P. J. Marshall (ed.)
- Published in print:
- 2005
- Published Online:
- January 2012
- ISBN:
- 9780197263501
- eISBN:
- 9780191734212
- Item type:
- book
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197263501.001.0001
- Subject:
- History, Historiography
This book contains obituaries of eleven recently deceased Fellows of the British Academy: Isaiah Berlin, Christopher Hill, Rodney Hilton, Keith Hopkins, Peter Laslett, Geoffrey Marshall, John ...
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This book contains obituaries of eleven recently deceased Fellows of the British Academy: Isaiah Berlin, Christopher Hill, Rodney Hilton, Keith Hopkins, Peter Laslett, Geoffrey Marshall, John Roskell, Isaac Schapera, Ben Segal, John Cyril Smith, and Richard Wollheim.Less
This book contains obituaries of eleven recently deceased Fellows of the British Academy: Isaiah Berlin, Christopher Hill, Rodney Hilton, Keith Hopkins, Peter Laslett, Geoffrey Marshall, John Roskell, Isaac Schapera, Ben Segal, John Cyril Smith, and Richard Wollheim.
Daniel Brown
- Published in print:
- 1997
- Published Online:
- October 2011
- ISBN:
- 9780198183532
- eISBN:
- 9780191674051
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780198183532.001.0001
- Subject:
- Literature, Poetry, 19th-century and Victorian Literature
The conventional picture of the young Hopkins as a conservative High-Church ritualist is starkly contested by this book, which draws upon his unpublished Oxford essays on philosophy to reveal a ...
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The conventional picture of the young Hopkins as a conservative High-Church ritualist is starkly contested by this book, which draws upon his unpublished Oxford essays on philosophy to reveal a boldly speculative intellectual liberal. Less concerned with Christian factionalism than with countering contemporary threats to faith itself, Hopkins' thought is seen to follow that of his teachers Benjamin Jowett and T. H. Green, who turned to Kant and Hegel to vouchsafe the grounds of Christian belief against contemporary scientism. Hopkins' personal metaphysic of ‘inscape’ and ‘instress’, which has long been recognized as crucial to the understanding of his poetry, is traced here to concepts derived from the ‘British Idealism’ he encountered at Oxford and the new energy physics of the 1850s and 1860s. By locating his thought at the intellectual avant-garde of his age, the striking modernity of his poetry need no longer be seen as an historical anomaly. The book offers radical re-readings not only of his metaphysics and theology, but also of his best-known poems.Less
The conventional picture of the young Hopkins as a conservative High-Church ritualist is starkly contested by this book, which draws upon his unpublished Oxford essays on philosophy to reveal a boldly speculative intellectual liberal. Less concerned with Christian factionalism than with countering contemporary threats to faith itself, Hopkins' thought is seen to follow that of his teachers Benjamin Jowett and T. H. Green, who turned to Kant and Hegel to vouchsafe the grounds of Christian belief against contemporary scientism. Hopkins' personal metaphysic of ‘inscape’ and ‘instress’, which has long been recognized as crucial to the understanding of his poetry, is traced here to concepts derived from the ‘British Idealism’ he encountered at Oxford and the new energy physics of the 1850s and 1860s. By locating his thought at the intellectual avant-garde of his age, the striking modernity of his poetry need no longer be seen as an historical anomaly. The book offers radical re-readings not only of his metaphysics and theology, but also of his best-known poems.
John V. Kulvicki
- Published in print:
- 2006
- Published Online:
- September 2006
- ISBN:
- 9780199290758
- eISBN:
- 9780191604010
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019929075X.003.0005
- Subject:
- Philosophy, Aesthetics
This chapter explores the range of pictorial representation. It considers many kinds of projective systems and shows how they all manage to satisfy the conditions set forth in Chapters 2 and 3 for ...
