Linda L. Barnes
- Published in print:
- 2005
- Published Online:
- September 2006
- ISBN:
- 9780195167979
- eISBN:
- 9780199784981
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019516797X.003.0012
- Subject:
- Religion, World Religions
This chapter proposes two ways to study religion and healing. The first outlines a program that involves an urban ethnographic study of culturally/religiously based approaches to healing in the ...
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This chapter proposes two ways to study religion and healing. The first outlines a program that involves an urban ethnographic study of culturally/religiously based approaches to healing in the African Diaspora communities of Boston, Massachusetts. The second relates to ways in which findings from the first kind of course can be incorporated into different levels of medical education, thereby introducing a highly-focused aspect of religious studies into the training of biomedical clinicians.Less
This chapter proposes two ways to study religion and healing. The first outlines a program that involves an urban ethnographic study of culturally/religiously based approaches to healing in the African Diaspora communities of Boston, Massachusetts. The second relates to ways in which findings from the first kind of course can be incorporated into different levels of medical education, thereby introducing a highly-focused aspect of religious studies into the training of biomedical clinicians.
Helena Chance
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781784993009
- eISBN:
- 9781526124043
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784993009.001.0001
- Subject:
- Architecture, Architectural History
From the 1880s, a new type of designed green space appeared in the industrial landscape in Britain and the USA, the factory pleasure garden and recreation park, and some companies opened allotment ...
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From the 1880s, a new type of designed green space appeared in the industrial landscape in Britain and the USA, the factory pleasure garden and recreation park, and some companies opened allotment gardens for local children. Initially inspired by the landscapes of industrial villages in the UK, progressive American and British industrialists employed landscape and garden architects to improve the advantages and aesthetic of their factories. In the US, these landscapes were created at a time of the USA’s ascendancy as the world’s leading industrial nation. The factory garden and park movement flourished between the Wars, driven by the belief in the value of gardens and parks to employee welfare and to recruitment and retention. Arguably above all, in an age of burgeoning mass media, factory landscaping represented calculated exercises in public relations, materially contributing to advertising and the development of attractive corporate identities. Following the Second World War the Americans led the way in corporate landscaping as suburban office campuses, estates and parks multiplied. In the twenty-first century a refreshed approach brings designs closer in spirit to pioneering early twentieth century factory landscapes. This book gives the first comprehensive and comparative account of the contribution of gardens, gardening and sports to the history of responsible capitalism and ethical working practices from multiple critical perspectives and draws together the existing literature with key primary material from some of the most innovative and best documented of the corporate landscapes; Cadbury, the National Cash Register Company, Shredded Wheat and Spirella Corsets.Less
From the 1880s, a new type of designed green space appeared in the industrial landscape in Britain and the USA, the factory pleasure garden and recreation park, and some companies opened allotment gardens for local children. Initially inspired by the landscapes of industrial villages in the UK, progressive American and British industrialists employed landscape and garden architects to improve the advantages and aesthetic of their factories. In the US, these landscapes were created at a time of the USA’s ascendancy as the world’s leading industrial nation. The factory garden and park movement flourished between the Wars, driven by the belief in the value of gardens and parks to employee welfare and to recruitment and retention. Arguably above all, in an age of burgeoning mass media, factory landscaping represented calculated exercises in public relations, materially contributing to advertising and the development of attractive corporate identities. Following the Second World War the Americans led the way in corporate landscaping as suburban office campuses, estates and parks multiplied. In the twenty-first century a refreshed approach brings designs closer in spirit to pioneering early twentieth century factory landscapes. This book gives the first comprehensive and comparative account of the contribution of gardens, gardening and sports to the history of responsible capitalism and ethical working practices from multiple critical perspectives and draws together the existing literature with key primary material from some of the most innovative and best documented of the corporate landscapes; Cadbury, the National Cash Register Company, Shredded Wheat and Spirella Corsets.
David Manning
- Published in print:
- 2007
- Published Online:
- October 2011
- ISBN:
- 9780195182392
- eISBN:
- 9780199851485
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195182392.003.0089
- Subject:
- Music, History, Western
The Sinfonia Antartica was suggested by the film Scott of the Antarctic, which was produced by Ealing Studios a few years ago. Some of the themes are derived from my incidental music to that film. ...
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The Sinfonia Antartica was suggested by the film Scott of the Antarctic, which was produced by Ealing Studios a few years ago. Some of the themes are derived from my incidental music to that film. The Musical Director was Ernest Irving. The Sinfonia is therefore gratefully dedicated to him. A large orchestra is used, including a vibraphone, a wind machine, and women's voices used orchestrally. There are five movements: Prelude, Scherzo, Landscape, Intermezzo, and Epilogue. Each movement is headed by an appropriate quotation. Other themes follow leading to a big climax. The bell passage comes in again, suddenly very soft. The voices are heard again and the opening flourish, first loud and then soft, leads to a complete repetition of the beginning of the Prelude. Then the solo singer is heard again and the music dies down to nothing, except for the voices and the Antarctic wind.Less
The Sinfonia Antartica was suggested by the film Scott of the Antarctic, which was produced by Ealing Studios a few years ago. Some of the themes are derived from my incidental music to that film. The Musical Director was Ernest Irving. The Sinfonia is therefore gratefully dedicated to him. A large orchestra is used, including a vibraphone, a wind machine, and women's voices used orchestrally. There are five movements: Prelude, Scherzo, Landscape, Intermezzo, and Epilogue. Each movement is headed by an appropriate quotation. Other themes follow leading to a big climax. The bell passage comes in again, suddenly very soft. The voices are heard again and the opening flourish, first loud and then soft, leads to a complete repetition of the beginning of the Prelude. Then the solo singer is heard again and the music dies down to nothing, except for the voices and the Antarctic wind.
