B. Diane Lipsett
- Published in print:
- 2010
- Published Online:
- January 2011
- ISBN:
- 9780199754519
- eISBN:
- 9780199827213
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199754519.001.0001
- Subject:
- Religion, Early Christian Studies
Self-restraint or self-mastery may appear to be the opposite of erotic desire. But in three ancient tales of conversion—The Shepherd of Hermas, the Acts of Paul and Thecla, and Joseph and Aseneth—the ...
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Self-restraint or self-mastery may appear to be the opposite of erotic desire. But in three ancient tales of conversion—The Shepherd of Hermas, the Acts of Paul and Thecla, and Joseph and Aseneth—the interplay of desire and self-restraint is complex and dynamic, as careful literary analysis shows. This study treats conversion—the marked change in a protagonist’s piety and identity—as in part an effect of story, a function of narrative textures, coherence, and closure. Readings of the three narratives gain nuance through appeals to varied theorists of desire, self-formation, and narrative, including Foucault, psychoanalytic theorists, and the ancient literary critic Longinus. Well grounded in scholarship on Hermas, Thecla, and Aseneth, the closely paced readings sharpen attention to each story, while also advancing discussions of ancient views of the self; of desire, masculinity, and virginity; of the cultural codes around marriage and continence; and of the textual energetics of conversion tales.Less
Self-restraint or self-mastery may appear to be the opposite of erotic desire. But in three ancient tales of conversion—The Shepherd of Hermas, the Acts of Paul and Thecla, and Joseph and Aseneth—the interplay of desire and self-restraint is complex and dynamic, as careful literary analysis shows. This study treats conversion—the marked change in a protagonist’s piety and identity—as in part an effect of story, a function of narrative textures, coherence, and closure. Readings of the three narratives gain nuance through appeals to varied theorists of desire, self-formation, and narrative, including Foucault, psychoanalytic theorists, and the ancient literary critic Longinus. Well grounded in scholarship on Hermas, Thecla, and Aseneth, the closely paced readings sharpen attention to each story, while also advancing discussions of ancient views of the self; of desire, masculinity, and virginity; of the cultural codes around marriage and continence; and of the textual energetics of conversion tales.
Arieh Bruce Saposnik
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195331219
- eISBN:
- 9780199868100
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195331219.003.0005
- Subject:
- Religion, Judaism
This chapter begins with the centrality of the Hebrew language in the creation of the Yishuv's culture. Aside from the goal of establishing linguistic unity in a multilingual reality, the language ...
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This chapter begins with the centrality of the Hebrew language in the creation of the Yishuv's culture. Aside from the goal of establishing linguistic unity in a multilingual reality, the language was also deemed critical in molding the character of Palestine's “Hebrews”—the men and women who were to constitute the new nation. Accent and mannerism were considered reflections of central elements of the new culture, shaping new masculinities and femininities and placing the Hebrews in their new “Oriental” environment. Educational institutions, new popular songs, journalism, fashion, theater, and more were all enlisted in the effort to fashion a new Hebrew‐speaking person in a national Hebrew public sphere. Rooted in part in Jewish mystical tradition in which Hebrew was deemed a cosmically creative force, the Hebrew language emerges as a leading tool in the formation of the nation.Less
This chapter begins with the centrality of the Hebrew language in the creation of the Yishuv's culture. Aside from the goal of establishing linguistic unity in a multilingual reality, the language was also deemed critical in molding the character of Palestine's “Hebrews”—the men and women who were to constitute the new nation. Accent and mannerism were considered reflections of central elements of the new culture, shaping new masculinities and femininities and placing the Hebrews in their new “Oriental” environment. Educational institutions, new popular songs, journalism, fashion, theater, and more were all enlisted in the effort to fashion a new Hebrew‐speaking person in a national Hebrew public sphere. Rooted in part in Jewish mystical tradition in which Hebrew was deemed a cosmically creative force, the Hebrew language emerges as a leading tool in the formation of the nation.
William S. Sax
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780195139150
- eISBN:
- 9780199871650
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195139151.003.0005
- Subject:
- Religion, Hinduism
One of the most important dances in the pandav lila culminates with the killing of Arjuna by his son, Nagarjuna. Such parricides are extremely rare in Hindu myth and literature. In this chapter, the ...
