Bronwen Everill
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780719097898
- eISBN:
- 9781526104403
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097898.003.0011
- Subject:
- History, Imperialism and Colonialism
By the mid-nineteenth century, trading networks between London and Freetown, Sierra Leone, were well-established. White and black businessmen and women were beginning to profit from the shift from ...
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By the mid-nineteenth century, trading networks between London and Freetown, Sierra Leone, were well-established. White and black businessmen and women were beginning to profit from the shift from the slave trade to “legitimate” commerce. Sierra Leone’s emerging, property-owning middle class lived in comfortable two-story stone houses. These homes were decorated with articles of material comfort and markers, in the imperial cultural complex, of accumulating wealth: mahogany chairs, tables, sofas, and four-post bedsteads, pier glasses, and floor cloths. Sierra Leoneans consumed the products of Empire, dressing as British subjects, building houses with British brick, and buying British luxury goods. But how did different groups of Sierra Leoneans adopt and adapt British material culture? Did trading connections foster a sense of British identity, or were these products used in particularly “West African” ways? How did the growth of the project of “legitimate trade” contribute to a sense of the British imperial project amongst Sierra Leoneans? This chapter will explore the ways that material culture and commodities shaped the lives of settlers in this colony and their interactions with both the metropole and the rest of West Africa.Less
By the mid-nineteenth century, trading networks between London and Freetown, Sierra Leone, were well-established. White and black businessmen and women were beginning to profit from the shift from the slave trade to “legitimate” commerce. Sierra Leone’s emerging, property-owning middle class lived in comfortable two-story stone houses. These homes were decorated with articles of material comfort and markers, in the imperial cultural complex, of accumulating wealth: mahogany chairs, tables, sofas, and four-post bedsteads, pier glasses, and floor cloths. Sierra Leoneans consumed the products of Empire, dressing as British subjects, building houses with British brick, and buying British luxury goods. But how did different groups of Sierra Leoneans adopt and adapt British material culture? Did trading connections foster a sense of British identity, or were these products used in particularly “West African” ways? How did the growth of the project of “legitimate trade” contribute to a sense of the British imperial project amongst Sierra Leoneans? This chapter will explore the ways that material culture and commodities shaped the lives of settlers in this colony and their interactions with both the metropole and the rest of West Africa.
Ruth Craggs and Claire Wintle (eds)
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096525
- eISBN:
- 9781526104335
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096525.001.0001
- Subject:
- History, Imperialism and Colonialism
What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of ...
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What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of Decolonisation brings together visual, literary and material cultures within one volume in order to explore this question. The volume reveals the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms, and agents of decolonisation. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art, and interior design alongside institutions such as artists’ groups, language agencies and the Royal Mint in Africa, Asia, the Caribbean, and Europe. Drawing on a range of disciplinary perspectives, these contributions offer revealing case studies for those researching decolonisation at all levels across the humanities and social sciences. The collection demonstrates the transnational character of cultures of decolonisation (and of decolonisation itself), and illustrates the value of comparison – between different sorts of cultural forms and different places – in understanding the nature of this dramatic and wide-reaching geopolitical change. Cultures of Decolonisation illustrates the value of engaging with the complexities of decolonisation as enacted and experienced by a broad range of actors beyond ‘flag independence’ and the realm of high politics. In the process it makes an important contribution to the theoretical, methodological and empirical diversification of the historiography of the end of empire.Less
What were the distinctive cultures of decolonisation that emerged in the years between 1945 and 1970, and what can they uncover about the complexities of the ‘end of empire’ as a process? Cultures of Decolonisation brings together visual, literary and material cultures within one volume in order to explore this question. The volume reveals the diverse ways in which cultures were active in wider political, economic and social change, working as crucial gauges, microcosms, and agents of decolonisation. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art, and interior design alongside institutions such as artists’ groups, language agencies and the Royal Mint in Africa, Asia, the Caribbean, and Europe. Drawing on a range of disciplinary perspectives, these contributions offer revealing case studies for those researching decolonisation at all levels across the humanities and social sciences. The collection demonstrates the transnational character of cultures of decolonisation (and of decolonisation itself), and illustrates the value of comparison – between different sorts of cultural forms and different places – in understanding the nature of this dramatic and wide-reaching geopolitical change. Cultures of Decolonisation illustrates the value of engaging with the complexities of decolonisation as enacted and experienced by a broad range of actors beyond ‘flag independence’ and the realm of high politics. In the process it makes an important contribution to the theoretical, methodological and empirical diversification of the historiography of the end of empire.
