Laura Helen Marks
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780252042140
- eISBN:
- 9780252050886
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042140.001.0001
- Subject:
- Film, Television and Radio, Film
This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but ...
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This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but also transformative, and preoccupied with gender, sexuality, race, and time. Pornographic films enthusiastically expose the perceived hypocrisy of this Victorianness, rhetorically equating it with mainstream, legitimate culture, as a way of staging pornography’s alleged sexual authenticity and transgressive nature. Through an analysis of porn set during the nineteenth century and porn adaptations of Lewis Carroll’s Alice books, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Bram Stoker’s Dracula, this book shows how these adaptations expose the implicit pornographic aspects of “legitimate” culture while also revealing the extent to which “high” and “low” genres rely on each other for self-definition. In the process, neo-Victorian pornographies draw on Gothic spaces and icons in order to situate itself as this Gothic other, utilizing the Gothic and the monstrous to craft a transformative, pornographic space. These neo-Victorian Gothic pornographies expose the way the genre as a whole emphasizes, navigates, transgresses, and renegotiates gender, sexuality, and race through the lens of history and legacy.Less
This book argues that pornographic film relies on a particular "Victorianness" in generating eroticism—a Gothic Victorianness that is monstrous and restrained, repressed but also perverse, static but also transformative, and preoccupied with gender, sexuality, race, and time. Pornographic films enthusiastically expose the perceived hypocrisy of this Victorianness, rhetorically equating it with mainstream, legitimate culture, as a way of staging pornography’s alleged sexual authenticity and transgressive nature. Through an analysis of porn set during the nineteenth century and porn adaptations of Lewis Carroll’s Alice books, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, Oscar Wilde’s The Picture of Dorian Gray, and Bram Stoker’s Dracula, this book shows how these adaptations expose the implicit pornographic aspects of “legitimate” culture while also revealing the extent to which “high” and “low” genres rely on each other for self-definition. In the process, neo-Victorian pornographies draw on Gothic spaces and icons in order to situate itself as this Gothic other, utilizing the Gothic and the monstrous to craft a transformative, pornographic space. These neo-Victorian Gothic pornographies expose the way the genre as a whole emphasizes, navigates, transgresses, and renegotiates gender, sexuality, and race through the lens of history and legacy.
Julia Round
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781496824455
- eISBN:
- 9781496824509
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496824455.001.0001
- Subject:
- Literature, Comics Studies
This book is the first full-length critical study of any British girls’ comic and sheds light on an often-ignored era and genre of the comics industry. It explores the production and reception of the ...
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This book is the first full-length critical study of any British girls’ comic and sheds light on an often-ignored era and genre of the comics industry. It explores the production and reception of the notorious girls’ mystery comic Misty (IPC, 1978-80), considering its influences, themes, visuals, plots, and use of Gothic symbols. Containing exclusive interview material with the comic’s creators and editorial team, rare scripts and photographs, and surveying the entire archive of Misty stories, it preserves and analyzesMisty for fans and scholars.
By exploring and defining the particular type of mystery and fear that this comic offered, the strange case of Misty also becomes a tool to develop existing Gothic scholarship and identify a new and under-theorised subgenre. Gothic for Girls challenges and instructs its readers in a number of ways: offering warnings and moral lessons, exposing societal expectations and limitations, and embracing the liminality and Otherness of childhood.Less
This book is the first full-length critical study of any British girls’ comic and sheds light on an often-ignored era and genre of the comics industry. It explores the production and reception of the notorious girls’ mystery comic Misty (IPC, 1978-80), considering its influences, themes, visuals, plots, and use of Gothic symbols. Containing exclusive interview material with the comic’s creators and editorial team, rare scripts and photographs, and surveying the entire archive of Misty stories, it preserves and analyzesMisty for fans and scholars.
By exploring and defining the particular type of mystery and fear that this comic offered, the strange case of Misty also becomes a tool to develop existing Gothic scholarship and identify a new and under-theorised subgenre. Gothic for Girls challenges and instructs its readers in a number of ways: offering warnings and moral lessons, exposing societal expectations and limitations, and embracing the liminality and Otherness of childhood.