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This chapter explores the range of pictorial representation. It considers many kinds of projective systems and shows how they all manage to satisfy the conditions set forth in Chapters 2 and 3 for being pictures. In addition, common systems of auditory representation turn out to be pictorial according to this view; this is surprising but not terribly counterintuitive. Tactile line drawings sometimes used by the blind also turn out to be pictorial on the account offered herein, and the discussion of bare-bones content suggests some new avenues of research on tactile pictures. The chapter closes by considering how well the structural account fares with respect to a list of explananda offered by Robert Hopkins as the gold standard for a theory of depiction.Less
This chapter explores the range of pictorial representation. It considers many kinds of projective systems and shows how they all manage to satisfy the conditions set forth in Chapters 2 and 3 for being pictures. In addition, common systems of auditory representation turn out to be pictorial according to this view; this is surprising but not terribly counterintuitive. Tactile line drawings sometimes used by the blind also turn out to be pictorial on the account offered herein, and the discussion of bare-bones content suggests some new avenues of research on tactile pictures. The chapter closes by considering how well the structural account fares with respect to a list of explananda offered by Robert Hopkins as the gold standard for a theory of depiction.
John V. Kulvicki
- Published in print:
- 2006
- Published Online:
- September 2006
- ISBN:
- 9780199290758
- eISBN:
- 9780191604010
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019929075X.003.0011
- Subject:
- Philosophy, Aesthetics
This chapter shows that the account of picture perception and pictorial content sheds light on the debate between the two most popular theories of picture perception: the recognition theory due to ...
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This chapter shows that the account of picture perception and pictorial content sheds light on the debate between the two most popular theories of picture perception: the recognition theory due to Flint Schier and Dominic Lopes, and the experienced resemblance view due to Robert Hopkins. Though the present account sides with Lopes overall, Hopkins has captured something important about how we come to know pictures’ contents.Less
This chapter shows that the account of picture perception and pictorial content sheds light on the debate between the two most popular theories of picture perception: the recognition theory due to Flint Schier and Dominic Lopes, and the experienced resemblance view due to Robert Hopkins. Though the present account sides with Lopes overall, Hopkins has captured something important about how we come to know pictures’ contents.
David‐Antoine Williams
- Published in print:
- 2010
- Published Online:
- May 2011
- ISBN:
- 9780199583546
- eISBN:
- 9780191595295
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199583546.003.0004
- Subject:
- Literature, Poetry, 20th-century and Contemporary Literature
This chapter investigates Geoffrey Hill's abiding concern with the equation of semantic and ethical recognition, his experience of language as an arena in which our ethical being is both menaced and ...
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This chapter investigates Geoffrey Hill's abiding concern with the equation of semantic and ethical recognition, his experience of language as an arena in which our ethical being is both menaced and succoured, though perhaps not secured. Hill's cogitations on this problem accompany a career‐long exploration of the question of intrinsic value, a concept which he admits has gone out of fashion but which he nonetheless attempts to rescue for his theory of language. Hill's ethics of responsibility requires that literature memorialize and memorize the dead, but his scepticism about the ability of language to do justice to its subjects forces him into a paradoxical contemplation of silence as the only responsible speech. Even so, the question of value has increasingly been posed by Hill in its public dimension, as embodying the union of civic (including political), theological (including metaphysical), and grammatical (including etymological) thought. One way Hill thinks the writer can realize intrinsic value is in the assiduous plying of words, the working in poetry of their etymology, grammar, and syntax into a high semantic pitch; this chapter pays special attention to the words that have meant the most to Hill: ‘value’, ‘atonement’, ‘endurance’, ‘patience’, ‘attention’, ‘justice’, ‘grace’, ‘pitch’, ‘common’, and ‘alienation’.Less
This chapter investigates Geoffrey Hill's abiding concern with the equation of semantic and ethical recognition, his experience of language as an arena in which our ethical being is both menaced and succoured, though perhaps not secured. Hill's cogitations on this problem accompany a career‐long exploration of the question of intrinsic value, a concept which he admits has gone out of fashion but which he nonetheless attempts to rescue for his theory of language. Hill's ethics of responsibility requires that literature memorialize and memorize the dead, but his scepticism about the ability of language to do justice to its subjects forces him into a paradoxical contemplation of silence as the only responsible speech. Even so, the question of value has increasingly been posed by Hill in its public dimension, as embodying the union of civic (including political), theological (including metaphysical), and grammatical (including etymological) thought. One way Hill thinks the writer can realize intrinsic value is in the assiduous plying of words, the working in poetry of their etymology, grammar, and syntax into a high semantic pitch; this chapter pays special attention to the words that have meant the most to Hill: ‘value’, ‘atonement’, ‘endurance’, ‘patience’, ‘attention’, ‘justice’, ‘grace’, ‘pitch’, ‘common’, and ‘alienation’.