Raymond Malewitz
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780804791960
- eISBN:
- 9780804792998
- Item type:
- book
- Publisher:
- Stanford University Press
- DOI:
- 10.11126/stanford/9780804791960.001.0001
- Subject:
- Literature, American, 20th Century Literature
The Practice of Misuse examines the oppositional emergence and eventual ideological containment of “rugged consumers” in late twentieth-century American literature, who creatively misuse, reuse, and ...
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The Practice of Misuse examines the oppositional emergence and eventual ideological containment of “rugged consumers” in late twentieth-century American literature, who creatively misuse, reuse, and repurpose the objects within their environments to suit their idiosyncratic needs and desires. The book shows how authors such as Sam Shepard, Thomas Pynchon, Don DeLillo, Chuck Pahlaniuk, Cormac McCarthy, and Margaret Atwood position their rugged consumers within the intertwined American myths of primal nature and rugged individualism, creating left- and right-libertarian maker communities that are skeptical of both traditional political institutions and (in its pre-neoliberal state) globalized corporate capitalism. Through their unorthodox encounters with the material world, rugged consumers can temporarily suspend the various networks of power that dictate the proper use of a given commodity and reveal those networks to be contingent strategies that must be perpetually renewed and reinforced rather than naturalized processes that persist untroubled through time and space. At the same time, this Utopian ideal is rarely met: most examples of rugged consumerism conceal rather than foreground the ideological problems to which they respond and thus support or ignore rather than challenge the conditions of late capitalist consumerism. By analyzing both the rare convergences and common divergences between individual material practices and collectivist politics, this study shows how rugged consumerism both recodes and reflects the dynamic social history of objects in American material and literary cultures from the 1960s to the present.Less
The Practice of Misuse examines the oppositional emergence and eventual ideological containment of “rugged consumers” in late twentieth-century American literature, who creatively misuse, reuse, and repurpose the objects within their environments to suit their idiosyncratic needs and desires. The book shows how authors such as Sam Shepard, Thomas Pynchon, Don DeLillo, Chuck Pahlaniuk, Cormac McCarthy, and Margaret Atwood position their rugged consumers within the intertwined American myths of primal nature and rugged individualism, creating left- and right-libertarian maker communities that are skeptical of both traditional political institutions and (in its pre-neoliberal state) globalized corporate capitalism. Through their unorthodox encounters with the material world, rugged consumers can temporarily suspend the various networks of power that dictate the proper use of a given commodity and reveal those networks to be contingent strategies that must be perpetually renewed and reinforced rather than naturalized processes that persist untroubled through time and space. At the same time, this Utopian ideal is rarely met: most examples of rugged consumerism conceal rather than foreground the ideological problems to which they respond and thus support or ignore rather than challenge the conditions of late capitalist consumerism. By analyzing both the rare convergences and common divergences between individual material practices and collectivist politics, this study shows how rugged consumerism both recodes and reflects the dynamic social history of objects in American material and literary cultures from the 1960s to the present.
Justin Thomas McDaniel
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780824865986
- eISBN:
- 9780824873738
- Item type:
- book
- Publisher:
- University of Hawai'i Press
- DOI:
- 10.21313/hawaii/9780824865986.001.0001
- Subject:
- Religion, Buddhism
Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative ...
