Stephen Teo
- Published in print:
- 1993
- Published Online:
- September 2011
- ISBN:
- 9789622098398
- eISBN:
- 9789882206823
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622098398.001.0001
- Subject:
- Film, Television and Radio, Film
One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the past few years been receiving more attention at film festivals globally with films such as Breaking ...
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One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the past few years been receiving more attention at film festivals globally with films such as Breaking News (2004), Election I & II (2005–2006), Exiled (2006), The Mad Detective (2007), and most recently, Sparrow (2008). Sometimes referred to as the post-1997 poet of Hong Kong, To has a career that actually goes back as far as the 1980s, and as one of the few directors to keep up a high output even after the local film industry started to decline, his CV now boasts close to 50 films. Writing a monograph on To is therefore no easy task, but this book provides an overview of Johnnie To's career, concentrating on his action films, the genre in which To has excelled. The author discusses the symbiotic relationship between directory and genre, why To is regarded as an auteur, and the influence he has on the trajectory of the action genre in the Hong Kong cinema. The author's view is that To's idiosyncratic auteurist style transforms the generic conventions under which he is compelled to work.Less
One of the most prominent directors in Hong Kong at the moment, Johnnie To Kei-fung, has over the past few years been receiving more attention at film festivals globally with films such as Breaking News (2004), Election I & II (2005–2006), Exiled (2006), The Mad Detective (2007), and most recently, Sparrow (2008). Sometimes referred to as the post-1997 poet of Hong Kong, To has a career that actually goes back as far as the 1980s, and as one of the few directors to keep up a high output even after the local film industry started to decline, his CV now boasts close to 50 films. Writing a monograph on To is therefore no easy task, but this book provides an overview of Johnnie To's career, concentrating on his action films, the genre in which To has excelled. The author discusses the symbiotic relationship between directory and genre, why To is regarded as an auteur, and the influence he has on the trajectory of the action genre in the Hong Kong cinema. The author's view is that To's idiosyncratic auteurist style transforms the generic conventions under which he is compelled to work.