Stefano Baschiera and Russ Hunter (eds)
- Published in print:
- 2016
- Published Online:
- May 2020
- ISBN:
- 9780748693528
- eISBN:
- 9781474421997
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748693528.001.0001
- Subject:
- Film, Television and Radio, Film
The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new ...
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The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most representative directors (Mario Bava and Dario Argento) and the wider role it has played within popular culture.Less
The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most representative directors (Mario Bava and Dario Argento) and the wider role it has played within popular culture.
Calum Waddell
- Published in print:
- 2018
- Published Online:
- May 2020
- ISBN:
- 9781474409254
- eISBN:
- 9781474449625
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474409254.001.0001
- Subject:
- Film, Television and Radio, Film
What is an exploitation film? The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations - blaxploitation, horror and ...
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What is an exploitation film? The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations - blaxploitation, horror and sexploitation - indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement. Offering a fresh perspective on studies of marginal cinema, The Style of Sleaze maintains that defining exploitation cinema as a vaguely attributed 'excess' is unhelpful, and instead concludes that this period in American film history produced a number of the most transgressive, and yet morally complex, motion pictures ever made.Less
What is an exploitation film? The Style of Sleaze reasons that the aesthetic and thematic approach of the key texts within three distinct exploitation demarcations - blaxploitation, horror and sexploitation - indicate a concurrent evolution of filmmaking that could be seen as an identifiable cinematic movement. Offering a fresh perspective on studies of marginal cinema, The Style of Sleaze maintains that defining exploitation cinema as a vaguely attributed 'excess' is unhelpful, and instead concludes that this period in American film history produced a number of the most transgressive, and yet morally complex, motion pictures ever made.
Johnny Walker
- Published in print:
- 2015
- Published Online:
- May 2018
- ISBN:
- 9780748689736
- eISBN:
- 9781474416009
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748689736.001.0001
- Subject:
- Film, Television and Radio, Film
Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have explained away British ...
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Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have explained away British horror in the past, and sheds light on one of the most dynamic and distinctive – yet scarcely talked about – areas of contemporary British film production. Considering high-profile theatrical releases, including The Descent, Shaun of the Dead and The Woman in Black, as well as more obscure films such as The Devil’s Chair, Resurrecting the Street Walker and Cherry Tree Lane, Contemporary British Horror Cinema provides a thorough examination of British horror film production in the twenty-first century.Less
Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have explained away British horror in the past, and sheds light on one of the most dynamic and distinctive – yet scarcely talked about – areas of contemporary British film production. Considering high-profile theatrical releases, including The Descent, Shaun of the Dead and The Woman in Black, as well as more obscure films such as The Devil’s Chair, Resurrecting the Street Walker and Cherry Tree Lane, Contemporary British Horror Cinema provides a thorough examination of British horror film production in the twenty-first century.
Thomas Barker
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9789888528073
- eISBN:
- 9789882204751
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888528073.001.0001
- Subject:
- Film, Television and Radio, Film
In the two decades since the fall of the New Order regime in 1998, Indonesia cinema has become one of the most productive and exciting film industries in Asia. From a position in the 1990s when local ...
