William Kostlevy
- Published in print:
- 2010
- Published Online:
- May 2010
- ISBN:
- 9780195377842
- eISBN:
- 9780199777204
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377842.003.0005
- Subject:
- Religion, Church History
First noted for its demonstrative worship, the MCA’s periodical the Burning Bush employing the standard practices of early twentieth century muckraking journalism such as printing legal documents, ...
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First noted for its demonstrative worship, the MCA’s periodical the Burning Bush employing the standard practices of early twentieth century muckraking journalism such as printing legal documents, private correspondence and most notable cartoons critical of Holiness Movement, public religious and political figures had become notorious by 1903. Other religious institutions followed. These included a camp meeting, a Bible School orphanage, and sending of evangelists across the Midwest and the North East. At the Buffalo Rock Camp Meeting of 1902, MCA leaders’ first public embraced the practice of giving up personal property. As 1902 ended, an MCA campaign in New England resulted in the conversion of prominent New England holiness radicals, such as African American Susan Fogg to the MCA.Less
First noted for its demonstrative worship, the MCA’s periodical the Burning Bush employing the standard practices of early twentieth century muckraking journalism such as printing legal documents, private correspondence and most notable cartoons critical of Holiness Movement, public religious and political figures had become notorious by 1903. Other religious institutions followed. These included a camp meeting, a Bible School orphanage, and sending of evangelists across the Midwest and the North East. At the Buffalo Rock Camp Meeting of 1902, MCA leaders’ first public embraced the practice of giving up personal property. As 1902 ended, an MCA campaign in New England resulted in the conversion of prominent New England holiness radicals, such as African American Susan Fogg to the MCA.
Benjamin T. Smith
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9781469638089
- eISBN:
- 9781469638140
- Item type:
- book
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469638089.001.0001
- Subject:
- History, Latin American History
Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in this ...
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Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in this history of the press and civil society, the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class.
As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings, and even murder. The press was also pressured by media monopolists tacking between government demands and public expectations to maximize profits, and by coalitions of ordinary citizens demanding that local newspapers publicize stories of corruption, incompetence, and state violence. Since the Cold War, both in Mexico City and in the provinces, a robust radical journalism has posed challenges to government forces.Less
Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in this history of the press and civil society, the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class.
As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings, and even murder. The press was also pressured by media monopolists tacking between government demands and public expectations to maximize profits, and by coalitions of ordinary citizens demanding that local newspapers publicize stories of corruption, incompetence, and state violence. Since the Cold War, both in Mexico City and in the provinces, a robust radical journalism has posed challenges to government forces.
Philip Waller
- Published in print:
- 2008
- Published Online:
- January 2010
- ISBN:
- 9780199541201
- eISBN:
- 9780191717284
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199541201.003.0010
- Subject:
- History, British and Irish Modern History
This chapter considers how people became professional writers is one subject of this chapter, looking at new schools of journalism as well help and advice given to novices by the more established. A ...
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This chapter considers how people became professional writers is one subject of this chapter, looking at new schools of journalism as well help and advice given to novices by the more established. A clear refrain is writers' insecurity and impecuniousness. Relatively few lived by the pen and fewer still lived well. Yet most ordinary occupations were hazardous and ill-paid, and writing as a career continued to attract because of the romance associated with the exercise of imagination and the creation of literature of lasting significance. While the vast majority failed to become independent writers, many thousands were proud to be part-time authors and to find outlets for their poetry and stories in the expanding newspaper and periodicals market. The chapter also examines writers' mutual assistance in manipulatiing publicity media — interviewing or writing about each other, or planting items in gossip columns — as the fashion for personal journalism, another facet of the New Journalism, developed. Douglas Sladen, initiator of a remodelled Who's Who, was a key figure in this promotion of writers to celebrity status and, while satirised by Pinero and others, most were pleased to have their names in the public eye.Less
This chapter considers how people became professional writers is one subject of this chapter, looking at new schools of journalism as well help and advice given to novices by the more established. A clear refrain is writers' insecurity and impecuniousness. Relatively few lived by the pen and fewer still lived well. Yet most ordinary occupations were hazardous and ill-paid, and writing as a career continued to attract because of the romance associated with the exercise of imagination and the creation of literature of lasting significance. While the vast majority failed to become independent writers, many thousands were proud to be part-time authors and to find outlets for their poetry and stories in the expanding newspaper and periodicals market. The chapter also examines writers' mutual assistance in manipulatiing publicity media — interviewing or writing about each other, or planting items in gossip columns — as the fashion for personal journalism, another facet of the New Journalism, developed. Douglas Sladen, initiator of a remodelled Who's Who, was a key figure in this promotion of writers to celebrity status and, while satirised by Pinero and others, most were pleased to have their names in the public eye.
