Joan E. Cashin (ed.)
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781469643205
- eISBN:
- 9781469643229
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469643205.003.0001
- Subject:
- History, American History: 19th Century
Most historians of the Civil War era have neglected material culture studies, but the field has a great deal to offer to scholars. Numerous relics survive from the time period, and they can be found ...
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Most historians of the Civil War era have neglected material culture studies, but the field has a great deal to offer to scholars. Numerous relics survive from the time period, and they can be found in museums, historical societies, and state archives; they are also mentioned frequently in the manuscripts. People who lived through the war used objects to convey a host of powerful cultural messages about their experiences.Less
Most historians of the Civil War era have neglected material culture studies, but the field has a great deal to offer to scholars. Numerous relics survive from the time period, and they can be found in museums, historical societies, and state archives; they are also mentioned frequently in the manuscripts. People who lived through the war used objects to convey a host of powerful cultural messages about their experiences.
Joan E. Cashin (ed.)
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781469643205
- eISBN:
- 9781469643229
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469643205.001.0001
- Subject:
- History, American History: 19th Century
Material objects lie at the crux of understanding individual and social relationships throughout history, and the Civil War generation is no exception. Before, during, and after the war, Americans ...
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Material objects lie at the crux of understanding individual and social relationships throughout history, and the Civil War generation is no exception. Before, during, and after the war, Americans from all walks of life created, used, revered, exploited, discarded, mocked, and destroyed objects for countless reasons. These objects had symbolic significance for millions of people. The essays in this volume consider a wide range of material objects, including weapons, Revolutionary artifacts, landscapes, books, vaccine matter, human bodies, houses, clothing, and documents. Together, the contributors argue that material objects can shed new light on the social, economic, and cultural history of the conflict. This book will fundamentally reshape our understanding of the war.Less
Material objects lie at the crux of understanding individual and social relationships throughout history, and the Civil War generation is no exception. Before, during, and after the war, Americans from all walks of life created, used, revered, exploited, discarded, mocked, and destroyed objects for countless reasons. These objects had symbolic significance for millions of people. The essays in this volume consider a wide range of material objects, including weapons, Revolutionary artifacts, landscapes, books, vaccine matter, human bodies, houses, clothing, and documents. Together, the contributors argue that material objects can shed new light on the social, economic, and cultural history of the conflict. This book will fundamentally reshape our understanding of the war.
Jesse Adams Stein
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781784994341
- eISBN:
- 9781526121158
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784994341.001.0001
- Subject:
- Art, Design
With the increasing digitisation of almost every facet of human endeavour, concerns persist about ‘deskilling’ and precarious employment. The publishing industry has turned its energy to online and ...
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With the increasing digitisation of almost every facet of human endeavour, concerns persist about ‘deskilling’ and precarious employment. The publishing industry has turned its energy to online and electronic media, and jobs continue to disappear from printing, publishing and journalism. The replacement of human labour with computerised technologies is not merely a contemporary issue; it has an established history dating from the mid-twentieth century. What is often missing from this record is an understanding of how the world of work is tightly interwoven with the tangible and affective worlds of material culture and design, even in ‘clean’ computerised environments. Workplace culture is not only made up of socio-political relationships and dynamics. It is also bound up with a world of things, with and through which the social and gendered processes of workplace life are enacted and experienced. Understanding how we interact with and interpret design is crucial for appreciating the complexities of the labour experience, particularly at times of technological disruption. Hot Metal reveals integral labour-design relationships through an examination of three decades in the printing industry, between the 1960s and 1980s. This was the period when hot-metal typesetting and letterpress was in decline; the early years of the ‘digital switch’. Using oral histories from an intriguing case-study – a doggedly traditional Government Printing Office in Australia – this book provides an evocative rendering of design culture and embodied practice in a context that was, like many workplaces, not quite ‘up-to-date’ with technology. Hot Metal is also history of how digital technologies ruptured and transformed working life in manufacturing. Rather than focusing solely on ‘official’ labour, this book will introduce the reader to workers’ clandestine creative practices; the making of things ‘on the side’.Less
With the increasing digitisation of almost every facet of human endeavour, concerns persist about ‘deskilling’ and precarious employment. The publishing industry has turned its energy to online and electronic media, and jobs continue to disappear from printing, publishing and journalism. The replacement of human labour with computerised technologies is not merely a contemporary issue; it has an established history dating from the mid-twentieth century. What is often missing from this record is an understanding of how the world of work is tightly interwoven with the tangible and affective worlds of material culture and design, even in ‘clean’ computerised environments. Workplace culture is not only made up of socio-political relationships and dynamics. It is also bound up with a world of things, with and through which the social and gendered processes of workplace life are enacted and experienced. Understanding how we interact with and interpret design is crucial for appreciating the complexities of the labour experience, particularly at times of technological disruption. Hot Metal reveals integral labour-design relationships through an examination of three decades in the printing industry, between the 1960s and 1980s. This was the period when hot-metal typesetting and letterpress was in decline; the early years of the ‘digital switch’. Using oral histories from an intriguing case-study – a doggedly traditional Government Printing Office in Australia – this book provides an evocative rendering of design culture and embodied practice in a context that was, like many workplaces, not quite ‘up-to-date’ with technology. Hot Metal is also history of how digital technologies ruptured and transformed working life in manufacturing. Rather than focusing solely on ‘official’ labour, this book will introduce the reader to workers’ clandestine creative practices; the making of things ‘on the side’.