Meredith Martin
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691152738
- eISBN:
- 9781400842193
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691152738.003.0002
- Subject:
- Literature, Criticism/Theory
This chapter sets out the book's historical and methodological framework. Despite the modernist characterization of Victorian tradition as unified and steadfast, the various approaches to Victorian ...
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This chapter sets out the book's historical and methodological framework. Despite the modernist characterization of Victorian tradition as unified and steadfast, the various approaches to Victorian meter in English histories, grammars, and metrical studies reveal ideologically charged histories of English culture, often presented as Roman or Anglo-Saxon. Gerard Manley Hopkins was himself a mediator between various metrical discourses and theories. As a Catholic priest who taught the classics and an English poet who attempted to valorize the material history of the English language in his syntax and through his use of sprung rhythm, Hopkins is a test case for the personal and national ideologies of English meter.Less
This chapter sets out the book's historical and methodological framework. Despite the modernist characterization of Victorian tradition as unified and steadfast, the various approaches to Victorian meter in English histories, grammars, and metrical studies reveal ideologically charged histories of English culture, often presented as Roman or Anglo-Saxon. Gerard Manley Hopkins was himself a mediator between various metrical discourses and theories. As a Catholic priest who taught the classics and an English poet who attempted to valorize the material history of the English language in his syntax and through his use of sprung rhythm, Hopkins is a test case for the personal and national ideologies of English meter.
Meredith Martin
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691152738
- eISBN:
- 9781400842193
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691152738.003.0003
- Subject:
- Literature, Criticism/Theory
This chapter resituates Gerard Manley Hopkins, whose name has become synonymous with metrical experiment, within the prosodic, philological, and theological debates of his time. His commitment to ...
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This chapter resituates Gerard Manley Hopkins, whose name has become synonymous with metrical experiment, within the prosodic, philological, and theological debates of his time. His commitment to defining accent and stress in English was a critical turning point in his thinking about his identity as a Catholic and as an Englishman. It argues that his attempt to create a new English meter was a particularly Victorian engagement with poetic form, national identity, and the English language. Broader movements in comparative philology (particularly those associated with scholars such as Max Müller and Richard Chevenix Trench) influenced Hopkins's attempts to reconcile the history of English and the materiality of meter with his Catholic beliefs. Hopkins is used to prove that even the most obscure and alienated-seeming poet must be read as part of the broader debate about what meter can do for the quickly changing nation. Hopkins's successes and failures, anticipate later attempts to examine the constituent parts of meter and the English language.Less
This chapter resituates Gerard Manley Hopkins, whose name has become synonymous with metrical experiment, within the prosodic, philological, and theological debates of his time. His commitment to defining accent and stress in English was a critical turning point in his thinking about his identity as a Catholic and as an Englishman. It argues that his attempt to create a new English meter was a particularly Victorian engagement with poetic form, national identity, and the English language. Broader movements in comparative philology (particularly those associated with scholars such as Max Müller and Richard Chevenix Trench) influenced Hopkins's attempts to reconcile the history of English and the materiality of meter with his Catholic beliefs. Hopkins is used to prove that even the most obscure and alienated-seeming poet must be read as part of the broader debate about what meter can do for the quickly changing nation. Hopkins's successes and failures, anticipate later attempts to examine the constituent parts of meter and the English language.
Meredith Martin
- Published in print:
- 2012
- Published Online:
- October 2017
- ISBN:
- 9780691152738
- eISBN:
- 9781400842193
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691152738.003.0004
- Subject:
- Literature, Criticism/Theory
This chapter begins with a discussion of metrical mastery, outlining the way that Robert Bridges's intervention in his best-selling treatise Milton's Prosody expanded and popularized the theories ...
