Rivkah Zim
- Published in print:
- 2014
- Published Online:
- October 2017
- ISBN:
- 9780691161808
- eISBN:
- 9781400852093
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691161808.003.0006
- Subject:
- Literature, Criticism/Theory
This chapter explores the personal and the political tactics of two remarkable, yet little-known, twentieth-century poets—Joean Cassou and Irina Ratushinskaya—who survived their imprisonments in ...
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This chapter explores the personal and the political tactics of two remarkable, yet little-known, twentieth-century poets—Joean Cassou and Irina Ratushinskaya—who survived their imprisonments in life-threatening conditions and emerged from confinement to find that their prison poetry had been published and circulated widely, carrying political messages that went beyond their authors' initial situations and declared purposes of resistance and self-preservation. Cassou's thirty-three sonnets are signs of a private inner world that enabled him to resist the psychological pressures of his imprisonment during the winter of 1941–42. By contrast, Ratushinskaya set out to speak for a group of women political prisoners in the last years of the Soviet Union. She used her poetry to sustain the group's morale and willpower to resist the lies and cruelty of their oppressors who controlled the prison camp in which they were interned for various kinds of political dissent.Less
This chapter explores the personal and the political tactics of two remarkable, yet little-known, twentieth-century poets—Joean Cassou and Irina Ratushinskaya—who survived their imprisonments in life-threatening conditions and emerged from confinement to find that their prison poetry had been published and circulated widely, carrying political messages that went beyond their authors' initial situations and declared purposes of resistance and self-preservation. Cassou's thirty-three sonnets are signs of a private inner world that enabled him to resist the psychological pressures of his imprisonment during the winter of 1941–42. By contrast, Ratushinskaya set out to speak for a group of women political prisoners in the last years of the Soviet Union. She used her poetry to sustain the group's morale and willpower to resist the lies and cruelty of their oppressors who controlled the prison camp in which they were interned for various kinds of political dissent.
