Ron Johnston (ed.)
- Published in print:
- 2009
- Published Online:
- January 2012
- ISBN:
- 9780197264577
- eISBN:
- 9780191734267
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264577.001.0001
- Subject:
- History, Historiography
This volume of the Proceedings of the British Academy looks at the lives and works of some of Britain's foremost scholars. The scholars featured in this volume are: John Lloyd Ackrill, Maurice ...
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This volume of the Proceedings of the British Academy looks at the lives and works of some of Britain's foremost scholars. The scholars featured in this volume are: John Lloyd Ackrill, Maurice Warwick Beresford, Malcolm MacNaughtan Bowie, Peter Astbury Brunt, Norman Rufus Colin Cohn, John Anthony Crook, Robert Rees Davies, David Fairweather Foxon, Terence Wilmot Hutchison, Philip James Jones, Michael Vincent Levey, John Macquarrie, Charles Francis Digby Moule, Anthony David Nuttall, Alan William Raitt, Joseph Burney Trapp, William Watson, and Bryan Ronald Wilson.Less
This volume of the Proceedings of the British Academy looks at the lives and works of some of Britain's foremost scholars. The scholars featured in this volume are: John Lloyd Ackrill, Maurice Warwick Beresford, Malcolm MacNaughtan Bowie, Peter Astbury Brunt, Norman Rufus Colin Cohn, John Anthony Crook, Robert Rees Davies, David Fairweather Foxon, Terence Wilmot Hutchison, Philip James Jones, Michael Vincent Levey, John Macquarrie, Charles Francis Digby Moule, Anthony David Nuttall, Alan William Raitt, Joseph Burney Trapp, William Watson, and Bryan Ronald Wilson.
Jeremy Morris
- Published in print:
- 2008
- Published Online:
- October 2011
- ISBN:
- 9780199545315
- eISBN:
- 9780191602825
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199545315.001.0001
- Subject:
- Religion, Theology, History of Christianity
This book offers a reassessment of the theology of Frederick Denison Maurice (1805–1872), one of the most significant theologians of the modern Church of England. It seeks to place Maurice’s theology ...
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This book offers a reassessment of the theology of Frederick Denison Maurice (1805–1872), one of the most significant theologians of the modern Church of England. It seeks to place Maurice’s theology in the context of nineteenth-century conflicts over the social role of the Church, and over the truth of the Christian revelation. Maurice is known today mostly for his seminal role in the formation of Christian Socialism, and for his dismissal from his chair at King’s College, London, over his denial of the doctrine of eternal punishment. Drawing on the whole range of Maurice’s extensive published work, this book argues that his theology as well as his social and educational activity were held together above all by his commitment to a renewal of Anglican ecclesiology. At a time when, following the social upheavals of the French Revolution and the Industrial Revolution, many of his contemporaries feared that the authority of the Christian Church — and particularly of the Church of England — was under threat, Maurice sought to reinvigorate his Church’s sense of mission by emphasizing its national responsibility and its theological inclusiveness. In the process, he pioneered a new appreciation of the diversity of Christian traditions that was to be of great importance for the Church of England’s ecumenical commitment. He also sought to limit the damage of internal Church division by promoting a view of the Church’s comprehensiveness that acknowledged the complementary truth of convictions fiercely held by competing parties.Less
This book offers a reassessment of the theology of Frederick Denison Maurice (1805–1872), one of the most significant theologians of the modern Church of England. It seeks to place Maurice’s theology in the context of nineteenth-century conflicts over the social role of the Church, and over the truth of the Christian revelation. Maurice is known today mostly for his seminal role in the formation of Christian Socialism, and for his dismissal from his chair at King’s College, London, over his denial of the doctrine of eternal punishment. Drawing on the whole range of Maurice’s extensive published work, this book argues that his theology as well as his social and educational activity were held together above all by his commitment to a renewal of Anglican ecclesiology. At a time when, following the social upheavals of the French Revolution and the Industrial Revolution, many of his contemporaries feared that the authority of the Christian Church — and particularly of the Church of England — was under threat, Maurice sought to reinvigorate his Church’s sense of mission by emphasizing its national responsibility and its theological inclusiveness. In the process, he pioneered a new appreciation of the diversity of Christian traditions that was to be of great importance for the Church of England’s ecumenical commitment. He also sought to limit the damage of internal Church division by promoting a view of the Church’s comprehensiveness that acknowledged the complementary truth of convictions fiercely held by competing parties.