Mick Atha and Kennis Yip
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9789888208982
- eISBN:
- 9789888313952
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888208982.001.0001
- Subject:
- Archaeology, Historical Archaeology
Hong Kong boasts a number of rich archaeological sites behind sandy bays. Among these backbeaches is Sha Po on Lamma Island, a site which has long captured the attention of archaeologists. However, ...
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Hong Kong boasts a number of rich archaeological sites behind sandy bays. Among these backbeaches is Sha Po on Lamma Island, a site which has long captured the attention of archaeologists. However, until now no comprehensive study of the area has ever been published.
Piecing Together Sha Po presents the first sustained analysis, framed in terms of a multi-period social landscape, of the varieties of human activity in Sha Po spanning more than 6,000 years. Synthesising decades of earlier fieldwork together with Atha and Yip’s own extensive excavations conducted in 2008-2010, the discoveries collectively enabled the authors to reconstruct the society in Sha Po in different historical periods.
The artefacts unearthed from the site—some of them unique to the region—reveal a vibrant past which saw the inhabitants of Sha Po interacting with the environment in diverse ways. Evidence showing the mastery of quartz ornament manufacture and metallurgy in the Bronze Age suggests increasing craft specialisation and the rise of a more complex, competitive society. Later on, during the Six Dynasties-Tang period, Sha Po turned into a centre in the region’s imperially controlled kiln-based salt industry. Closer to our time, in the nineteenth century the farming and fishing communities in Sha Po became important suppliers of food and fuel to urban Hong Kong. Ultimately, this ground-breaking work tells a compelling story about human beings’ ceaseless reinvention of their lives through the lens of one special archaeological site.Less
Hong Kong boasts a number of rich archaeological sites behind sandy bays. Among these backbeaches is Sha Po on Lamma Island, a site which has long captured the attention of archaeologists. However, until now no comprehensive study of the area has ever been published.
Piecing Together Sha Po presents the first sustained analysis, framed in terms of a multi-period social landscape, of the varieties of human activity in Sha Po spanning more than 6,000 years. Synthesising decades of earlier fieldwork together with Atha and Yip’s own extensive excavations conducted in 2008-2010, the discoveries collectively enabled the authors to reconstruct the society in Sha Po in different historical periods.
The artefacts unearthed from the site—some of them unique to the region—reveal a vibrant past which saw the inhabitants of Sha Po interacting with the environment in diverse ways. Evidence showing the mastery of quartz ornament manufacture and metallurgy in the Bronze Age suggests increasing craft specialisation and the rise of a more complex, competitive society. Later on, during the Six Dynasties-Tang period, Sha Po turned into a centre in the region’s imperially controlled kiln-based salt industry. Closer to our time, in the nineteenth century the farming and fishing communities in Sha Po became important suppliers of food and fuel to urban Hong Kong. Ultimately, this ground-breaking work tells a compelling story about human beings’ ceaseless reinvention of their lives through the lens of one special archaeological site.
James A. Delle and Elizabeth C. Clay (eds)
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781683400912
- eISBN:
- 9781683401322
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9781683400912.001.0001
- Subject:
- Archaeology, Historical Archaeology
Archaeology of Domestic Landscapes of the Enslaved in the Caribbean examines the diversity of living environments that the enslaved inhabitants of the colonial Caribbean by analyzing archaeological ...
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Archaeology of Domestic Landscapes of the Enslaved in the Caribbean examines the diversity of living environments that the enslaved inhabitants of the colonial Caribbean by analyzing archaeological evidence collected from a wide variety of sites across the region. Archaeological investigations of domestic architecture and artifacts illuminate the nature of household organization; fundamental changes in settlement patterns; and the manner in which power was invariably linked with the material arrangements of space among the enslaved living and working in a variety of contexts throughout the region, including plantations, fortifications, and urban centers. While research in the region has provided a considerable amount of data at the household-level, much of this work is biased towards artifact analysis, resulting in unfamiliarity with the considerations that went into constructing and inhabiting households. The chapters in this book provide detailed reconstructions of the built environments associated with slavery and account for the cultural behaviors and social arrangements that shaped these spaces. It brings together case studies of Caribbean slave settlements through historical archaeology as a means of exposing the diversity of people and practices in these various landscapes, across the British, French, Dutch, and Danish colonies in both the Greater and Lesser Antilles as well as the Bahamian archipelago.Less
Archaeology of Domestic Landscapes of the Enslaved in the Caribbean examines the diversity of living environments that the enslaved inhabitants of the colonial Caribbean by analyzing archaeological evidence collected from a wide variety of sites across the region. Archaeological investigations of domestic architecture and artifacts illuminate the nature of household organization; fundamental changes in settlement patterns; and the manner in which power was invariably linked with the material arrangements of space among the enslaved living and working in a variety of contexts throughout the region, including plantations, fortifications, and urban centers. While research in the region has provided a considerable amount of data at the household-level, much of this work is biased towards artifact analysis, resulting in unfamiliarity with the considerations that went into constructing and inhabiting households. The chapters in this book provide detailed reconstructions of the built environments associated with slavery and account for the cultural behaviors and social arrangements that shaped these spaces. It brings together case studies of Caribbean slave settlements through historical archaeology as a means of exposing the diversity of people and practices in these various landscapes, across the British, French, Dutch, and Danish colonies in both the Greater and Lesser Antilles as well as the Bahamian archipelago.