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In the two decades since the fall of the New Order regime in 1998, Indonesia cinema has become one of the most productive and exciting film industries in Asia. From a position in the 1990s when local films were on the cultural periphery, they are now part of the mainstream with two new films in the cinemas every week. This book traces how the film industry reformed and returned to popularity and conceptualises it as a process of going mainstream. It overturns long held paradigms of national cinema and statism to see the film industry as pop culture in which market mechanisms are determinant. In going mainstream, new independent-minded filmmakers representing new creativity had to accommodate with capital and producers from old production companies. Appeal to audiences has resulting in the reimagining of the horror film and its traumas and the representation of new kinds of piety in a new subgenre Islamic themed films. Yet legacy structures and players remain, as the film industry has struggled to overcome regulation and censorship and the oligopoly of senior producers. In catering to a growing audience, the exhibition sector has become the focus of new investment as it becomes a site for competing local operators and global capital. The book argues for a reconceptualization of Indonesian cinema as pop culture with consequences to how Asian cinema is studied.Less
In the two decades since the fall of the New Order regime in 1998, Indonesia cinema has become one of the most productive and exciting film industries in Asia. From a position in the 1990s when local films were on the cultural periphery, they are now part of the mainstream with two new films in the cinemas every week. This book traces how the film industry reformed and returned to popularity and conceptualises it as a process of going mainstream. It overturns long held paradigms of national cinema and statism to see the film industry as pop culture in which market mechanisms are determinant. In going mainstream, new independent-minded filmmakers representing new creativity had to accommodate with capital and producers from old production companies. Appeal to audiences has resulting in the reimagining of the horror film and its traumas and the representation of new kinds of piety in a new subgenre Islamic themed films. Yet legacy structures and players remain, as the film industry has struggled to overcome regulation and censorship and the oligopoly of senior producers. In catering to a growing audience, the exhibition sector has become the focus of new investment as it becomes a site for competing local operators and global capital. The book argues for a reconceptualization of Indonesian cinema as pop culture with consequences to how Asian cinema is studied.
Jason Jacobs
- Published in print:
- 2000
- Published Online:
- October 2011
- ISBN:
- 9780198742340
- eISBN:
- 9780191695018
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198742340.003.0003
- Subject:
- Literature, Film, Media, and Cultural Studies
Television drama in the late 1940s seemed to have a continuing uncertainty about the themes, form, and style it was taking. This brings to fore the ways in which the television service during this ...
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Television drama in the late 1940s seemed to have a continuing uncertainty about the themes, form, and style it was taking. This brings to fore the ways in which the television service during this period was reddening itself with a prominent aid from television drama. Even though the post-war period saw an increase in the amount of drama on screen, repeat telecast of the plays was still considerable more reliable. The fact that mystery-murder and ‘horror’ productions were preferred during the post-war period along with drama with wartime themes, is exemplified by the late 1940s drama schedules of producing plays of the Gothic, supernatural, or thriller genres, generically known by television management as ‘Horror Plays’. The reopening of post-war service saw technical and stylistic changes such as those regarding camera movements, along with changes in programme content and scheduling.Less
Television drama in the late 1940s seemed to have a continuing uncertainty about the themes, form, and style it was taking. This brings to fore the ways in which the television service during this period was reddening itself with a prominent aid from television drama. Even though the post-war period saw an increase in the amount of drama on screen, repeat telecast of the plays was still considerable more reliable. The fact that mystery-murder and ‘horror’ productions were preferred during the post-war period along with drama with wartime themes, is exemplified by the late 1940s drama schedules of producing plays of the Gothic, supernatural, or thriller genres, generically known by television management as ‘Horror Plays’. The reopening of post-war service saw technical and stylistic changes such as those regarding camera movements, along with changes in programme content and scheduling.
Jez Conolly and David Owain Bates
- Published in print:
- 2015
- Published Online:
- February 2021
- ISBN:
- 9780993238437
- eISBN:
- 9781800341968
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9780993238437.001.0001
- Subject:
- Film, Television and Radio, Film
Released a matter of days after the end of the Second World War and a dozen years ahead of the first full-blooded Hammer Horror, the Ealing Studios horror anthology film Dead of Night featured ...