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Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative religious improvisations designed by Buddhists across Asia have worked to build a leisure culture both within and outside of monasteries. The author looks at the growth of Buddhist leisure culture through a study of architects who helped design tourist sites, memorial gardens, monuments, museums, and even amusement parks in Nepal, Singapore, Japan, Korea, Macau, Hong Kong, Laos, Thailand, and Vietnam. In conversation with theorists of material and visual culture and anthropologists of art, this book argues that these sites show the importance of public, leisure and spectacle culture from a Buddhist cultural perspective. They show that the “secular” and “religious” and the “public” and “private” are in many ways false binaries. Moreover, many of these sites reflect a growing Buddhist ecumenism being built through repetitive affective encounters instead of didactic sermons, institutional campaigns, and sectarian developments. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. Finally, despite the creativity of lay and ordained visionaries, the building of these sites often faces problems along the way. Parks, monuments, temples, and museums are complex adaptive systems changed and influenced by visitors, budgets, materials, local and global economic conditions. No matter what the architect intends, buildings develop lives of their own.Less
Buddhism, usually described as an austere religion which condemns desire, promotes denial, and idealizes the monastic and contemplative life, actually has a thriving leisure culture. Creative religious improvisations designed by Buddhists across Asia have worked to build a leisure culture both within and outside of monasteries. The author looks at the growth of Buddhist leisure culture through a study of architects who helped design tourist sites, memorial gardens, monuments, museums, and even amusement parks in Nepal, Singapore, Japan, Korea, Macau, Hong Kong, Laos, Thailand, and Vietnam. In conversation with theorists of material and visual culture and anthropologists of art, this book argues that these sites show the importance of public, leisure and spectacle culture from a Buddhist cultural perspective. They show that the “secular” and “religious” and the “public” and “private” are in many ways false binaries. Moreover, many of these sites reflect a growing Buddhist ecumenism being built through repetitive affective encounters instead of didactic sermons, institutional campaigns, and sectarian developments. These sites present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise—a gathering not a movement. Finally, despite the creativity of lay and ordained visionaries, the building of these sites often faces problems along the way. Parks, monuments, temples, and museums are complex adaptive systems changed and influenced by visitors, budgets, materials, local and global economic conditions. No matter what the architect intends, buildings develop lives of their own.
Josephine M. Guy (ed.)
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781474408912
- eISBN:
- 9781474445030
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474408912.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
The 22 newly commissioned essays in this volume re-examine some of the key concepts taken to define the British fin se siècle while also introducing hitherto overlooked cultural phenomena, such as ...
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The 22 newly commissioned essays in this volume re-examine some of the key concepts taken to define the British fin se siècle while also introducing hitherto overlooked cultural phenomena, such as humanitarianism. The impact of research into material culture is explored; specifically, how the history of the book and of performance culture is changing our understanding of this period. A wide range of activities is discussed, from participation in avant-garde theatre to interior decoration, and from the publishing of poetry to forms of political and religious activism. Attention is also given to how the meaning of the fin de siècle is impacted by place, including the significance of cultural exchanges between Britain and countries such as Russia and Italy; the distinctiveness of the Irish and Scottish fin de siècles; as well as activities within different regions of England, such as in the Midlands cities of Birmingham and Nottingham. In contrast to recent research exploring the global or transnational dimensions of the fin de siècle, this volume focuses on micro- rather than macro-cultural issues, the research underpinning these essays highlighting a diversity of practices that developed along different timelines and in different geographical locations, and which do not cohere into any simple pattern. Nor is there any obvious point of their intersection which might be said to mark a cultural turning point. A question the volume as a whole thus aims to pose is whether there is anything to be gained by distinguishing all, of any, of these practices as ‘fin-de-siècle’?Less
The 22 newly commissioned essays in this volume re-examine some of the key concepts taken to define the British fin se siècle while also introducing hitherto overlooked cultural phenomena, such as humanitarianism. The impact of research into material culture is explored; specifically, how the history of the book and of performance culture is changing our understanding of this period. A wide range of activities is discussed, from participation in avant-garde theatre to interior decoration, and from the publishing of poetry to forms of political and religious activism. Attention is also given to how the meaning of the fin de siècle is impacted by place, including the significance of cultural exchanges between Britain and countries such as Russia and Italy; the distinctiveness of the Irish and Scottish fin de siècles; as well as activities within different regions of England, such as in the Midlands cities of Birmingham and Nottingham. In contrast to recent research exploring the global or transnational dimensions of the fin de siècle, this volume focuses on micro- rather than macro-cultural issues, the research underpinning these essays highlighting a diversity of practices that developed along different timelines and in different geographical locations, and which do not cohere into any simple pattern. Nor is there any obvious point of their intersection which might be said to mark a cultural turning point. A question the volume as a whole thus aims to pose is whether there is anything to be gained by distinguishing all, of any, of these practices as ‘fin-de-siècle’?
