Daniel Worden
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0001
- Subject:
- Literature, Comics Studies
This introduction presents a brief biography of Joe Sacco and survey of his work as a comics artist. It also evaluates Sacco’s contribution to alternative comics, the New Journalism, comics ...
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This introduction presents a brief biography of Joe Sacco and survey of his work as a comics artist. It also evaluates Sacco’s contribution to alternative comics, the New Journalism, comics journalism, and war literature. It concludes with a summary of the essays contained in the book.Less
This introduction presents a brief biography of Joe Sacco and survey of his work as a comics artist. It also evaluates Sacco’s contribution to alternative comics, the New Journalism, comics journalism, and war literature. It concludes with a summary of the essays contained in the book.
Edward C. Holland
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0006
- Subject:
- Literature, Comics Studies
Edward C. Holland’s essay reads Sacco’s maps and mappings of the Bosnian War as interventions in the traditional roles ascribed to cartography, bringing to bear the analytical tools of the discipline ...
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Edward C. Holland’s essay reads Sacco’s maps and mappings of the Bosnian War as interventions in the traditional roles ascribed to cartography, bringing to bear the analytical tools of the discipline of geography to the study of comics.Less
Edward C. Holland’s essay reads Sacco’s maps and mappings of the Bosnian War as interventions in the traditional roles ascribed to cartography, bringing to bear the analytical tools of the discipline of geography to the study of comics.
Lan Dong
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0003
- Subject:
- Literature, Comics Studies
Looking at Sacco’s Safe Area Goražde, Lan Dong analyzes Sacco’s complicated negotiation of history and witness testimony, finding in Sacco’s treatment of the Bosnian War a case study of how Sacco ...
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Looking at Sacco’s Safe Area Goražde, Lan Dong analyzes Sacco’s complicated negotiation of history and witness testimony, finding in Sacco’s treatment of the Bosnian War a case study of how Sacco represents the stories of others in relation to his own presence as a reporter.Less
Looking at Sacco’s Safe Area Goražde, Lan Dong analyzes Sacco’s complicated negotiation of history and witness testimony, finding in Sacco’s treatment of the Bosnian War a case study of how Sacco represents the stories of others in relation to his own presence as a reporter.
Brigid Maher
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0014
- Subject:
- Literature, Comics Studies
Focusing on Sacco’s Palestine, Safe Area Goražde, and The Fixer, Brigid Maher analyzes the role that translating and language play in Sacco’s work. In his comics journalism, Sacco foregrounds ...
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Focusing on Sacco’s Palestine, Safe Area Goražde, and The Fixer, Brigid Maher analyzes the role that translating and language play in Sacco’s work. In his comics journalism, Sacco foregrounds translation as a process, producing a more nuanced relation of journalist to subject than one often finds in mainstream journalism.Less
Focusing on Sacco’s Palestine, Safe Area Goražde, and The Fixer, Brigid Maher analyzes the role that translating and language play in Sacco’s work. In his comics journalism, Sacco foregrounds translation as a process, producing a more nuanced relation of journalist to subject than one often finds in mainstream journalism.
Daniel Worden (ed.)
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.001.0001
- Subject:
- Literature, Comics Studies
The Comics of Joe Sacco addresses the range of his award-winning work, from his early graphic short stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), ...
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The Comics of Joe Sacco addresses the range of his award-winning work, from his early graphic short stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book TheGreat War (2013), a graphic history of World War I. First in the new series Critical Approaches to Comics Artists (see page 40 for details), this edited volume explores Sacco’s comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco’s work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco’s comics journalism critiques and employs the “standard of objectivity” in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important—and necessary—comics today, by one of the most acclaimed journalist-artists of our time.Less
The Comics of Joe Sacco addresses the range of his award-winning work, from his early graphic short stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Goražde (2000), to Footnotes in Gaza (2009) and his most recent book TheGreat War (2013), a graphic history of World War I. First in the new series Critical Approaches to Comics Artists (see page 40 for details), this edited volume explores Sacco’s comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco’s work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco’s comics journalism critiques and employs the “standard of objectivity” in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important—and necessary—comics today, by one of the most acclaimed journalist-artists of our time.
Rebecca Scherr
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0012
- Subject:
- Literature, Comics Studies
Rebecca Scherr draws on theories of performance and performativity to produce an account of both Sacco’s performances on the page as an artist--the drawing of a line and how that line functions as a ...
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Rebecca Scherr draws on theories of performance and performativity to produce an account of both Sacco’s performances on the page as an artist--the drawing of a line and how that line functions as a trace of the artist’s presence--and his representations of himself as a “character” in his works.Less
Rebecca Scherr draws on theories of performance and performativity to produce an account of both Sacco’s performances on the page as an artist--the drawing of a line and how that line functions as a trace of the artist’s presence--and his representations of himself as a “character” in his works.
