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Scholarship on the civilization of Polish Jews has tended to focus on elite culture and canonical literature. This volume focuses on the less explored theme of Jewish popular culture and shows how it blossomed into a complex expression of Jewish life. In addition to a range of articles on the period before the Second World War, there are studies of the traces of this culture in the contemporary world. The volume aims to develop a fresh understanding of Polish Jewish civilization in all its richness and variety. Subjects discussed in depth include klezmorim and Jewish recorded music; the development of Jewish theatre in Poland, theatrical parody, and the popular poet and performer Mordechai Gebirtig; Jewish postcards in Poland and Germany; the early Yiddish popular press in Galicia and cartoons in the Yiddish press; working-class libraries in inter-war Poland; the impact of the photographs of Roman Vishniac; contemporary Polish wooden figures of Jews; and the Kraków Jewish culture festival. In addition, a Polish Jewish popular song is traced to Sachsenhausen, the badkhn (wedding jester) is rediscovered in present-day Jerusalem, and Yiddish cabaret turns up in blues, rock ‘n’ roll, and reggae garb. There are also translations from the work of two writers previously unavailable in English. Space is given to new research into a variety of topics in Polish Jewish studies. The review section includes an important discussion of what should be done about the paintings in Sandomierz cathedral which represent an alleged ritual murder in the seventeenth century, and an examination of the ‘anti-Zionist’ campaign of 1968.

At the beginning of the twentieth century, the Jewish communities of Poland and Hungary were the largest in the world and arguably the most culturally vibrant, yet they have rarely been studied comparatively. Despite the obvious similarities, historians have mainly preferred to highlight the differences and emphasize instead the central European character of Hungarian Jewry. Collectively, these essays offer a different perspective. The volume has five sections. The first compares Jewish acculturation and integration in the two countries, analysing the symbiosis of magnates and Jews in each country's elites and the complexity of integration in multi-ethnic environments. The second considers the similarities and differences in Jewish religious life, discussing the impact of Polish hasidism in Hungary and the nature of 'progressive' Judaism in Poland and the Neolog movement in Hungary. Jewish popular culture is the theme of the third section, with accounts of the Jewish involvement in Polish and Hungarian cabaret and film. The fourth examines the deterioration of the situation in both countries in the interwar years, while the final section compares the implementation of the Holocaust and the way it is remembered. The volume concludes with a long interview with the doyen of historians of Hungary, István Deák.

Each of the three volumes of this work provides a comprehensive picture of the realities of Jewish life in the Polish lands in the period it covers, while also considering the contemporary political, economic, and social context. This volume, from 1881 to 1914, explores the factors that had a negative impact on Jewish life as well as the political and cultural movements that developed in consequence: Zionism, socialism, autonomism, the emergence of modern Hebrew and Yiddish literature, Jewish urbanization, and the rise of popular Jewish culture. After the assassination of Alexander II in 1881, the situation of the Jews in the tsarist empire began to deteriorate rapidly. This was partly a result of the government's growing disillusionment with the effectiveness of its policies of transforming the Jews into useful subjects. In part, too, the deterioration was caused by the growing revolutionary threat and the social tensions which this engendered. In this new situation the goal of integration and transformation of the community through education and Russification also became increasingly discredited within Jewish circles. Instead of religion, it was now ethnicity that was seen by many as the chief marker of Jewish identity, while others came to perceive socialism, with its promise of a new and equal world, as the ‘solution’ to the ‘Jewish problem’. From the tsarist empire this ‘new Jewish politics’ spread to the Kingdom of Poland and to Galicia. The new politics even had an impact in Prussian Poland. The book treats Galicia, Prussian Poland, the Kingdom of Poland, and the tsarist empire all individually, as are the main cities.

This biography of Jewish American writer and humorist Harry Golden (1903–1981) illuminates a remarkable life intertwined with the rise of the civil rights movement, Jewish popular culture, and the sometimes precarious position of Jews in the South and across America during the 1950s. After recounting Golden’s childhood on New York’s Lower East Side, the text points to his stint in prison as a young man, after a widely publicized conviction for investment fraud during the Great Depression, as the root of his empathy for the underdog in any story. During World War II, the cigar-smoking, bourbon-loving raconteur landed in Charlotte, North Carolina, and founded the Carolina Israelite newspaper, which was published into the 1960s. Golden’s writings on race relations and equal rights attracted a huge popular readership. Golden used his celebrity to editorialize for civil rights as the momentous story unfolded. He charmed his way into friendships and lively correspondence with Carl Sandburg, Adlai Stevenson, Robert Kennedy, and Billy Graham, among other notable Americans, and he appeared on the Tonight Show as well as other national television programs.