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One of the most important dances in the pandav lila culminates with the killing of Arjuna by his son, Nagarjuna. Such parricides are extremely rare in Hindu myth and literature. In this chapter, the author describes the episode at length, along with its equivalent in the Sanskrit Mahabharata. He also reviews the extensive literature regarding the question of whether or not there is an ”Oedipus Complex” in Hindu culture.Less
One of the most important dances in the pandav lila culminates with the killing of Arjuna by his son, Nagarjuna. Such parricides are extremely rare in Hindu myth and literature. In this chapter, the author describes the episode at length, along with its equivalent in the Sanskrit Mahabharata. He also reviews the extensive literature regarding the question of whether or not there is an ”Oedipus Complex” in Hindu culture.
Kathryn H. Fuller-Seeley
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780520295049
- eISBN:
- 9780520967946
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520295049.001.0001
- Subject:
- Film, Television and Radio, Radio
Jack Benny became one of the most influential entertainers of the 20th century - by being the top radio comedian, when the comics ruled radio, and radio was the most powerful and pervasive mass ...
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Jack Benny became one of the most influential entertainers of the 20th century - by being the top radio comedian, when the comics ruled radio, and radio was the most powerful and pervasive mass medium in the US. In 23 years of weekly radio broadcasts, by aiming all the insults at himself, Benny created Jack, the self-deprecating “Fall Guy” character. He indelibly shaped American humor as a space to enjoy the equal opportunities of easy camaraderie with his cast mates, and equal ego deflation. Benny was the master of comic timing, knowing just when to use silence to create suspense or to have a character leap into the dialogue to puncture Jack’s pretentions. Jack Benny was also a canny entrepreneur, becoming one of the pioneering “showrunners” combining producer, writer and performer into one job. His modern style of radio humor eschewed stale jokes in favor informal repartee with comic hecklers like his valet Rochester (played by Eddie Anderson) and Mary Livingstone his offstage wife. These quirky characters bouncing off each other in humorous situations created the situation comedy. In this career study, we learn how Jack Benny found ingenious ways to sell his sponsors’ products in comic commercials beloved by listeners, and how he dealt with the challenges of race relations, rigid gender ideals and an insurgent new media industry (TV). Jack Benny created classic comedy for a rapidly changing American culture, providing laughter that buoyed radio listeners from 1932’s depths of the Great Depression, through World War II to the mid-1950s.Less
Jack Benny became one of the most influential entertainers of the 20th century - by being the top radio comedian, when the comics ruled radio, and radio was the most powerful and pervasive mass medium in the US. In 23 years of weekly radio broadcasts, by aiming all the insults at himself, Benny created Jack, the self-deprecating “Fall Guy” character. He indelibly shaped American humor as a space to enjoy the equal opportunities of easy camaraderie with his cast mates, and equal ego deflation. Benny was the master of comic timing, knowing just when to use silence to create suspense or to have a character leap into the dialogue to puncture Jack’s pretentions. Jack Benny was also a canny entrepreneur, becoming one of the pioneering “showrunners” combining producer, writer and performer into one job. His modern style of radio humor eschewed stale jokes in favor informal repartee with comic hecklers like his valet Rochester (played by Eddie Anderson) and Mary Livingstone his offstage wife. These quirky characters bouncing off each other in humorous situations created the situation comedy. In this career study, we learn how Jack Benny found ingenious ways to sell his sponsors’ products in comic commercials beloved by listeners, and how he dealt with the challenges of race relations, rigid gender ideals and an insurgent new media industry (TV). Jack Benny created classic comedy for a rapidly changing American culture, providing laughter that buoyed radio listeners from 1932’s depths of the Great Depression, through World War II to the mid-1950s.
Maxine Leeds Craig
- Published in print:
- 2013
- Published Online:
- January 2014
- ISBN:
- 9780199845279
- eISBN:
- 9780199369614
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199845279.001.0001
- Subject:
- Sociology, Gender and Sexuality, Race and Ethnicity
Why do so many men in the United States refuse to dance? The answer reveals a great deal about masculinity, sexuality, and race. The book examines the past as well as the present. Drawing on research ...