David Mattingly
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9780199602353
- eISBN:
- 9780191731570
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199602353.003.0004
- Subject:
- Classical Studies, European History: BCE to 500CE, Archaeology: Classical
This chapter provides some illustrations of the potential disparity between plough-zone results and those in a variety of arid-zone projects, where surface preservation of physical features allows ...
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This chapter provides some illustrations of the potential disparity between plough-zone results and those in a variety of arid-zone projects, where surface preservation of physical features allows better site identification and crucially important additional information on site typologies and functions. The author here draws on his personal involvement in the Kasserine Survey (Tunisia), the UNESCO Libyan Valleys Survey and the Fazzan Project (both in Libya), and the Wadi Faynan Landscape Survey in Jordan.Less
This chapter provides some illustrations of the potential disparity between plough-zone results and those in a variety of arid-zone projects, where surface preservation of physical features allows better site identification and crucially important additional information on site typologies and functions. The author here draws on his personal involvement in the Kasserine Survey (Tunisia), the UNESCO Libyan Valleys Survey and the Fazzan Project (both in Libya), and the Wadi Faynan Landscape Survey in Jordan.
James Noggle
- Published in print:
- 2012
- Published Online:
- May 2012
- ISBN:
- 9780199642434
- eISBN:
- 9780191738579
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199642434.003.0003
- Subject:
- Literature, 18th-century Literature
The landscape garden was considered a uniquely English, uniquely modern art form—a uniqueness derived in part from the intensity of immediate tasteful experience that places like Stowe elicited. The ...
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The landscape garden was considered a uniquely English, uniquely modern art form—a uniqueness derived in part from the intensity of immediate tasteful experience that places like Stowe elicited. The first of three sections shows that William Gilpin’s Dialogue Upon the Gardens of…Stow seeks to join spontaneous pleasure at Stowe with sense of nationalistic destiny, but comes to recognize the gap between them can never be quite closed. The second demonstrates that Joseph Warton’s poem The Enthusiast uses Stowe to represent the corrupting history of British taste, yet his alternative, the sensory immediacy provided by nature, gains meaning only within the corruption narrative that Stowe helps him tell. The third section argues that while Horace Walpole only indirectly looks at Stowe in his seminal History of the Modern Taste in Gardening, it models an immediacy of affect for all modern gardens that distorts and finally demolishes his attempt to narrate their past, present, and future.Less
The landscape garden was considered a uniquely English, uniquely modern art form—a uniqueness derived in part from the intensity of immediate tasteful experience that places like Stowe elicited. The first of three sections shows that William Gilpin’s Dialogue Upon the Gardens of…Stow seeks to join spontaneous pleasure at Stowe with sense of nationalistic destiny, but comes to recognize the gap between them can never be quite closed. The second demonstrates that Joseph Warton’s poem The Enthusiast uses Stowe to represent the corrupting history of British taste, yet his alternative, the sensory immediacy provided by nature, gains meaning only within the corruption narrative that Stowe helps him tell. The third section argues that while Horace Walpole only indirectly looks at Stowe in his seminal History of the Modern Taste in Gardening, it models an immediacy of affect for all modern gardens that distorts and finally demolishes his attempt to narrate their past, present, and future.
Gaby Lutgens, Fons van den Eeckhout, and Jeroen ten Haaf
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780199583447
- eISBN:
- 9780191594519
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199583447.003.0020
- Subject:
- Public Health and Epidemiology, Public Health
In 1976, Maastricht University Library developed the concept of the Study Landscape to respond to students' needs. It consists of a combination of study spaces and learning resources, supervised by ...