Philip Waller
- Published in print:
- 2008
- Published Online:
- January 2010
- ISBN:
- 9780199541201
- eISBN:
- 9780191717284
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199541201.003.0003
- Subject:
- History, British and Irish Modern History
This chapter is concerned with who stepped forward to direct the novice reader, beginning with the ‘Best Hundred Books’ phenomenon launched by Sir John Lubbock in 1885. It argues that too much ...
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This chapter is concerned with who stepped forward to direct the novice reader, beginning with the ‘Best Hundred Books’ phenomenon launched by Sir John Lubbock in 1885. It argues that too much emphasis has been given to Victorians' earnestness and that the sheer enjoyment to be gained from book-reading was proclaimed by a variety of enthusiasts. The spirit of the New Journalism was democratic and eclectic. The foremost popular literary magazine to emerge after the turn of the century — targeting women as well as male readers — was T. P.'s Weekly, founded by T. P. O'Connor, and featuring Arnold Bennett as a regular columnist. Similarly influential among Nonconformist readers, by breaking down their antipathy to fiction, was The British Weekly, whose longstanding editor William Robertson Nicoll also founded The Bookman.Less
This chapter is concerned with who stepped forward to direct the novice reader, beginning with the ‘Best Hundred Books’ phenomenon launched by Sir John Lubbock in 1885. It argues that too much emphasis has been given to Victorians' earnestness and that the sheer enjoyment to be gained from book-reading was proclaimed by a variety of enthusiasts. The spirit of the New Journalism was democratic and eclectic. The foremost popular literary magazine to emerge after the turn of the century — targeting women as well as male readers — was T. P.'s Weekly, founded by T. P. O'Connor, and featuring Arnold Bennett as a regular columnist. Similarly influential among Nonconformist readers, by breaking down their antipathy to fiction, was The British Weekly, whose longstanding editor William Robertson Nicoll also founded The Bookman.
The Staff of the Columbia Journalism Review and James Marcus (eds)
- Published in print:
- 2011
- Published Online:
- November 2015
- ISBN:
- 9780231159319
- eISBN:
- 9780231500586
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231159319.001.0001
- Subject:
- Society and Culture, Media Studies
The Columbia Journalism Review's Second Read series features distinguished journalists revisiting key works of reportage. Launched in 2004, the series also allows authors to address such ongoing ...
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The Columbia Journalism Review's Second Read series features distinguished journalists revisiting key works of reportage. Launched in 2004, the series also allows authors to address such ongoing concerns as the conflict between narrative flair and accurate reporting, the legacy of New Journalism, the need for reporters to question their political assumptions, the limitations of participatory journalism, and the temptation to substitute “truthiness” for hard, challenging fact. Representing a wide range of views, this book embodies the diversity and dynamism of contemporary nonfiction while offering fresh perspectives on works by Norman Mailer, Tom Wolfe, Rachel Carson, and Gabriel García Márquez, among others. It also highlights pivotal moments and movements in journalism as well as the innovations of award-winning writers.Less
The Columbia Journalism Review's Second Read series features distinguished journalists revisiting key works of reportage. Launched in 2004, the series also allows authors to address such ongoing concerns as the conflict between narrative flair and accurate reporting, the legacy of New Journalism, the need for reporters to question their political assumptions, the limitations of participatory journalism, and the temptation to substitute “truthiness” for hard, challenging fact. Representing a wide range of views, this book embodies the diversity and dynamism of contemporary nonfiction while offering fresh perspectives on works by Norman Mailer, Tom Wolfe, Rachel Carson, and Gabriel García Márquez, among others. It also highlights pivotal moments and movements in journalism as well as the innovations of award-winning writers.