Ruth Craggs and Claire Wintle (eds)
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096525
- eISBN:
- 9781526104335
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096525.001.0001
- Subject:
- History, Imperialism and Colonialism
What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of ...
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What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of Decolonisation brings together visual, literary and material cultures within one volume in order to explore this question. The volume reveals the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms, and agents of decolonisation. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art, and interior design alongside institutions such as artists’ groups, language agencies and the Royal Mint in Africa, Asia, the Caribbean, and Europe. Drawing on a range of disciplinary perspectives, these contributions offer revealing case studies for those researching decolonisation at all levels across the humanities and social sciences. The collection demonstrates the transnational character of cultures of decolonisation (and of decolonisation itself), and illustrates the value of comparison – between different sorts of cultural forms and different places – in understanding the nature of this dramatic and wide-reaching geopolitical change. Cultures of Decolonisation illustrates the value of engaging with the complexities of decolonisation as enacted and experienced by a broad range of actors beyond ‘flag independence’ and the realm of high politics. In the process it makes an important contribution to the theoretical, methodological and empirical diversification of the historiography of the end of empire.Less
What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of Decolonisation brings together visual, literary and material cultures within one volume in order to explore this question. The volume reveals the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms, and agents of decolonisation. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art, and interior design alongside institutions such as artists’ groups, language agencies and the Royal Mint in Africa, Asia, the Caribbean, and Europe. Drawing on a range of disciplinary perspectives, these contributions offer revealing case studies for those researching decolonisation at all levels across the humanities and social sciences. The collection demonstrates the transnational character of cultures of decolonisation (and of decolonisation itself), and illustrates the value of comparison – between different sorts of cultural forms and different places – in understanding the nature of this dramatic and wide-reaching geopolitical change. Cultures of Decolonisation illustrates the value of engaging with the complexities of decolonisation as enacted and experienced by a broad range of actors beyond ‘flag independence’ and the realm of high politics. In the process it makes an important contribution to the theoretical, methodological and empirical diversification of the historiography of the end of empire.
Bronwen Everill
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780719097898
- eISBN:
- 9781526104403
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097898.003.0011
- Subject:
- History, Imperialism and Colonialism
By the mid-nineteenth century, trading networks between London and Freetown, Sierra Leone, were well-established. White and black businessmen and women were beginning to profit from the shift from ...
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By the mid-nineteenth century, trading networks between London and Freetown, Sierra Leone, were well-established. White and black businessmen and women were beginning to profit from the shift from the slave trade to “legitimate” commerce. Sierra Leone’s emerging, property-owning middle class lived in comfortable two-story stone houses. These homes were decorated with articles of material comfort and markers, in the imperial cultural complex, of accumulating wealth: mahogany chairs, tables, sofas, and four-post bedsteads, pier glasses, and floor cloths. Sierra Leoneans consumed the products of Empire, dressing as British subjects, building houses with British brick, and buying British luxury goods. But how did different groups of Sierra Leoneans adopt and adapt British material culture? Did trading connections foster a sense of British identity, or were these products used in particularly “West African” ways? How did the growth of the project of “legitimate trade” contribute to a sense of the British imperial project amongst Sierra Leoneans? This chapter will explore the ways that material culture and commodities shaped the lives of settlers in this colony and their interactions with both the metropole and the rest of West Africa.Less
By the mid-nineteenth century, trading networks between London and Freetown, Sierra Leone, were well-established. White and black businessmen and women were beginning to profit from the shift from the slave trade to “legitimate” commerce. Sierra Leone’s emerging, property-owning middle class lived in comfortable two-story stone houses. These homes were decorated with articles of material comfort and markers, in the imperial cultural complex, of accumulating wealth: mahogany chairs, tables, sofas, and four-post bedsteads, pier glasses, and floor cloths. Sierra Leoneans consumed the products of Empire, dressing as British subjects, building houses with British brick, and buying British luxury goods. But how did different groups of Sierra Leoneans adopt and adapt British material culture? Did trading connections foster a sense of British identity, or were these products used in particularly “West African” ways? How did the growth of the project of “legitimate trade” contribute to a sense of the British imperial project amongst Sierra Leoneans? This chapter will explore the ways that material culture and commodities shaped the lives of settlers in this colony and their interactions with both the metropole and the rest of West Africa.