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In 1976, Maastricht University Library developed the concept of the Study Landscape to respond to students' needs. It consists of a combination of study spaces and learning resources, supervised by skilled librarians and with generous opening hours. The Study Landscape contains a variety of titles and types of resources, directly related to the curriculum. Text, pictures, models, diagrams, and moving images, all are present. To ensure just-in-time availability of information to all students, large numbers of titles (3–25 copies of each title) and programmes (selected by teaching staff) are bought by the library and all the necessary facilities are concentrated in one building. This chapter discusses the development of the Study Landscape over the past few decades. It addresses questions such as: How does it offer access to all the information and tools for searching, using, sharing, and building knowledge in relation to teaching and learning at Maastricht University FHML in particular)? What changes have occurred and are likely to occur in a future characterized by a knowledgeable society with growing needs for flexibility and mobility, and students that are ‘digital natives’?Less
In 1976, Maastricht University Library developed the concept of the Study Landscape to respond to students' needs. It consists of a combination of study spaces and learning resources, supervised by skilled librarians and with generous opening hours. The Study Landscape contains a variety of titles and types of resources, directly related to the curriculum. Text, pictures, models, diagrams, and moving images, all are present. To ensure just-in-time availability of information to all students, large numbers of titles (3–25 copies of each title) and programmes (selected by teaching staff) are bought by the library and all the necessary facilities are concentrated in one building. This chapter discusses the development of the Study Landscape over the past few decades. It addresses questions such as: How does it offer access to all the information and tools for searching, using, sharing, and building knowledge in relation to teaching and learning at Maastricht University FHML in particular)? What changes have occurred and are likely to occur in a future characterized by a knowledgeable society with growing needs for flexibility and mobility, and students that are ‘digital natives’?
Judah Schept
- Published in print:
- 1942
- Published Online:
- May 2016
- ISBN:
- 9781479810710
- eISBN:
- 9781479802821
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479810710.003.0002
- Subject:
- Sociology, Law, Crime and Deviance
Following the short introduction to Part 1, Chapter 1 begins the story of local carceral expansion with an examination of the 85-acre site designated to house the justice campus. The site was the ...
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Following the short introduction to Part 1, Chapter 1 begins the story of local carceral expansion with an examination of the 85-acre site designated to house the justice campus. The site was the former home of the largest color television production plant in the world, owned for decades by the Radio Corporation of America (RCA). RCA was the community’s largest employer at one point but began shifting production to Mexico in the 1960s and ultimately closed the Bloomington plant in 1998. Almost immediately, the county began considering the site for a justice campus. The chapter traces the community’s loss of that plant and subsequent attempt to build the campus as part of broader currents of the neoliberal state, including the geographical movement of capital across scale and space and the rise of the carceral state. As part of this examination, the chapter looks at the municipal growth strategies that created a zone of tax abatements and financing within which the justice campus would have sat. The chapter relies on research from cultural and Marxist geography to discuss the importance of material and symbolic reading of the landscape to consider its telling of history and the way it can be mobilized as an ideological template on which to project a particular vision for the future. The book begins with this history and analysis in order to situate and disturb the "common sense" of carceral expansion.Less
Following the short introduction to Part 1, Chapter 1 begins the story of local carceral expansion with an examination of the 85-acre site designated to house the justice campus. The site was the former home of the largest color television production plant in the world, owned for decades by the Radio Corporation of America (RCA). RCA was the community’s largest employer at one point but began shifting production to Mexico in the 1960s and ultimately closed the Bloomington plant in 1998. Almost immediately, the county began considering the site for a justice campus. The chapter traces the community’s loss of that plant and subsequent attempt to build the campus as part of broader currents of the neoliberal state, including the geographical movement of capital across scale and space and the rise of the carceral state. As part of this examination, the chapter looks at the municipal growth strategies that created a zone of tax abatements and financing within which the justice campus would have sat. The chapter relies on research from cultural and Marxist geography to discuss the importance of material and symbolic reading of the landscape to consider its telling of history and the way it can be mobilized as an ideological template on which to project a particular vision for the future. The book begins with this history and analysis in order to situate and disturb the "common sense" of carceral expansion.
Willard Spiegelman
- Published in print:
- 2007
- Published Online:
- October 2011
- ISBN:
- 9780195332926
- eISBN:
- 9780199851294
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195332926.003.0006
- Subject:
- Literature, Poetry
Presenting John Ashbery as a landscape poet, or a descriptive one, casts light on a sizable proportion of his poetry—even if only parts rather than wholes, let alone volumes. A panorama of visual ...
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Presenting John Ashbery as a landscape poet, or a descriptive one, casts light on a sizable proportion of his poetry—even if only parts rather than wholes, let alone volumes. A panorama of visual details overwhelms Ashbery's poems and his speakers, sometimes charming them, sometimes depressing them. Time, consciousness, and landscape are his primary subjects. He is a poet nostalgic for space as well as time. This chapter examines his poem, “Haunted Landscape,” where everything changes before the readers' eyes: the poem ends with a haunted house, before which it has presented an abandoned mountain landscape and a farming scene somewhere down South. The poem extends from pastoral to georgic to domestic gestures.Less
Presenting John Ashbery as a landscape poet, or a descriptive one, casts light on a sizable proportion of his poetry—even if only parts rather than wholes, let alone volumes. A panorama of visual details overwhelms Ashbery's poems and his speakers, sometimes charming them, sometimes depressing them. Time, consciousness, and landscape are his primary subjects. He is a poet nostalgic for space as well as time. This chapter examines his poem, “Haunted Landscape,” where everything changes before the readers' eyes: the poem ends with a haunted house, before which it has presented an abandoned mountain landscape and a farming scene somewhere down South. The poem extends from pastoral to georgic to domestic gestures.