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Released a matter of days after the end of the Second World War and a dozen years ahead of the first full-blooded Hammer Horror, the Ealing Studios horror anthology film Dead of Night featured contributions from some of the finest directors, writers and technicians ever to work in British film. Since its release it has become ever more widely regarded as a keystone in the architecture of horror cinema, both nationally and internationally, yet for a film that packs such a reputation this is the first time a single book has been dedicated to its analysis. Beginning with a brief plot-precis ‘road map’ in order to aid navigation through the film's stories, there follows a discussion of Dead of Night's individual stories, including its frame tale (‘Linking Narrative’), a consideration of the potency of stillness and the suspension of time as devices for eliciting goose bumps, an appraisal of the film in relation to the very English tradition of the festive ghost story, and an analysis of the British post-war male gender crisis embodied by a number of the film's protagonists. The book includes a selection of rarely seen pre-production designs produced by the film's acclaimed production designer, Michael Relph.Less
Released a matter of days after the end of the Second World War and a dozen years ahead of the first full-blooded Hammer Horror, the Ealing Studios horror anthology film Dead of Night featured contributions from some of the finest directors, writers and technicians ever to work in British film. Since its release it has become ever more widely regarded as a keystone in the architecture of horror cinema, both nationally and internationally, yet for a film that packs such a reputation this is the first time a single book has been dedicated to its analysis. Beginning with a brief plot-precis ‘road map’ in order to aid navigation through the film's stories, there follows a discussion of Dead of Night's individual stories, including its frame tale (‘Linking Narrative’), a consideration of the potency of stillness and the suspension of time as devices for eliciting goose bumps, an appraisal of the film in relation to the very English tradition of the festive ghost story, and an analysis of the British post-war male gender crisis embodied by a number of the film's protagonists. The book includes a selection of rarely seen pre-production designs produced by the film's acclaimed production designer, Michael Relph.
Jessica R. McCort (ed.)
- Published in print:
- 2016
- Published Online:
- May 2018
- ISBN:
- 9781496806444
- eISBN:
- 9781496806482
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496806444.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
Reading in the Dark: Horror in Children’s Literature and Culture is a collection of essays that seeks to consider gothic horror texts for children with the respect such texts deserve, weighing the ...
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Reading in the Dark: Horror in Children’s Literature and Culture is a collection of essays that seeks to consider gothic horror texts for children with the respect such texts deserve, weighing the multitude of benefits they can provide for young readers and viewers. It refuses to write off the horror genre as campy, trite, or deforming, instead recognizing that many of the children’s books and films categorized as “scary” are among those most widely read/viewed by children and young adults. It also considers how adult horror has been domesticated by children’s literature and culture, with authors and screenwriters turning that which was once utterly horrifying into safe, funny, and delightful books and films, along with the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. Especially today, when dark novels, shows, and films targeted toward children and young adults are proliferating with wild abandon, understanding the methods by which such texts have traditionally operated, as well as how those methods have been challenged, abandoned, and appropriated in recent years, becomes all the more crucial.Less
Reading in the Dark: Horror in Children’s Literature and Culture is a collection of essays that seeks to consider gothic horror texts for children with the respect such texts deserve, weighing the multitude of benefits they can provide for young readers and viewers. It refuses to write off the horror genre as campy, trite, or deforming, instead recognizing that many of the children’s books and films categorized as “scary” are among those most widely read/viewed by children and young adults. It also considers how adult horror has been domesticated by children’s literature and culture, with authors and screenwriters turning that which was once utterly horrifying into safe, funny, and delightful books and films, along with the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. Especially today, when dark novels, shows, and films targeted toward children and young adults are proliferating with wild abandon, understanding the methods by which such texts have traditionally operated, as well as how those methods have been challenged, abandoned, and appropriated in recent years, becomes all the more crucial.
Charity Vogel
- Published in print:
- 2013
- Published Online:
- August 2016
- ISBN:
- 9780801449086
- eISBN:
- 9780801469763
- Item type:
- book
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9780801449086.001.0001
- Subject:
- History, American History: 19th Century
On December 18, 1867, an eastbound New York Express train derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York. The last two ...