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This chapter begins with a discussion of metrical mastery, outlining the way that Robert Bridges's intervention in his best-selling treatise Milton's Prosody expanded and popularized the theories that he and Gerard Manley Hopkins discussed together. It shows how Bridges and his influential competitor, George Saintsbury, were jostling for position during the height of the prosody wars between 1900 and 1910, and how their successes and failures characterize much of our contemporary thinking about early twentieth-century prosody. Author of the three-volume History of English Prosody (1906–10), Saintsbury was a prime mover in both the foundation of English literary study and the institutionalization of the “foot” as the primary measure of English poetry. Infused with Edwardian-era military rhetoric, Sainstbury's foot marched to a particularly English rhythm, which he traced through the ages with wit and martial vigor.Less
This chapter begins with a discussion of metrical mastery, outlining the way that Robert Bridges's intervention in his best-selling treatise Milton's Prosody expanded and popularized the theories that he and Gerard Manley Hopkins discussed together. It shows how Bridges and his influential competitor, George Saintsbury, were jostling for position during the height of the prosody wars between 1900 and 1910, and how their successes and failures characterize much of our contemporary thinking about early twentieth-century prosody. Author of the three-volume History of English Prosody (1906–10), Saintsbury was a prime mover in both the foundation of English literary study and the institutionalization of the “foot” as the primary measure of English poetry. Infused with Edwardian-era military rhetoric, Sainstbury's foot marched to a particularly English rhythm, which he traced through the ages with wit and martial vigor.
Cynthia Grant Tucker
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195390209
- eISBN:
- 9780199866670
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195390209.003.0009
- Subject:
- Religion, Religion and Society
Endowed with her mother's dominant nature and feminist perspective, Martha May Eliot sets her sights on becoming a “social doctor.” Before graduating from Radcliffe, she spends her sophomore year at ...
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Endowed with her mother's dominant nature and feminist perspective, Martha May Eliot sets her sights on becoming a “social doctor.” Before graduating from Radcliffe, she spends her sophomore year at Bryn Mawr and there meets her life companion, Ethel C. Dunham (1883‐1969 ). Martha and Ethel earn their M.D.s at Johns Hopkins Medical School and find positions together in the Pediatrics Department that Edwards A. Park had just created at Yale. Congress's timely passage of the Sheppard‐Towner Act starts Martha on an ascent as a pioneer of public health service for underserved mothers and children. Her demonstration of Vitamin D's efficacy in wiping out rickets results in a call from the Children's Bureau, of which she eventually serves as Chief. She writes Title V of the Social Security Act, later serves as Assistant Director‐General of the World Health Organization, and is one of the founding signers of UNICEF's charter.Less
Endowed with her mother's dominant nature and feminist perspective, Martha May Eliot sets her sights on becoming a “social doctor.” Before graduating from Radcliffe, she spends her sophomore year at Bryn Mawr and there meets her life companion, Ethel C. Dunham (1883‐1969 ). Martha and Ethel earn their M.D.s at Johns Hopkins Medical School and find positions together in the Pediatrics Department that Edwards A. Park had just created at Yale. Congress's timely passage of the Sheppard‐Towner Act starts Martha on an ascent as a pioneer of public health service for underserved mothers and children. Her demonstration of Vitamin D's efficacy in wiping out rickets results in a call from the Children's Bureau, of which she eventually serves as Chief. She writes Title V of the Social Security Act, later serves as Assistant Director‐General of the World Health Organization, and is one of the founding signers of UNICEF's charter.
J. R. Watson
- Published in print:
- 1999
- Published Online:
- November 2003
- ISBN:
- 9780198270027
- eISBN:
- 9780191600784
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/019827002X.003.0003
- Subject:
- Religion, Religion and Literature
Discusses the importance of psalms at the Reformation, particularly among the Protestant exiles in Geneva. The chapter also talks about the influence of Calvin. It also examines the development of ...