Ken Nicolson
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9789622093393
- eISBN:
- 9789888313822
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622093393.001.0001
- Subject:
- History, Social History
Hong Kong’s approach to heritage conservation has focused on saving an old building here and there with little or no regard to its surroundings. Recent public debates challenging proposals to ...
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Hong Kong’s approach to heritage conservation has focused on saving an old building here and there with little or no regard to its surroundings. Recent public debates challenging proposals to demolish the former Central Government Offices on the historic site known as ‘Government Hill’ have highlighted this problem and, for the first time, acknowledged that the heritage value of the buildings is enhanced by their contribution to the broader ‘cultural landscape’.
Not all of Hong Kong’s heritage cultural landscapes have been so fortunate. The title evokes an image of valuable items that have been lost or overlooked and, unless efforts are made to search for and retrieve them, may be thrown away altogether.
To inspire a more effective approach to heritage conservation in Hong Kong, Landscapes Lost and Found traces the origins of the cultural landscape concept and, using a variety of urban and rural case studies, illustrates how it can be applied in interpreting and protecting the city’s rich and often undervalued natural and built heritage resources.Less
Hong Kong’s approach to heritage conservation has focused on saving an old building here and there with little or no regard to its surroundings. Recent public debates challenging proposals to demolish the former Central Government Offices on the historic site known as ‘Government Hill’ have highlighted this problem and, for the first time, acknowledged that the heritage value of the buildings is enhanced by their contribution to the broader ‘cultural landscape’.
Not all of Hong Kong’s heritage cultural landscapes have been so fortunate. The title evokes an image of valuable items that have been lost or overlooked and, unless efforts are made to search for and retrieve them, may be thrown away altogether.
To inspire a more effective approach to heritage conservation in Hong Kong, Landscapes Lost and Found traces the origins of the cultural landscape concept and, using a variety of urban and rural case studies, illustrates how it can be applied in interpreting and protecting the city’s rich and often undervalued natural and built heritage resources.
Daniel Sayers
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9780813060187
- eISBN:
- 9780813050607
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813060187.001.0001
- Subject:
- Archaeology, Historical Archaeology
Even such a seemingly remote place as the Great Dismal Swamp of North Carolina and Virginia has a complex social, economic, and cultural history. In the millennia prior to 1607, the Great Dismal ...
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Even such a seemingly remote place as the Great Dismal Swamp of North Carolina and Virginia has a complex social, economic, and cultural history. In the millennia prior to 1607, the Great Dismal Swamp was a part of the local and regional indigenous American cultural landscape. With the permanent settlement of the English colony of Jamestown, Virginia, in 1607, the Great Dismal Swamp and the regional landscape in which it was nested were no longer solely the province of indigenous Americans and their cultural and social traditions and practices. Colonial Europeans and, after 1619, Diasporicized Africans increasingly solidified their presence in the Great Dismal Swamp region up through the Civil War. The Dismal Swamp landscape increasingly came to be defined and used by people of many social, cultural, and political-economic backgrounds throughout the period between 1607 and 1860. This volume is, in part, an effort to comprehend and explain the political-economic significance of the key archaeological patterns that I have observed in excavations since 2003. Those patterns and the artifacts and features in their own right represent critical material and spatial aspects of the emergence and reproduction of a heretofore unacknowledged social world and mode of production in the Great Dismal Swamp that existed for nearly two and a half centuries.Less
Even such a seemingly remote place as the Great Dismal Swamp of North Carolina and Virginia has a complex social, economic, and cultural history. In the millennia prior to 1607, the Great Dismal Swamp was a part of the local and regional indigenous American cultural landscape. With the permanent settlement of the English colony of Jamestown, Virginia, in 1607, the Great Dismal Swamp and the regional landscape in which it was nested were no longer solely the province of indigenous Americans and their cultural and social traditions and practices. Colonial Europeans and, after 1619, Diasporicized Africans increasingly solidified their presence in the Great Dismal Swamp region up through the Civil War. The Dismal Swamp landscape increasingly came to be defined and used by people of many social, cultural, and political-economic backgrounds throughout the period between 1607 and 1860. This volume is, in part, an effort to comprehend and explain the political-economic significance of the key archaeological patterns that I have observed in excavations since 2003. Those patterns and the artifacts and features in their own right represent critical material and spatial aspects of the emergence and reproduction of a heretofore unacknowledged social world and mode of production in the Great Dismal Swamp that existed for nearly two and a half centuries.
Paul Newland (ed.)
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780719091575
- eISBN:
- 9781526115270
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719091575.001.0001
- Subject:
- Literature, Criticism/Theory
British Rural Landscapes on Film offers wide-ranging critical insights into ways in which rural areas in Britain have been represented on film, from the silent era, through both world wars, and on ...