Anna Cottrell
- Published in print:
- 2017
- Published Online:
- May 2020
- ISBN:
- 9781474425643
- eISBN:
- 9781474438704
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474425643.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and ...
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Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and Londoners, with a focus on the way in which London's lower-middle-class citizens became inseparable from central London’s leisure scene in the period’s imagination. In contrast with Modernism’s flâneurs and flâneuses, the key figures of 1930s London literature were shop girls, clerks, dance hostesses, and financially insecure journalists whose leisure hours were spent in London’s cinemas, bars, and glittering teashops. Writing about this type of Londoner and her milieus was at the heart of the decade’s experiments in revitalising the British novel, which to many of the period’s writers and intellectuals appeared to lack energy and authenticity. Meticulous description was central to this project of re-energising British writing, and it is in passages describing London milieus such as the teashop and the Soho nightclub that this book locates the decade’s most original and astute meditations on modernity, mass culture, and the value of ordinary lives.Less
Exploring London's literary identity during the 1930s Anna Cottrell shows how vital writing was to the capital’s booming leisure scene on the eve of the Second World War. The book explores London and Londoners, with a focus on the way in which London's lower-middle-class citizens became inseparable from central London’s leisure scene in the period’s imagination. In contrast with Modernism’s flâneurs and flâneuses, the key figures of 1930s London literature were shop girls, clerks, dance hostesses, and financially insecure journalists whose leisure hours were spent in London’s cinemas, bars, and glittering teashops. Writing about this type of Londoner and her milieus was at the heart of the decade’s experiments in revitalising the British novel, which to many of the period’s writers and intellectuals appeared to lack energy and authenticity. Meticulous description was central to this project of re-energising British writing, and it is in passages describing London milieus such as the teashop and the Soho nightclub that this book locates the decade’s most original and astute meditations on modernity, mass culture, and the value of ordinary lives.
Andy Miah
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780262035477
- eISBN:
- 9780262343114
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262035477.001.0001
- Subject:
- Sociology, Sport and Leisure
Digital technology is changing everything about modern sports. Athletes and coaches rely on digital data to monitor and enhance performance. Officials use tracking systems to augment their judgment ...
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Digital technology is changing everything about modern sports. Athletes and coaches rely on digital data to monitor and enhance performance. Officials use tracking systems to augment their judgment in what is an increasingly superhuman field of play. Spectators tune in to live sports through social media, or even through virtual reality. Audiences now act as citizen journalists whose collective shared data expands the places in which we consume sports news. Sport 2.0 examines the convergence of sports and digital cultures, examining not only how it affects our participation in sport but also how it changes our experience of life online. This convergence redefines how we think of about our bodies, the social function of sports, and it transforms the populations of people who are playing. Sport 2.0 describes a world in which the rise of competitive computer game playing—e-sports—challenges and invigorates the social mandate of both sports and digital culture. It also examines media change at the Olympic Games, as an exemplar of digital innovation in sports. Furthermore, the book offers a detailed look at the social media footprint of the 2012 London Games, discussing how organizers, sponsors, media, and activists responded to the world’s largest media event.Less
Digital technology is changing everything about modern sports. Athletes and coaches rely on digital data to monitor and enhance performance. Officials use tracking systems to augment their judgment in what is an increasingly superhuman field of play. Spectators tune in to live sports through social media, or even through virtual reality. Audiences now act as citizen journalists whose collective shared data expands the places in which we consume sports news. Sport 2.0 examines the convergence of sports and digital cultures, examining not only how it affects our participation in sport but also how it changes our experience of life online. This convergence redefines how we think of about our bodies, the social function of sports, and it transforms the populations of people who are playing. Sport 2.0 describes a world in which the rise of competitive computer game playing—e-sports—challenges and invigorates the social mandate of both sports and digital culture. It also examines media change at the Olympic Games, as an exemplar of digital innovation in sports. Furthermore, the book offers a detailed look at the social media footprint of the 2012 London Games, discussing how organizers, sponsors, media, and activists responded to the world’s largest media event.
Robert Samet
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780226633565
- eISBN:
- 9780226633879
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226633879.001.0001
- Subject:
- Anthropology, Latin American Cultural Anthropology
Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chz, who died in 2013, downplayed the ...
