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Silencing and Sounding the Voice in Transition-Era French Cinema

Hannah Lewis (ed.)

in Voicing the Cinema: Film Music and the Integrated Soundtrack

Published in print:
2020
Published Online:
September 2020
ISBN:
9780252043000
eISBN:
9780252051869
Item type:
chapter
Publisher:
University of Illinois Press
DOI:
10.5622/illinois/9780252043000.003.0003
Subject:
Film, Television and Radio, Film

This essay examines two contrasting aesthetics of the voice in early 1930s French cinema and the role that music played in each. Filmed theater, or théâtre filmé, emerged from the conception that ... More


Source Music and Cinematic Realism: Jean Renoir and the Early Poetic Realists

Hannah Lewis

in French Musical Culture and the Coming of Sound Cinema

Published in print:
2018
Published Online:
October 2018
ISBN:
9780190635978
eISBN:
9780190636012
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190635978.003.0006
Subject:
Music, Popular, Theory, Analysis, Composition

Chapter 5 focuses on the role of diegetic music in early poetic realist films. Poetic realism, the filmmaking genre that emerged out of the politics of the mid-1930s, had its roots in transition-era ... More


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