Jeremy Morris
- Published in print:
- 2005
- Published Online:
- July 2005
- ISBN:
- 9780199263172
- eISBN:
- 9780191602825
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199263175.001.0001
- Subject:
- Religion, Theology
This book offers a reassessment of the theology of F.D. Maurice (1805–1872), one of the most significant theologians of the modern Church of England. It seeks to place Maurice’s theology in the ...
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This book offers a reassessment of the theology of F.D. Maurice (1805–1872), one of the most significant theologians of the modern Church of England. It seeks to place Maurice’s theology in the context of nineteenth-century conflicts over the social role of the Church, and over the truth of the Christian revelation. Maurice is known today mostly for his seminal role in the formation of Christian Socialism, and for his dismissal from his chair at King’s College, London, over his denial of the doctrine of eternal punishment. Drawing on the whole range of Maurice’s extensive published work, this book argues that his theology and his social and educational activity were held together, above all, by his commitment to a renewal of Anglican ecclesiology. At a time when, following the social upheavals of the French Revolution and the Industrial Revolution, many of his contemporaries feared that the authority of the Christian Church—and particularly of the Church of England—was under threat, Maurice sought to reinvigorate his Church’s sense of mission by emphasizing its national responsibility, and its theological inclusiveness. In the process, he pioneered a new appreciation of the diversity of Christian traditions that was to be of great importance for the Church of England’s ecumenical commitment. He also sought to limit the damage of internal church division, by promoting a view of the Church’s comprehensiveness that acknowledged the complementary truth of convictions fiercely held by competing parties.Less
This book offers a reassessment of the theology of F.D. Maurice (1805–1872), one of the most significant theologians of the modern Church of England. It seeks to place Maurice’s theology in the context of nineteenth-century conflicts over the social role of the Church, and over the truth of the Christian revelation. Maurice is known today mostly for his seminal role in the formation of Christian Socialism, and for his dismissal from his chair at King’s College, London, over his denial of the doctrine of eternal punishment. Drawing on the whole range of Maurice’s extensive published work, this book argues that his theology and his social and educational activity were held together, above all, by his commitment to a renewal of Anglican ecclesiology. At a time when, following the social upheavals of the French Revolution and the Industrial Revolution, many of his contemporaries feared that the authority of the Christian Church—and particularly of the Church of England—was under threat, Maurice sought to reinvigorate his Church’s sense of mission by emphasizing its national responsibility, and its theological inclusiveness. In the process, he pioneered a new appreciation of the diversity of Christian traditions that was to be of great importance for the Church of England’s ecumenical commitment. He also sought to limit the damage of internal church division, by promoting a view of the Church’s comprehensiveness that acknowledged the complementary truth of convictions fiercely held by competing parties.
Steve Bruce
- Published in print:
- 2007
- Published Online:
- September 2007
- ISBN:
- 9780199271962
- eISBN:
- 9780191709883
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199271962.003.0001
- Subject:
- Religion, Religion and Society
This chapter surveys a wide range of historic works on marriage and family. The first two sections place Jesus' teaching against the family, Paul's indifference toward marriage and family, and the ...
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This chapter surveys a wide range of historic works on marriage and family. The first two sections place Jesus' teaching against the family, Paul's indifference toward marriage and family, and the New Testament's household codes against the backdrop of the Greco-Roman emphasis on the family as the fundamental social cell. The following sections assess Augustine's affirmation of marriage in light of ambiguous patristic teaching, and medieval attempts to institutionalize marriage as a vocation roughly on a par with singleness. The final sections examine Reformation and Puritan themes, and three attempts by 19th-century theologians — Friedrich Schleiermacher, Horace Bushnell, and F. D. Maurice — to bolster the family in response to the rise of modern liberal social and political thought.Less
This chapter surveys a wide range of historic works on marriage and family. The first two sections place Jesus' teaching against the family, Paul's indifference toward marriage and family, and the New Testament's household codes against the backdrop of the Greco-Roman emphasis on the family as the fundamental social cell. The following sections assess Augustine's affirmation of marriage in light of ambiguous patristic teaching, and medieval attempts to institutionalize marriage as a vocation roughly on a par with singleness. The final sections examine Reformation and Puritan themes, and three attempts by 19th-century theologians — Friedrich Schleiermacher, Horace Bushnell, and F. D. Maurice — to bolster the family in response to the rise of modern liberal social and political thought.