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British Rural Landscapes on Film offers wide-ranging critical insights into ways in which rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the contemporary period. The contributors to the book demonstrate that the countryside in Britain has provided a range of rich and dense spaces into which aspects of contested cultural identities have been projected. The essays in the book show how far British rural landscapes have performed key roles in a range of film genres including heritage, but also horror, art cinema, and children’s films. Films explored include Tawny Pipit (1944), A Canterbury Tale (1944), The Go-Between (1970), Blood on Satan’s Claw (1971), Another Time, Another Place (1983), On the Black Hill (1987), Wuthering Heights (2011), Jane Eyre (2011), and the Harry Potter and Nanny McPhee films. The book also includes new interviews with the filmmakers Gideon Koppel and Patrick Keiller. By focusing solely on rural landscapes, and often drawing on critical insight from art history and cultural geography, this book aims to transform our understanding of British cinema.Less
British Rural Landscapes on Film offers wide-ranging critical insights into ways in which rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the contemporary period. The contributors to the book demonstrate that the countryside in Britain has provided a range of rich and dense spaces into which aspects of contested cultural identities have been projected. The essays in the book show how far British rural landscapes have performed key roles in a range of film genres including heritage, but also horror, art cinema, and children’s films. Films explored include Tawny Pipit (1944), A Canterbury Tale (1944), The Go-Between (1970), Blood on Satan’s Claw (1971), Another Time, Another Place (1983), On the Black Hill (1987), Wuthering Heights (2011), Jane Eyre (2011), and the Harry Potter and Nanny McPhee films. The book also includes new interviews with the filmmakers Gideon Koppel and Patrick Keiller. By focusing solely on rural landscapes, and often drawing on critical insight from art history and cultural geography, this book aims to transform our understanding of British cinema.
Karl Raitz and Nancy O’Malley
- Published in print:
- 2012
- Published Online:
- September 2013
- ISBN:
- 9780813136646
- eISBN:
- 9780813141343
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813136646.003.0011
- Subject:
- History, Cultural History
We tend to regard America's roads simplistically, as subsidiary features lurking in the background. But historically, roads were the foreground to travel—their routes and attributes such as gradient ...
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We tend to regard America's roads simplistically, as subsidiary features lurking in the background. But historically, roads were the foreground to travel—their routes and attributes such as gradient and condition were of primary concern to stagecoach operators and carriage drivers. Whichever perspective obtains, background or foreground, roads and their attendant roadsides, which together comprise road landscapes, are very complex places and difficult to interpret. Road complexity is exacerbated through association with multiple legal jurisdictions—town or city, county, state, federal. Roads are the venue for linear marketplaces, roadside businesses that provide food, fuel, lodging, shopping, or other forms of financial or social transaction, and road landscapes provide varied experiences for those who use the road or reside at roadside. Appreciating dispirit [disparate?] perspectives requires that we regard the roadway, in both its historic and contemporary guises, as a visual and experiential puzzle or palimpsest. Part III of this book is biographical, a detailed narrative intended to assist the reader in interpreting the Maysville Road and its attendant roadside landscapes and is organized into three extended geographical sections: Lexington to Paris; Paris to the vicinity of Blue Licks; and Blue Licks to Maysville.Less
We tend to regard America's roads simplistically, as subsidiary features lurking in the background. But historically, roads were the foreground to travel—their routes and attributes such as gradient and condition were of primary concern to stagecoach operators and carriage drivers. Whichever perspective obtains, background or foreground, roads and their attendant roadsides, which together comprise road landscapes, are very complex places and difficult to interpret. Road complexity is exacerbated through association with multiple legal jurisdictions—town or city, county, state, federal. Roads are the venue for linear marketplaces, roadside businesses that provide food, fuel, lodging, shopping, or other forms of financial or social transaction, and road landscapes provide varied experiences for those who use the road or reside at roadside. Appreciating dispirit [disparate?] perspectives requires that we regard the roadway, in both its historic and contemporary guises, as a visual and experiential puzzle or palimpsest. Part III of this book is biographical, a detailed narrative intended to assist the reader in interpreting the Maysville Road and its attendant roadside landscapes and is organized into three extended geographical sections: Lexington to Paris; Paris to the vicinity of Blue Licks; and Blue Licks to Maysville.
Sean H. Rice
- Published in print:
- 2013
- Published Online:
- December 2013
- ISBN:
- 9780199595372
- eISBN:
- 9780191774799
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199595372.003.0018
- Subject:
- Biology, Evolutionary Biology / Genetics
Sewall Wright originally conceived of his Adaptive Landscape as a visual device to capture the consequences of non-linear (epistatic) interactions between genes. A useful way to visualise a ...
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Sewall Wright originally conceived of his Adaptive Landscape as a visual device to capture the consequences of non-linear (epistatic) interactions between genes. A useful way to visualise a multivariate non-linear function is through a ‘landscape’, an important factor to consider when applying Adaptive Landscape models to questions about the evolution of development. This chapter examines how a phenotype landscape (also known as phenotypic landscape or developmental landscape) can explicitly map genetic and developmental traits to the phenotypic traits upon which selection acts. After outlining the basic properties of phenotype landscapes, it considers how they are used in concert with an Adaptive Landscape to study the evolution of development. It then describes the formal theory for evolution on phenotype landscapes and how it generalises the quantitative genetic approaches that are often applied to Adaptive Landscapes. The chapter concludes by illustrating how phenotype landscape theory can be used to study the evolution of genetic covariance, heritability, and novelty.Less
Sewall Wright originally conceived of his Adaptive Landscape as a visual device to capture the consequences of non-linear (epistatic) interactions between genes. A useful way to visualise a multivariate non-linear function is through a ‘landscape’, an important factor to consider when applying Adaptive Landscape models to questions about the evolution of development. This chapter examines how a phenotype landscape (also known as phenotypic landscape or developmental landscape) can explicitly map genetic and developmental traits to the phenotypic traits upon which selection acts. After outlining the basic properties of phenotype landscapes, it considers how they are used in concert with an Adaptive Landscape to study the evolution of development. It then describes the formal theory for evolution on phenotype landscapes and how it generalises the quantitative genetic approaches that are often applied to Adaptive Landscapes. The chapter concludes by illustrating how phenotype landscape theory can be used to study the evolution of genetic covariance, heritability, and novelty.
