Subject:
- Society and Culture, Media Studies
The author presents his argument in the Introduction, that talk radio has continued to maintain its prominence and distinctive significance over the past fifteen years in Hong Kong largely due to the ...
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The author presents his argument in the Introduction, that talk radio has continued to maintain its prominence and distinctive significance over the past fifteen years in Hong Kong largely due to the changing social and political context of the city, which has led to the formation of a specific type of congenial and cooperative relationship between talk radio and the mainstream press. Remediation by the mainstream media occurs mainly through thematic representation and content adaptation, and different mainstream media outlets remediate talk radio in both different and similar ways. Remediation also influences how ordinary citizens evaluate and perceive the social roles and functions of talk radio.Less
The author presents his argument in the Introduction, that talk radio has continued to maintain its prominence and distinctive significance over the past fifteen years in Hong Kong largely due to the changing social and political context of the city, which has led to the formation of a specific type of congenial and cooperative relationship between talk radio and the mainstream press. Remediation by the mainstream media occurs mainly through thematic representation and content adaptation, and different mainstream media outlets remediate talk radio in both different and similar ways. Remediation also influences how ordinary citizens evaluate and perceive the social roles and functions of talk radio.
Henning Schmidgen
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823261949
- eISBN:
- 9780823266463
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823261949.001.0001
- Subject:
- Philosophy, Philosophy of Science
This book reconstructs the emergence of the phenomenon of “lost time,” i.e. the interval between stimulus and response, with respect to the German physiologist Hermann von Helmholtz (1821-1894) and ...
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This book reconstructs the emergence of the phenomenon of “lost time,” i.e. the interval between stimulus and response, with respect to the German physiologist Hermann von Helmholtz (1821-1894) and the French writer Marcel Proust (1871-1922). It argues that the discovery and explanation of this phenomenon was closely tied to the functioning of laboratory technologies. In the winter of 1849/50, Helmholtz conducted pioneering measurements concerning the propagation speed of stimulations in the living nerve in Königsberg by using electromagnetic devices and graphical instruments. When presenting his findings in the Parisian Academy of Science, he coined the term “lost time” in order to illustrate the delays accompanying the functioning of nerves. In the 1910s, Proust adopted the same expression from the popular writings of the French physiologist Etienne-Jules Marey.Less
This book reconstructs the emergence of the phenomenon of “lost time,” i.e. the interval between stimulus and response, with respect to the German physiologist Hermann von Helmholtz (1821-1894) and the French writer Marcel Proust (1871-1922). It argues that the discovery and explanation of this phenomenon was closely tied to the functioning of laboratory technologies. In the winter of 1849/50, Helmholtz conducted pioneering measurements concerning the propagation speed of stimulations in the living nerve in Königsberg by using electromagnetic devices and graphical instruments. When presenting his findings in the Parisian Academy of Science, he coined the term “lost time” in order to illustrate the delays accompanying the functioning of nerves. In the 1910s, Proust adopted the same expression from the popular writings of the French physiologist Etienne-Jules Marey.
Francis L. F. Lee
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9789888208579
- eISBN:
- 9789888268832
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888208579.003.0010
- Subject:
- Society and Culture, Media Studies
Chapter 10 discusses the theoretical implications of the book on the analysis of media interconnectedness and remediation, and the implications of the findings in relation to the broader problematic ...
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Chapter 10 discusses the theoretical implications of the book on the analysis of media interconnectedness and remediation, and the implications of the findings in relation to the broader problematic of the communication of public opinion in Hong Kong. It also comments on the most recent and possible future development of talk radio in the city.Less
Chapter 10 discusses the theoretical implications of the book on the analysis of media interconnectedness and remediation, and the implications of the findings in relation to the broader problematic of the communication of public opinion in Hong Kong. It also comments on the most recent and possible future development of talk radio in the city.
Carly A. Kocurek
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9780816691821
- eISBN:
- 9781452953618
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816691821.001.0001
- Subject:
- Society and Culture, Technology and Society
Coin-Operated Americans centers on the reframing of boyhood that took place in the popular discourse surrounding early video gaming, but it is not another story about young men. Rather, it charts ...