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Why do so many men in the United States refuse to dance? The answer reveals a great deal about masculinity, sexuality, and race. The book examines the past as well as the present. Drawing on research in sources ranging from military planning documents to boys’ fiction along with interviews, and participant observation, this book analyzes how dance became associated with women rather than men, youths but not adults, and people of color but not whites. The book traces the history of dancing men from1900 when white upper class men were expected to be good dancers, through dance crazes of the 1910s, U.S.O.-sponsored dances during World War II, the stifling climate of the Cold War period, the exuberant release of the 1960s, and the racial fracturing of music and dance cultures of the 1970s. Interviews with Asian, black, Latino, and white, men, aged eighteen to eight-six regarding their childhood, adolescence, and current experiences with dance, reveal how norms of sexuality, masculinity, and cultural assumptions regarding racial identities encourage some men to dance and discourage others. By focusing on dance, an activity that many current definitions of masculinity seem to exclude, the book provides a window on processes of masculine embodiment and racial formation.Less
Why do so many men in the United States refuse to dance? The answer reveals a great deal about masculinity, sexuality, and race. The book examines the past as well as the present. Drawing on research in sources ranging from military planning documents to boys’ fiction along with interviews, and participant observation, this book analyzes how dance became associated with women rather than men, youths but not adults, and people of color but not whites. The book traces the history of dancing men from1900 when white upper class men were expected to be good dancers, through dance crazes of the 1910s, U.S.O.-sponsored dances during World War II, the stifling climate of the Cold War period, the exuberant release of the 1960s, and the racial fracturing of music and dance cultures of the 1970s. Interviews with Asian, black, Latino, and white, men, aged eighteen to eight-six regarding their childhood, adolescence, and current experiences with dance, reveal how norms of sexuality, masculinity, and cultural assumptions regarding racial identities encourage some men to dance and discourage others. By focusing on dance, an activity that many current definitions of masculinity seem to exclude, the book provides a window on processes of masculine embodiment and racial formation.
Justin A. Joyce
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781526126160
- eISBN:
- 9781526138743
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526126160.001.0001
- Subject:
- Film, Television and Radio, Film
Gunslinging justice explores American Westerns in a variety of media alongside the historical development of the American legal system to argue that Western shootouts are less overtly “anti-law” than ...
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Gunslinging justice explores American Westerns in a variety of media alongside the historical development of the American legal system to argue that Western shootouts are less overtly “anti-law” than has been previously assumed. While the genre’s climactic shootouts may look like a putatively masculine opposition to the codified and mediated American legal system, this gun violence is actually enshrined in the development of American laws regulating self-defense and gun possession. The climactic gun violence and stylized revenge drama of seminal Western texts then, seeks not to oppose "the law," but rather to expand its scope. The book’s interdisciplinary approach, which seeks to historicize and contextualize the iconographic tropes of the genre and its associated discourses across varied cultural and social forms, breaks from psychoanalytic perspectives which have long dominated studies of film and legal discourse and occluded historical contingencies integral to the work cultural forms do in the world. From nineteenth century texts like Cooper's The Last of the Mohicans (1826) and Reconstruction era dime novels, through early twentieth century works like The Virginian, to classic Westerns and more recent films like Unforgiven (1992), this book looks to the intersections between American law and various media that have enabled a cultural, social, and political acceptance of defensive gun violence that is still with us today.Less
Gunslinging justice explores American Westerns in a variety of media alongside the historical development of the American legal system to argue that Western shootouts are less overtly “anti-law” than has been previously assumed. While the genre’s climactic shootouts may look like a putatively masculine opposition to the codified and mediated American legal system, this gun violence is actually enshrined in the development of American laws regulating self-defense and gun possession. The climactic gun violence and stylized revenge drama of seminal Western texts then, seeks not to oppose "the law," but rather to expand its scope. The book’s interdisciplinary approach, which seeks to historicize and contextualize the iconographic tropes of the genre and its associated discourses across varied cultural and social forms, breaks from psychoanalytic perspectives which have long dominated studies of film and legal discourse and occluded historical contingencies integral to the work cultural forms do in the world. From nineteenth century texts like Cooper's The Last of the Mohicans (1826) and Reconstruction era dime novels, through early twentieth century works like The Virginian, to classic Westerns and more recent films like Unforgiven (1992), this book looks to the intersections between American law and various media that have enabled a cultural, social, and political acceptance of defensive gun violence that is still with us today.
Gul Ozyegin
- Published in print:
- 1937
- Published Online:
- May 2016
- ISBN:
- 9780814762349
- eISBN:
- 9780814762356
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814762349.003.0003
- Subject:
- Sociology, Race and Ethnicity
In stark contrast with their fathers, the young men whose narratives make up this chapter long for identities based on self-expansion and personal enrichment. Mirroring Turkish society's pivot away ...