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Discusses the importance of psalms at the Reformation, particularly among the Protestant exiles in Geneva. The chapter also talks about the influence of Calvin. It also examines the development of psalm singing, and the publication of Sternhold and Hopkins, The Whole Booke of Psalmes (the ‘Old Version’).Less
Discusses the importance of psalms at the Reformation, particularly among the Protestant exiles in Geneva. The chapter also talks about the influence of Calvin. It also examines the development of psalm singing, and the publication of Sternhold and Hopkins, The Whole Booke of Psalmes (the ‘Old Version’).
Mark A. Noll
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780195151114
- eISBN:
- 9780199834532
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195151119.003.0014
- Subject:
- Religion, History of Christianity
Between 1790 and 1840, Reformed theology reached the summit of its broad influence in American culture. With New England's Congregationalists in the lead, and then joined by mid‐state and southern ...
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Between 1790 and 1840, Reformed theology reached the summit of its broad influence in American culture. With New England's Congregationalists in the lead, and then joined by mid‐state and southern Presbyterians, the Reformed theologians engaged in the most serious religious and public debates of the years. These debates led to the production of a great surge of theological literature, most of which was significantly influenced by the new conditions of American public life. The rise of Unitarianism during this period presented a special challenge to more traditional Calvinist theologians.Less
Between 1790 and 1840, Reformed theology reached the summit of its broad influence in American culture. With New England's Congregationalists in the lead, and then joined by mid‐state and southern Presbyterians, the Reformed theologians engaged in the most serious religious and public debates of the years. These debates led to the production of a great surge of theological literature, most of which was significantly influenced by the new conditions of American public life. The rise of Unitarianism during this period presented a special challenge to more traditional Calvinist theologians.
Mark A. Noll
- Published in print:
- 2002
- Published Online:
- November 2003
- ISBN:
- 9780195151114
- eISBN:
- 9780199834532
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195151119.003.0007
- Subject:
- Religion, History of Christianity
Before 1790, and despite the massive ideological changes sparked by the American Revolution, theology in America remained mostly in continuity with traditions from the Old World. The innovations ...
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Before 1790, and despite the massive ideological changes sparked by the American Revolution, theology in America remained mostly in continuity with traditions from the Old World. The innovations present in American theology up to 1790 resulted more from importing British and continental advances rather than from indigenous development in the American context.Less
Before 1790, and despite the massive ideological changes sparked by the American Revolution, theology in America remained mostly in continuity with traditions from the Old World. The innovations present in American theology up to 1790 resulted more from importing British and continental advances rather than from indigenous development in the American context.
John Saillant
- Published in print:
- 2003
- Published Online:
- November 2003
- ISBN:
- 9780195157178
- eISBN:
- 9780199834617
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195157176.003.0004
- Subject:
- Religion, History of Christianity
Lemuel Haynes was schooled in the New Divinity, the Calvinist theology of the students of Jonathan Edwards. Haynes declared himself a follower of Samuel Hopkins, the leading interpreter of Edwardsean ...
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Lemuel Haynes was schooled in the New Divinity, the Calvinist theology of the students of Jonathan Edwards. Haynes declared himself a follower of Samuel Hopkins, the leading interpreter of Edwardsean theology in the last third of the eighteenth century. Hopkins favored colonization, the expatriation of African Americans, but he also developed at length a claim that whites should exhibit disinterested benevolence in their relations with blacks. Edwardsean ethics cast disinterested benevolence as the highest moral state. Haynes argued that disinterested benevolence could unite black and white and, in fact, according to the scriptural covenant between God and Abraham, mandated the manumission of slaves and their acceptance into free society.Less
Lemuel Haynes was schooled in the New Divinity, the Calvinist theology of the students of Jonathan Edwards. Haynes declared himself a follower of Samuel Hopkins, the leading interpreter of Edwardsean theology in the last third of the eighteenth century. Hopkins favored colonization, the expatriation of African Americans, but he also developed at length a claim that whites should exhibit disinterested benevolence in their relations with blacks. Edwardsean ethics cast disinterested benevolence as the highest moral state. Haynes argued that disinterested benevolence could unite black and white and, in fact, according to the scriptural covenant between God and Abraham, mandated the manumission of slaves and their acceptance into free society.