Adam Rosenblatt and Andrea A. Lunsford
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737929
- eISBN:
- 9781604737936
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737929.003.0006
- Subject:
- Literature, Comics Studies
In the early 1990s, Art Spiegelman won a Pulitzer Prize for Maus, his Holocaust memoir in comic book form. Since then, comics creators have been producing comics about contemporary events, resulting ...
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In the early 1990s, Art Spiegelman won a Pulitzer Prize for Maus, his Holocaust memoir in comic book form. Since then, comics creators have been producing comics about contemporary events, resulting in the emergence of comics journalism in newspapers. No one captures the potential—as well as the challenges—of comics journalism more fully than Joe Sacco, who gained fame with his comics about Palestine and the former Yugoslavia. Sacco uses comics not only to create a new kind of journalism, but also to challenge the orthodoxies of more traditional reporting. His work might also be compared to photojournalism, although his priority is to look for opportunities available to the cartoonist alone. This chapter examines the extent to which Sacco challenges the conventions of journalism and photojournalism as well as his contributions to both. It analyzes three of his comics, Palestine, Safe Area Goražde, and The Fixer: A Story from Sarajevo, to discuss his critique of journalism, his use of caricature, and his compulsion.Less
In the early 1990s, Art Spiegelman won a Pulitzer Prize for Maus, his Holocaust memoir in comic book form. Since then, comics creators have been producing comics about contemporary events, resulting in the emergence of comics journalism in newspapers. No one captures the potential—as well as the challenges—of comics journalism more fully than Joe Sacco, who gained fame with his comics about Palestine and the former Yugoslavia. Sacco uses comics not only to create a new kind of journalism, but also to challenge the orthodoxies of more traditional reporting. His work might also be compared to photojournalism, although his priority is to look for opportunities available to the cartoonist alone. This chapter examines the extent to which Sacco challenges the conventions of journalism and photojournalism as well as his contributions to both. It analyzes three of his comics, Palestine, Safe Area Goražde, and The Fixer: A Story from Sarajevo, to discuss his critique of journalism, his use of caricature, and his compulsion.
David J. Leichter
- Published in print:
- 2017
- Published Online:
- May 2019
- ISBN:
- 9781496813275
- eISBN:
- 9781496813312
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496813275.003.0009
- Subject:
- Literature, Comics Studies
This chapter analyzes how Joe Sacco's Footnotes in Gaza highlights the stakes of the politics of remembering and forgetting by investigating what happened in Gaza in November 1956 and discerning its ...
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This chapter analyzes how Joe Sacco's Footnotes in Gaza highlights the stakes of the politics of remembering and forgetting by investigating what happened in Gaza in November 1956 and discerning its relevance in the midst of an ongoing conflict and occupation. In this work, Sacco examines the interrelationship between memory and identity in situations of ongoing injustice by focusing on ways that memory is blocked, distorted, and prevented, on the one hand, and, on the other, how remembering can occur as a shared experience with one's contemporaries. This work of graphic journalism, then, shows why the history of injustice matters, and shows that in order to address the current situation between Palestinians and Israelis, there needs to be confrontation with a legacy of injustice.Less
This chapter analyzes how Joe Sacco's Footnotes in Gaza highlights the stakes of the politics of remembering and forgetting by investigating what happened in Gaza in November 1956 and discerning its relevance in the midst of an ongoing conflict and occupation. In this work, Sacco examines the interrelationship between memory and identity in situations of ongoing injustice by focusing on ways that memory is blocked, distorted, and prevented, on the one hand, and, on the other, how remembering can occur as a shared experience with one's contemporaries. This work of graphic journalism, then, shows why the history of injustice matters, and shows that in order to address the current situation between Palestinians and Israelis, there needs to be confrontation with a legacy of injustice.
Jared Gardner
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0002
- Subject:
- Literature, Comics Studies
Placing comics journalism in relation to other media such as film, music, and magazines, Jared Gardner analyzes how Sacco manipulates time as both a thematic and a formal device that can pose ...
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Placing comics journalism in relation to other media such as film, music, and magazines, Jared Gardner analyzes how Sacco manipulates time as both a thematic and a formal device that can pose alternatives to our Western notions of history and synchronicity.Less
Placing comics journalism in relation to other media such as film, music, and magazines, Jared Gardner analyzes how Sacco manipulates time as both a thematic and a formal device that can pose alternatives to our Western notions of history and synchronicity.
Marc Singer
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0005
- Subject:
- Literature, Comics Studies
Marc Singer demonstrates how Sacco, often interpreted by scholars and critics as critical of the standard of objectivity, also employs the tactics of objective news reporting in his first long-form ...