David Young
- Published in print:
- 1992
- Published Online:
- October 2011
- ISBN:
- 9780198263395
- eISBN:
- 9780191682520
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198263395.003.0014
- Subject:
- Religion, History of Christianity, Theology
This chapter discusses the journey of Maurice's personal search for a faith that could meet his spiritual needs. His quest for faith led him out of Unitarianism and to the Church of England. He ...
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This chapter discusses the journey of Maurice's personal search for a faith that could meet his spiritual needs. His quest for faith led him out of Unitarianism and to the Church of England. He believed that through Jesus, God has descended into the world of misery to bring back His beloved people to their true home. While his sisters joined the mainstream Christian Churches and entirely turned their backs on the liberal traditions of their forefathers, Maurice took a tolerant search for truth and unceasingly sought for ways to reconcile with the teachings of his forefathers. Devoted and affectionate to his father, he always sought to heal the divisions that separated his family. While critics bombard him as a Unitarian and a Universalist cloaked in his orthodoxy, Maurice was moved by the personal nature of his faith. Many of Maurice's books suggest that the divine friend helped him to range far and wide theologically and undeniably Maurice was committed to that divine friend. In the early years, Maurice's faith was fed and nurtured among Unitarians, but as it matured it retained the marks of its beginnings and a deep thankfulness for the blessings attached to it.Less
This chapter discusses the journey of Maurice's personal search for a faith that could meet his spiritual needs. His quest for faith led him out of Unitarianism and to the Church of England. He believed that through Jesus, God has descended into the world of misery to bring back His beloved people to their true home. While his sisters joined the mainstream Christian Churches and entirely turned their backs on the liberal traditions of their forefathers, Maurice took a tolerant search for truth and unceasingly sought for ways to reconcile with the teachings of his forefathers. Devoted and affectionate to his father, he always sought to heal the divisions that separated his family. While critics bombard him as a Unitarian and a Universalist cloaked in his orthodoxy, Maurice was moved by the personal nature of his faith. Many of Maurice's books suggest that the divine friend helped him to range far and wide theologically and undeniably Maurice was committed to that divine friend. In the early years, Maurice's faith was fed and nurtured among Unitarians, but as it matured it retained the marks of its beginnings and a deep thankfulness for the blessings attached to it.
Susan E. Scarrow
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780199253098
- eISBN:
- 9780191599026
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0199253099.003.0005
- Subject:
- Political Science, Comparative Politics
Examines how parties have fared as membership organizations over the past half century. The most comprehensive series of party‐reported membership and survey data for the OECD nations finds that ...
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Examines how parties have fared as membership organizations over the past half century. The most comprehensive series of party‐reported membership and survey data for the OECD nations finds that party membership rolls generally had decreased by the end of the 1990s. The chapter concludes by investigating the extent to which membership declines have diminished the organizational capacity of local parties and with a warning against overstating either the rise or obsolescence of membership‐based party organizing. It is true that membership parties are not what they once were, but it is also the case that strong membership parties were never as widespread as some accounts suggest.Less
Examines how parties have fared as membership organizations over the past half century. The most comprehensive series of party‐reported membership and survey data for the OECD nations finds that party membership rolls generally had decreased by the end of the 1990s. The chapter concludes by investigating the extent to which membership declines have diminished the organizational capacity of local parties and with a warning against overstating either the rise or obsolescence of membership‐based party organizing. It is true that membership parties are not what they once were, but it is also the case that strong membership parties were never as widespread as some accounts suggest.
Philip Lambert
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780195390070
- eISBN:
- 9780199863570
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195390070.003.0009
- Subject:
- Music, Theory, Analysis, Composition, Popular
This final chapter surveys the separate professional lives of Bock and Harnick since their partnership dissolved in the early 1970s. Jerry Bock has worked as his own lyricist and written songs for ...
