Jim Lovensheimer
- Published in print:
- 2010
- Published Online:
- September 2010
- ISBN:
- 9780195377026
- eISBN:
- 9780199864560
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195377026.003.0002
- Subject:
- Music, Popular, History, American
Rodgers and Hammerstein brought liberal sensibilities to work and life from the 1930s through the late 1940s. Although Rodgers was perceived as less political than Hammerstein, the 1932 film The ...
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Rodgers and Hammerstein brought liberal sensibilities to work and life from the 1930s through the late 1940s. Although Rodgers was perceived as less political than Hammerstein, the 1932 film The Phantom President, written with Lorenz Hart, was a satire about a presidential election, and their stage hit Babes in Arms (1937) endorsed Jewish liberalism. Hammerstein’s liberal leanings were present in his life and his art: from his early days in Hollywood, Hammerstein was involved with the Anti-Nazi League, which drew the attention of the House Un-American Activities Committee, and during World War II, he was a member of the Writers’ War Board, a group that was responsible for the American Red Cross ending its practice of segregating blood by race. While South Pacific was the most politically charged of their collaborations, works such as The King and I nonetheless reflect the duo’s beliefs in world harmony and cultural exchange.Less
Rodgers and Hammerstein brought liberal sensibilities to work and life from the 1930s through the late 1940s. Although Rodgers was perceived as less political than Hammerstein, the 1932 film The Phantom President, written with Lorenz Hart, was a satire about a presidential election, and their stage hit Babes in Arms (1937) endorsed Jewish liberalism. Hammerstein’s liberal leanings were present in his life and his art: from his early days in Hollywood, Hammerstein was involved with the Anti-Nazi League, which drew the attention of the House Un-American Activities Committee, and during World War II, he was a member of the Writers’ War Board, a group that was responsible for the American Red Cross ending its practice of segregating blood by race. While South Pacific was the most politically charged of their collaborations, works such as The King and I nonetheless reflect the duo’s beliefs in world harmony and cultural exchange.
Chris Yogerst
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781496829757
- eISBN:
- 9781496829801
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496829757.003.0002
- Subject:
- Film, Television and Radio, Film
The years leading up to 1939 saw an influx of fascist organizations in Los Angeles. This made the Hollywood moguls ultra-sensitive to homegrown fascism as they began to fight back by funding an ...
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The years leading up to 1939 saw an influx of fascist organizations in Los Angeles. This made the Hollywood moguls ultra-sensitive to homegrown fascism as they began to fight back by funding an underground espionage network, led by attorney Leon Lewis. More public pushback came from the Hollywood Anti-Nazi League, made up of individuals from across the Popular Front. Pro-fascist support began to surface in the form of the Friends of New Germany, German-American Bund, and the Silver Shirt who each had factions in Los Angeles. As the conflict in Europe developed, so did anti-war sentiments in the United States (many were still miffed about our involvement in World War I). This period also saw the rise of anti-Semitic and isolationist voices ranging from Father Charles Coughlin to members of the America First movement.Less
The years leading up to 1939 saw an influx of fascist organizations in Los Angeles. This made the Hollywood moguls ultra-sensitive to homegrown fascism as they began to fight back by funding an underground espionage network, led by attorney Leon Lewis. More public pushback came from the Hollywood Anti-Nazi League, made up of individuals from across the Popular Front. Pro-fascist support began to surface in the form of the Friends of New Germany, German-American Bund, and the Silver Shirt who each had factions in Los Angeles. As the conflict in Europe developed, so did anti-war sentiments in the United States (many were still miffed about our involvement in World War I). This period also saw the rise of anti-Semitic and isolationist voices ranging from Father Charles Coughlin to members of the America First movement.