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On December 18, 1867, an eastbound New York Express train derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers. The other car was badly smashed. About fifty people died at the bottom of the gorge or shortly thereafter, and dozens more were injured. The next day and in the weeks that followed, newspapers across the country carried news of the “Angola Horror,” one of the deadliest railroad accidents to that point in U.S. history. This book tells the gripping story of the train crash and the characters involved in the tragedy. It weaves together the stories of the people caught up in the disaster, the facts of the New York Express's fateful run, the fiery scenes in the creek ravine, and the subsequent legal, legislative, and journalistic search for answers to the question: what had happened at Angola, and why? The book sets the Angola Horror against a broader context of the developing technology of railroads, the culture of the nation's print media, the public policy legislation of the post-Civil War era, and the culture of death and mourning in the Victorian period.Less
On December 18, 1867, an eastbound New York Express train derailed as it approached the high truss bridge over Big Sister Creek, just east of the small settlement of Angola, New York. The last two cars of the express train were pitched completely off the tracks and plummeted into the creek bed below. When they struck bottom, one of the wrecked cars was immediately engulfed in flames as the heating stoves in the coach spilled out coals and ignited its wooden timbers. The other car was badly smashed. About fifty people died at the bottom of the gorge or shortly thereafter, and dozens more were injured. The next day and in the weeks that followed, newspapers across the country carried news of the “Angola Horror,” one of the deadliest railroad accidents to that point in U.S. history. This book tells the gripping story of the train crash and the characters involved in the tragedy. It weaves together the stories of the people caught up in the disaster, the facts of the New York Express's fateful run, the fiery scenes in the creek ravine, and the subsequent legal, legislative, and journalistic search for answers to the question: what had happened at Angola, and why? The book sets the Angola Horror against a broader context of the developing technology of railroads, the culture of the nation's print media, the public policy legislation of the post-Civil War era, and the culture of death and mourning in the Victorian period.
Martyn Conterio
- Published in print:
- 2015
- Published Online:
- February 2021
- ISBN:
- 9781906733834
- eISBN:
- 9781800342156
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781906733834.003.0008
- Subject:
- Film, Television and Radio, Film
This chapter looks at the traditional Gothic ambience, the surrealist-tinged irrationality, the fairy-tale plot and graphic violence that were combined to make Mario Bava's Black Sunday stand out and ...
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This chapter looks at the traditional Gothic ambience, the surrealist-tinged irrationality, the fairy-tale plot and graphic violence that were combined to make Mario Bava's Black Sunday stand out and remain highly regarded over half a century on. It discusses Time Out's 2012 survey of '100 Best Horror Films', in which Black Sunday was ranked 84th. It also mentions Alan Jones, who commented how the Mario Bava's filmography was often atrociously dubbed, appallingly retitled, re-edited by distributors, cut by censors, and dumped in the bottom half of exploitation double bills. The chapter describes Black Sunday as the quintessence of fatal beauty and cinema's beguiling dream reality. It explores Bava's talent and ability to capture the attention of critics and movie fans worldwide.Less
This chapter looks at the traditional Gothic ambience, the surrealist-tinged irrationality, the fairy-tale plot and graphic violence that were combined to make Mario Bava's Black Sunday stand out and remain highly regarded over half a century on. It discusses Time Out's 2012 survey of '100 Best Horror Films', in which Black Sunday was ranked 84th. It also mentions Alan Jones, who commented how the Mario Bava's filmography was often atrociously dubbed, appallingly retitled, re-edited by distributors, cut by censors, and dumped in the bottom half of exploitation double bills. The chapter describes Black Sunday as the quintessence of fatal beauty and cinema's beguiling dream reality. It explores Bava's talent and ability to capture the attention of critics and movie fans worldwide.
Deborah Martin
- Published in print:
- 2016
- Published Online:
- September 2016
- ISBN:
- 9780719090349
- eISBN:
- 9781526109606
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719090349.001.0001
- Subject:
- Film, Television and Radio, Film
Since the release of her debut feature, La ciénaga, in 2001, Argentine director Lucrecia Martel has gained worldwide recognition for her richly allusive, elliptical and sensorial film-making. The ...