Erik I Svensson and Ryan Caisbeek
- Published in print:
- 2013
- Published Online:
- December 2013
- ISBN:
- 9780199595372
- eISBN:
- 9780191774799
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199595372.003.0019
- Subject:
- Biology, Evolutionary Biology / Genetics
Sewall Wright’s classic Adaptive Landscape has been a highly successful metaphor and scientific concept in evolutionary biology. It has influenced many different research subdisciplines in ...
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Sewall Wright’s classic Adaptive Landscape has been a highly successful metaphor and scientific concept in evolutionary biology. It has influenced many different research subdisciplines in evolutionary biology and inspired generations of researchers, even though it has also sparked deep scientific and philosophical controversies. Among such subdisciplines are population genetics, evolutionary ecology, quantitative genetics, experimental evolution, conservation biology, speciation and macroevolutionary dynamics, mimicry, saltational evolution, behavioural ecology, molecular biology, protein networks, and theoretical studies on development.Less
Sewall Wright’s classic Adaptive Landscape has been a highly successful metaphor and scientific concept in evolutionary biology. It has influenced many different research subdisciplines in evolutionary biology and inspired generations of researchers, even though it has also sparked deep scientific and philosophical controversies. Among such subdisciplines are population genetics, evolutionary ecology, quantitative genetics, experimental evolution, conservation biology, speciation and macroevolutionary dynamics, mimicry, saltational evolution, behavioural ecology, molecular biology, protein networks, and theoretical studies on development.
Helena Chance
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9781784993009
- eISBN:
- 9781526124043
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781784993009.003.0006
- Subject:
- Architecture, Architectural History
Rowheath Park at Bournville (from 1921) and the Hills and Dales Park, the Old Barn Club and Old River Park, made for NCR employees between 1906 and 1939, are highly significant to the history of ...
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Rowheath Park at Bournville (from 1921) and the Hills and Dales Park, the Old Barn Club and Old River Park, made for NCR employees between 1906 and 1939, are highly significant to the history of corporate landscapes in terms of their scale and the sophistication of their designs in a factory context. A comparison of these parks, designed by landscape architects Cheals of Crawley, and the Olmsted Brothers respectively, reveal differences in the cultural, symbolic and stylistic approaches to landscape design in the two nations, including what it was possible to achieve in the suburban landscapes of Britain and the United States and in the beliefs, desires and expectations of the factory worker and his patriarch in what the landscape could provide for them. In context of corporate recreation, the scale and sophistication of these gardens and parks were astonishing and unprecedented. Their landscape architects succeeded in projecting local and national landscape identities through design, thus creating spaces that heightened employees’ sense of belonging to the region and to the corporate community.Less
Rowheath Park at Bournville (from 1921) and the Hills and Dales Park, the Old Barn Club and Old River Park, made for NCR employees between 1906 and 1939, are highly significant to the history of corporate landscapes in terms of their scale and the sophistication of their designs in a factory context. A comparison of these parks, designed by landscape architects Cheals of Crawley, and the Olmsted Brothers respectively, reveal differences in the cultural, symbolic and stylistic approaches to landscape design in the two nations, including what it was possible to achieve in the suburban landscapes of Britain and the United States and in the beliefs, desires and expectations of the factory worker and his patriarch in what the landscape could provide for them. In context of corporate recreation, the scale and sophistication of these gardens and parks were astonishing and unprecedented. Their landscape architects succeeded in projecting local and national landscape identities through design, thus creating spaces that heightened employees’ sense of belonging to the region and to the corporate community.
Marc C. Conner (ed.)
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780813039763
- eISBN:
- 9780813043159
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813039763.003.0009
- Subject:
- Literature, 20th-century Literature and Modernism
This essay examines the role of landscape and nature in Joyce's poetry, along with the rise of nature and eco-criticism in Irish Studies in the past decade, arguing that nature reminds Joyce of exile ...