Jeffrey R. Wigelsworth
- Published in print:
- 2009
- Published Online:
- July 2012
- ISBN:
- 9780719078729
- eISBN:
- 9781781703304
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719078729.001.0001
- Subject:
- History, British and Irish Early Modern History
This book explores at length the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. These parallel but mostly independent movements include writers ...
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This book explores at length the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. These parallel but mostly independent movements include writers such as Charles Péguy, Paul Claudel, J. K. Huysmans, Gerard Manley Hopkins, G. K. Chesterton and Lionel Johnson. Rejecting critical approaches that tend to treat Catholic writings as exotic marginalia, the book makes extensive use of secularisation theory to confront these Catholic writings with the preoccupations of secularism and modernity. It compares individual and societal secularisation in France and England and examines how French and English Catholic writers understood and contested secular mores, ideologies and praxis, in the individual, societal and religious domains. The book also addresses the extent to which some Catholic writers succumbed to the seduction of secular instincts, even paradoxically in themes that are considered to be emblematic of Catholic literature. Its breadth will make it a useful guide for students wishing to become familiar with a wide range of such writings in France and England during this period.Less
This book explores at length the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. These parallel but mostly independent movements include writers such as Charles Péguy, Paul Claudel, J. K. Huysmans, Gerard Manley Hopkins, G. K. Chesterton and Lionel Johnson. Rejecting critical approaches that tend to treat Catholic writings as exotic marginalia, the book makes extensive use of secularisation theory to confront these Catholic writings with the preoccupations of secularism and modernity. It compares individual and societal secularisation in France and England and examines how French and English Catholic writers understood and contested secular mores, ideologies and praxis, in the individual, societal and religious domains. The book also addresses the extent to which some Catholic writers succumbed to the seduction of secular instincts, even paradoxically in themes that are considered to be emblematic of Catholic literature. Its breadth will make it a useful guide for students wishing to become familiar with a wide range of such writings in France and England during this period.
Brian Sudlow
- Published in print:
- 2011
- Published Online:
- July 2012
- ISBN:
- 9780719083112
- eISBN:
- 9781781703137
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719083112.001.0001
- Subject:
- History, European Modern History
This book is a comparative study of the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. These parallel but mostly independent movements include ...
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This book is a comparative study of the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. These parallel but mostly independent movements include writers such as Charles Péguy, Paul Claudel, J. K. Huysmans, Gerard Manley Hopkins, G. K. Chesterton and Lionel Johnson. Rejecting critical approaches that tend to treat Catholic writings as exotic marginalia, this book makes extensive use of secularisation theory to confront these Catholic writings with the preoccupations of secularism and modernity. It compares individual and societal secularisation in France and England and examines how French and English Catholic writers understood and contested secular mores, ideologies and praxis, in the individual, societal and religious domains. The book also addresses the extent to which some Catholic writers succumbed to the seduction of secular instincts, even paradoxically in themes which are considered to be emblematic of the Catholic literature.Less
This book is a comparative study of the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. These parallel but mostly independent movements include writers such as Charles Péguy, Paul Claudel, J. K. Huysmans, Gerard Manley Hopkins, G. K. Chesterton and Lionel Johnson. Rejecting critical approaches that tend to treat Catholic writings as exotic marginalia, this book makes extensive use of secularisation theory to confront these Catholic writings with the preoccupations of secularism and modernity. It compares individual and societal secularisation in France and England and examines how French and English Catholic writers understood and contested secular mores, ideologies and praxis, in the individual, societal and religious domains. The book also addresses the extent to which some Catholic writers succumbed to the seduction of secular instincts, even paradoxically in themes which are considered to be emblematic of the Catholic literature.
William A. Richards and G. William Barnard
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9780231174060
- eISBN:
- 9780231540919
- Item type:
- chapter
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231174060.003.0001
- Subject:
- Psychology, Psychopharmacology
Past and present history of research with major psychedelic drugs. Present authorized and unauthorized use.