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This final chapter surveys the separate professional lives of Bock and Harnick since their partnership dissolved in the early 1970s. Jerry Bock has worked as his own lyricist and written songs for concept albums and a feature film (Sidney Lumet’s A Stranger Among Us). He has worked on two major musicals that were never fully staged, one a murder-mystery (with author Evan Hunter), the other based on the tax code (with Jerry Sterner). He also wrote a successful series of musicals for young audiences (with Sidney Berger). Sheldon Harnick has branched out into opera (with composers Jack Beeson and Henry Mollicone) and translations (of Ravel, Bizet, and Lehár). His activities in the musical theater since the 1970s include writing lyrics with Richard Rodgers (Rex), book and lyrics with Michel Legrand (A Christmas Carol) and Joe Raposo (A Wonderful Life), and book, music, and lyrics for Dragons, based on Yevgeny Schwartz’s political fable.Less
This final chapter surveys the separate professional lives of Bock and Harnick since their partnership dissolved in the early 1970s. Jerry Bock has worked as his own lyricist and written songs for concept albums and a feature film (Sidney Lumet’s A Stranger Among Us). He has worked on two major musicals that were never fully staged, one a murder-mystery (with author Evan Hunter), the other based on the tax code (with Jerry Sterner). He also wrote a successful series of musicals for young audiences (with Sidney Berger). Sheldon Harnick has branched out into opera (with composers Jack Beeson and Henry Mollicone) and translations (of Ravel, Bizet, and Lehár). His activities in the musical theater since the 1970s include writing lyrics with Richard Rodgers (Rex), book and lyrics with Michel Legrand (A Christmas Carol) and Joe Raposo (A Wonderful Life), and book, music, and lyrics for Dragons, based on Yevgeny Schwartz’s political fable.
Ann Jefferson
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691160658
- eISBN:
- 9781400852598
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691160658.003.0010
- Subject:
- Literature, Criticism/Theory
This chapter presents arguments for a model of genius defined as the optimal expression of the human mind. This view dominated discussion in the last twenty years of the century, when the medical ...
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This chapter presents arguments for a model of genius defined as the optimal expression of the human mind. This view dominated discussion in the last twenty years of the century, when the medical profession mounted a challenge to its previous pathologizing of genius, and devoted its energies and insights to bringing it back within the bounds of normal mental functioning. The theme was taken up by the philosopher Gabriel Séailles in his Essai sur le génie dans l' art (An essay on genius in art, 1883), where he argues for a view of genius as a manifestation of the healthy human mind. The chapter studies other echoes of this theme in such individuals as Édouard Toulouse and Maurice de Fleury, among others.Less
This chapter presents arguments for a model of genius defined as the optimal expression of the human mind. This view dominated discussion in the last twenty years of the century, when the medical profession mounted a challenge to its previous pathologizing of genius, and devoted its energies and insights to bringing it back within the bounds of normal mental functioning. The theme was taken up by the philosopher Gabriel Séailles in his Essai sur le génie dans l' art (An essay on genius in art, 1883), where he argues for a view of genius as a manifestation of the healthy human mind. The chapter studies other echoes of this theme in such individuals as Édouard Toulouse and Maurice de Fleury, among others.
Ann Jefferson
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691160658
- eISBN:
- 9781400852598
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691160658.003.0018
- Subject:
- Literature, Criticism/Theory
This chapter chronicles the return of genius as a viable object of thought, this time in the context of madness. It first turns to the conjunction between neurosis and full-blown psychosis where ...
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This chapter chronicles the return of genius as a viable object of thought, this time in the context of madness. It first turns to the conjunction between neurosis and full-blown psychosis where genius commands greatest attention in the latter half of the twentieth century. This is explored in the case of Friedrich Hölderlin, who becomes the object of theoretical attention in the early 1950s. The chapter shows how, in the early years of theory Pierre Jean Jouve (a poet-essayist, more than a theorist in the late twentieth-century style) and Maurice Blanchot have examined the case of Hölderlin, with supporting illustration from other examples.Less
This chapter chronicles the return of genius as a viable object of thought, this time in the context of madness. It first turns to the conjunction between neurosis and full-blown psychosis where genius commands greatest attention in the latter half of the twentieth century. This is explored in the case of Friedrich Hölderlin, who becomes the object of theoretical attention in the early 1950s. The chapter shows how, in the early years of theory Pierre Jean Jouve (a poet-essayist, more than a theorist in the late twentieth-century style) and Maurice Blanchot have examined the case of Hölderlin, with supporting illustration from other examples.
Richard Barrios
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195377347
- eISBN:
- 9780199864577
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377347.003.0013
- Subject:
- Music, Popular
Filmed operettas were more prominent in the early sound era than they would ever be again. The first, The Desert Song, showed both the advantages and pitfalls of putting these works on film. Opera ...