Kate Nichols and Sarah Victoria Turner (eds)
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780719096495
- eISBN:
- 9781526124135
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096495.001.0001
- Subject:
- History, Social History
‘The 10th of June, 1854, promises to be a day scarcely less memorable in the social history of the present age than was the 1st of May, 1851’ boasted the Chronicleon 10 June 1854, comparing the ...
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‘The 10th of June, 1854, promises to be a day scarcely less memorable in the social history of the present age than was the 1st of May, 1851’ boasted the Chronicleon 10 June 1854, comparing the opening of the Crystal Palace, newly installed on the crown of Sydenham Hill, to that of the Great Exhibition. Many contemporary commentators deemed the Sydenham Palace’s contents superior, the building more spectacular and its educative potential much greater than its predecessor. Yet their predictions proved to be a little wide of the mark, and for a long time, studies of the Great Exhibition of 1851 have marginalised the Sydenham Palace. This collection of essays will look beyond the chronological confines of 1851 and address the significance of the Crystal Palace as a cultural site, image and structure well into the twentieth century, even after it was destroyed by fire in 1936.Less
‘The 10th of June, 1854, promises to be a day scarcely less memorable in the social history of the present age than was the 1st of May, 1851’ boasted the Chronicleon 10 June 1854, comparing the opening of the Crystal Palace, newly installed on the crown of Sydenham Hill, to that of the Great Exhibition. Many contemporary commentators deemed the Sydenham Palace’s contents superior, the building more spectacular and its educative potential much greater than its predecessor. Yet their predictions proved to be a little wide of the mark, and for a long time, studies of the Great Exhibition of 1851 have marginalised the Sydenham Palace. This collection of essays will look beyond the chronological confines of 1851 and address the significance of the Crystal Palace as a cultural site, image and structure well into the twentieth century, even after it was destroyed by fire in 1936.
Birgit Meyer and Dick Houtman
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780823239450
- eISBN:
- 9780823239498
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823239450.003.0001
- Subject:
- Religion, Religion and Society
The rise of religion as a modern category, with Protestantism as its main exponent, has introduced a set of oppositions that privilege spirit above matter, belief above ritual, content above form, ...
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The rise of religion as a modern category, with Protestantism as its main exponent, has introduced a set of oppositions that privilege spirit above matter, belief above ritual, content above form, mind above body, and spirituality above materiality. This has ever since entailed a devaluation of religious material culture, and materiality at large, as lacking serious empirical, let alone theoretical interest. Today, these modern binaries still linger on in everyday parlance in Western societies, with believers and (atheist) opponents alike embracing the notion that spirit and matter are mutually exclusive. The emerging academic critique of this conceptualization raises major issues for the study of religion, issues that are addressed in the book that is introduced by this chapter: how to approach, study, and speak about religion in new, critical ways, from a position beyond the established and worn-out concepts?Less
The rise of religion as a modern category, with Protestantism as its main exponent, has introduced a set of oppositions that privilege spirit above matter, belief above ritual, content above form, mind above body, and spirituality above materiality. This has ever since entailed a devaluation of religious material culture, and materiality at large, as lacking serious empirical, let alone theoretical interest. Today, these modern binaries still linger on in everyday parlance in Western societies, with believers and (atheist) opponents alike embracing the notion that spirit and matter are mutually exclusive. The emerging academic critique of this conceptualization raises major issues for the study of religion, issues that are addressed in the book that is introduced by this chapter: how to approach, study, and speak about religion in new, critical ways, from a position beyond the established and worn-out concepts?
Jesse Adams Stein
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781784994341
- eISBN:
- 9781526121158
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784994341.003.0001
- Subject:
- Art, Design
This introductory chapter first establishes the disciplinary spectrum within which Hot Metal operates. It outlines how recent studies of design and material culture have focused less on production ...
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This introductory chapter first establishes the disciplinary spectrum within which Hot Metal operates. It outlines how recent studies of design and material culture have focused less on production and labour, and more on consumption, interpretation and professional design, and examines the place of material culture in labour history. The Introduction opens the path to demonstrating a more effective way to interweave studies of working life, labour and design, while retaining the voices of the workers (through oral history), without aestheticising or sentimentalising labour experience. The chapter also introduces Sydney’s Government Printing Office as a rich and revealing case study that holds valuable lessons for those examining the cultural and social impacts of deindustrialisation in late capitalist economies. Finally, the Introduction sets the economic and political scene in Sydney between the 1960s and the 1980s: important background for understanding the changes that the print-workers experienced.Less
This introductory chapter first establishes the disciplinary spectrum within which Hot Metal operates. It outlines how recent studies of design and material culture have focused less on production and labour, and more on consumption, interpretation and professional design, and examines the place of material culture in labour history. The Introduction opens the path to demonstrating a more effective way to interweave studies of working life, labour and design, while retaining the voices of the workers (through oral history), without aestheticising or sentimentalising labour experience. The chapter also introduces Sydney’s Government Printing Office as a rich and revealing case study that holds valuable lessons for those examining the cultural and social impacts of deindustrialisation in late capitalist economies. Finally, the Introduction sets the economic and political scene in Sydney between the 1960s and the 1980s: important background for understanding the changes that the print-workers experienced.
