Christina H. Lee
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781784991203
- eISBN:
- 9781526104021
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784991203.003.0004
- Subject:
- History, British and Irish Early Modern History
In “Chapter Four,” Lee analyzes popular songs, anecdotes, aphorisms, and jokes that were invested in perpetuating the image of Conversos as essentially greedy, non-pork-eating Jews. She examines the ...
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In “Chapter Four,” Lee analyzes popular songs, anecdotes, aphorisms, and jokes that were invested in perpetuating the image of Conversos as essentially greedy, non-pork-eating Jews. She examines the construction of the Converso body as a grotesque, sub-human entity in the anonymous Diálogo entre Laín Calvo y Nuño Rasura and in Quevedo’s satirical poetry. She discusses Lope de Vega’s little known play, El galán escarmentado, which specifically addresses the Old Christian anxiety of being unknowingly stained by the passing Conversos through marriage. She concludes her discussion of the fear of passing Conversos with an analysis of Cervantes’ El retablo de las maravillas, a play representing the madness and disorder that ensues when limpieza-obsessed Old Christians find themselves incapable of tagging the impure subjects who, they believe, live amongst them.Less
In “Chapter Four,” Lee analyzes popular songs, anecdotes, aphorisms, and jokes that were invested in perpetuating the image of Conversos as essentially greedy, non-pork-eating Jews. She examines the construction of the Converso body as a grotesque, sub-human entity in the anonymous Diálogo entre Laín Calvo y Nuño Rasura and in Quevedo’s satirical poetry. She discusses Lope de Vega’s little known play, El galán escarmentado, which specifically addresses the Old Christian anxiety of being unknowingly stained by the passing Conversos through marriage. She concludes her discussion of the fear of passing Conversos with an analysis of Cervantes’ El retablo de las maravillas, a play representing the madness and disorder that ensues when limpieza-obsessed Old Christians find themselves incapable of tagging the impure subjects who, they believe, live amongst them.