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Filmed operettas were more prominent in the early sound era than they would ever be again. The first, The Desert Song, showed both the advantages and pitfalls of putting these works on film. Opera star Lawrence Tibbett scored with The Rogue Song, as did director Ernst Lubitsch with The Love Parade. Others could be pompous (The Vagabond King), trivial (The Lottery Bride), or horrendously racist (Golden Dawn). With Viennese Nights, Sigmund Romberg and Oscar Hammerstein II created a viable operetta especially for the screen, although not with financial success.Less
Filmed operettas were more prominent in the early sound era than they would ever be again. The first, The Desert Song, showed both the advantages and pitfalls of putting these works on film. Opera star Lawrence Tibbett scored with The Rogue Song, as did director Ernst Lubitsch with The Love Parade. Others could be pompous (The Vagabond King), trivial (The Lottery Bride), or horrendously racist (Golden Dawn). With Viennese Nights, Sigmund Romberg and Oscar Hammerstein II created a viable operetta especially for the screen, although not with financial success.
Richard Barrios
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195377347
- eISBN:
- 9780199864577
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377347.003.0016
- Subject:
- Music, Popular
In the mainly non-musical years of 1931 and 1932, a few filmmakers attempted to disregard the moratorium, sometimes with success. Among them was Ernst Lubitsch and Maurice Chevalier with The Smiling ...
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In the mainly non-musical years of 1931 and 1932, a few filmmakers attempted to disregard the moratorium, sometimes with success. Among them was Ernst Lubitsch and Maurice Chevalier with The Smiling Lieutenant and One Hour With You and Fox with Gershwin's Delicious. The team of Eddie Cantor and Busby Berkeley also fared well, while Rouben Mamoulian directed the sublime Love Me Tonight — not a financial success but still a high-water mark for musical cinema. Other films — The Phantom President, The Big Broadcast, Hallelujah, I'm A Bum — seemed to herald the fact that musicals might return.Less
In the mainly non-musical years of 1931 and 1932, a few filmmakers attempted to disregard the moratorium, sometimes with success. Among them was Ernst Lubitsch and Maurice Chevalier with The Smiling Lieutenant and One Hour With You and Fox with Gershwin's Delicious. The team of Eddie Cantor and Busby Berkeley also fared well, while Rouben Mamoulian directed the sublime Love Me Tonight — not a financial success but still a high-water mark for musical cinema. Other films — The Phantom President, The Big Broadcast, Hallelujah, I'm A Bum — seemed to herald the fact that musicals might return.
Richard Barrios
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195377347
- eISBN:
- 9780199864577
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377347.003.0007
- Subject:
- Music, Popular
In the wake of The Jazz Singer and The Singing Fool arose the most risible musical genre of all: “mammy” films, tear-jerking musical melodramas forged with little flair or inspiration. Initially ...
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In the wake of The Jazz Singer and The Singing Fool arose the most risible musical genre of all: “mammy” films, tear-jerking musical melodramas forged with little flair or inspiration. Initially popular, they were the first musical films to wear out their welcome due to oversaturation and repetition. Among the participants: George Jessel, Maurice Chevalier, Morton Downey, Sophie Tucker, and Ted Lewis, appearing in films bearing such titles as Rainbow Man, Mother's Boy, Say It with Songs and, ominously, Is Everybody Happy? Less
In the wake of The Jazz Singer and The Singing Fool arose the most risible musical genre of all: “mammy” films, tear-jerking musical melodramas forged with little flair or inspiration. Initially popular, they were the first musical films to wear out their welcome due to oversaturation and repetition. Among the participants: George Jessel, Maurice Chevalier, Morton Downey, Sophie Tucker, and Ted Lewis, appearing in films bearing such titles as Rainbow Man, Mother's Boy, Say It with Songs and, ominously, Is Everybody Happy?
Yaroslav Timofeev
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780691182711
- eISBN:
- 9780691185514
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691182711.003.0008
- Subject:
- Music, Opera
This chapter focuses on a dramatic moment in the life of Igor Stravinsky when he was forced to choose between loyalty to the memory of his beloved teacher Nikolai Rimsky-Korsakov on the one hand, and ...
