Barbara Townley, Philip Roscoe, and Nicola Searle
- Published in print:
- 2019
- Published Online:
- February 2019
- ISBN:
- 9780198795285
- eISBN:
- 9780191836572
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198795285.003.0008
- Subject:
- Business and Management, Business History
We have now completed our journey through the creative economy. Our concluding chapter draws together arguments and elaborates policy suggestions. We examine the value of IP/IPR as an analytical ...
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We have now completed our journey through the creative economy. Our concluding chapter draws together arguments and elaborates policy suggestions. We examine the value of IP/IPR as an analytical construct and consider how it adds to our understanding of contemporary debates over the creative industries. Our analysis of IP policy and attendant rights issues argues that any evidence-based policy should be based on an understanding of the role of IP/IPR within the valorization process as a whole. We also place our discussion of IP within the context of cultural and education policy, emphasizing the importance of cultural access and support and the development of craft skills that underpin the process of creating intellectual property. We argue both are crucial for the future of creative production and the cultural economy as a whole.Less
We have now completed our journey through the creative economy. Our concluding chapter draws together arguments and elaborates policy suggestions. We examine the value of IP/IPR as an analytical construct and consider how it adds to our understanding of contemporary debates over the creative industries. Our analysis of IP policy and attendant rights issues argues that any evidence-based policy should be based on an understanding of the role of IP/IPR within the valorization process as a whole. We also place our discussion of IP within the context of cultural and education policy, emphasizing the importance of cultural access and support and the development of craft skills that underpin the process of creating intellectual property. We argue both are crucial for the future of creative production and the cultural economy as a whole.
Marius Schneider and Vanessa Ferguson
- Published in print:
- 2020
- Published Online:
- March 2021
- ISBN:
- 9780198837336
- eISBN:
- 9780191932380
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780198837336.003.0049
- Subject:
- Law, Intellectual Property, IT, and Media Law
The Republic of South Africa, known as South Africa, occupies the most southern tip of Africa with a coastline stretching from the border of Namibia on the Atlantic Ocean (south-west coast) of ...
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The Republic of South Africa, known as South Africa, occupies the most southern tip of Africa with a coastline stretching from the border of Namibia on the Atlantic Ocean (south-west coast) of Africa, down to the tip of Africa and then north along the south-east coast to the border of Mozambique on the Indian Ocean. South Africa is bordered by Namibia, Botswana, Zimbabwe, Eswatini (formerly Swaziland), and Mozambique and surrounds the small landlocked Kingdom of Lesotho in the east-central region of South Africa. The total area of South Africa is approximately 1.22 million square kilometres (km), with a population of an estimated 58.78 million (2019). The country is divided into nine provinces, Western Cape, Eastern Cape, Northern Cape, Free State, Kwa-Zulu Natal, Northwest, Gauteng, Mpumalanga, and Limpopo. Gauteng Province is the most densely populated province with approximately 809.6 people per square kilometre, Kwa-Zulu Natal being the second most densely populated at 120.7 people per square kilometre, with Western and Eastern Cape following substantially behind at 59.1 and 51.1 people per kilometres respectively. There are three capitals in South Africa: Pretoria in the Gauteng province (administrative), Cape Town in the Western Cape (Legislative), and Bloemfontein in the Free State (Judicial). The
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The Republic of South Africa, known as South Africa, occupies the most southern tip of Africa with a coastline stretching from the border of Namibia on the Atlantic Ocean (south-west coast) of Africa, down to the tip of Africa and then north along the south-east coast to the border of Mozambique on the Indian Ocean. South Africa is bordered by Namibia, Botswana, Zimbabwe, Eswatini (formerly Swaziland), and Mozambique and surrounds the small landlocked Kingdom of Lesotho in the east-central region of South Africa. The total area of South Africa is approximately 1.22 million square kilometres (km), with a population of an estimated 58.78 million (2019). The country is divided into nine provinces, Western Cape, Eastern Cape, Northern Cape, Free State, Kwa-Zulu Natal, Northwest, Gauteng, Mpumalanga, and Limpopo. Gauteng Province is the most densely populated province with approximately 809.6 people per square kilometre, Kwa-Zulu Natal being the second most densely populated at 120.7 people per square kilometre, with Western and Eastern Cape following substantially behind at 59.1 and 51.1 people per kilometres respectively. There are three capitals in South Africa: Pretoria in the Gauteng province (administrative), Cape Town in the Western Cape (Legislative), and Bloemfontein in the Free State (Judicial). The
James Meese
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9780262037440
- eISBN:
- 9780262344517
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262037440.001.0001
- Subject:
- Society and Culture, Technology and Society
How should we think about authorship, use and piracy in an era of media convergence? How does the growing focus on amateur creativity impact on existing legal and cultural understandings of around ...
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How should we think about authorship, use and piracy in an era of media convergence? How does the growing focus on amateur creativity impact on existing legal and cultural understandings of around creation? And why are the author, user and pirate so prominent in debates around copyright law? Authors, Users, Pirates: Copyright Law and Subjectivity presents a new way of thinking about these three central subjects of copyright. It outlines a relational approach to subjectivity, charting connections between the author, user and pirate through a series of historical and contemporary case studies, moving from early regulatory debates around radio spectrum and nineteenth century cases on book abridgments to the controversial reuse of Instagram photos and the emergence of multi-channel networks on YouTube. The book draws on legal scholarship, cultural theory and media studies research to provide a new way of thinking about subjectivity and copyright. It also offers insights into a range of critical issues that sit at the intersection of copyright law and digital media including online copyright infringement, amateur media production and the potential futures of creative industries.Less
How should we think about authorship, use and piracy in an era of media convergence? How does the growing focus on amateur creativity impact on existing legal and cultural understandings of around creation? And why are the author, user and pirate so prominent in debates around copyright law? Authors, Users, Pirates: Copyright Law and Subjectivity presents a new way of thinking about these three central subjects of copyright. It outlines a relational approach to subjectivity, charting connections between the author, user and pirate through a series of historical and contemporary case studies, moving from early regulatory debates around radio spectrum and nineteenth century cases on book abridgments to the controversial reuse of Instagram photos and the emergence of multi-channel networks on YouTube. The book draws on legal scholarship, cultural theory and media studies research to provide a new way of thinking about subjectivity and copyright. It also offers insights into a range of critical issues that sit at the intersection of copyright law and digital media including online copyright infringement, amateur media production and the potential futures of creative industries.
