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The Sense of an Ending: Jean-Luc Godard’s Histoire(s) du cinéma

Richard I. Suchenski

in Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film

Published in print:
2016
Published Online:
September 2016
ISBN:
9780190274108
eISBN:
9780190274139
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780190274108.003.0005
Subject:
Literature, Film, Media, and Cultural Studies, 20th-century Literature and Modernism

In the Histoire(s) du cinéma project, Jean-Luc Godard takes the historical friction created by his matrix of cross-references to the threshold of legibility, reviving the strategies of ... More


What Has Come to Pass for Cinema: From Early to Late Godard

Christopher Pavsek

in The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231160995
eISBN:
9780231530811
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231160995.003.0002
Subject:
Film, Television and Radio, Film

This chapter focuses on Jean Luc-Godard's JLG/JLG: Self-portrait in December (1994), Germany Year 90 Nine Zero (1991), and Film Socialisme (2010). In JLG/JLG, Godard shows that morality is the ... More


One plus one (p.m.)

Des O’Rawe

in Regarding the Real: Cinema, documentary, and the visual arts

Published in print:
2016
Published Online:
May 2016
ISBN:
9780719099663
eISBN:
9781526104137
Item type:
chapter
Publisher:
Manchester University Press
DOI:
10.7228/manchester/9780719099663.003.0006
Subject:
Film, Television and Radio, Film

This chapter focuses on the work of Jean-Luc Godard during 1968, and examines his interest in the radical potential of a new alliance or cultural front involving cinema and other contemporary visual ... More


Memory and the Moving Image: French Film in the Digital Era

Isabelle McNeill

Published in print:
2010
Published Online:
September 2012
ISBN:
9780748638918
eISBN:
9780748671014
Item type:
book
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748638918.001.0001
Subject:
Film, Television and Radio, Film

A vital rethinking of memory and the moving image for the digital age, this book investigates the role of the moving image in cultural memory, considering the impact of digital technologies on visual ... More


The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik

Christopher Pavsek

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231160995
eISBN:
9780231530811
Item type:
book
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231160995.001.0001
Subject:
Film, Television and Radio, Film

The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ... More


Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking

Hunter Vaughan

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231161336
eISBN:
9780231530828
Item type:
book
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231161336.001.0001
Subject:
Film, Television and Radio, Film

This text interweaves phenomenology and semiotics to analyze cinema's ability to challenge conventional modes of thought. Merging Maurice Merleau-Ponty's phenomenology of perception with Gilles ... More


Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard

Steven Jacobs

in Framing Pictures: Film and the Visual Arts

Published in print:
2011
Published Online:
September 2012
ISBN:
9780748640171
eISBN:
9780748670901
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748640171.003.0004
Subject:
Film, Television and Radio, Film

This chapter presents the fashion for tableaux vivants in nineteenth-century culture as a prefiguration of cinema. Apart from including literal representations of tableaux vivants performed on the ... More


Jean-Luc Godard and the Code of Objectivity

Hunter Vaughan

in Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231161336
eISBN:
9780231530828
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231161336.003.0006
Subject:
Film, Television and Radio, Film

This chapter turns to the problems concerning perception and objectivity in film. It explores the connotations of objectivity in cinema and the “countercinema” of Jean-Luc Godard, analyzing his film ... More


The Rush of the Real: An Aesthetic of Immediacy

John Caughie

in Television Drama: Realism, Modernism, and British Culture

Published in print:
2000
Published Online:
October 2011
ISBN:
9780198742197
eISBN:
9780191694981
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780198742197.003.0004
Subject:
Literature, Film, Media, and Cultural Studies

When Jean-Luc Godard predicted the death of cinema, he was not referring to the death of the cinema industry per se but to the mortality of the human capital of the cinema industry. Little did he ... More


Virtual Museums and Memory Objects

Isabelle Mcneill

in Memory and the Moving Image: French Film in the Digital Era

Published in print:
2010
Published Online:
September 2012
ISBN:
9780748638918
eISBN:
9780748671014
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748638918.003.0003
Subject:
Film, Television and Radio, Film

This chapter explores the role of filmic, or ‘screened’, objects in memory. It specifically examines the virtual museums of Agnès Varda, Chris Marker and Jean-Luc Godard. It is noted that Godard's ... More


The Showman on the Screen

A. T. McKenna

in Showman of the Screen: Joseph E. Levine and His Revolutions in Film Promotion

Published in print:
2016
Published Online:
May 2017
ISBN:
9780813168715
eISBN:
9780813168814
Item type:
chapter
Publisher:
University Press of Kentucky
DOI:
10.5810/kentucky/9780813168715.003.0007
Subject:
Film, Television and Radio, Film