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Since the release of her debut feature, La ciénaga, in 2001, Argentine director Lucrecia Martel has gained worldwide recognition for her richly allusive, elliptical and sensorial film-making. The first monograph on her work, The Cinema of Lucrecia Martel analyses her three feature films, which also include La niña santa (2004) and La mujer sin cabeza (2008), alongside the unstudied short films Nueva Argirópolis (2010), Pescados (2010) and Muta (2011). It examines the place of Martel’s work within the experimental turn taken by Argentine cinema in the late 1990s and early 2000s, a trend of which Martel is often described as a major player, yet also explores correspondences between her work and other national and global filmmaking trends, including the horror genre, and classic Hollywood. It brings together the rich and diverse critical approaches which have been taken in the analysis of Martel’s work – including feminist and queer approaches, political readings and phenomenology – and proposes new ways of understanding her films, in particular through their figuring of desire as revolutionary, their use of the child’s perspective, and their address to the senses and perception, which it argues serve to renew cinematic language and thought.Less
Since the release of her debut feature, La ciénaga, in 2001, Argentine director Lucrecia Martel has gained worldwide recognition for her richly allusive, elliptical and sensorial film-making. The first monograph on her work, The Cinema of Lucrecia Martel analyses her three feature films, which also include La niña santa (2004) and La mujer sin cabeza (2008), alongside the unstudied short films Nueva Argirópolis (2010), Pescados (2010) and Muta (2011). It examines the place of Martel’s work within the experimental turn taken by Argentine cinema in the late 1990s and early 2000s, a trend of which Martel is often described as a major player, yet also explores correspondences between her work and other national and global filmmaking trends, including the horror genre, and classic Hollywood. It brings together the rich and diverse critical approaches which have been taken in the analysis of Martel’s work – including feminist and queer approaches, political readings and phenomenology – and proposes new ways of understanding her films, in particular through their figuring of desire as revolutionary, their use of the child’s perspective, and their address to the senses and perception, which it argues serve to renew cinematic language and thought.
Richard J. Hand
- Published in print:
- 2014
- Published Online:
- January 2015
- ISBN:
- 9780719081484
- eISBN:
- 9781781707265
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719081484.003.0011
- Subject:
- Film, Television and Radio, Radio
A concluding chapter which sums up the effectiveness of audio drama and looks at core themes such as TECHNOLOGY; EVP; MEDICAL; NATURAL WORLD; LOCATION; SPATIAL; SENSORY DEPRIVATION; ...
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A concluding chapter which sums up the effectiveness of audio drama and looks at core themes such as TECHNOLOGY; EVP; MEDICAL; NATURAL WORLD; LOCATION; SPATIAL; SENSORY DEPRIVATION; DREAMS/NIGHTMARES. Techniques such as SUBJECTIVE/OBJECTIVE MEDIATION; the SCREAM and SILENCE are also discussed.Less
A concluding chapter which sums up the effectiveness of audio drama and looks at core themes such as TECHNOLOGY; EVP; MEDICAL; NATURAL WORLD; LOCATION; SPATIAL; SENSORY DEPRIVATION; DREAMS/NIGHTMARES. Techniques such as SUBJECTIVE/OBJECTIVE MEDIATION; the SCREAM and SILENCE are also discussed.
Adam Bingham
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9780748683734
- eISBN:
- 9781474412162
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748683734.001.0001
- Subject:
- Film, Television and Radio, Film
This book examines generic developments in contemporary Japanese cinema since 1997. Through close analysis of numerous texts it considers and contextualises new films in the most prevalent genres in ...