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Marc Singer demonstrates how Sacco, often interpreted by scholars and critics as critical of the standard of objectivity, also employs the tactics of objective news reporting in his first long-form work, Palestine.Less
Marc Singer demonstrates how Sacco, often interpreted by scholars and critics as critical of the standard of objectivity, also employs the tactics of objective news reporting in his first long-form work, Palestine.
Alexander Dunst
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0011
- Subject:
- Literature, Comics Studies
Alexander Dunst draws on the philosophy of Alain Badiou to chart an important shift from Sacco’s first long-form works of comics journalism--namely, Palestine and Safe Area Goražde--to the more ...
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Alexander Dunst draws on the philosophy of Alain Badiou to chart an important shift from Sacco’s first long-form works of comics journalism--namely, Palestine and Safe Area Goražde--to the more recent Footnotes in Gaza. In Footnotes in Gaza, Dunst finds a shift away from ethics and toward a political aesthetic.Less
Alexander Dunst draws on the philosophy of Alain Badiou to chart an important shift from Sacco’s first long-form works of comics journalism--namely, Palestine and Safe Area Goražde--to the more recent Footnotes in Gaza. In Footnotes in Gaza, Dunst finds a shift away from ethics and toward a political aesthetic.
Richard Todd Stafford
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0008
- Subject:
- Literature, Comics Studies
Richard Todd Stafford also analyzes Sacco’s representations of the Appalachian coalfields in Days of Destruction, Days of Revolt, finding in Sacco’s landscapes and portraits a complex process of ...
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Richard Todd Stafford also analyzes Sacco’s representations of the Appalachian coalfields in Days of Destruction, Days of Revolt, finding in Sacco’s landscapes and portraits a complex process of identification, spatialization, and ethical imbrication.Less
Richard Todd Stafford also analyzes Sacco’s representations of the Appalachian coalfields in Days of Destruction, Days of Revolt, finding in Sacco’s landscapes and portraits a complex process of identification, spatialization, and ethical imbrication.
Ann D’Orazio
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0009
- Subject:
- Literature, Comics Studies
Using Bill Brown’s “thing theory” and Jane Bennett’s materialist theory, Ann D’Orazio analyzes how objects such as tea, tomatoes, trees, and the hijab function as nonhuman agents in Sacco’s ...
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Using Bill Brown’s “thing theory” and Jane Bennett’s materialist theory, Ann D’Orazio analyzes how objects such as tea, tomatoes, trees, and the hijab function as nonhuman agents in Sacco’s Palestine, endowing the text with a powerful depth and resonance.Less
Using Bill Brown’s “thing theory” and Jane Bennett’s materialist theory, Ann D’Orazio analyzes how objects such as tea, tomatoes, trees, and the hijab function as nonhuman agents in Sacco’s Palestine, endowing the text with a powerful depth and resonance.
Ben Owen
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0013
- Subject:
- Literature, Comics Studies
Reading Sacco’s Footnotes in Gaza as an entry in the tradition of book-length comics, a tradition about which comics artists, including Sacco, often express some ambivalence, Ben Owen argues that ...
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Reading Sacco’s Footnotes in Gaza as an entry in the tradition of book-length comics, a tradition about which comics artists, including Sacco, often express some ambivalence, Ben Owen argues that Sacco’s representation of the 1956 Rafah Massacre produces an alternative sense of historical time in both its content and its form.Less
Reading Sacco’s Footnotes in Gaza as an entry in the tradition of book-length comics, a tradition about which comics artists, including Sacco, often express some ambivalence, Ben Owen argues that Sacco’s representation of the 1956 Rafah Massacre produces an alternative sense of historical time in both its content and its form.
Isabel Macdonald
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0004
- Subject:
- Literature, Comics Studies
In her reading of a 4-page story originally published in The New York Times Magazine, Isabel Macdonald finds in Sacco a critique of the standard of objectivity, a critique that is shared by many ...
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In her reading of a 4-page story originally published in The New York Times Magazine, Isabel Macdonald finds in Sacco a critique of the standard of objectivity, a critique that is shared by many journalists today and that Sacco is uniquely situated to visually articulate on the comics page.Less
In her reading of a 4-page story originally published in The New York Times Magazine, Isabel Macdonald finds in Sacco a critique of the standard of objectivity, a critique that is shared by many journalists today and that Sacco is uniquely situated to visually articulate on the comics page.
Georgiana Banita
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0007
- Subject:
- Literature, Comics Studies
Georgiana Banita reads Sacco’s contribution to his book with Chris Hedges, Days of Destruction, Days of Revolt, as partaking in the traditions of muckraking journalism and environmentalist ...