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Coin-Operated Americans centers on the reframing of boyhood that took place in the popular discourse surrounding early video gaming, but it is not another story about young men. Rather, it charts Americans’ efforts to make sense of video gaming as an emergent medium through news coverage, films, television programs, and other media. The book explains how video gaming both challenged and reinforced existing ideals of masculinity, and how efforts by industry advocates and cultural critics alike to make sense of gaming helped shape and restrict gamer identity. Using diverse archival sources alongside popular films and television programs and a series of original oral history interviews, Coin-Operated Americans offers insight into the construction of gaming in popular imagination. Early coin-operated video games like PONG (Atari, 1972) emerged from the same industry that popularized pool and foosball tables and pinball machines in bars and bowling alleys. As this book details, the transition by which video gaming became strongly associated with boyhood was heavily influenced both by the coin-op industry’s efforts to establish respectability and by existing cultural narratives surrounding technology, masculinity, and youth.Less
Coin-Operated Americans centers on the reframing of boyhood that took place in the popular discourse surrounding early video gaming, but it is not another story about young men. Rather, it charts Americans’ efforts to make sense of video gaming as an emergent medium through news coverage, films, television programs, and other media. The book explains how video gaming both challenged and reinforced existing ideals of masculinity, and how efforts by industry advocates and cultural critics alike to make sense of gaming helped shape and restrict gamer identity. Using diverse archival sources alongside popular films and television programs and a series of original oral history interviews, Coin-Operated Americans offers insight into the construction of gaming in popular imagination. Early coin-operated video games like PONG (Atari, 1972) emerged from the same industry that popularized pool and foosball tables and pinball machines in bars and bowling alleys. As this book details, the transition by which video gaming became strongly associated with boyhood was heavily influenced both by the coin-op industry’s efforts to establish respectability and by existing cultural narratives surrounding technology, masculinity, and youth.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0004
- Subject:
- Film, Television and Radio, Film
Chapter two explores the creation in 1983 of Adult Video News (AVN), a newsletter initially aimed at the public but gradually transformed into an industry trade journal in the vein of Variety or ...
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Chapter two explores the creation in 1983 of Adult Video News (AVN), a newsletter initially aimed at the public but gradually transformed into an industry trade journal in the vein of Variety or Hollywood Reporter. In its attempts to provide a more sophisticated, nuanced, and professional set of discourses for adult video, AVN represents a major turning point in this history, focusing on the industry as an industry, rather than merely as content made by unseen, hidden forces. Additionally, AVN repeatedly emphasized and encouraged the creation of quality material as a strategy to gain the respectability that would lead to greater acceptability and profits, a stance it also replicated within its own pages and editorial practices. Ultimately, AVN crafted something new: a space in which to promote, sell, and celebrate adult video.Less
Chapter two explores the creation in 1983 of Adult Video News (AVN), a newsletter initially aimed at the public but gradually transformed into an industry trade journal in the vein of Variety or Hollywood Reporter. In its attempts to provide a more sophisticated, nuanced, and professional set of discourses for adult video, AVN represents a major turning point in this history, focusing on the industry as an industry, rather than merely as content made by unseen, hidden forces. Additionally, AVN repeatedly emphasized and encouraged the creation of quality material as a strategy to gain the respectability that would lead to greater acceptability and profits, a stance it also replicated within its own pages and editorial practices. Ultimately, AVN crafted something new: a space in which to promote, sell, and celebrate adult video.
Biswarup Sen and Abhijit Roy
- Published in print:
- 2014
- Published Online:
- April 2014
- ISBN:
- 9780198092056
- eISBN:
- 9780199082889
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198092056.003.0013
- Subject:
- Sociology, Culture
Starting with a reference to the recent instances of confrontation between the Indian state and an agitated “civil society”, the Introduction draws our attention to the roles Indian television plays ...
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Starting with a reference to the recent instances of confrontation between the Indian state and an agitated “civil society”, the Introduction draws our attention to the roles Indian television plays in representing the multiplicity of nation’s citizenry, the moral-political agency of the emergent middle classes and a market-driven broadcasting plugged into mobile phones and social media. It then goes on to statistically establish the mammothness, density and intensity of televisual cultures in India and its huge economic significance. Briefly historicizing Indian television, this chapter moves on to elaborate on the theoretical legacies of the field of Television Studies in India and abroad. Special attention has been devoted here to the methodological questions that concern the volume. It concludes by providing synopses of chapters, making relevant connections between them and raising a number of questions that may constitute the future research agenda for Indian television scholars.Less
Starting with a reference to the recent instances of confrontation between the Indian state and an agitated “civil society”, the Introduction draws our attention to the roles Indian television plays in representing the multiplicity of nation’s citizenry, the moral-political agency of the emergent middle classes and a market-driven broadcasting plugged into mobile phones and social media. It then goes on to statistically establish the mammothness, density and intensity of televisual cultures in India and its huge economic significance. Briefly historicizing Indian television, this chapter moves on to elaborate on the theoretical legacies of the field of Television Studies in India and abroad. Special attention has been devoted here to the methodological questions that concern the volume. It concludes by providing synopses of chapters, making relevant connections between them and raising a number of questions that may constitute the future research agenda for Indian television scholars.
Ryan M. Milner
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780262034999
- eISBN:
- 9780262335911
- Item type:
- chapter
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262034999.003.0002
- Subject:
- Society and Culture, Technology and Society
This chapter introduces the fundamentals of memetic media. It traces the (imperfect) connections between conceptualizations of memes as cultural replicators and the mediated texts that have come to ...