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In stark contrast with their fathers, the young men whose narratives make up this chapter long for identities based on self-expansion and personal enrichment. Mirroring Turkish society's pivot away from state-based paternalism, these young men see themselves as embarking on projects of "entrepreneurship of the self" where old ideals of paternal selflessness are replaced by new ideals of individualism, ambition, and pleasure seeking. As these men reject the traditional modes of masculinity modeled by their fathers, they explicitly seek new types of affective relationships with "selfish" women who break from the traditional models of female selflessness. Yet even as these men seek recognition and support for their own self-making from women who are equally ambitious and independent, they cannot completely repudiate the maternal model, longing at the same time for "positive," "selfless" girls who subordinate their desires to the needs of the relationship. The tension of this paradox is felt most acutely by men from conservative and rural family backgrounds whose new identities as upwardly mobile high-achievers necessitate recognition from equally high-achieving women, but who are unable or unwilling to completely relinquish their need for male dominance and control in order to make such relationships successful.Less
In stark contrast with their fathers, the young men whose narratives make up this chapter long for identities based on self-expansion and personal enrichment. Mirroring Turkish society's pivot away from state-based paternalism, these young men see themselves as embarking on projects of "entrepreneurship of the self" where old ideals of paternal selflessness are replaced by new ideals of individualism, ambition, and pleasure seeking. As these men reject the traditional modes of masculinity modeled by their fathers, they explicitly seek new types of affective relationships with "selfish" women who break from the traditional models of female selflessness. Yet even as these men seek recognition and support for their own self-making from women who are equally ambitious and independent, they cannot completely repudiate the maternal model, longing at the same time for "positive," "selfless" girls who subordinate their desires to the needs of the relationship. The tension of this paradox is felt most acutely by men from conservative and rural family backgrounds whose new identities as upwardly mobile high-achievers necessitate recognition from equally high-achieving women, but who are unable or unwilling to completely relinquish their need for male dominance and control in order to make such relationships successful.
Sergio A. Lussana
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780813166940
- eISBN:
- 9780813167848
- Item type:
- book
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813166940.001.0001
- Subject:
- History, African-American History
This is the first book-length study of enslaved men and masculinity in the antebellum South. It examines the close relationships shared among enslaved men and argues that the lives of these men were ...
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This is the first book-length study of enslaved men and masculinity in the antebellum South. It examines the close relationships shared among enslaved men and argues that the lives of these men were intertwined. Across the antebellum South, enslaved men created an all-male subculture, engaging in homosocial recreational pursuits such as drinking, gambling, wrestling, and hunting. Through these activities, they constructed markers of status, identity, and masculinity and forged lasting friendships. The book argues that homosocial company was integral to the gendered identity and self-esteem of enslaved men. The emotional landscape they created together offered them a vital mutual support network through which to resist the horrors of slavery. Through each other, enslaved men created a secret world that defied and subverted the authority of the slaveholder. The author argues that enslaved men, together, refused to be emasculated.Less
This is the first book-length study of enslaved men and masculinity in the antebellum South. It examines the close relationships shared among enslaved men and argues that the lives of these men were intertwined. Across the antebellum South, enslaved men created an all-male subculture, engaging in homosocial recreational pursuits such as drinking, gambling, wrestling, and hunting. Through these activities, they constructed markers of status, identity, and masculinity and forged lasting friendships. The book argues that homosocial company was integral to the gendered identity and self-esteem of enslaved men. The emotional landscape they created together offered them a vital mutual support network through which to resist the horrors of slavery. Through each other, enslaved men created a secret world that defied and subverted the authority of the slaveholder. The author argues that enslaved men, together, refused to be emasculated.
Louis Moore
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780252041341
- eISBN:
- 9780252099946
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252041341.001.0001
- Subject:
- Sociology, Sport and Leisure
At its heart, I Fight for a Living is a book about black men who came of age in the Reconstruction and early Jim Crow era--a time when the remaking of white manhood was at its most intense, placing ...