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This book examines generic developments in contemporary Japanese cinema since 1997. Through close analysis of numerous texts it considers and contextualises new films in the most prevalent genres in the country’s popular canon, placing them within historical, generic and authorial contexts and elucidating their formal, thematic and stylistic strategies and significance. It provides informed readings and analyses of a selection of important films by the country’s preeminent directors and further situates Japanese cinema within both western and Japanese discourse to consider how it has been variously conceptualised and canonized. Contemporary Japanese films are thus throughout placed within the lineage and tradition of earlier generations, and it is the ways in which the former either adheres and conforms to or subverts and transgresses these models that is the focus of this study. Patterns of repetition and variation are traced, alongside which the specific tenets of what, today, constitutes a national cinema are probed and questioned.Less
This book examines generic developments in contemporary Japanese cinema since 1997. Through close analysis of numerous texts it considers and contextualises new films in the most prevalent genres in the country’s popular canon, placing them within historical, generic and authorial contexts and elucidating their formal, thematic and stylistic strategies and significance. It provides informed readings and analyses of a selection of important films by the country’s preeminent directors and further situates Japanese cinema within both western and Japanese discourse to consider how it has been variously conceptualised and canonized. Contemporary Japanese films are thus throughout placed within the lineage and tradition of earlier generations, and it is the ways in which the former either adheres and conforms to or subverts and transgresses these models that is the focus of this study. Patterns of repetition and variation are traced, alongside which the specific tenets of what, today, constitutes a national cinema are probed and questioned.
Gary Bettinson and Daniel Martin (eds)
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781474424592
- eISBN:
- 9781474444705
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474424592.001.0001
- Subject:
- Film, Television and Radio, Film
Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other ...
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Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region’s filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? How has this cult tradition developed over time? Why does it hold such fascination for “serious” cinephiles and cult fans alike? And how have Hong Kong horror movies shaped the genre internationally? This book provides answers to such questions, celebrating the classics of the genre while introducing readers to lesser known films. Hong Kong Horror Cinema is the first book about this delirious and captivating cinematic tradition.Less
Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region’s filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? How has this cult tradition developed over time? Why does it hold such fascination for “serious” cinephiles and cult fans alike? And how have Hong Kong horror movies shaped the genre internationally? This book provides answers to such questions, celebrating the classics of the genre while introducing readers to lesser known films. Hong Kong Horror Cinema is the first book about this delirious and captivating cinematic tradition.
Daniel Kremer
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780813165967
- eISBN:
- 9780813166742
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813165967.003.0011
- Subject:
- Film, Television and Radio, Film
Furie is cast at bay for a time, attempting to put a project together and trying to reconcile the stigma attached to his name. Another chance at redemption arrives with The Entity (1982), a risky ...
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Furie is cast at bay for a time, attempting to put a project together and trying to reconcile the stigma attached to his name. Another chance at redemption arrives with The Entity (1982), a risky horror film involving a woman who is repeatedly raped and assaulted by an invisible demon. The highly stylish film stands as one of Furie’s better production experiences, and the film is met with mixed reviews and respectable box-office (and gains a solid reputation with the passing of years). He follows this up with Purple Hearts (1984), a Vietnam War romance between a Navy M.D. and an Army nurse. This film is panned and barely returns its scant original investment.Less
Furie is cast at bay for a time, attempting to put a project together and trying to reconcile the stigma attached to his name. Another chance at redemption arrives with The Entity (1982), a risky horror film involving a woman who is repeatedly raped and assaulted by an invisible demon. The highly stylish film stands as one of Furie’s better production experiences, and the film is met with mixed reviews and respectable box-office (and gains a solid reputation with the passing of years). He follows this up with Purple Hearts (1984), a Vietnam War romance between a Navy M.D. and an Army nurse. This film is panned and barely returns its scant original investment.
Terence McSweeney (ed.)
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9781474413817
- eISBN:
- 9781474430456
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474413817.001.0001
- Subject:
- Film, Television and Radio, Film
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical ...
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American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron> (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.Less
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron> (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
Bradley J. Birzer
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780813166186
- eISBN:
- 9780813166643
- Item type:
- chapter
- Publisher:
- University Press of Kentucky
- DOI:
- 10.5810/kentucky/9780813166186.003.0008
- Subject:
- Political Science, American Politics
Unbeknownst to most lovers of the horror genre in fiction, the famous and well-published Russell Kirk is also the same Russell Kirk who founded postwar conservatism. Beginning in the late 1940s, Kirk ...