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This chapter focuses on a dramatic moment in the life of Igor Stravinsky when he was forced to choose between loyalty to the memory of his beloved teacher Nikolai Rimsky-Korsakov on the one hand, and his new loyalty, both commercial and artistic, to Sergei Diaghilev on the other hand—a choice, in effect, between St. Petersburg and Paris. After Rimsky-Korsakov's death, Stravinsky's opinions on his teacher were rather odd. His comments were contradictory, his evaluations widely diverging, doubtless stemming from the fact that it was not always clear whether he was writing under the influence of Rimsky-Korsakov or in reaction to him. Stravinsky's active departure from his teacher's ways required no more than five years, and the end of this period was marked by a decisive full stop: Rimsky-Korsakov's completion of Modest Musorgsky's unfinished Khovanshchina was pushed aside when Stravinsky, together with Diaghilev and Maurice Ravel, issued a new version designed to correct all of Rimsky-Korsakov's “errors.”Less
This chapter focuses on a dramatic moment in the life of Igor Stravinsky when he was forced to choose between loyalty to the memory of his beloved teacher Nikolai Rimsky-Korsakov on the one hand, and his new loyalty, both commercial and artistic, to Sergei Diaghilev on the other hand—a choice, in effect, between St. Petersburg and Paris. After Rimsky-Korsakov's death, Stravinsky's opinions on his teacher were rather odd. His comments were contradictory, his evaluations widely diverging, doubtless stemming from the fact that it was not always clear whether he was writing under the influence of Rimsky-Korsakov or in reaction to him. Stravinsky's active departure from his teacher's ways required no more than five years, and the end of this period was marked by a decisive full stop: Rimsky-Korsakov's completion of Modest Musorgsky's unfinished Khovanshchina was pushed aside when Stravinsky, together with Diaghilev and Maurice Ravel, issued a new version designed to correct all of Rimsky-Korsakov's “errors.”
CHRISTOPHER BLISS
- Published in print:
- 2011
- Published Online:
- January 2013
- ISBN:
- 9780197264904
- eISBN:
- 9780191754081
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197264904.003.0014
- Subject:
- History, Historiography
Maurice Scott, an outstanding economics scholar associated for most of his career with Nuffield College Oxford, was involved in the revolution in economic thought of the 1960s and 1970s. His major ...
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Maurice Scott, an outstanding economics scholar associated for most of his career with Nuffield College Oxford, was involved in the revolution in economic thought of the 1960s and 1970s. His major work, A New View of Economic Growth (1989), was coolly received. Scott, who wrote an autobiography, My Life, and a philosophical study entitled Peter's Journey: A Search for the True Purpose of Life (1998), was elected Fellow of the British Academy in 1990. Obituary by Christopher Bliss FBA.Less
Maurice Scott, an outstanding economics scholar associated for most of his career with Nuffield College Oxford, was involved in the revolution in economic thought of the 1960s and 1970s. His major work, A New View of Economic Growth (1989), was coolly received. Scott, who wrote an autobiography, My Life, and a philosophical study entitled Peter's Journey: A Search for the True Purpose of Life (1998), was elected Fellow of the British Academy in 1990. Obituary by Christopher Bliss FBA.
Donald Maurice
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195156904
- eISBN:
- 9780199868339
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195156904.003.0007
- Subject:
- Music, History, Western
This chapter examines in depth the revisions of Atar Arad, Csaba Erd'lyi, Peter Bartók, and Donald Maurice with reference to the overall chronology of the revisions, the degree of revision, and ...
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This chapter examines in depth the revisions of Atar Arad, Csaba Erd'lyi, Peter Bartók, and Donald Maurice with reference to the overall chronology of the revisions, the degree of revision, and cross-influence between revisionists. The revisions are systematically compared with Tibor Serly's version and also with each other, under categories of structure, orchestration, tempo, phrasing, and pitches in the viola part. Mention is made of the cultural and musical background of the revisionists and to what degree those factors influenced musical decisions. While for the most part the comparisons are objective observations, some judgments on the relative success of decisions taken by the revisionists are made, including retrospective reservations about some decisions in the author's own unpublished revision.Less
This chapter examines in depth the revisions of Atar Arad, Csaba Erd'lyi, Peter Bartók, and Donald Maurice with reference to the overall chronology of the revisions, the degree of revision, and cross-influence between revisionists. The revisions are systematically compared with Tibor Serly's version and also with each other, under categories of structure, orchestration, tempo, phrasing, and pitches in the viola part. Mention is made of the cultural and musical background of the revisionists and to what degree those factors influenced musical decisions. While for the most part the comparisons are objective observations, some judgments on the relative success of decisions taken by the revisionists are made, including retrospective reservations about some decisions in the author's own unpublished revision.
R. Allen Lott
- Published in print:
- 2003
- Published Online:
- May 2008
- ISBN:
- 9780195148831
- eISBN:
- 9780199869695
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195148831.003.0010
- Subject:
- Music, History, Western
Sigismund Thalberg's most satisfying appearances artistically comprised a series of more than fifteen solo matinees in New York and Boston, where he performed a wider repertoire, including works by ...
