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The Black Body as Object and Subject of Property

Anthea Kraut

in Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance

Published in print:
2015
Published Online:
November 2015
ISBN:
9780199360369
eISBN:
9780199360390
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199360369.003.0003
Subject:
Music, Dance

This chapter offers a case study of Johnny Hudgins, an African American blackface comic pantomimist who was famous in his time but is virtually forgotten today. In 1924, the white producer of the ... More


Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance

Anthea Kraut

Published in print:
2015
Published Online:
November 2015
ISBN:
9780199360369
eISBN:
9780199360390
Item type:
book
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199360369.001.0001
Subject:
Music, Dance

This book provides a historical and cultural analysis of US–based dance-makers’ investment in intellectual property rights. Although federal copyright law in the United States did not recognize ... More


Chocolate Dandies and the End of Sissle and Blake: 1924–1930

Richard Carlin and Ken Bloom

in Eubie Blake: Rags, Rhythm, and Race

Published in print:
2020
Published Online:
August 2020
ISBN:
9780190635930
eISBN:
9780190635961
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190635930.003.0007
Subject:
Music, History, American, Popular

This chapter describes how, after touring, In Bamville arrived in New York in debt and with a new name: Chocolate Dandies; the successful introduction of the dance craze, The Charleston, in Miller ... More


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