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Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chz, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President NicolౠMaduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela's punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or expos矴hat channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.Less
Since 2006, Venezuela has had the highest homicide rate in South America and one of the highest levels of gun violence in the world. Former president Hugo Chz, who died in 2013, downplayed the extent of violent crime and instead emphasized rehabilitation. His successor, President NicolౠMaduro, took the opposite approach, declaring an all-out war on crime (mano dura). What accounts for this drastic shift toward more punitive measures? In Deadline, anthropologist Robert Samet answers this question by focusing on the relationship between populism, the press, and what he calls “the will to security.” Drawing on nearly a decade of ethnographic research alongside journalists on the Caracas crime beat, he shows how the media shaped the politics of security from the ground up. Paradoxically, Venezuela's punitive turn was not the product of dictatorship, but rather an outgrowth of practices and institutions normally associated with democracy. Samet reckons with this apparent contradiction by exploring the circulation of extralegal denuncias (accusations) by crime journalists, editors, sources, and audiences. Denuncias are a form of public shaming or expos矴hat channels popular anger against the powers that be. By showing how denuncias mobilize dissent, Deadline weaves a much larger tale about the relationship between the press, popular outrage, and the politics of security in the twenty-first century.
Donal Harris
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780231177726
- eISBN:
- 9780231541343
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231177726.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
American novelists and poets who came of age in the early twentieth century were taught to avoid journalism. It dulled creativity, rewarded sensationalist content, and stole time from “serious” ...
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American novelists and poets who came of age in the early twentieth century were taught to avoid journalism. It dulled creativity, rewarded sensationalist content, and stole time from “serious” writing. Yet Willa Cather, W. E. B. Du Bois, and Ernest Hemingway, among others all worked in the for popular magazines and helped to invent the house styles that defined McClure’s, The Crisis, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism’s incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris’s work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other “institutions of modernism” that served narrow audiences. And for the writers, the “double life” of working for these magazines shaped modernism’s literary form and created new models of authorship.Less
American novelists and poets who came of age in the early twentieth century were taught to avoid journalism. It dulled creativity, rewarded sensationalist content, and stole time from “serious” writing. Yet Willa Cather, W. E. B. Du Bois, and Ernest Hemingway, among others all worked in the for popular magazines and helped to invent the house styles that defined McClure’s, The Crisis, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism’s incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris’s work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other “institutions of modernism” that served narrow audiences. And for the writers, the “double life” of working for these magazines shaped modernism’s literary form and created new models of authorship.
Mark O'Brien
- Published in print:
- 2017
- Published Online:
- May 2017
- ISBN:
- 9780719096136
- eISBN:
- 9781526121004
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096136.001.0001
- Subject:
- Society and Culture, Media Studies
This book examines the history of journalists and journalism in twentieth century Ireland. While many media institutions have been subjected to historical scrutiny, the professional and ...
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This book examines the history of journalists and journalism in twentieth century Ireland. While many media institutions have been subjected to historical scrutiny, the professional and organisational development of journalists, the changing practices of journalism, and the contribution of journalists and journalism to the evolution of modern Ireland have not. This book rectifies this deficit by mapping the development of journalism in Ireland from the late 1880s to today. Beginning with the premise that the position of journalists and the power of journalism are products of their time and are shaped by ever-shifting political, economic, technological, and cultural forces it examines the background and values of those who worked as journalists, how they viewed and understood their role over the decades, how they organised and what they stood for as a professional body, how the prevailing political and social atmosphere facilitated or constrained their work, and, crucially, how their work impacted on social change and contributed to the development of modern Ireland. Placing the experiences of journalists and the practice of journalism at the heart of its analysis it examines, for the first time, the work of journalists within the ever-changing context of Irish society. Based on strong primary research – including the previously un-consulted journals and records produced by the many journalistic representative organisations that came and went over the decades – and written in an accessible and engaging style, this book will appeal to anyone interested in journalism, history, the media, and the development of Ireland as a modern nation.Less
This book examines the history of journalists and journalism in twentieth century Ireland. While many media institutions have been subjected to historical scrutiny, the professional and organisational development of journalists, the changing practices of journalism, and the contribution of journalists and journalism to the evolution of modern Ireland have not. This book rectifies this deficit by mapping the development of journalism in Ireland from the late 1880s to today. Beginning with the premise that the position of journalists and the power of journalism are products of their time and are shaped by ever-shifting political, economic, technological, and cultural forces it examines the background and values of those who worked as journalists, how they viewed and understood their role over the decades, how they organised and what they stood for as a professional body, how the prevailing political and social atmosphere facilitated or constrained their work, and, crucially, how their work impacted on social change and contributed to the development of modern Ireland. Placing the experiences of journalists and the practice of journalism at the heart of its analysis it examines, for the first time, the work of journalists within the ever-changing context of Irish society. Based on strong primary research – including the previously un-consulted journals and records produced by the many journalistic representative organisations that came and went over the decades – and written in an accessible and engaging style, this book will appeal to anyone interested in journalism, history, the media, and the development of Ireland as a modern nation.