Justin Thomas McDaniel
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780824865986
- eISBN:
- 9780824873738
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824865986.001.0001
- Subject:
- Religion, Buddhism
Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative ...
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Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative religious improvisations designed by Buddhists across Asia have worked to build a leisure culture both within and outside of monasteries. The author looks at the growth of Buddhist leisure culture through a study of architects who helped design tourist sites, memorial gardens, monuments, museums, and even amusement parks in Nepal, Singapore, Japan, Korea, Macau, Hong Kong, Laos, Thailand, and Vietnam. In conversation with theorists of material and visual culture and anthropologists of art, this book argues that these sites show the importance of public, leisure and spectacle culture from a Buddhist cultural perspective. They show that the “secular” and “religious” and the “public” and “private” are in many ways false binaries. Moreover, many of these sites reflect a growing Buddhist ecumenism being built through repetitive affective encounters instead of didactic sermons, institutional campaigns, and sectarian developments. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. Finally, despite the creativity of lay and ordained visionaries, the building of these sites often faces problems along the way. Parks, monuments, temples, and museums are complex adaptive systems changed and influenced by visitors, budgets, materials, local and global economic conditions. No matter what the architect intends, buildings develop lives of their own.Less
Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative religious improvisations designed by Buddhists across Asia have worked to build a leisure culture both within and outside of monasteries. The author looks at the growth of Buddhist leisure culture through a study of architects who helped design tourist sites, memorial gardens, monuments, museums, and even amusement parks in Nepal, Singapore, Japan, Korea, Macau, Hong Kong, Laos, Thailand, and Vietnam. In conversation with theorists of material and visual culture and anthropologists of art, this book argues that these sites show the importance of public, leisure and spectacle culture from a Buddhist cultural perspective. They show that the “secular” and “religious” and the “public” and “private” are in many ways false binaries. Moreover, many of these sites reflect a growing Buddhist ecumenism being built through repetitive affective encounters instead of didactic sermons, institutional campaigns, and sectarian developments. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. Finally, despite the creativity of lay and ordained visionaries, the building of these sites often faces problems along the way. Parks, monuments, temples, and museums are complex adaptive systems changed and influenced by visitors, budgets, materials, local and global economic conditions. No matter what the architect intends, buildings develop lives of their own.
Raymond Malewitz
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780804791960
- eISBN:
- 9780804792998
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804791960.001.0001
- Subject:
- Literature, American, 20th Century Literature
The Practice of Misuse examines the oppositional emergence and eventual ideological containment of “rugged consumers” in late twentieth-century American literature, who creatively misuse, reuse, and ...
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The Practice of Misuse examines the oppositional emergence and eventual ideological containment of “rugged consumers” in late twentieth-century American literature, who creatively misuse, reuse, and repurpose the objects within their environments to suit their idiosyncratic needs and desires. The book shows how authors such as Sam Shepard, Thomas Pynchon, Don DeLillo, Chuck Pahlaniuk, Cormac McCarthy, and Margaret Atwood position their rugged consumers within the intertwined American myths of primal nature and rugged individualism, creating left- and right-libertarian maker communities that are skeptical of both traditional political institutions and (in its pre-neoliberal state) globalized corporate capitalism. Through their unorthodox encounters with the material world, rugged consumers can temporarily suspend the various networks of power that dictate the proper use of a given commodity and reveal those networks to be contingent strategies that must be perpetually renewed and reinforced rather than naturalized processes that persist untroubled through time and space. At the same time, this Utopian ideal is rarely met: most examples of rugged consumerism conceal rather than foreground the ideological problems to which they respond and thus support or ignore rather than challenge the conditions of late capitalist consumerism. By analyzing both the rare convergences and common divergences between individual material practices and collectivist politics, this study shows how rugged consumerism both recodes and reflects the dynamic social history of objects in American material and literary cultures from the 1960s to the present.Less
The Practice of Misuse examines the oppositional emergence and eventual ideological containment of “rugged consumers” in late twentieth-century American literature, who creatively misuse, reuse, and repurpose the objects within their environments to suit their idiosyncratic needs and desires. The book shows how authors such as Sam Shepard, Thomas Pynchon, Don DeLillo, Chuck Pahlaniuk, Cormac McCarthy, and Margaret Atwood position their rugged consumers within the intertwined American myths of primal nature and rugged individualism, creating left- and right-libertarian maker communities that are skeptical of both traditional political institutions and (in its pre-neoliberal state) globalized corporate capitalism. Through their unorthodox encounters with the material world, rugged consumers can temporarily suspend the various networks of power that dictate the proper use of a given commodity and reveal those networks to be contingent strategies that must be perpetually renewed and reinforced rather than naturalized processes that persist untroubled through time and space. At the same time, this Utopian ideal is rarely met: most examples of rugged consumerism conceal rather than foreground the ideological problems to which they respond and thus support or ignore rather than challenge the conditions of late capitalist consumerism. By analyzing both the rare convergences and common divergences between individual material practices and collectivist politics, this study shows how rugged consumerism both recodes and reflects the dynamic social history of objects in American material and literary cultures from the 1960s to the present.