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At its heart, I Fight for a Living is a book about black men who came of age in the Reconstruction and early Jim Crow era--a time when the remaking of white manhood was at its most intense, placing vigor and physicality at the center of the construction of manliness. The book uses the stories of black fighters’ lives, from 1880 to 1915, to explore how working-class black men used prizefighting and the sporting culture to assert their manhood in a country that denied their equality, and to examine the reactions by the black middle class and white middle class toward these black fighters. Through these stories, the book explores how the assertion of this working-class manliness confronted American ideas of race and manliness. While other works on black fighters have explored black boxers as individuals, this book seeks to study these men as a collective group while providing a localized and racialized response to black working-class manhood. It was a tough bargain to risk one’s body to prove manhood, but black men across the globe took that chance.Less
At its heart, I Fight for a Living is a book about black men who came of age in the Reconstruction and early Jim Crow era--a time when the remaking of white manhood was at its most intense, placing vigor and physicality at the center of the construction of manliness. The book uses the stories of black fighters’ lives, from 1880 to 1915, to explore how working-class black men used prizefighting and the sporting culture to assert their manhood in a country that denied their equality, and to examine the reactions by the black middle class and white middle class toward these black fighters. Through these stories, the book explores how the assertion of this working-class manliness confronted American ideas of race and manliness. While other works on black fighters have explored black boxers as individuals, this book seeks to study these men as a collective group while providing a localized and racialized response to black working-class manhood. It was a tough bargain to risk one’s body to prove manhood, but black men across the globe took that chance.
Sergio Rigoletto
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780748654543
- eISBN:
- 9781474406406
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748654543.001.0001
- Subject:
- Film, Television and Radio, Film
Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country’s many social and political upheavals. Masculinity and Italian Cinema takes the 1970s as an ...
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Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country’s many social and political upheavals. Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the concept of male crisis in Italian cinema. The 1970s were a decade of innovation and challenging work for Italian cinema, one that was marked by radicalism and heated debates about the function of cinema as a political medium and as a mass cultural phenomenon. This book shows that these were years in which a wide-ranging redefinition of masculinity took place. The book discusses how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation, and as a site of conflict and radical interrogation of ideas about gender and sexuality.Less
Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country’s many social and political upheavals. Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the concept of male crisis in Italian cinema. The 1970s were a decade of innovation and challenging work for Italian cinema, one that was marked by radicalism and heated debates about the function of cinema as a political medium and as a mass cultural phenomenon. This book shows that these were years in which a wide-ranging redefinition of masculinity took place. The book discusses how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation, and as a site of conflict and radical interrogation of ideas about gender and sexuality.
Kenneth Cohen
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9781501705496
- eISBN:
- 9781501714214
- Item type:
- book
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9781501705496.001.0001
- Subject:
- History, American History: 19th Century
They Will Have Their Game explores how sports, drinking, gambling, and theater produced a sense of democracy while also reinforcing racial, gender, and class divisions in early America. Drawing on ...
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They Will Have Their Game explores how sports, drinking, gambling, and theater produced a sense of democracy while also reinforcing racial, gender, and class divisions in early America. Drawing on unparalleled research into the personal papers of the investors behind sporting events, Cohen demonstrates how investors, participants, and professional performers from all sorts of backgrounds saw these "sporting" activities as stages for securing economic and political advantage over others. The book tracks the evolution of this fight for power from 1760 to 1860, showing how elites gradually conceded their hopes for exclusive gentility and embraced a more democratic and commercial mass sporting culture while maintaining power by agreeing to limit access according to race and gender as well as incubating respect for wealth and offices won on the allegedly open and level playing fields of electoral “races” and the “game” of business. Compelling narratives about individual participants illustrate the negotiations by which sporting discourse and experience created opportunities for self-assertion across class, racial, and gender boundaries even as they also normalized economic and political inequality along those lines. In the end, Cohen’s arguments question the influence of ideas such as “gentility” and “respectability” in the standard narrative of commercial popular culture, and put men like P.T. Barnum at the end instead of the beginning of the process, unveiling a new take on the creation of the white male republic of the early nineteenth century that puts sporting activities at the center rather than the margins of economic and political history.Less
They Will Have Their Game explores how sports, drinking, gambling, and theater produced a sense of democracy while also reinforcing racial, gender, and class divisions in early America. Drawing on unparalleled research into the personal papers of the investors behind sporting events, Cohen demonstrates how investors, participants, and professional performers from all sorts of backgrounds saw these "sporting" activities as stages for securing economic and political advantage over others. The book tracks the evolution of this fight for power from 1760 to 1860, showing how elites gradually conceded their hopes for exclusive gentility and embraced a more democratic and commercial mass sporting culture while maintaining power by agreeing to limit access according to race and gender as well as incubating respect for wealth and offices won on the allegedly open and level playing fields of electoral “races” and the “game” of business. Compelling narratives about individual participants illustrate the negotiations by which sporting discourse and experience created opportunities for self-assertion across class, racial, and gender boundaries even as they also normalized economic and political inequality along those lines. In the end, Cohen’s arguments question the influence of ideas such as “gentility” and “respectability” in the standard narrative of commercial popular culture, and put men like P.T. Barnum at the end instead of the beginning of the process, unveiling a new take on the creation of the white male republic of the early nineteenth century that puts sporting activities at the center rather than the margins of economic and political history.