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Georgiana Banita reads Sacco’s contribution to his book with Chris Hedges, Days of Destruction, Days of Revolt, as partaking in the traditions of muckraking journalism and environmentalist documentary and photography, situating Sacco’s landscapes of mountaintop removal mining firmly in the tradition of environmental art and activism.Less
Georgiana Banita reads Sacco’s contribution to his book with Chris Hedges, Days of Destruction, Days of Revolt, as partaking in the traditions of muckraking journalism and environmentalist documentary and photography, situating Sacco’s landscapes of mountaintop removal mining firmly in the tradition of environmental art and activism.
Kevin C. Dunn
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0016
- Subject:
- Literature, Comics Studies
This essay considers the classroom, and in his essay, Kevin C. Dunn elaborates how he has taught Safe Area Goražde in an introductory International Relations course. This essay should be of interest ...
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This essay considers the classroom, and in his essay, Kevin C. Dunn elaborates how he has taught Safe Area Goražde in an introductory International Relations course. This essay should be of interest not just for its pedagogical argument, but also for its demonstration of how Sacco’s work resonates beyond discourses more familiar to scholars in the humanities.Less
This essay considers the classroom, and in his essay, Kevin C. Dunn elaborates how he has taught Safe Area Goražde in an introductory International Relations course. This essay should be of interest not just for its pedagogical argument, but also for its demonstration of how Sacco’s work resonates beyond discourses more familiar to scholars in the humanities.
Maureen Shay
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0015
- Subject:
- Literature, Comics Studies
Returning to “The Unwanted,” a work of reportage that is also one of Sacco’s most autobiographical works in recent years, Maureen Shay argues that Sacco stages and then complicates the binary ...
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Returning to “The Unwanted,” a work of reportage that is also one of Sacco’s most autobiographical works in recent years, Maureen Shay argues that Sacco stages and then complicates the binary oppositions that structure the status and treatment of refugees to Malta.Less
Returning to “The Unwanted,” a work of reportage that is also one of Sacco’s most autobiographical works in recent years, Maureen Shay argues that Sacco stages and then complicates the binary oppositions that structure the status and treatment of refugees to Malta.
Michael A. Chaney
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9781496810250
- eISBN:
- 9781496810298
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496810250.003.0003
- Subject:
- Literature, Comics Studies
This chapter focuses on one of the comics' most prevalent masks—the child, considered the default face of American comics. The child or youth is an emblem of the comics and an archetype of its ...
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This chapter focuses on one of the comics' most prevalent masks—the child, considered the default face of American comics. The child or youth is an emblem of the comics and an archetype of its mediation. The child I-cons of autography romanticize youth's vistas and vicissitudes to affirm the enduring appeal of the “romantic, Western vision of the sentimental child.” The chapter historicizes a range of comics children by analyzing Richard Outcault's early twentieth-century strip Yellow Kid, Joe Sacco's Palestine (1993), Kyle Baker's Nat Turner (2008), Ariel Schrag's Awkward (1995), and Chris Ware's Jimmy Corrigan. It argues that the child is not simply a recurring subject of the comics but also a formal correlative that fosters philosophical reflection on the complicated nature of temporality.Less
This chapter focuses on one of the comics' most prevalent masks—the child, considered the default face of American comics. The child or youth is an emblem of the comics and an archetype of its mediation. The child I-cons of autography romanticize youth's vistas and vicissitudes to affirm the enduring appeal of the “romantic, Western vision of the sentimental child.” The chapter historicizes a range of comics children by analyzing Richard Outcault's early twentieth-century strip Yellow Kid, Joe Sacco's Palestine (1993), Kyle Baker's Nat Turner (2008), Ariel Schrag's Awkward (1995), and Chris Ware's Jimmy Corrigan. It argues that the child is not simply a recurring subject of the comics but also a formal correlative that fosters philosophical reflection on the complicated nature of temporality.
Øyvind Vågnes
- Published in print:
- 2015
- Published Online:
- January 2017
- ISBN:
- 9781496802217
- eISBN:
- 9781496802262
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496802217.003.0010
- Subject:
- Literature, Comics Studies
ØyvindVågnes’s essay is the first in the book to focus on Sacco’s story “The Unwanted,” and Vâgnes demonstrates how one of Sacco’s central devices--the portrait of an interview subject--functions as ...
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ØyvindVågnes’s essay is the first in the book to focus on Sacco’s story “The Unwanted,” and Vâgnes demonstrates how one of Sacco’s central devices--the portrait of an interview subject--functions as a means to represent the harms of “bare life” and to imagine an ethics of hospitality.Less
ØyvindVågnes’s essay is the first in the book to focus on Sacco’s story “The Unwanted,” and Vâgnes demonstrates how one of Sacco’s central devices--the portrait of an interview subject--functions as a means to represent the harms of “bare life” and to imagine an ethics of hospitality.