Joshua Davies
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781526125934
- eISBN:
- 9781526136220
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526125934.001.0001
- Subject:
- Literature, Early and Medieval Literature
This book is a study of cultural memory in and of the British Middle Ages. It works with material drawn from across the medieval period – in Old English, Middle English and Latin, as well as material ...
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This book is a study of cultural memory in and of the British Middle Ages. It works with material drawn from across the medieval period – in Old English, Middle English and Latin, as well as material and visual culture – and explores modern translations, reworkings and appropriations of these texts to examine how images of the past have been created, adapted and shared. It interrogates how cultural memory formed, and was formed by, social identities in the Middle Ages and how ideas about the past intersected with ideas about the present and future. It also examines how the presence of the Middle Ages has been felt, understood and perpetuated in modernity and the cultural possibilities and transformations this has generated. The Middle Ages encountered in this book is a site of cultural potential, a means of imagining the future as well as imaging the past. The scope of this book is defined by the duration of cultural forms rather than traditional habits of historical periodization and it seeks to reveal connections across time, place and media to explore the temporal complexities of cultural production and subject formation. It reveals a transtemporal and transnational archive of the modern Middle Ages.Less
This book is a study of cultural memory in and of the British Middle Ages. It works with material drawn from across the medieval period – in Old English, Middle English and Latin, as well as material and visual culture – and explores modern translations, reworkings and appropriations of these texts to examine how images of the past have been created, adapted and shared. It interrogates how cultural memory formed, and was formed by, social identities in the Middle Ages and how ideas about the past intersected with ideas about the present and future. It also examines how the presence of the Middle Ages has been felt, understood and perpetuated in modernity and the cultural possibilities and transformations this has generated. The Middle Ages encountered in this book is a site of cultural potential, a means of imagining the future as well as imaging the past. The scope of this book is defined by the duration of cultural forms rather than traditional habits of historical periodization and it seeks to reveal connections across time, place and media to explore the temporal complexities of cultural production and subject formation. It reveals a transtemporal and transnational archive of the modern Middle Ages.
Daniel O. Sayers
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780813060187
- eISBN:
- 9780813050607
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813060187.003.0005
- Subject:
- Archaeology, Historical Archaeology
Chapter 5 provides analysis of two archaeological Dismal Swamp sites. In the case of the nameless site, archaeology shows that an interior community persisted from ca. 1600 to the Civil War. It was ...
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Chapter 5 provides analysis of two archaeological Dismal Swamp sites. In the case of the nameless site, archaeology shows that an interior community persisted from ca. 1600 to the Civil War. It was organized around rank and kin principals, community-driven subsistence labor systems, and a steadfast avoidance of the world outside the swamp, including its material culture (commodities). They relied on ancient stone tools and ceramics left at the site by Indigenous Americans; reuse of ancient objects was a hallmark of daily living among interior groups. After 1800, an increase in outside world commodities and an apparent shrinking of the size of the community at the nameless site suggests that important changes occurred. Very differently, during the period 1800–1860 enslaved laborers living at the Cross Canal site relied heavily upon commodities from the world outside the swamp and developed informal trade systems within the swamp where such materials circulated. Evidence shows that the Cross Canal settlement may have developed trade relations with the nameless site settlement which helps explain the increase in outside world materials at the latter. Throughout the discussion, alienation is discussed and is a central part of analysis.Less
Chapter 5 provides analysis of two archaeological Dismal Swamp sites. In the case of the nameless site, archaeology shows that an interior community persisted from ca. 1600 to the Civil War. It was organized around rank and kin principals, community-driven subsistence labor systems, and a steadfast avoidance of the world outside the swamp, including its material culture (commodities). They relied on ancient stone tools and ceramics left at the site by Indigenous Americans; reuse of ancient objects was a hallmark of daily living among interior groups. After 1800, an increase in outside world commodities and an apparent shrinking of the size of the community at the nameless site suggests that important changes occurred. Very differently, during the period 1800–1860 enslaved laborers living at the Cross Canal site relied heavily upon commodities from the world outside the swamp and developed informal trade systems within the swamp where such materials circulated. Evidence shows that the Cross Canal settlement may have developed trade relations with the nameless site settlement which helps explain the increase in outside world materials at the latter. Throughout the discussion, alienation is discussed and is a central part of analysis.