Chris Coffman
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781474438094
- eISBN:
- 9781474449694
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474438094.001.0001
- Subject:
- Literature, Women's Literature
By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity ...
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By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.Less
By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.
Kirsten Day
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9781474402460
- eISBN:
- 9781474422055
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474402460.003.0008
- Subject:
- History, Cultural History
This short conclusion reiterates the main thesis of Cowboy Classics: that Westerns help us grapple with identity issues in a culturally relevant way while providing the comfort of chronological ...
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This short conclusion reiterates the main thesis of Cowboy Classics: that Westerns help us grapple with identity issues in a culturally relevant way while providing the comfort of chronological distancing, much as Homer and Virgil’s epics did for their societies. As a result, the Western has proven remarkably resilient, with the past decade seeing a number of big-budget films, both originals and remakes, as well as successful TV series. And just as the characterization of epic heroes shaped notions of idealized masculinity in antiquity, the Western hero remains a pervasive model for ideal manhood in America more generally, as is evident both in other film genres – from science fiction and fantasy to detective and gangster films to post-apocalyptic narratives – and in real world scenarios where men are engaged in heroic action on behalf of society (or want to be seen as such). Indeed, the model of masculinity Westerns provide is so deeply ingrained in the American cultural consciousness that it in turn colors our reception of ancient epic, which is itself now often filtered through a “Western” lens.Less
This short conclusion reiterates the main thesis of Cowboy Classics: that Westerns help us grapple with identity issues in a culturally relevant way while providing the comfort of chronological distancing, much as Homer and Virgil’s epics did for their societies. As a result, the Western has proven remarkably resilient, with the past decade seeing a number of big-budget films, both originals and remakes, as well as successful TV series. And just as the characterization of epic heroes shaped notions of idealized masculinity in antiquity, the Western hero remains a pervasive model for ideal manhood in America more generally, as is evident both in other film genres – from science fiction and fantasy to detective and gangster films to post-apocalyptic narratives – and in real world scenarios where men are engaged in heroic action on behalf of society (or want to be seen as such). Indeed, the model of masculinity Westerns provide is so deeply ingrained in the American cultural consciousness that it in turn colors our reception of ancient epic, which is itself now often filtered through a “Western” lens.
Jason Crouthamel
- Published in print:
- 2010
- Published Online:
- January 2014
- ISBN:
- 9780859898423
- eISBN:
- 9781781385128
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780859898423.001.0001
- Subject:
- History, European Modern History
This book explores the impact of psychological trauma, or ‘war neurosis’ in imperial, Weimar and Nazi Germany from the perspective of ordinary mentally disabled veterans of the First World War. War ...
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This book explores the impact of psychological trauma, or ‘war neurosis’ in imperial, Weimar and Nazi Germany from the perspective of ordinary mentally disabled veterans of the First World War. War neurosis was a key topic in debates over the memory of the war, masculinity, and social deviance. This volume uses previously unexplored first-person accounts in order to focus on traumatized German war veterans. It follows these vulnerable members of society as they emerged from the trenches and pursued lives in work, family and politics as they experienced marginalization as burdens on the nation and terrifying reminders of the effects of mass violence. Traumatized veterans actively fought doctors who tried to de-emphasize or stigmatize mental wounds. Within the fragmented landscape of interwar politics, these men also struggled to find acceptance as legitimate victims of war. After the Nazi seizure of power, these men faced intensified attacks as ‘enemies of the nation,’ and they protested their status as ‘social outsiders’. They claimed recognition as normal men with authentic and socially vital perspectives on the traumatic effects of modern war. This book situates veterans’ words and experiences in the contemporary field of trauma studies, revealing a previously hidden vein of protest against the Nazi institutions and official memory of war. It exposes the universal problems faced by societies coping with war and the politics of the veterans’ long-term care.Less
This book explores the impact of psychological trauma, or ‘war neurosis’ in imperial, Weimar and Nazi Germany from the perspective of ordinary mentally disabled veterans of the First World War. War neurosis was a key topic in debates over the memory of the war, masculinity, and social deviance. This volume uses previously unexplored first-person accounts in order to focus on traumatized German war veterans. It follows these vulnerable members of society as they emerged from the trenches and pursued lives in work, family and politics as they experienced marginalization as burdens on the nation and terrifying reminders of the effects of mass violence. Traumatized veterans actively fought doctors who tried to de-emphasize or stigmatize mental wounds. Within the fragmented landscape of interwar politics, these men also struggled to find acceptance as legitimate victims of war. After the Nazi seizure of power, these men faced intensified attacks as ‘enemies of the nation,’ and they protested their status as ‘social outsiders’. They claimed recognition as normal men with authentic and socially vital perspectives on the traumatic effects of modern war. This book situates veterans’ words and experiences in the contemporary field of trauma studies, revealing a previously hidden vein of protest against the Nazi institutions and official memory of war. It exposes the universal problems faced by societies coping with war and the politics of the veterans’ long-term care.