Daniel Worden (ed.)
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.001.0001
- Subject:
- Literature, Comics Studies
The Comics of Joe Sacco addresses the range of his award-winning work, from his early graphic short stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), ...
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The Comics of Joe Sacco addresses the range of his award-winning work, from his early graphic short stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book TheGreat War (2013), a graphic history of World War I. First in the new series Critical Approaches to Comics Artists (see page 40 for details), this edited volume explores Sacco’s comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco’s work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco’s comics journalism critiques and employs the “standard of objectivity” in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important—and necessary—comics today, by one of the most acclaimed journalist-artists of our time.Less
The Comics of Joe Sacco addresses the range of his award-winning work, from his early graphic short stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book TheGreat War (2013), a graphic history of World War I. First in the new series Critical Approaches to Comics Artists (see page 40 for details), this edited volume explores Sacco’s comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco’s work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco’s comics journalism critiques and employs the “standard of objectivity” in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important—and necessary—comics today, by one of the most acclaimed journalist-artists of our time.
Zeljka Doljanin and Máire Doyle (eds)
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781526100566
- eISBN:
- 9781526132321
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526100566.001.0001
- Subject:
- Literature, Criticism/Theory
John McGahern was acknowledged as one of the greatest Irish writers of the twentieth century. This study of his work, John McGahern: Authority and vision, is a unique collection that brings together ...
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John McGahern was acknowledged as one of the greatest Irish writers of the twentieth century. This study of his work, John McGahern: Authority and vision, is a unique collection that brings together essays by experts from a variety of disciplines that include history, sociology, education, journalism, creative writing and literary criticism, to offer fresh perspectives and new insights into the writer, his work and his legacy. Comprising essays from a range of distinguished contributors that includes Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished interview by Stanley van der Ziel, this collection extends the existing body of criticism into new areas to deepen our appreciation of the McGahern’s considerable achievements. This volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and Irish studies.
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John McGahern was acknowledged as one of the greatest Irish writers of the twentieth century. This study of his work, John McGahern: Authority and vision, is a unique collection that brings together essays by experts from a variety of disciplines that include history, sociology, education, journalism, creative writing and literary criticism, to offer fresh perspectives and new insights into the writer, his work and his legacy. Comprising essays from a range of distinguished contributors that includes Roy Foster, Paula Meehan, Frank McGuinness and Melvyn Bragg, along with a previously unpublished interview by Stanley van der Ziel, this collection extends the existing body of criticism into new areas to deepen our appreciation of the McGahern’s considerable achievements. This volume, which also features an original poem by Paula Meehan written in honour of McGahern, will stimulate the interest of students, researchers and general readers of Irish literature and Irish studies.
Julia Guarneri
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9780226341330
- eISBN:
- 9780226341477
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226341477.001.0001
- Subject:
- History, American History: 20th Century
Newsprint Metropolis tracks two simultaneous processes: how cities made newspapers, and how newspapers made cities. The book reaches beyond the front pages and into the feature news, which ...