Rachel McBride Lindsey
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781469633725
- eISBN:
- 9781469633732
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469633725.001.0001
- Subject:
- Religion, Religious Studies
When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day’s parlance, a “mania.” This richly illustrated book positions vernacular ...
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When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day’s parlance, a “mania.” This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond.
Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame--theological expectations, for example--as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, “spirit” photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey’s interpretation of “vernacular” as an analytic introduces a way to consider anew the cultural, social, and material reach of religion.Less
When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day’s parlance, a “mania.” This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond.
Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame--theological expectations, for example--as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, “spirit” photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey’s interpretation of “vernacular” as an analytic introduces a way to consider anew the cultural, social, and material reach of religion.
Jean Smith
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096525
- eISBN:
- 9781526104335
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096525.003.0007
- Subject:
- History, Imperialism and Colonialism
Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these ...
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Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these emerging nation states. The National Museum of Ghana occupied a complex conceptual space in the years preceding and following independence. By displaying material culture from across the nation, the museum participated in Ghana’s ongoing nation building. However, it also had a duty to avoid presenting the diversity of cultures in a divisive way to accord with Nkrumahist efforts to promote national unity as well as Pan-Africanism. In contrast, The National Museum of Mali suffered during the decolonisation era and was not recognised as a public space for displaying cultural heritage. For young Malians, the processes of transmitting cultural values from the state to the citizens were more successfully achieved by the hugely popular annual events (les semaines de la jeunesse) launched by the ‘pioneers’ in 1960 than by their own museums.Less
Focusing on the national museums of Ghana and Mali, this chapter examines the ways in which cultural heritage was dealt with in these institutions, alongside the modernisation projects of these emerging nation states. The National Museum of Ghana occupied a complex conceptual space in the years preceding and following independence. By displaying material culture from across the nation, the museum participated in Ghana’s ongoing nation building. However, it also had a duty to avoid presenting the diversity of cultures in a divisive way to accord with Nkrumahist efforts to promote national unity as well as Pan-Africanism. In contrast, The National Museum of Mali suffered during the decolonisation era and was not recognised as a public space for displaying cultural heritage. For young Malians, the processes of transmitting cultural values from the state to the citizens were more successfully achieved by the hugely popular annual events (les semaines de la jeunesse) launched by the ‘pioneers’ in 1960 than by their own museums.
Josephine M. Guy (ed.)
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781474408912
- eISBN:
- 9781474445030
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474408912.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
The 22 newly commissioned essays in this volume re-examine some of the key concepts taken to define the British fin se siècle while also introducing hitherto overlooked cultural phenomena, such as ...
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The 22 newly commissioned essays in this volume re-examine some of the key concepts taken to define the British fin se siècle while also introducing hitherto overlooked cultural phenomena, such as humanitarianism. The impact of research into material culture is explored; specifically, how the history of the book and of performance culture is changing our understanding of this period. A wide range of activities is discussed, from participation in avant-garde theatre to interior decoration, and from the publishing of poetry to forms of political and religious activism. Attention is also given to how the meaning of the fin de siècle is impacted by place, including the significance of cultural exchanges between Britain and countries such as Russia and Italy; the distinctiveness of the Irish and Scottish fin de siècles; as well as activities within different regions of England, such as in the Midlands cities of Birmingham and Nottingham. In contrast to recent research exploring the global or transnational dimensions of the fin de siècle, this volume focuses on micro- rather than macro-cultural issues, the research underpinning these essays highlighting a diversity of practices that developed along different timelines and in different geographical locations, and which do not cohere into any simple pattern. Nor is there any obvious point of their intersection which might be said to mark a cultural turning point. A question the volume as a whole thus aims to pose is whether there is anything to be gained by distinguishing all, of any, of these practices as ‘fin-de-siècle’?Less
The 22 newly commissioned essays in this volume re-examine some of the key concepts taken to define the British fin se siècle while also introducing hitherto overlooked cultural phenomena, such as humanitarianism. The impact of research into material culture is explored; specifically, how the history of the book and of performance culture is changing our understanding of this period. A wide range of activities is discussed, from participation in avant-garde theatre to interior decoration, and from the publishing of poetry to forms of political and religious activism. Attention is also given to how the meaning of the fin de siècle is impacted by place, including the significance of cultural exchanges between Britain and countries such as Russia and Italy; the distinctiveness of the Irish and Scottish fin de siècles; as well as activities within different regions of England, such as in the Midlands cities of Birmingham and Nottingham. In contrast to recent research exploring the global or transnational dimensions of the fin de siècle, this volume focuses on micro- rather than macro-cultural issues, the research underpinning these essays highlighting a diversity of practices that developed along different timelines and in different geographical locations, and which do not cohere into any simple pattern. Nor is there any obvious point of their intersection which might be said to mark a cultural turning point. A question the volume as a whole thus aims to pose is whether there is anything to be gained by distinguishing all, of any, of these practices as ‘fin-de-siècle’?