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This chapter introduces the fundamentals of memetic media. It traces the (imperfect) connections between conceptualizations of memes as cultural replicators and the mediated texts that have come to bear the name in pop cultural parlance. It then outlines five fundamental logics central to memetic participation. Memetic media are unique for their multimodality (their expression in multiple modes of communication), reappropriation (their “poaching” of existing texts), resonance (their connections to individual participants), collectivism (their social creation and transformation), and spread (their circulation through mass networks). These logics persist beyond individual texts, and are lynchpins for public conversations occurring across mediated contexts.Less
This chapter introduces the fundamentals of memetic media. It traces the (imperfect) connections between conceptualizations of memes as cultural replicators and the mediated texts that have come to bear the name in pop cultural parlance. It then outlines five fundamental logics central to memetic participation. Memetic media are unique for their multimodality (their expression in multiple modes of communication), reappropriation (their “poaching” of existing texts), resonance (their connections to individual participants), collectivism (their social creation and transformation), and spread (their circulation through mass networks). These logics persist beyond individual texts, and are lynchpins for public conversations occurring across mediated contexts.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0005
- Subject:
- Film, Television and Radio, Film
Chapter three contrasts a pair of case studies involving the challenges faced by the women whose performances helped build the adult video industry, and particularly the significance of the means of ...
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Chapter three contrasts a pair of case studies involving the challenges faced by the women whose performances helped build the adult video industry, and particularly the significance of the means of production and control. First, Ginger Lynn and Vivid Video, the first company to recognize the potential of the shot-on-video format. Lynn was the centerpiece in a new, aggressive marketing strategy that sought widespread public acceptance but did not hold an ownership stake in the company, and thus represents the limitations of performance success. Second is Candida Royalle, a performer in the 1970s who founded Femme Productions in 1984 with the goal of creating adult films for women, which she did as writer, director, producer, and owner. While similar to Vivid in terms of the desire for economic success with particular demographics, Royalle’s overt politics, feminist strategies, marketing discourses, and narrative and visual content set Femme in radically different territory.Less
Chapter three contrasts a pair of case studies involving the challenges faced by the women whose performances helped build the adult video industry, and particularly the significance of the means of production and control. First, Ginger Lynn and Vivid Video, the first company to recognize the potential of the shot-on-video format. Lynn was the centerpiece in a new, aggressive marketing strategy that sought widespread public acceptance but did not hold an ownership stake in the company, and thus represents the limitations of performance success. Second is Candida Royalle, a performer in the 1970s who founded Femme Productions in 1984 with the goal of creating adult films for women, which she did as writer, director, producer, and owner. While similar to Vivid in terms of the desire for economic success with particular demographics, Royalle’s overt politics, feminist strategies, marketing discourses, and narrative and visual content set Femme in radically different territory.
John Street, Sanna Inthorn, and Martin Scott
- Published in print:
- 2013
- Published Online:
- May 2015
- ISBN:
- 9780719085383
- eISBN:
- 9781781706121
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719085383.003.0010
- Subject:
- Political Science, UK Politics
This chapter reflects on the implications of this research for academic debate, education policy and media production. It stresses the importance of taking seriously young people’s cultural tastes ...
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This chapter reflects on the implications of this research for academic debate, education policy and media production. It stresses the importance of taking seriously young people’s cultural tastes for research that wants to understand the nuanced ways in which citizen engagement can happen. It suggests that media and cultural studies are subjects that policy makers and schools should take seriously for their potential to connect young people with issues of public concern. It argues that media producers can help boost this potential of popular culture by showing a world of politics where young people can make a positive difference.Less
This chapter reflects on the implications of this research for academic debate, education policy and media production. It stresses the importance of taking seriously young people’s cultural tastes for research that wants to understand the nuanced ways in which citizen engagement can happen. It suggests that media and cultural studies are subjects that policy makers and schools should take seriously for their potential to connect young people with issues of public concern. It argues that media producers can help boost this potential of popular culture by showing a world of politics where young people can make a positive difference.
Peter Alilunas
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520291706
- eISBN:
- 9780520965362
- Item type:
- chapter
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520291706.003.0003
- Subject:
- Film, Television and Radio, Film
Chapter one examines the early history of adult video from a variety of technological, cultural, and industrial perspectives beginning with the Panoram, a device invented in the 1940s and completely ...
More
Chapter one examines the early history of adult video from a variety of technological, cultural, and industrial perspectives beginning with the Panoram, a device invented in the 1940s and completely unintended for pornography. Following is an analysis of the adult motel landscape of Southern California, an early site of adult video distribution. The chapter concludes with a history of the early pioneers of adult video, including George Atkinson, who created the first video rental store in the United States.Less
Chapter one examines the early history of adult video from a variety of technological, cultural, and industrial perspectives beginning with the Panoram, a device invented in the 1940s and completely unintended for pornography. Following is an analysis of the adult motel landscape of Southern California, an early site of adult video distribution. The chapter concludes with a history of the early pioneers of adult video, including George Atkinson, who created the first video rental store in the United States.