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Sigismund Thalberg's most satisfying appearances artistically comprised a series of more than fifteen solo matinees in New York and Boston, where he performed a wider repertoire, including works by Beethoven, Chopin, and Mendelssohn, before intimate audiences. Most of the audience members were women, since the daylight scheduling allowed them to attend without an escort, as was required at night. Thalberg also gave at least twenty concerts in ten cities for as many as forty or fifty thousand schoolchildren. Thalberg's first inland tour in 1857 was managed efficiently by Maurice Strakosch, who had begun his career as a piano virtuoso; at least fifty-nine concerts in thirty cities in the Midwest and Canada were given. The fashionable concertgoer, who attended more to be seen than to hear the music, was frequently attracted to the concerts of visiting celebrities. The new feature of providing reserved seats for an additional fee allowed the fashionable to arrive late and make a grand entrance while claiming their prize seats.Less
Sigismund Thalberg's most satisfying appearances artistically comprised a series of more than fifteen solo matinees in New York and Boston, where he performed a wider repertoire, including works by Beethoven, Chopin, and Mendelssohn, before intimate audiences. Most of the audience members were women, since the daylight scheduling allowed them to attend without an escort, as was required at night. Thalberg also gave at least twenty concerts in ten cities for as many as forty or fifty thousand schoolchildren. Thalberg's first inland tour in 1857 was managed efficiently by Maurice Strakosch, who had begun his career as a piano virtuoso; at least fifty-nine concerts in thirty cities in the Midwest and Canada were given. The fashionable concertgoer, who attended more to be seen than to hear the music, was frequently attracted to the concerts of visiting celebrities. The new feature of providing reserved seats for an additional fee allowed the fashionable to arrive late and make a grand entrance while claiming their prize seats.
Maurice Peress
- Published in print:
- 2004
- Published Online:
- May 2008
- ISBN:
- 9780195098228
- eISBN:
- 9780199869817
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195098228.003.0006
- Subject:
- Music, History, Western
This chapter introduces Dvorák's American students: Reuben Goldmark, Cook, Maurice Arnold, their music and careers, and describes Dvorák's teaching methods. Dvorák leads a significant student benefit ...
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This chapter introduces Dvorák's American students: Reuben Goldmark, Cook, Maurice Arnold, their music and careers, and describes Dvorák's teaching methods. Dvorák leads a significant student benefit concert at Madison Square Garden that features the celebrated diva known as “Black Patti”, the conservatory orchestra, and a choir from St. Phillips African Episcopal church. The program gives especial attention to the achievements of his African American students whose work is held up as an example of the new American school to come. Dvorák closes the concert with his arrangement of Stephan Foster's “The Old Folks at Home” for the full contingent — choirs, soloists, and orchestra. At this point Cook leaves the conservatory.Less
This chapter introduces Dvorák's American students: Reuben Goldmark, Cook, Maurice Arnold, their music and careers, and describes Dvorák's teaching methods. Dvorák leads a significant student benefit concert at Madison Square Garden that features the celebrated diva known as “Black Patti”, the conservatory orchestra, and a choir from St. Phillips African Episcopal church. The program gives especial attention to the achievements of his African American students whose work is held up as an example of the new American school to come. Dvorák closes the concert with his arrangement of Stephan Foster's “The Old Folks at Home” for the full contingent — choirs, soloists, and orchestra. At this point Cook leaves the conservatory.
Hans Boersma
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780199229642
- eISBN:
- 9780191710773
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199229642.003.0002
- Subject:
- Religion, Theology, Church History
After a brief outline of some of the 19th-century's main Catholic schools of thought, this chapter outlines the thought of the 19th- and 20th-century philosophers and theologians who most impacted ...