Christine M. DeLucia
- Published in print:
- 2018
- Published Online:
- May 2018
- ISBN:
- 9780300201178
- eISBN:
- 9780300231120
- Item type:
- chapter
- Publisher:
- Yale University Press
- DOI:
- 10.12987/yale/9780300201178.003.0001
- Subject:
- Society and Culture, Native American Studies
The introduction establishes the significance of King Philip’s War, called the “great watershed” for the powerful ways in which it reshaped Native and colonial communities, lives, and memories in the ...
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The introduction establishes the significance of King Philip’s War, called the “great watershed” for the powerful ways in which it reshaped Native and colonial communities, lives, and memories in the Northeast. It provides a general overview of historiographical debates on the topic, including the importance of localizing scholarly studies of North America and the Atlantic World; incorporating material culture and ethnography sources as well as documentary/archival evidence; and pursuing “decolonizing methodologies” in which researchers create more reciprocal relationships with tribal descendant communities. The introduction also stresses the necessity of locally grounded “fieldwork,” and highlights some considerations in choosing to focus on historical violence. It emphasizes that the violences of the seventeenth century continue to reverberate among descendant communities—Native as well as Euro-American—and that these legacies merit serious attention.Less
The introduction establishes the significance of King Philip’s War, called the “great watershed” for the powerful ways in which it reshaped Native and colonial communities, lives, and memories in the Northeast. It provides a general overview of historiographical debates on the topic, including the importance of localizing scholarly studies of North America and the Atlantic World; incorporating material culture and ethnography sources as well as documentary/archival evidence; and pursuing “decolonizing methodologies” in which researchers create more reciprocal relationships with tribal descendant communities. The introduction also stresses the necessity of locally grounded “fieldwork,” and highlights some considerations in choosing to focus on historical violence. It emphasizes that the violences of the seventeenth century continue to reverberate among descendant communities—Native as well as Euro-American—and that these legacies merit serious attention.
Jesse Adams Stein
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781784994341
- eISBN:
- 9781526121158
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784994341.003.0008
- Subject:
- Art, Design
This conclusion foregrounds the closure of Sydney’s Government Printing Office, revealing the emotive and powerful significance of material culture when an institution is extinguished. In re-telling ...
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This conclusion foregrounds the closure of Sydney’s Government Printing Office, revealing the emotive and powerful significance of material culture when an institution is extinguished. In re-telling the story of the factory closure, this chapter highlights the importance of material culture in industrial histories. Here was an unruly abundance of things, difficult and cumbersome relics of an industrial past. Workers took whatever they could smuggle out, as a way of compensating themselves for the betrayal of trust by their employers. Objects were at the centre of this story of decline and industrial closure. It is not simply that objects became connected to memory. Material culture both stirred feelings and consoled people who felt they had not been respected by the institution to which they had been loyal. Thus we return to the central message of this book: history is not merely the movement of people through time, it is bound up with the ever-changing physical and spatial world. A bringing-together of labour history with design and material culture, therefore, seems not only appropriate but entirely necessary.Less
This conclusion foregrounds the closure of Sydney’s Government Printing Office, revealing the emotive and powerful significance of material culture when an institution is extinguished. In re-telling the story of the factory closure, this chapter highlights the importance of material culture in industrial histories. Here was an unruly abundance of things, difficult and cumbersome relics of an industrial past. Workers took whatever they could smuggle out, as a way of compensating themselves for the betrayal of trust by their employers. Objects were at the centre of this story of decline and industrial closure. It is not simply that objects became connected to memory. Material culture both stirred feelings and consoled people who felt they had not been respected by the institution to which they had been loyal. Thus we return to the central message of this book: history is not merely the movement of people through time, it is bound up with the ever-changing physical and spatial world. A bringing-together of labour history with design and material culture, therefore, seems not only appropriate but entirely necessary.
Toni Pressley-Sanon
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780813054407
- eISBN:
- 9780813053141
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813054407.001.0001
- Subject:
- Society and Culture, Latin American Studies
Istwa across the Water draws on the historian and poet Kamau Brathwaite’s concept of tidalectics as cultural exchange that is patterned after the back and forth movement of the ocean’s waves, to ...