Toni Pressley-Sanon
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780813054407
- eISBN:
- 9780813053141
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813054407.001.0001
- Subject:
- Society and Culture, Latin American Studies
Istwa across the Water draws on the historian and poet Kamau Brathwaite’s concept of tidalectics as cultural exchange that is patterned after the back and forth movement of the ocean’s waves, to ...
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Istwa across the Water draws on the historian and poet Kamau Brathwaite’s concept of tidalectics as cultural exchange that is patterned after the back and forth movement of the ocean’s waves, to explore Haitian cultural production through the lenses of history and memory by way of the Vodou concept of the Marasa or twinned entities. Istwa across the Water takes on Haiti’s complementary or twinned sites of cultural production in the West African area of Dahomey/Benin Republic and the Central West African Kôngo region from which many Haitians originate. It discusses oral and visual art traditions from both sides of the Atlantic divide as a means to explore the dynamic and constantly evolving exchange of physical and spiritual energies between Haiti and its “motherlands” (sites of origin) as Spirit seeks to restore the balance that was lost during the transatlantic trade and slave era.Less
Istwa across the Water draws on the historian and poet Kamau Brathwaite’s concept of tidalectics as cultural exchange that is patterned after the back and forth movement of the ocean’s waves, to explore Haitian cultural production through the lenses of history and memory by way of the Vodou concept of the Marasa or twinned entities. Istwa across the Water takes on Haiti’s complementary or twinned sites of cultural production in the West African area of Dahomey/Benin Republic and the Central West African Kôngo region from which many Haitians originate. It discusses oral and visual art traditions from both sides of the Atlantic divide as a means to explore the dynamic and constantly evolving exchange of physical and spiritual energies between Haiti and its “motherlands” (sites of origin) as Spirit seeks to restore the balance that was lost during the transatlantic trade and slave era.
Marilina Cesario and Hugh Magennis (eds)
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780719097843
- eISBN:
- 9781526135896
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097843.001.0001
- Subject:
- Literature, Early and Medieval Literature
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or ...
