Yaacob Dweck
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780691183572
- eISBN:
- 9780691189949
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691183572.003.0009
- Subject:
- Religion, Judaism
This chapter focuses on Gershom Scholem and Joel Teitelbaum as readers of Jacob Sasportas. Both Scholem and Teitelbaum considered the middle of the twentieth century as a period of crisis, and each, ...
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This chapter focuses on Gershom Scholem and Joel Teitelbaum as readers of Jacob Sasportas. Both Scholem and Teitelbaum considered the middle of the twentieth century as a period of crisis, and each, in his own way, turned to Sasportas's The Fading Flower of the Zevi as part of a larger response to that crisis. If Scholem and his student Isaiah Tishby had engaged in something akin to lower criticism in their editing and analysis of Sasportas, Teitelbaum employed analysis similar to higher criticism in his use of Sasportas. If Scholem saw Sabbatianism as generative of a crisis and fundamental rupture in Jewish history and turned to Sasportas as a witness to this crisis, Teitelbaum experienced the middle decades of the twentieth century as a crisis in and of itself. To him, Sasportas was not an intellectual instrument with which to reconstruct the past; rather, he functioned as a moral resource that served as a guide for the proper rabbinic response to religious messianism in the present. Ultimately, Scholem's and Teitelbaum's readings of The Fading Flower of the Zevi placed Sasportas squarely at the heart of a central debate in modern Jewish life: Zionism.Less
This chapter focuses on Gershom Scholem and Joel Teitelbaum as readers of Jacob Sasportas. Both Scholem and Teitelbaum considered the middle of the twentieth century as a period of crisis, and each, in his own way, turned to Sasportas's The Fading Flower of the Zevi as part of a larger response to that crisis. If Scholem and his student Isaiah Tishby had engaged in something akin to lower criticism in their editing and analysis of Sasportas, Teitelbaum employed analysis similar to higher criticism in his use of Sasportas. If Scholem saw Sabbatianism as generative of a crisis and fundamental rupture in Jewish history and turned to Sasportas as a witness to this crisis, Teitelbaum experienced the middle decades of the twentieth century as a crisis in and of itself. To him, Sasportas was not an intellectual instrument with which to reconstruct the past; rather, he functioned as a moral resource that served as a guide for the proper rabbinic response to religious messianism in the present. Ultimately, Scholem's and Teitelbaum's readings of The Fading Flower of the Zevi placed Sasportas squarely at the heart of a central debate in modern Jewish life: Zionism.
Yaacob Dweck
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9780691183572
- eISBN:
- 9780691189949
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691183572.003.0010
- Subject:
- Religion, Judaism
This coda details how Jacob Sasportas, as well as his three most intensive readers—Jacob Emden, Gershom Scholem, and Joel Teitelbaum—all perceived their worlds to be in crisis. For Sasportas, the ...
More
This coda details how Jacob Sasportas, as well as his three most intensive readers—Jacob Emden, Gershom Scholem, and Joel Teitelbaum—all perceived their worlds to be in crisis. For Sasportas, the crisis in the middle of the 1660s was one of order. This manifested itself as contempt for the law. Sasportas used all the resources of the textual tradition he called his own to make sense of the world around him, a world that a Messiah whom he had never met and who lived half a world away had turned upside down. He gestured toward a position that validated his own provisional skepticism as a better path to genuine repentance than the ardent and collective certainty of the Jewish crowd. A half century after Sasportas died, Jacob Emden reedited and reprinted Sasportas, thereby forging an image of Sasportas as a heresy hunter. A century and a half after Emden's death, Gershom Scholem turned to Sabbetai Zevi and the messianic movement around him, which enabled Scholem to tell a story about Jewish immanence without the law. Meanwhile, Joel Teitelbaum lived through the same geopolitical catastrophe as Scholem but reached a different conclusion about it. Just as Sasportas had the courage of his convictions to speak out against the Jews of his day, nearly all of whom had become believers in Sabbetai Zevi, Teitelbaum similarly rebuked the Jews of his own time, nearly all of whom had become Zionists.Less
This coda details how Jacob Sasportas, as well as his three most intensive readers—Jacob Emden, Gershom Scholem, and Joel Teitelbaum—all perceived their worlds to be in crisis. For Sasportas, the crisis in the middle of the 1660s was one of order. This manifested itself as contempt for the law. Sasportas used all the resources of the textual tradition he called his own to make sense of the world around him, a world that a Messiah whom he had never met and who lived half a world away had turned upside down. He gestured toward a position that validated his own provisional skepticism as a better path to genuine repentance than the ardent and collective certainty of the Jewish crowd. A half century after Sasportas died, Jacob Emden reedited and reprinted Sasportas, thereby forging an image of Sasportas as a heresy hunter. A century and a half after Emden's death, Gershom Scholem turned to Sabbetai Zevi and the messianic movement around him, which enabled Scholem to tell a story about Jewish immanence without the law. Meanwhile, Joel Teitelbaum lived through the same geopolitical catastrophe as Scholem but reached a different conclusion about it. Just as Sasportas had the courage of his convictions to speak out against the Jews of his day, nearly all of whom had become believers in Sabbetai Zevi, Teitelbaum similarly rebuked the Jews of his own time, nearly all of whom had become Zionists.