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After a brief outline of some of the 19th-century's main Catholic schools of thought, this chapter outlines the thought of the 19th- and 20th-century philosophers and theologians who most impacted the nouvelle theologians. Johann Adam Möhler's ressourcement of the Church Fathers, his Romanticism, his pneumatological ecclesiology, and his organic approach to development of doctrine were particularly significant. Maurice Blondel's focus on Tradition in the reintegration of nature and the supernatural, as well as his focus on human action also proved influential. Joseph Maréchal's partial appropriation of Kant's transcendental philosophy added a distinctly modern ingredient. The chastened intellectualism of Pierre Rousselot's interpretation of Thomas Aquinas meant that ‘eyes of faith’ came to be regarded as key to proper understanding. Each of these precursors to nouvelle théologie maintained that a supernatural ground and purpose enveloped the natural order.Less
After a brief outline of some of the 19th-century's main Catholic schools of thought, this chapter outlines the thought of the 19th- and 20th-century philosophers and theologians who most impacted the nouvelle theologians. Johann Adam Möhler's ressourcement of the Church Fathers, his Romanticism, his pneumatological ecclesiology, and his organic approach to development of doctrine were particularly significant. Maurice Blondel's focus on Tradition in the reintegration of nature and the supernatural, as well as his focus on human action also proved influential. Joseph Maréchal's partial appropriation of Kant's transcendental philosophy added a distinctly modern ingredient. The chastened intellectualism of Pierre Rousselot's interpretation of Thomas Aquinas meant that ‘eyes of faith’ came to be regarded as key to proper understanding. Each of these precursors to nouvelle théologie maintained that a supernatural ground and purpose enveloped the natural order.
John Rogerson
- Published in print:
- 2009
- Published Online:
- February 2010
- ISBN:
- 9780195383355
- eISBN:
- 9780199870561
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195383355.003.0005
- Subject:
- Religion, Biblical Studies, History of Christianity
Darwin's On the Origin of Species made much less of an impact on the interpretation of Genesis than might have been expected. This was largely because geological discoveries and their implications ...
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Darwin's On the Origin of Species made much less of an impact on the interpretation of Genesis than might have been expected. This was largely because geological discoveries and their implications for the age of the world, the antiquity of the human race, and the biblical story of a universal flood preoccupied biblical scholars for much of the nineteenth century, from the 1820s to the end of the century. This chapter illustrates the diversity of the interpretations of Genesis during this period, one in which even the defenders of the accuracy of Genesis against science were by no means agreed on how to handle the biblical material.Less
Darwin's On the Origin of Species made much less of an impact on the interpretation of Genesis than might have been expected. This was largely because geological discoveries and their implications for the age of the world, the antiquity of the human race, and the biblical story of a universal flood preoccupied biblical scholars for much of the nineteenth century, from the 1820s to the end of the century. This chapter illustrates the diversity of the interpretations of Genesis during this period, one in which even the defenders of the accuracy of Genesis against science were by no means agreed on how to handle the biblical material.
Max Saunders
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780199579761
- eISBN:
- 9780191722882
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199579761.003.0006
- Subject:
- Literature, 19th-century Literature and Romanticism, 20th-century Literature and Modernism
This chapter examines the converse displacement to that considered in Chapters 3 and Chapter 4, looking instead at cases where fiction‐writers colonize the forms of life‐writing, producing a variety ...
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This chapter examines the converse displacement to that considered in Chapters 3 and Chapter 4, looking instead at cases where fiction‐writers colonize the forms of life‐writing, producing a variety of fake diaries, journals, biographies, and autobiographies. It takes a different approach to most of the other chapters, consisting of brief accounts of many works rather than sustained readings of a few. A taxonomy of modern engagements with life‐writing is proposed. The chapter moves on to discuss Galton's notion of ‘composite portraiture’ as a way of thinking about the surprisingly pervasive form of the portrait‐collection. The main examples are from Ford, Stefan Zweig, George Eliot, Hesketh Pearson, Gertrude Stein, Max Beerbohm and Arthur Symons; Isherwood and Joyce's Dubliners also figure. Where Chapters 3 and Chapter 4 focused on books with a single central subjectivity, this chapter looks at texts of multiple subjectivities. It concludes with a discussion of the argument that multiple works — an entire oeuvre — should be read as autobiography.Less
This chapter examines the converse displacement to that considered in Chapters 3 and Chapter 4, looking instead at cases where fiction‐writers colonize the forms of life‐writing, producing a variety of fake diaries, journals, biographies, and autobiographies. It takes a different approach to most of the other chapters, consisting of brief accounts of many works rather than sustained readings of a few. A taxonomy of modern engagements with life‐writing is proposed. The chapter moves on to discuss Galton's notion of ‘composite portraiture’ as a way of thinking about the surprisingly pervasive form of the portrait‐collection. The main examples are from Ford, Stefan Zweig, George Eliot, Hesketh Pearson, Gertrude Stein, Max Beerbohm and Arthur Symons; Isherwood and Joyce's Dubliners also figure. Where Chapters 3 and Chapter 4 focused on books with a single central subjectivity, this chapter looks at texts of multiple subjectivities. It concludes with a discussion of the argument that multiple works — an entire oeuvre — should be read as autobiography.