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This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or on precise cultural and historical events, this volume, which includes essays spanning from the eighth to the fifteenth centuries, is intended to eschew traditional categorisations of periodisation and disciplines and to enable the establishment of connections and cross-sections between different departments of knowledge, including the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. As suggested by its title, the collection does not pretend to aim at inclusiveness or comprehensiveness but is intended to highlight suggestive strands of what is a very wide topic. The chapters in this volume are grouped into four sections: I, Anthologies of Knowledge; II Transmission of Christian Traditions; III, Past and Present; and IV, Knowledge and Materiality, which are intended to provide the reader with a further thematic framework for approaching aspects of knowledge. Aspects of knowledge is mainly aimed to an academic readership, including advanced undergraduate and postgraduate students, and specialists of medieval literature, history of science, history of knowledge, history, geography, theology, music, philosophy, intellectual history, history of the language and material culture.Less
This edited collection explores how knowledge was preserved and reinvented in the Middle Ages. Unlike previous publications, which are predominantly focused either on a specific historical period or on precise cultural and historical events, this volume, which includes essays spanning from the eighth to the fifteenth centuries, is intended to eschew traditional categorisations of periodisation and disciplines and to enable the establishment of connections and cross-sections between different departments of knowledge, including the history of science (computus, prognostication), the history of art, literature, theology (homilies, prayers, hagiography, contemplative texts), music, historiography and geography. As suggested by its title, the collection does not pretend to aim at inclusiveness or comprehensiveness but is intended to highlight suggestive strands of what is a very wide topic. The chapters in this volume are grouped into four sections: I, Anthologies of Knowledge; II Transmission of Christian Traditions; III, Past and Present; and IV, Knowledge and Materiality, which are intended to provide the reader with a further thematic framework for approaching aspects of knowledge. Aspects of knowledge is mainly aimed to an academic readership, including advanced undergraduate and postgraduate students, and specialists of medieval literature, history of science, history of knowledge, history, geography, theology, music, philosophy, intellectual history, history of the language and material culture.
J. Allan Mitchell
- Published in print:
- 2014
- Published Online:
- August 2015
- ISBN:
- 9780816689965
- eISBN:
- 9781452949529
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816689965.003.0002
- Subject:
- Philosophy, General
The second essay takes up both physical and literary examples of childish things. The anarchic forces of miniature matters are palpable even as such small-scale things articulate with human fantasy. ...
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The second essay takes up both physical and literary examples of childish things. The anarchic forces of miniature matters are palpable even as such small-scale things articulate with human fantasy. Mitchell also explores literary miniaturization in Geoffrey Chaucer and Thomas Usk.Less
The second essay takes up both physical and literary examples of childish things. The anarchic forces of miniature matters are palpable even as such small-scale things articulate with human fantasy. Mitchell also explores literary miniaturization in Geoffrey Chaucer and Thomas Usk.
John Gennari
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780823262274
- eISBN:
- 9780823266418
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823262274.003.0018
- Subject:
- Literature, Criticism/Theory
John Gennari’s manifesto forges new ways to look at Italian food both within and without Italian American culture. Gennari probes DeSalvo’s effort to construct a familial narrative that is at once ...
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John Gennari’s manifesto forges new ways to look at Italian food both within and without Italian American culture. Gennari probes DeSalvo’s effort to construct a familial narrative that is at once traumatic and redemptive, an effort that pivots on her hunger for a usable gastronomic past.Less
John Gennari’s manifesto forges new ways to look at Italian food both within and without Italian American culture. Gennari probes DeSalvo’s effort to construct a familial narrative that is at once traumatic and redemptive, an effort that pivots on her hunger for a usable gastronomic past.
Dianne Harris
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816653324
- eISBN:
- 9781452946412
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816653324.003.0005
- Subject:
- Architecture, Architectural History
Examines privacy as a design imperative that received abundant publicity in the design and popular literature of the period, asking why the concept received such a high degree of attention and what ...
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Examines privacy as a design imperative that received abundant publicity in the design and popular literature of the period, asking why the concept received such a high degree of attention and what privacy both within and outside the house symbolized for postwar homeowners.Less
Examines privacy as a design imperative that received abundant publicity in the design and popular literature of the period, asking why the concept received such a high degree of attention and what privacy both within and outside the house symbolized for postwar homeowners.
Marilina Cesario and Hugh Magennis
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780719097843
- eISBN:
- 9781526135896
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719097843.003.0001
- Subject:
- Literature, Early and Medieval Literature
The Introduction begins by placing the present volume in the context of previous and current work on the subject of medieval knowledge. It goes on to give an outline of medieval perspectives on the ...