Thomas P. Oates
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780252040948
- eISBN:
- 9780252099489
- Item type:
- chapter
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252040948.003.0001
- Subject:
- Society and Culture, Gender Studies
This prologue argues that the election of Donald Trump was made possible in part by the emergence of a new political formation. The formation promotes deal-making sensibilities, the amplifies white ...
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This prologue argues that the election of Donald Trump was made possible in part by the emergence of a new political formation. The formation promotes deal-making sensibilities, the amplifies white masculine anxieties, an fosters interest in self-improvement and organizational management. All three are unusually well-developed in the media culture surrounding professional football.Less
This prologue argues that the election of Donald Trump was made possible in part by the emergence of a new political formation. The formation promotes deal-making sensibilities, the amplifies white masculine anxieties, an fosters interest in self-improvement and organizational management. All three are unusually well-developed in the media culture surrounding professional football.
Damien M. Sojoyner
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780816697533
- eISBN:
- 9781452955230
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816697533.001.0001
- Subject:
- Education, Educational Policy and Politics
First Strike is an ambitious project that utilizes a multi-method approach to gain insight into the confluence between public education and prison. It takes an unique perspective and delves into the ...
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First Strike is an ambitious project that utilizes a multi-method approach to gain insight into the confluence between public education and prison. It takes an unique perspective and delves into the root causes of an ever-expansive prison system and disastrous educational policy. First Strike intervenes in a spirited public discussion on the relation of education policies and budgets, the rise of mass incarceration and permutations of racism. Policy makers, school districts and local governments have long known that there is a relationship between high incarceration rates and school failure. First Strike is the first book that demonstrates how and why that connection exists and shows in what ways school districts, cities and states have been complicit and can reverse a disturbing and needless trend.Less
First Strike is an ambitious project that utilizes a multi-method approach to gain insight into the confluence between public education and prison. It takes an unique perspective and delves into the root causes of an ever-expansive prison system and disastrous educational policy. First Strike intervenes in a spirited public discussion on the relation of education policies and budgets, the rise of mass incarceration and permutations of racism. Policy makers, school districts and local governments have long known that there is a relationship between high incarceration rates and school failure. First Strike is the first book that demonstrates how and why that connection exists and shows in what ways school districts, cities and states have been complicit and can reverse a disturbing and needless trend.
Marlene L. Daut
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781781381847
- eISBN:
- 9781781382394
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381847.003.0007
- Subject:
- History, World Modern History
This chapter is all about ‘Theresa; a Haytien Tale’ (1828), a short story that was serialized and published anonymously in the first African American newspaper Freedom’s Journal, and is now ...
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This chapter is all about ‘Theresa; a Haytien Tale’ (1828), a short story that was serialized and published anonymously in the first African American newspaper Freedom’s Journal, and is now considered to be the first African American short story. The author argues that this brief text provides an even more redemptive role for women of color. ‘Theresa’ imagines women as central to the liberation of the colony through their unfailing and unquestioning allegiance to the revolutionary cause. ‘Theresa’ is therefore not buttressed by pseudoscientific claims of the innate savagery or hyper-sexuality of “black” women, but instead unequivocally celebrates their ability to contribute to slave rebellions, imagining a hitherto denied active role for women of color in the events of the Haitian Revolution.Less
This chapter is all about ‘Theresa; a Haytien Tale’ (1828), a short story that was serialized and published anonymously in the first African American newspaper Freedom’s Journal, and is now considered to be the first African American short story. The author argues that this brief text provides an even more redemptive role for women of color. ‘Theresa’ imagines women as central to the liberation of the colony through their unfailing and unquestioning allegiance to the revolutionary cause. ‘Theresa’ is therefore not buttressed by pseudoscientific claims of the innate savagery or hyper-sexuality of “black” women, but instead unequivocally celebrates their ability to contribute to slave rebellions, imagining a hitherto denied active role for women of color in the events of the Haitian Revolution.