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Newsprint Metropolis tracks two simultaneous processes: how cities made newspapers, and how newspapers made cities. The book reaches beyond the front pages and into the feature news, which entertained readers while teaching them how to deal with an urban world of diversity and possibility. From the late nineteenth century onwards, newspapers circulated the local logistical information that enabled readers to conduct their lives within cities and city-centered metropolitan regions. They presented readers with place-based definitions of class and community, sophistication and success. Newspaper journalism facilitated an imaginative relationship to city and region, conjuring the experiences, qualities, and commitments that supposedly bound readers to their metropolitan neighbors. In the 1920s, toward the end of this story, newspapers began to come a bit unmoored from their urban context. Distribution of news articles and images through syndicate services or through chains enabled newspaper editors to piece together satisfying papers without commissioning much local news. But while newspapers never again focused as intensely on their own cities, their heyday as city organs left a lasting mark. The civic campaigns, the commerce, the fast pace, and the variety in turn-of-the-century cities all combined to create the newspaper model that endured through the twentieth century and that we might still recognize in today’s media.Less
Newsprint Metropolis tracks two simultaneous processes: how cities made newspapers, and how newspapers made cities. The book reaches beyond the front pages and into the feature news, which entertained readers while teaching them how to deal with an urban world of diversity and possibility. From the late nineteenth century onwards, newspapers circulated the local logistical information that enabled readers to conduct their lives within cities and city-centered metropolitan regions. They presented readers with place-based definitions of class and community, sophistication and success. Newspaper journalism facilitated an imaginative relationship to city and region, conjuring the experiences, qualities, and commitments that supposedly bound readers to their metropolitan neighbors. In the 1920s, toward the end of this story, newspapers began to come a bit unmoored from their urban context. Distribution of news articles and images through syndicate services or through chains enabled newspaper editors to piece together satisfying papers without commissioning much local news. But while newspapers never again focused as intensely on their own cities, their heyday as city organs left a lasting mark. The civic campaigns, the commerce, the fast pace, and the variety in turn-of-the-century cities all combined to create the newspaper model that endured through the twentieth century and that we might still recognize in today’s media.
Samantha NeCamp
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780813178851
- eISBN:
- 9780813178868
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813178851.003.0003
- Subject:
- History, Social History
Using Deborah Brandt’s theory of literacy sponsorship, this chapter examines newspaper editors’ efforts to cultivate an imagined community of readers. It illustrates the ways in which the editors ...
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Using Deborah Brandt’s theory of literacy sponsorship, this chapter examines newspaper editors’ efforts to cultivate an imagined community of readers. It illustrates the ways in which the editors taught, modeled, and regulated literacy via discussions of appropriate reading and writing practices. It also argues that advertisements for texts of all kinds debunk the idea of a textless Appalachia and discusses what the editors’ choices of advertisements suggest about how they imagined their audiences.Less
Using Deborah Brandt’s theory of literacy sponsorship, this chapter examines newspaper editors’ efforts to cultivate an imagined community of readers. It illustrates the ways in which the editors taught, modeled, and regulated literacy via discussions of appropriate reading and writing practices. It also argues that advertisements for texts of all kinds debunk the idea of a textless Appalachia and discusses what the editors’ choices of advertisements suggest about how they imagined their audiences.
Sherie M. Randolph
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469623917
- eISBN:
- 9781469625119
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469623917.003.0005
- Subject:
- History, African-American History
This chapter examines Flo Kennedy’s move away from law and closer to activism and journalism. Working as a lawyer left Kennedy profoundly disappointed with the legal system. She was frustrated with ...
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This chapter examines Flo Kennedy’s move away from law and closer to activism and journalism. Working as a lawyer left Kennedy profoundly disappointed with the legal system. She was frustrated with the judicial system as an avenue for securing simple justice, let alone social change. As her disillusionment deepened, she drew closer to radicalism, finding journalism (e.g., columnist for Queen’s Voice) and political organizing (e.g., organizer of SNCC’s Wednesdays in Mississippi) more satisfying strategies for change. Kennedy strongly advocated the consumer boycott, which had previously been used by the Urban League, as a tactic that women and other oppressed groups could readily utilize. When Kennedy introduced guerrilla street theatre into a protest she revived and extended one of her favorite weapons.Less
This chapter examines Flo Kennedy’s move away from law and closer to activism and journalism. Working as a lawyer left Kennedy profoundly disappointed with the legal system. She was frustrated with the judicial system as an avenue for securing simple justice, let alone social change. As her disillusionment deepened, she drew closer to radicalism, finding journalism (e.g., columnist for Queen’s Voice) and political organizing (e.g., organizer of SNCC’s Wednesdays in Mississippi) more satisfying strategies for change. Kennedy strongly advocated the consumer boycott, which had previously been used by the Urban League, as a tactic that women and other oppressed groups could readily utilize. When Kennedy introduced guerrilla street theatre into a protest she revived and extended one of her favorite weapons.