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The Introduction begins by placing the present volume in the context of previous and current work on the subject of medieval knowledge. It goes on to give an outline of medieval perspectives on the meaning, value and transmission of knowledge, noting the influence of classical authors and tracing the development of ideas about knowledge through the writings of key Christian thinkers. Isidore of Seville is identified as the key influence of the medieval encyclopaedic tradition and particular attention is paid to the authoritative work of Augustine, Bede and Aquinas. The introduction relates aspects of these medieval perspectives to specific chapters of the book and also highlights the relationship between religious and secular traditions. It ends with a succinct outline of each chapter.Less
The Introduction begins by placing the present volume in the context of previous and current work on the subject of medieval knowledge. It goes on to give an outline of medieval perspectives on the meaning, value and transmission of knowledge, noting the influence of classical authors and tracing the development of ideas about knowledge through the writings of key Christian thinkers. Isidore of Seville is identified as the key influence of the medieval encyclopaedic tradition and particular attention is paid to the authoritative work of Augustine, Bede and Aquinas. The introduction relates aspects of these medieval perspectives to specific chapters of the book and also highlights the relationship between religious and secular traditions. It ends with a succinct outline of each chapter.
Dianne Harris
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816653324
- eISBN:
- 9781452946412
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816653324.003.0006
- Subject:
- Architecture, Architectural History
Postwar homeowners consumed–and had more potential to consume—material goods than had previous generations of Americans, yet newly constructed postwar houses generally contained less storage than had ...
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Postwar homeowners consumed–and had more potential to consume—material goods than had previous generations of Americans, yet newly constructed postwar houses generally contained less storage than had earlier houses. This chapter focuses on the purchases made by middle-class Americans to try to understand the links between purchasing objects and purchasing white, middle-class identities.Less
Postwar homeowners consumed–and had more potential to consume—material goods than had previous generations of Americans, yet newly constructed postwar houses generally contained less storage than had earlier houses. This chapter focuses on the purchases made by middle-class Americans to try to understand the links between purchasing objects and purchasing white, middle-class identities.
Dianne Harris
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816653324
- eISBN:
- 9781452946412
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816653324.003.0009
- Subject:
- Architecture, Architectural History
By examining specific aspects that include lawns, fences, and indoor/outdoor design, this chapter studies ordinary postwar yards/gardens as domestic spaces that equally contributed, but in unique ...
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By examining specific aspects that include lawns, fences, and indoor/outdoor design, this chapter studies ordinary postwar yards/gardens as domestic spaces that equally contributed, but in unique ways, to the formation and affirmation of widely held notions about the rightful owners of ordinary postwar houses.Less
By examining specific aspects that include lawns, fences, and indoor/outdoor design, this chapter studies ordinary postwar yards/gardens as domestic spaces that equally contributed, but in unique ways, to the formation and affirmation of widely held notions about the rightful owners of ordinary postwar houses.
Dianne Harris
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816653324
- eISBN:
- 9781452946412
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816653324.003.0002
- Subject:
- Architecture, Architectural History
Establishes a basic understanding of the desirable aspects of an ordinary house plan from the postwar period.
Establishes a basic understanding of the desirable aspects of an ordinary house plan from the postwar period.
J. Allan Mitchell
- Published in print:
- 2014
- Published Online:
- August 2015
- ISBN:
- 9780816689965
- eISBN:
- 9781452949529
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816689965.003.0001
- Subject:
- Philosophy, General
The first essay examines narratives of gestation and growth in medieval medical science, natural philosophy, zoology, and cosmology. Mitchell argues that embryology and infancy enable an exigent ...
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The first essay examines narratives of gestation and growth in medieval medical science, natural philosophy, zoology, and cosmology. Mitchell argues that embryology and infancy enable an exigent critique of human self-sufficiency. Likewise, dream visions and love allegories deploy infancy and childishness in ways that question the autonomy and agency of the human.Less
The first essay examines narratives of gestation and growth in medieval medical science, natural philosophy, zoology, and cosmology. Mitchell argues that embryology and infancy enable an exigent critique of human self-sufficiency. Likewise, dream visions and love allegories deploy infancy and childishness in ways that question the autonomy and agency of the human.
