Paul Reitter
- Published in print:
- 2008
- Published Online:
- March 2013
- ISBN:
- 9780226709703
- eISBN:
- 9780226709727
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226709727.001.0001
- Subject:
- History, History of Ideas
In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus' spectacularly hostile critiques often ...
More
In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus' spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. This book overturns this view with unprecedented force and sophistication, showing how Kraus' criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus' modernist journalistic style. It situates Kraus' writings in the context of fin-de-siècle German-Jewish intellectual society. The author argues that rather than stemming from anti-Semitism, Kraus' attacks constituted an innovative critique of mainstream German-Jewish strategies for assimilation. Marshalling three of the most daring German-Jewish authors—Kafka, Scholem, and Benjamin—he explains their admiration for Kraus' project and demonstrates his influence on their own notions of cultural authenticity.Less
In turn-of-the-century Vienna, Karl Kraus created a bold new style of media criticism, penning incisive satires that elicited both admiration and outrage. Kraus' spectacularly hostile critiques often focused on his fellow Jewish journalists, which brought him a reputation as the quintessential self-hating Jew. This book overturns this view with unprecedented force and sophistication, showing how Kraus' criticisms form the center of a radical model of German-Jewish self-fashioning, and how that model developed in concert with Kraus' modernist journalistic style. It situates Kraus' writings in the context of fin-de-siècle German-Jewish intellectual society. The author argues that rather than stemming from anti-Semitism, Kraus' attacks constituted an innovative critique of mainstream German-Jewish strategies for assimilation. Marshalling three of the most daring German-Jewish authors—Kafka, Scholem, and Benjamin—he explains their admiration for Kraus' project and demonstrates his influence on their own notions of cultural authenticity.