Past and present history of research with major psychedelic drugs. Present authorized and unauthorized use.
Henry Phelps Brown
- Published in print:
- 1988
- Published Online:
- November 2003
- ISBN:
- 9780198286486
- eISBN:
- 9780191596773
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0198286481.003.0010
- Subject:
- Economics and Finance, Public and Welfare
Discusses how best to display distributions of income and wealth so that comparisons can be made between different periods or countries. The various different kinds of distribution curve that have ...
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Discusses how best to display distributions of income and wealth so that comparisons can be made between different periods or countries. The various different kinds of distribution curve that have been used are described and their disadvantages noted. The account starts with the frequency distribution curve, which is shown to have several drawbacks, and goes on to the Gini coefficient, which is based on the Lorenz curve, the indices proposed by Henri Theil and A. B. Atkinson, and the Pen parade (or Pen profile). The second section of the chapter provides a definition of income and discusses the choice of unit. The last section is a statistical appendix, and gives further details of the methods of distribution display discussed at the beginning of the chapter, and introduces some other indices––the Phelps Brown–Hopkins index, the Schumpeter–Gilboy index, and the Rousseau index.Less
Discusses how best to display distributions of income and wealth so that comparisons can be made between different periods or countries. The various different kinds of distribution curve that have been used are described and their disadvantages noted. The account starts with the frequency distribution curve, which is shown to have several drawbacks, and goes on to the Gini coefficient, which is based on the Lorenz curve, the indices proposed by Henri Theil and A. B. Atkinson, and the Pen parade (or Pen profile). The second section of the chapter provides a definition of income and discusses the choice of unit. The last section is a statistical appendix, and gives further details of the methods of distribution display discussed at the beginning of the chapter, and introduces some other indices––the Phelps Brown–Hopkins index, the Schumpeter–Gilboy index, and the Rousseau index.
Kirstie Blair
- Published in print:
- 2012
- Published Online:
- September 2012
- ISBN:
- 9780199644506
- eISBN:
- 9780191741593
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199644506.003.0007
- Subject:
- Literature, 19th-century and Victorian Literature, Poetry
The concluding chapter turns to Catholic poetics, interpreted broadly to include both Anglo-Catholics and Roman Catholics. It returns to the opening chapter in suggesting how Catholic poets in the ...
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The concluding chapter turns to Catholic poetics, interpreted broadly to include both Anglo-Catholics and Roman Catholics. It returns to the opening chapter in suggesting how Catholic poets in the post-Tractarian decades adopted and adapted Tractarian ideals, and suggests that Catholic poems were notable for their inclusion of ritual, repetitive elements and their deliberate rejection of aesthetic excitement in favour of reserve. The chapter also comments on the importance of material culture in shaping readings of these poems, in terms of book design and its implications. The second part of the chapter focuses on Christina Rossetti and her involvement with one particular Anglo-Catholic collection, Lyra Eucharistica. The final section turns to the devotional sonnet, and concludes with a brief discussion of Gerard Manley Hopkins and his reinterpretations of form and faith through the sonnet.Less
The concluding chapter turns to Catholic poetics, interpreted broadly to include both Anglo-Catholics and Roman Catholics. It returns to the opening chapter in suggesting how Catholic poets in the post-Tractarian decades adopted and adapted Tractarian ideals, and suggests that Catholic poems were notable for their inclusion of ritual, repetitive elements and their deliberate rejection of aesthetic excitement in favour of reserve. The chapter also comments on the importance of material culture in shaping readings of these poems, in terms of book design and its implications. The second part of the chapter focuses on Christina Rossetti and her involvement with one particular Anglo-Catholic collection, Lyra Eucharistica. The final section turns to the devotional sonnet, and concludes with a brief discussion of Gerard Manley Hopkins and his reinterpretations of form and faith through the sonnet.