Joan Allen
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719096013
- eISBN:
- 9781526103963
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719096013.003.0002
- Subject:
- Political Science, UK Politics
By the beginning of the twentieth century, a significant percentage of Irish workers in Britain articulated their proletarian solidarities by joining the trade union movement and, notwithstanding ...
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By the beginning of the twentieth century, a significant percentage of Irish workers in Britain articulated their proletarian solidarities by joining the trade union movement and, notwithstanding their abiding attachment to the Irish nationalist cause, increasingly they looked to the nascent Labour Party to defend their interests. To some extent, this was a reflection of their growing disaffection with the Irish Party which expected the migrant community to prioritise the nationalist cause over their anxieties about Catholic education, employment and wages, and welfare provision. In examining these shifting allegiances, this study focuses on the career of newspaper magnate, Charles Diamond, his role as a champion of the Irish nationalist cause through his Herald newspaper titles, and ultimately his gravitation, along with much of his readership, towards the Labour Party after 1918.Less
By the beginning of the twentieth century, a significant percentage of Irish workers in Britain articulated their proletarian solidarities by joining the trade union movement and, notwithstanding their abiding attachment to the Irish nationalist cause, increasingly they looked to the nascent Labour Party to defend their interests. To some extent, this was a reflection of their growing disaffection with the Irish Party which expected the migrant community to prioritise the nationalist cause over their anxieties about Catholic education, employment and wages, and welfare provision. In examining these shifting allegiances, this study focuses on the career of newspaper magnate, Charles Diamond, his role as a champion of the Irish nationalist cause through his Herald newspaper titles, and ultimately his gravitation, along with much of his readership, towards the Labour Party after 1918.
Michael B. Munnik
- Published in print:
- 2017
- Published Online:
- May 2018
- ISBN:
- 9781474427234
- eISBN:
- 9781474438407
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474427234.003.0011
- Subject:
- Religion, Islam
Muslims are a subsidiary concern for religion reporting in Scotland’s news media. If journalists must cover religion, issues pertaining to Christian sectarianism still occupy a central focus, ...
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Muslims are a subsidiary concern for religion reporting in Scotland’s news media. If journalists must cover religion, issues pertaining to Christian sectarianism still occupy a central focus, although, as more Scots identify with no religion, news reports take on a memorialising tone, marking religion’s decline. Sometimes these storylines merge, as was the case with the biggest religion story in the news during my research about Muslims and the news media in Scotland: the revelation of the sexual abuse of several priests by Cardinal Keith O’Brien (Deveney, 2013). The dominant Scottish story overall was the preparation for the referendum on independence. Muslims played a humble part in coverage of the second story and no part at all in the first.Less
Muslims are a subsidiary concern for religion reporting in Scotland’s news media. If journalists must cover religion, issues pertaining to Christian sectarianism still occupy a central focus, although, as more Scots identify with no religion, news reports take on a memorialising tone, marking religion’s decline. Sometimes these storylines merge, as was the case with the biggest religion story in the news during my research about Muslims and the news media in Scotland: the revelation of the sexual abuse of several priests by Cardinal Keith O’Brien (Deveney, 2013). The dominant Scottish story overall was the preparation for the referendum on independence. Muslims played a humble part in coverage of the second story and no part at all in the first.
Andrew Reynolds
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780813061641
- eISBN:
- 9780813051208
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813061641.003.0003
- Subject:
- Literature, World Literature
Andrew Reynolds speaks to the genre of journalism as mask for modernista writers of Spanish America. In this chapter, authors engaged in practices of cultural cover-ups in their quests for aesthetic ...