J. Allan Mitchell
- Published in print:
- 2014
- Published Online:
- August 2015
- ISBN:
- 9780816689965
- eISBN:
- 9781452949529
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816689965.001.0001
- Subject:
- Philosophy, General
A provocative historical inquiry into human becoming, this book consists of a set of idiosyncratic essays on embryology and infancy, play and games, manners, meals, and other messes. Inspecting a ...
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A provocative historical inquiry into human becoming, this book consists of a set of idiosyncratic essays on embryology and infancy, play and games, manners, meals, and other messes. Inspecting a wide range of textual, visual, and artefactual evidence in and beyond medieval England, Mitchell argues that humanity issued from a dense material matrix that is barely human. Congeries of animate and inanimate objects expose the extent to which the human learned to dwell among a welter of things. Becoming (ontogeny) turns out to be a better category than being (ontology) for capturing the conjugated modes of existence required for sustaining life at various scales. While Mitchell makes important contributions to medieval scholarship on the body, sexuality, family, medicine, and material culture, his work is also in dialogue with recent developments in the posthumanities. The book theorizes what can be called a medieval ecological imaginary, offering a longer historical perspective on the fate of the human than is usually found in modern discussions. Mitchell returns to early understandings of epigenesis, virtuality, natality, chaos, animation, and cosmogony to trace the inheritance of modern speculative and scientific notions usually considered in isolation from the past. He explores a broad array of phenomenal objects, and in the process rediscovers and reanimates distinctly medieval ontologies. In addressing the emergency of the human in the later Middle Ages, Mitchell identifies ideas of becoming in the past where humanity is and remains at risk.Less
A provocative historical inquiry into human becoming, this book consists of a set of idiosyncratic essays on embryology and infancy, play and games, manners, meals, and other messes. Inspecting a wide range of textual, visual, and artefactual evidence in and beyond medieval England, Mitchell argues that humanity issued from a dense material matrix that is barely human. Congeries of animate and inanimate objects expose the extent to which the human learned to dwell among a welter of things. Becoming (ontogeny) turns out to be a better category than being (ontology) for capturing the conjugated modes of existence required for sustaining life at various scales. While Mitchell makes important contributions to medieval scholarship on the body, sexuality, family, medicine, and material culture, his work is also in dialogue with recent developments in the posthumanities. The book theorizes what can be called a medieval ecological imaginary, offering a longer historical perspective on the fate of the human than is usually found in modern discussions. Mitchell returns to early understandings of epigenesis, virtuality, natality, chaos, animation, and cosmogony to trace the inheritance of modern speculative and scientific notions usually considered in isolation from the past. He explores a broad array of phenomenal objects, and in the process rediscovers and reanimates distinctly medieval ontologies. In addressing the emergency of the human in the later Middle Ages, Mitchell identifies ideas of becoming in the past where humanity is and remains at risk.
Lucy Collins
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9781781381878
- eISBN:
- 9781781382271
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381878.003.0008
- Subject:
- Literature, Poetry
The relationship between the speaking subject and the material world has been an important one for Vona Groarke – her poetic enquiries are always aware of that subject’s location in time and space, ...