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Unbeknownst to most lovers of the horror genre in fiction, the famous and well-published Russell Kirk is also the same Russell Kirk who founded postwar conservatism. Beginning in the late 1940s, Kirk began to write a series of profitable short stories for periodicals. He published his first novel, Old House of Fear, in 1961 and continued to publish his fiction until the end of his life. Most of his stories deals with theological issues as well as issues of place and region.Less
Unbeknownst to most lovers of the horror genre in fiction, the famous and well-published Russell Kirk is also the same Russell Kirk who founded postwar conservatism. Beginning in the late 1940s, Kirk began to write a series of profitable short stories for periodicals. He published his first novel, Old House of Fear, in 1961 and continued to publish his fiction until the end of his life. Most of his stories deals with theological issues as well as issues of place and region.
Charity Vogel
- Published in print:
- 2013
- Published Online:
- August 2016
- ISBN:
- 9780801449086
- eISBN:
- 9780801469763
- Item type:
- chapter
- Publisher:
- Cornell University Press
- DOI:
- 10.7591/cornell/9780801449086.003.0019
- Subject:
- History, American History: 19th Century
This postscript provides an overview of what happened to some of the important figures in the Angola Horror after the tragedy. It begins with John Davison Rockefeller, who went on to become one of ...
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This postscript provides an overview of what happened to some of the important figures in the Angola Horror after the tragedy. It begins with John Davison Rockefeller, who went on to become one of the richest men in the world and then turns to Charles Lobdell, the newspaper editor, who never made it to his Christmas wedding but whose memory lived on in the imaginations of those who knew him. It then looks at Henrietta Bennett and Dr. Romaine J. Curtiss, who fell in love with each other and got married (sadly, their marriage did not last long); Christiana Gates Lang, who recovered from her injuries and later remarried; Josiah Southwick and his wife, Huldah, who moved to Montana in 1892; and Benjamin Franklin Sherman, who stepped down from the post of conductor. The chapter also looks at what happened to the Buffalo and Erie Railroad, which became part of the Lake Shore and Michigan Southern Railway a little over two years after the wreck.Less
This postscript provides an overview of what happened to some of the important figures in the Angola Horror after the tragedy. It begins with John Davison Rockefeller, who went on to become one of the richest men in the world and then turns to Charles Lobdell, the newspaper editor, who never made it to his Christmas wedding but whose memory lived on in the imaginations of those who knew him. It then looks at Henrietta Bennett and Dr. Romaine J. Curtiss, who fell in love with each other and got married (sadly, their marriage did not last long); Christiana Gates Lang, who recovered from her injuries and later remarried; Josiah Southwick and his wife, Huldah, who moved to Montana in 1892; and Benjamin Franklin Sherman, who stepped down from the post of conductor. The chapter also looks at what happened to the Buffalo and Erie Railroad, which became part of the Lake Shore and Michigan Southern Railway a little over two years after the wreck.
Johnny Walker
- Published in print:
- 2015
- Published Online:
- May 2018
- ISBN:
- 9780748689736
- eISBN:
- 9781474416009
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748689736.003.0001
- Subject:
- Film, Television and Radio, Film
Contemporary British Horror Cinema: Industry, Genre and Society charts the rebirth of the British horror film in the twenty-first century, paying close attention to both the cultural and economic ...
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Contemporary British Horror Cinema: Industry, Genre and Society charts the rebirth of the British horror film in the twenty-first century, paying close attention to both the cultural and economic factors that contributed to the horror genre’s buoyancy amid UK film production. Using primary research – including data from funding institutions and primary interview material with key industry players – and detailed film analysis, this book will show in what ways horror offered a significant contribution to British film production post-2000, and how it evidenced diversity across a broad spectrum of filmmakers, industrial trends, technologies and social issues.Less
Contemporary British Horror Cinema: Industry, Genre and Society charts the rebirth of the British horror film in the twenty-first century, paying close attention to both the cultural and economic factors that contributed to the horror genre’s buoyancy amid UK film production. Using primary research – including data from funding institutions and primary interview material with key industry players – and detailed film analysis, this book will show in what ways horror offered a significant contribution to British film production post-2000, and how it evidenced diversity across a broad spectrum of filmmakers, industrial trends, technologies and social issues.