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This essay examines the role of landscape and nature in Joyce's poetry, along with the rise of nature and eco-criticism in Irish Studies in the past decade, arguing that nature reminds Joyce of exile and suffering, while landscape provides the common ground for love and escape in his poems collected as Pomes Penyeach. Joyce's darker views of nature deeply complicate the pastoral or nostalgic as terms for literary interpretation and invite discussions of nature onto the scene in specifically religious and psychoanalytical terms. Joyce's urban pastoral runs counter to the dominant meditations of the Irish Renaissance, and illustrates how the land has always been a sign of exclusion for the Irish, even when they do not recognize this fact. In a sustained discussion of each poem in Joyce's second volume, the essay shows how Joyce engages the complexity of “the urban pastoral” in all its psychological, political, sexual, and religious dimensions. Ultimately, for Joyce the journey towards the confrontation with the site of the maternal and the uncanny is the inevitable direction for his writing.Less
This essay examines the role of landscape and nature in Joyce's poetry, along with the rise of nature and eco-criticism in Irish Studies in the past decade, arguing that nature reminds Joyce of exile and suffering, while landscape provides the common ground for love and escape in his poems collected as Pomes Penyeach. Joyce's darker views of nature deeply complicate the pastoral or nostalgic as terms for literary interpretation and invite discussions of nature onto the scene in specifically religious and psychoanalytical terms. Joyce's urban pastoral runs counter to the dominant meditations of the Irish Renaissance, and illustrates how the land has always been a sign of exclusion for the Irish, even when they do not recognize this fact. In a sustained discussion of each poem in Joyce's second volume, the essay shows how Joyce engages the complexity of “the urban pastoral” in all its psychological, political, sexual, and religious dimensions. Ultimately, for Joyce the journey towards the confrontation with the site of the maternal and the uncanny is the inevitable direction for his writing.
Elizabeth C. Clay and James A. Delle
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781683400912
- eISBN:
- 9781683401322
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9781683400912.003.0001
- Subject:
- Archaeology, Historical Archaeology
The introductory chapter situates the volume vis-à-vis existing literature concerned with household and landscape archaeology within the study of historic Caribbean slave societies. Whereas past work ...
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The introductory chapter situates the volume vis-à-vis existing literature concerned with household and landscape archaeology within the study of historic Caribbean slave societies. Whereas past work in the field has emphasized the macro point of view, choosing to examine landscapes from a plantationwide or even islandwide perspective, this volume uses a more diversified approach. The chapter also defines the authors’ understanding of the term “built environment,” which is used by all authors throughout the volume. It provides an overview of the few scholars who have considered domestic landscapes of the enslaved, highlighting the need for this volume to bring together more recent work in this direction. Finally, the chapter introduces and synthesizes the contributions of the book as a whole.Less
The introductory chapter situates the volume vis-à-vis existing literature concerned with household and landscape archaeology within the study of historic Caribbean slave societies. Whereas past work in the field has emphasized the macro point of view, choosing to examine landscapes from a plantationwide or even islandwide perspective, this volume uses a more diversified approach. The chapter also defines the authors’ understanding of the term “built environment,” which is used by all authors throughout the volume. It provides an overview of the few scholars who have considered domestic landscapes of the enslaved, highlighting the need for this volume to bring together more recent work in this direction. Finally, the chapter introduces and synthesizes the contributions of the book as a whole.
Marco Meniketti
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781683400912
- eISBN:
- 9781683401322
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9781683400912.003.0003
- Subject:
- Archaeology, Historical Archaeology
The dwellings of enslaved laborers toiling on the sugar estates in the British colony of Nevis were fragile in character and perishable in construction. Unlike more robust plantation housing found on ...
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The dwellings of enslaved laborers toiling on the sugar estates in the British colony of Nevis were fragile in character and perishable in construction. Unlike more robust plantation housing found on other islands, of wattle-and-daub or masonry, the homes on Nevis for enslaved workers consisted mainly of wood-plank. They were single-room structures with thatched roofs, propped up on stacked dry-stone platforms. Plantation maps from the seventeenth through nineteenth centuries consistently portray such modest huts clustered in semi-orderly rows on estate property. Yet, as ephemeral as they were, they have not vanished entirely from the landscape. The archaeological footprints of these humble homes can be traced in the outlines of piled stone foundations, charcoal deposits, and scattered domestic artifacts. Furthermore, the style slowly transitioned into a vernacular form lasting post-emancipation into the early twentieth century, and it forms the basis of present vernacular architecture observable on the Nevisian landscape. This chapter will detail the archaeological evidence for traditional labor houses and trace how the architectural style likely evolved into a current vernacular form.Less
The dwellings of enslaved laborers toiling on the sugar estates in the British colony of Nevis were fragile in character and perishable in construction. Unlike more robust plantation housing found on other islands, of wattle-and-daub or masonry, the homes on Nevis for enslaved workers consisted mainly of wood-plank. They were single-room structures with thatched roofs, propped up on stacked dry-stone platforms. Plantation maps from the seventeenth through nineteenth centuries consistently portray such modest huts clustered in semi-orderly rows on estate property. Yet, as ephemeral as they were, they have not vanished entirely from the landscape. The archaeological footprints of these humble homes can be traced in the outlines of piled stone foundations, charcoal deposits, and scattered domestic artifacts. Furthermore, the style slowly transitioned into a vernacular form lasting post-emancipation into the early twentieth century, and it forms the basis of present vernacular architecture observable on the Nevisian landscape. This chapter will detail the archaeological evidence for traditional labor houses and trace how the architectural style likely evolved into a current vernacular form.