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Istwa across the Water draws on the historian and poet Kamau Brathwaite’s concept of tidalectics as cultural exchange that is patterned after the back and forth movement of the ocean’s waves, to explore Haitian cultural production through the lenses of history and memory by way of the Vodou concept of the Marasa or twinned entities. Istwa across the Water takes on Haiti’s complementary or twinned sites of cultural production in the West African area of Dahomey/Benin Republic and the Central West African Kôngo region from which many Haitians originate. It discusses oral and visual art traditions from both sides of the Atlantic divide as a means to explore the dynamic and constantly evolving exchange of physical and spiritual energies between Haiti and its “motherlands” (sites of origin) as Spirit seeks to restore the balance that was lost during the transatlantic trade and slave era.Less
Istwa across the Water draws on the historian and poet Kamau Brathwaite’s concept of tidalectics as cultural exchange that is patterned after the back and forth movement of the ocean’s waves, to explore Haitian cultural production through the lenses of history and memory by way of the Vodou concept of the Marasa or twinned entities. Istwa across the Water takes on Haiti’s complementary or twinned sites of cultural production in the West African area of Dahomey/Benin Republic and the Central West African Kôngo region from which many Haitians originate. It discusses oral and visual art traditions from both sides of the Atlantic divide as a means to explore the dynamic and constantly evolving exchange of physical and spiritual energies between Haiti and its “motherlands” (sites of origin) as Spirit seeks to restore the balance that was lost during the transatlantic trade and slave era.
Marilina Cesario and Hugh Magennis (eds)
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780719097843
- eISBN:
- 9781526135896
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097843.001.0001
- Subject:
- Literature, Early and Medieval Literature
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or ...
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This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or on precise cultural and historical events, this volume, which includes essays spanning from the eighth to the fifteenth centuries, is intended to eschew traditional categorisations of periodisation and disciplines and to enable the establishment of connections and cross-sections between different departments of knowledge, including the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. As suggested by its title, the collection does not pretend to aim at inclusiveness or comprehensiveness but is intended to highlight suggestive strands of what is a very wide topic. The chapters in this volume are grouped into four sections: I, Anthologies of Knowledge; II Transmission of Christian Traditions; III, Past and Present; and IV, Knowledge and Materiality, which are intended to provide the reader with a further thematic framework for approaching aspects of knowledge. Aspects of knowledge is mainly aimed to an academic readership, including advanced undergraduate and postgraduate students, and specialists of medieval literature, history of science, history of knowledge, history, geography, theology, music, philosophy, intellectual history, history of the language and material culture.Less
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or on precise cultural and historical events, this volume, which includes essays spanning from the eighth to the fifteenth centuries, is intended to eschew traditional categorisations of periodisation and disciplines and to enable the establishment of connections and cross-sections between different departments of knowledge, including the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. As suggested by its title, the collection does not pretend to aim at inclusiveness or comprehensiveness but is intended to highlight suggestive strands of what is a very wide topic. The chapters in this volume are grouped into four sections: I, Anthologies of Knowledge; II Transmission of Christian Traditions; III, Past and Present; and IV, Knowledge and Materiality, which are intended to provide the reader with a further thematic framework for approaching aspects of knowledge. Aspects of knowledge is mainly aimed to an academic readership, including advanced undergraduate and postgraduate students, and specialists of medieval literature, history of science, history of knowledge, history, geography, theology, music, philosophy, intellectual history, history of the language and material culture.
Jesse Adams Stein
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781784994341
- eISBN:
- 9781526121158
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784994341.003.0007
- Subject:
- Art, Design
A ‘foreign order’ is an industrial colloquialism referring to a practice whereby workers produce objects at work – using factory materials and work time – without authorisation. This is an ...
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A ‘foreign order’ is an industrial colloquialism referring to a practice whereby workers produce objects at work – using factory materials and work time – without authorisation. This is an under-explored but global phenomenon that many names, including homers, side productions, government jobs, and la perruque. There are silences about these clandestine acts of creative production in English-language studies. This chapter considers this practice from the interdisciplinary perspective of labour history and material culture studies. Using oral and archival sources, the chapter traces the ancestry of foreign orders to seventeenth century English customary practices of the Commons. It provides an account of a playful and creative culture of pranks and making in a printing factory, and identifies the workers’ motivations for creating foreign orders. Finally, the chapter explains how the making of foreign orders became more overt and politicised over time, as workers sensed their insecurity. This practice of making ‘on the side’ enabled print-workers a degree of agency and the ability to narrativise their own plight.Less
A ‘foreign order’ is an industrial colloquialism referring to a practice whereby workers produce objects at work – using factory materials and work time – without authorisation. This is an under-explored but global phenomenon that many names, including homers, side productions, government jobs, and la perruque. There are silences about these clandestine acts of creative production in English-language studies. This chapter considers this practice from the interdisciplinary perspective of labour history and material culture studies. Using oral and archival sources, the chapter traces the ancestry of foreign orders to seventeenth century English customary practices of the Commons. It provides an account of a playful and creative culture of pranks and making in a printing factory, and identifies the workers’ motivations for creating foreign orders. Finally, the chapter explains how the making of foreign orders became more overt and politicised over time, as workers sensed their insecurity. This practice of making ‘on the side’ enabled print-workers a degree of agency and the ability to narrativise their own plight.