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The relationship between the speaking subject and the material world has been an important one for Vona Groarke – her poetic enquiries are always aware of that subject’s location in time and space, their moment in history. Though many of her poems have an identifiably Irish setting, Groarke does not see herself as an ‘Irish poet’ and resists a single cultural location as an interpretative centre of the poem. This chapter explores her work since Juniper Street (2006), analysing her changing representation of time as a means to explore the self’s relation to the other. The changing dynamics of home and family are reflected in Groarke’s increasing versatility of form, and in the self-reflexive nature of her recent work. As well as mediating between present and past, these poems also offer important insights into Groarke’s negotiation of the moment of experience and its assimilation in the finished poem.Less
The relationship between the speaking subject and the material world has been an important one for Vona Groarke – her poetic enquiries are always aware of that subject’s location in time and space, their moment in history. Though many of her poems have an identifiably Irish setting, Groarke does not see herself as an ‘Irish poet’ and resists a single cultural location as an interpretative centre of the poem. This chapter explores her work since Juniper Street (2006), analysing her changing representation of time as a means to explore the self’s relation to the other. The changing dynamics of home and family are reflected in Groarke’s increasing versatility of form, and in the self-reflexive nature of her recent work. As well as mediating between present and past, these poems also offer important insights into Groarke’s negotiation of the moment of experience and its assimilation in the finished poem.
Dianne Harris
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816653324
- eISBN:
- 9781452946412
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816653324.003.0001
- Subject:
- Architecture, Architectural History
Establishes the theoretical framework for the book, and clarifies its aims and purposes.
Establishes the theoretical framework for the book, and clarifies its aims and purposes.
Dianne Harris
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816653324
- eISBN:
- 9781452946412
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816653324.003.0003
- Subject:
- Architecture, Architectural History
A detailed and in-depth analysis of the role played by text and images in selected postwar shelter, trade, and popular magazines, and their contribution to the production of a cultural iconography ...
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A detailed and in-depth analysis of the role played by text and images in selected postwar shelter, trade, and popular magazines, and their contribution to the production of a cultural iconography that associated ordinary houses with white, middle-class occupants.Less
A detailed and in-depth analysis of the role played by text and images in selected postwar shelter, trade, and popular magazines, and their contribution to the production of a cultural iconography that associated ordinary houses with white, middle-class occupants.
Pablo F. Gómez
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781469630878
- eISBN:
- 9781469630892
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469630878.003.0006
- Subject:
- History, Latin American History
This chapter traces the strategies that Caribbean ritual specialists used to create substances and objects with bodily effect. It shows how ritual practitioners modeled the power of medicinal ...
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This chapter traces the strategies that Caribbean ritual specialists used to create substances and objects with bodily effect. It shows how ritual practitioners modeled the power of medicinal substances and power objects on the basis of myriad encounters with cosmopolitan therapeutic communities in Caribbean lands. The power of healing substances resided in the tactics that practitioners used to claim privileged access to nature’s secrets, to its blessings and terrifying truths. The chapter shows how the tracing of the history of seventeenth-century Caribbean materials with bodily effects necessitates the plotting of maps of social realities and competition that go beyond a study of European appropriation and interpretation of “exotic” materials.These substances’ effectiveness was inextricably linked to the local realities within which practitioners deployed them. Caribbean substance specialists worked in communities that were unstable and continuously engaged in exchanges and appropriations. The specialized and complex powers of the substances and power objects they crafted for specific Caribbean rich and vibrant social spaces were, thus, not always geographically portable.Less
This chapter traces the strategies that Caribbean ritual specialists used to create substances and objects with bodily effect. It shows how ritual practitioners modeled the power of medicinal substances and power objects on the basis of myriad encounters with cosmopolitan therapeutic communities in Caribbean lands. The power of healing substances resided in the tactics that practitioners used to claim privileged access to nature’s secrets, to its blessings and terrifying truths. The chapter shows how the tracing of the history of seventeenth-century Caribbean materials with bodily effects necessitates the plotting of maps of social realities and competition that go beyond a study of European appropriation and interpretation of “exotic” materials.These substances’ effectiveness was inextricably linked to the local realities within which practitioners deployed them. Caribbean substance specialists worked in communities that were unstable and continuously engaged in exchanges and appropriations. The specialized and complex powers of the substances and power objects they crafted for specific Caribbean rich and vibrant social spaces were, thus, not always geographically portable.