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Andrew Reynolds speaks to the genre of journalism as mask for modernista writers of Spanish America. In this chapter, authors engaged in practices of cultural cover-ups in their quests for aesthetic autonomies-which in turn complicate traditional notions of “high” modernism. Writers from the Spanish-American modernista movement broke from previous canons to create an innovative poetic voice. Nevertheless, the vast majority of their writing was produced within the context of the journalistic “chronicle” or crónica. Modernistas published thousands of these brief pieces of literary journalism that often masked intentions of aesthetic renovation because their experiments with literary form and style took place within the market-driven format of the newspaper. All the while the group—including Rubén Dario, José Martí, Amado Nervo and José Juan Tablada—expressed mixed feelings on the journalism industry, often disparaging the “lesser” forms of the reporter, in an attempt to create literary prestige. This juxtaposition often led to tensions between literary writers and the market. Reynolds argues that the hybrid production of revolutionary literary forms masked by a market-driven aesthetic reflects a peculiar Spanish American modernism that accounts for local realities and paves the way for international Boom artists in the coming decades.Less
Andrew Reynolds speaks to the genre of journalism as mask for modernista writers of Spanish America. In this chapter, authors engaged in practices of cultural cover-ups in their quests for aesthetic autonomies-which in turn complicate traditional notions of “high” modernism. Writers from the Spanish-American modernista movement broke from previous canons to create an innovative poetic voice. Nevertheless, the vast majority of their writing was produced within the context of the journalistic “chronicle” or crónica. Modernistas published thousands of these brief pieces of literary journalism that often masked intentions of aesthetic renovation because their experiments with literary form and style took place within the market-driven format of the newspaper. All the while the group—including Rubén Dario, José Martí, Amado Nervo and José Juan Tablada—expressed mixed feelings on the journalism industry, often disparaging the “lesser” forms of the reporter, in an attempt to create literary prestige. This juxtaposition often led to tensions between literary writers and the market. Reynolds argues that the hybrid production of revolutionary literary forms masked by a market-driven aesthetic reflects a peculiar Spanish American modernism that accounts for local realities and paves the way for international Boom artists in the coming decades.
Claire Armitstead
- Published in print:
- 2019
- Published Online:
- September 2019
- ISBN:
- 9780197266519
- eISBN:
- 9780191884238
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197266519.003.0005
- Subject:
- Literature, Poetry
In 1991 Tony Harrison was commissioned by Alan Rusbridger, then editor of the Guardian, to write two poems on the Gulf War. The result was ‘Initial Illumination’ and ‘’A Cold Coming’. in 1995, the ...
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In 1991 Tony Harrison was commissioned by Alan Rusbridger, then editor of the Guardian, to write two poems on the Gulf War. The result was ‘Initial Illumination’ and ‘’A Cold Coming’. in 1995, the newspaper sent Harrison to Bosnia to send poems based on his eye-witnessing of the war, resulting in The Cycles of Donji Vakuf. In 2003, the invasion of Iraq produced two new war poems: Iraquatrains and Baghdad Lullaby. Armitstead, herself a Guardian journalist, sets these important poems in their historical and cultural contexts, and argues that the relationship between poet and paper was unique and unlikely to be repeated in the foreseeable future..Less
In 1991 Tony Harrison was commissioned by Alan Rusbridger, then editor of the Guardian, to write two poems on the Gulf War. The result was ‘Initial Illumination’ and ‘’A Cold Coming’. in 1995, the newspaper sent Harrison to Bosnia to send poems based on his eye-witnessing of the war, resulting in The Cycles of Donji Vakuf. In 2003, the invasion of Iraq produced two new war poems: Iraquatrains and Baghdad Lullaby. Armitstead, herself a Guardian journalist, sets these important poems in their historical and cultural contexts, and argues that the relationship between poet and paper was unique and unlikely to be repeated in the foreseeable future..
Daniel Worden
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0001
- Subject:
- Literature, Comics Studies
This introduction presents a brief biography of Joe Sacco and survey of his work as a comics artist. It also evaluates Sacco’s contribution to alternative comics, the New Journalism, comics ...
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This introduction presents a brief biography of Joe Sacco and survey of his work as a comics artist. It also evaluates Sacco’s contribution to alternative comics, the New Journalism, comics journalism, and war literature. It concludes with a summary of the essays contained in the book.Less
This introduction presents a brief biography of Joe Sacco and survey of his work as a comics artist. It also evaluates Sacco’s contribution to alternative comics, the New Journalism, comics journalism, and war literature. It concludes with a summary of the essays contained in the book.