Dohra Ahmad
- Published in print:
- 2009
- Published Online:
- May 2009
- ISBN:
- 9780195332766
- eISBN:
- 9780199868124
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195332766.003.0004
- Subject:
- Literature, American, 20th Century Literature
This chapter analyzes the utopian fiction of Pauline Hopkins and W. E. B. Du Bois. In response to a long-standing problem with emplacement, both authors use their fiction to manufacture idealized ...
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This chapter analyzes the utopian fiction of Pauline Hopkins and W. E. B. Du Bois. In response to a long-standing problem with emplacement, both authors use their fiction to manufacture idealized and ahistorical versions of colored empires. Hopkins creates an underground Ethiopian kingdom, while Du Bois uses the force of imagination to link India and the American South into a cohesive but still multiplicitous whole. Hopkins posits utopia not as a unidirectional process of development but a resurrection of an earlier order, while Du Bois strategically employs romance to overcome the limitations of a pragmatic politics of compromise. Their romantic utopianism both responds to Booker T. Washington’s uplift ideology and also participates in a larger philosophy of internationalism emerging in response to colonial rule.Less
This chapter analyzes the utopian fiction of Pauline Hopkins and W. E. B. Du Bois. In response to a long-standing problem with emplacement, both authors use their fiction to manufacture idealized and ahistorical versions of colored empires. Hopkins creates an underground Ethiopian kingdom, while Du Bois uses the force of imagination to link India and the American South into a cohesive but still multiplicitous whole. Hopkins posits utopia not as a unidirectional process of development but a resurrection of an earlier order, while Du Bois strategically employs romance to overcome the limitations of a pragmatic politics of compromise. Their romantic utopianism both responds to Booker T. Washington’s uplift ideology and also participates in a larger philosophy of internationalism emerging in response to colonial rule.
Claudia Tate
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780195108576
- eISBN:
- 9780199855094
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195108576.001.0001
- Subject:
- Literature, African-American Literature
Why did African American women novelists use idealized stories of bourgeois courtship and marriage to mount arguments on social reform during the last decade of the 19th century, during a time when ...
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Why did African American women novelists use idealized stories of bourgeois courtship and marriage to mount arguments on social reform during the last decade of the 19th century, during a time when resurgent racism conditioned the lives of all black Americans? Such stories now seem like apolitical fantasies to contemporary readers. This is the question at the centre of this book’s examination of the novels of Pauline Hopkins, Emma Kelley, Amelia Johnson, Katherine Tillman, and Frances Harper. The book is a literary study, but also a social and intellectual history—a cultural critique of a period that historian Rayford W. Logan has called “the Dark Ages of recent American history.” Against a rich contextual framework, extending from abolitionist protest to the Black Aesthetic, the book argues that the idealized marriage plot in these novels does not merely depict the heroine’s happiness and economic prosperity. More importantly, that plot encodes a resonant cultural narrative—a domestic allegory—about the political ambitions of an emancipated people. Once this domestic allegory of political desire is unmasked in these novels, it can be seen as a significant discourse of the post-Reconstruction era for representing African Americans’ collective dreams about freedom and for reconstructing those contested dreams into consummations of civil liberty.Less
Why did African American women novelists use idealized stories of bourgeois courtship and marriage to mount arguments on social reform during the last decade of the 19th century, during a time when resurgent racism conditioned the lives of all black Americans? Such stories now seem like apolitical fantasies to contemporary readers. This is the question at the centre of this book’s examination of the novels of Pauline Hopkins, Emma Kelley, Amelia Johnson, Katherine Tillman, and Frances Harper. The book is a literary study, but also a social and intellectual history—a cultural critique of a period that historian Rayford W. Logan has called “the Dark Ages of recent American history.” Against a rich contextual framework, extending from abolitionist protest to the Black Aesthetic, the book argues that the idealized marriage plot in these novels does not merely depict the heroine’s happiness and economic prosperity. More importantly, that plot encodes a resonant cultural narrative—a domestic allegory—about the political ambitions of an emancipated people. Once this domestic allegory of political desire is unmasked in these novels, it can be seen as a significant discourse of the post-Reconstruction era for representing African Americans’ collective dreams about freedom and for reconstructing those contested dreams into consummations of civil liberty.