Ashley Baggett
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496815217
- eISBN:
- 9781496815255
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496815217.003.0001
- Subject:
- Society and Culture, Gender Studies
This book examines the changing public policies concerning intimate partner violence (commonly called domestic violence) in heterosexual relationships through the lens of shifting gender roles in New ...
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This book examines the changing public policies concerning intimate partner violence (commonly called domestic violence) in heterosexual relationships through the lens of shifting gender roles in New Orleans from 1840 to 1900. In those sixty years, the concept of masculinity and femininity as well as race changed and fueled social and legal responses to abuse.Less
This book examines the changing public policies concerning intimate partner violence (commonly called domestic violence) in heterosexual relationships through the lens of shifting gender roles in New Orleans from 1840 to 1900. In those sixty years, the concept of masculinity and femininity as well as race changed and fueled social and legal responses to abuse.
Srila Roy
- Published in print:
- 2012
- Published Online:
- January 2013
- ISBN:
- 9780198081722
- eISBN:
- 9780199082223
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198081722.003.0006
- Subject:
- Sociology, Politics, Social Movements and Social Change
This chapter returns to the memory of the underground and the shelter to engage with women’s testimonies of sexual and domestic violence, and the politics of current remembrance, especially within a ...
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This chapter returns to the memory of the underground and the shelter to engage with women’s testimonies of sexual and domestic violence, and the politics of current remembrance, especially within a wider context of naming and silencing such forms of violence. Drawing on women’s oral and written testimonies, the first part details the kinds of threats that women encountered in normatively ‘safe’ spaces at the hands of their ‘own’ comrades. The chapter details the manner in which the Party responded—or not—to rape and other sexual offences. Women’s (and men’s) negotiations of ‘good’ and ‘bad’ violence, explored in the second part of the chapter, are revelatory of their conflicting identifications with forms of heroic identity, idealized masculinity, and class. This chapter brings out the full costs and consequences of composing masculine cultural imageries through a repudiation of the feminine.Less
This chapter returns to the memory of the underground and the shelter to engage with women’s testimonies of sexual and domestic violence, and the politics of current remembrance, especially within a wider context of naming and silencing such forms of violence. Drawing on women’s oral and written testimonies, the first part details the kinds of threats that women encountered in normatively ‘safe’ spaces at the hands of their ‘own’ comrades. The chapter details the manner in which the Party responded—or not—to rape and other sexual offences. Women’s (and men’s) negotiations of ‘good’ and ‘bad’ violence, explored in the second part of the chapter, are revelatory of their conflicting identifications with forms of heroic identity, idealized masculinity, and class. This chapter brings out the full costs and consequences of composing masculine cultural imageries through a repudiation of the feminine.
Kam Louie (ed.)
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9789888083794
- eISBN:
- 9789882209060
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888083794.003.0002
- Subject:
- Literature, World Literature
This chapter focuses on “Love in a Fallen City” (1943) and “Red Rose, White Rose” (1944), stories that were produced at a time when China was in the midst of Japanese invasion and occupation, so that ...
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This chapter focuses on “Love in a Fallen City” (1943) and “Red Rose, White Rose” (1944), stories that were produced at a time when China was in the midst of Japanese invasion and occupation, so that the standard cultural norms did not operate totally under the usual social constraints. The central male characters in these stories, Liuyuan and Zhenbao, were considered “ideal modern Chinese men”. However, Eileen Chang reveals that despite the social acclaim they both receive from their good social positions and university educations, their gentlemanly image is only a veneer. Their self-seeking behaviour is no different from those of other men who have never been abroad.Less
This chapter focuses on “Love in a Fallen City” (1943) and “Red Rose, White Rose” (1944), stories that were produced at a time when China was in the midst of Japanese invasion and occupation, so that the standard cultural norms did not operate totally under the usual social constraints. The central male characters in these stories, Liuyuan and Zhenbao, were considered “ideal modern Chinese men”. However, Eileen Chang reveals that despite the social acclaim they both receive from their good social positions and university educations, their gentlemanly image is only a veneer. Their self-seeking behaviour is no different from those of other men who have never been abroad.