This chapter focuses closely on two films, Showman and Contempt (a.k.a. Le Mépris). Showman is a documentary about Levine made in 1962 by Albert and David Maysles, and Contempt is a Levine production ... More


The Audible Life of the Image: Godard

David Wills

in Inanimation: Theories of Inorganic Life

Published in print:
2016
Published Online:
January 2017
ISBN:
9780816698820
eISBN:
9781452954301
Item type:
chapter
Publisher:
University of Minnesota Press
DOI:
10.5749/minnesota/9780816698820.003.0009
Subject:
Philosophy, General

Jean-Luc Godard’s cinema can, by his own admission, be understood to be searching for a visual music. This chapter examines moments in Week-end, In Praise of Love and Our Music where the image-sound ... More


Introduction: The Idea of Cinema

Christopher Pavsek

in The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231160995
eISBN:
9780231530811
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231160995.003.0001
Subject:
Film, Television and Radio, Film

This book examines the utopian pronouncements or representations in the works of Jean-Luc Godard, Kidlat Tahimik, and Alexander Kluge. In one way or another, Godard, Tahimik, and Kluge subscribe to ... More


Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation

Simon Hobbs

in Cultivating Extreme Art Cinema: Text, Paratext and Home Video Culture

Published in print:
2018
Published Online:
May 2019
ISBN:
9781474427371
eISBN:
9781474453554
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474427371.003.0004
Subject:
Film, Television and Radio, Film

This chapter starts with an assessment of Jean-Luc Godard’s auteur status, before focusing on Weekend, a film frequently overlooked in discussions of extreme art cinema. By drawing attention to the ... More


Phenomenology and the Viewing Subject

Hunter Vaughan

in Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231161336
eISBN:
9780231530828
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231161336.003.0002
Subject:
Film, Television and Radio, Film

This chapter examines the phenomenology and the basic cinematic differentiation between the viewing subject and the viewing world. It addresses the problem of how cinema's basic visual apparatus ... More


Patterns of Modern Forms

András Bálint Kovács

in Screening Modernism: European Art Cinema, 1950–1980

Published in print:
2008
Published Online:
February 2013
ISBN:
9780226451633
eISBN:
9780226451664
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226451664.003.0007
Subject:
Literature, Film, Media, and Cultural Studies

Referring to Alain Resnais's film Hiroshima, Eric Rohmer provided a particularly concise and general formula about how he understood modernism in the cinema. Rohmer's formula is a particularly ... More


Introduction: Where Film Meets Philosophy

Hunter Vaughan

in Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking

Published in print:
2013
Published Online:
November 2015
ISBN:
9780231161336
eISBN:
9780231530828
Item type:
chapter
Publisher:
Columbia University Press
DOI:
10.7312/columbia/9780231161336.003.0001
Subject:
Film, Television and Radio, Film

This introductory chapter outlines the notion of “film-philosophy”, the belief that the visual medium can challenge modes of thought using Maurice Merleau-Ponty's phenomenology of perception and ... More


The Mise-en-Scène of Modernity: The French New Wave, Paris, and the Global 1960s

James Tweedie

in The Age of New Waves: Art Cinema and the Staging of Globalization

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199858286
eISBN:
9780199367665
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199858286.003.0002
Subject:
Literature, Film, Media, and Cultural Studies

This chapter introduces the concept of as it developed in the film criticism of the early French new wave, especially in the pages of Cahiers du cinéma. Critics like Truffaut, Godard, Rivette, and ... More


Walking in the City

James Tweedie

in The Age of New Waves: Art Cinema and the Staging of Globalization

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199858286
eISBN:
9780199367665
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199858286.003.0003
Subject:
Literature, Film, Media, and Cultural Studies

This chapter is organized around a specific scene and action performed repeatedly in French new wave cinema: characters walking through the city. These emblematic rambles through urban space often ... More


The Rolling Stones: The Greatest Rock ‘n’ Film Band in the World

David E. James

in Rock 'N' Film: Cinema's Dance With Popular Music

Published in print:
2016
Published Online:
December 2015
ISBN:
9780199387595
eISBN:
9780199387632
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199387595.003.0013
Subject:
Literature, Film, Media, and Cultural Studies, 20th-century and Contemporary Literature

The antithesis of the Beatle’s naughty cheerfulness, the Rolling Stones exemplified the mature form of the musical and social delinquencies that had haunted early rock 'n' roll. They thus became the ... More


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