Ira Katznelson
- Published in print:
- 1993
- Published Online:
- January 2005
- ISBN:
- 9780198279242
- eISBN:
- 9780191601910
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0198279248.003.0007
- Subject:
- Political Science, Political Theory
Section I of this chapter discusses how, by not embarking on the journey linking city space, capitalist development, and class formation, Marxism denied itself a critical dimension in the material ...
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Section I of this chapter discusses how, by not embarking on the journey linking city space, capitalist development, and class formation, Marxism denied itself a critical dimension in the material analysis both of the target it wished to confront and of the class it expected to be the agent of this successful engagement. Section II looks at how the separation between the social classes within the new social geography of the capitalist city in the nineteenth century helped assure the residential propinquity of members of the working class, as well as their isolation from other classes. However, with the elaboration of new networks made possible by the nationalization of labour markets, there was a growing sense that working classes shared a fate that transcended given localities, while advances in communications and transportation made the ties between class and space more complicated and tentative. Analyses are included of this break in working‐class history given in the work of Krishan Kumar and Craig Calhoun, and by Olivier Zunz and Richard Oestreicher in their studies of Detroit at the turn of the nineteenth century. Sections III–V show that the relationship of Marxism and the city and urban space now stands on unsure ground, since it is the politics and viability of class itself as the dominant form of collective identity that is currently under challenge; the discussion given here draws on the work of Mark Gottendiener and Eric Hobsbaum within the new urban Marxism.Less
Section I of this chapter discusses how, by not embarking on the journey linking city space, capitalist development, and class formation, Marxism denied itself a critical dimension in the material analysis both of the target it wished to confront and of the class it expected to be the agent of this successful engagement. Section II looks at how the separation between the social classes within the new social geography of the capitalist city in the nineteenth century helped assure the residential propinquity of members of the working class, as well as their isolation from other classes. However, with the elaboration of new networks made possible by the nationalization of labour markets, there was a growing sense that working classes shared a fate that transcended given localities, while advances in communications and transportation made the ties between class and space more complicated and tentative. Analyses are included of this break in working‐class history given in the work of Krishan Kumar and Craig Calhoun, and by Olivier Zunz and Richard Oestreicher in their studies of Detroit at the turn of the nineteenth century. Sections III–V show that the relationship of Marxism and the city and urban space now stands on unsure ground, since it is the politics and viability of class itself as the dominant form of collective identity that is currently under challenge; the discussion given here draws on the work of Mark Gottendiener and Eric Hobsbaum within the new urban Marxism.
William Wootten
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781781381632
- eISBN:
- 9781781384893
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381632.003.0002
- Subject:
- Literature, Poetry
This chapter describes the creation of a poetry group in the 1950s, whose members included Ted Hughes, Philip Hobsbaum, Edward Lucie-Smith, Australian bookseller Peter Porter, and BBC producer George ...
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This chapter describes the creation of a poetry group in the 1950s, whose members included Ted Hughes, Philip Hobsbaum, Edward Lucie-Smith, Australian bookseller Peter Porter, and BBC producer George MacBeth. The Group may be considered a forerunner to the contemporary poetry workshop, or indeed the first proper poetry workshop in England. However, Group meetings had a distinct flavour that would make them unfamiliar to most who attend poetry workshops today. Not only was there the bearded and forbidding Hobsbaum in the chair and a heavy Leavisite aspect to proceedings, there was also the structure of the evening: its first half would concentrate on new work by one writer; this would then be followed by a coffee break, after which members could share work they particularly liked and, increasingly in later years, new poetry of their own. The Group also perpetuated ideas and an ambience as well as a social network that started in Oxford and Cambridge, and brought its members into contact with poets who had been very much outside both.Less
This chapter describes the creation of a poetry group in the 1950s, whose members included Ted Hughes, Philip Hobsbaum, Edward Lucie-Smith, Australian bookseller Peter Porter, and BBC producer George MacBeth. The Group may be considered a forerunner to the contemporary poetry workshop, or indeed the first proper poetry workshop in England. However, Group meetings had a distinct flavour that would make them unfamiliar to most who attend poetry workshops today. Not only was there the bearded and forbidding Hobsbaum in the chair and a heavy Leavisite aspect to proceedings, there was also the structure of the evening: its first half would concentrate on new work by one writer; this would then be followed by a coffee break, after which members could share work they particularly liked and, increasingly in later years, new poetry of their own. The Group also perpetuated ideas and an ambience as well as a social network that started in Oxford and Cambridge, and brought its members into contact with poets who had been very much outside both.
William Wootten
- Published in print:
- 2020
- Published Online:
- May 2021
- ISBN:
- 9781789627947
- eISBN:
- 9781800851054
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789627947.003.0002
- Subject:
- Literature, Poetry
This chapter describes the creation of a poetry group in the 1950s, whose members included Ted Hughes, Philip Hobsbaum, Edward Lucie-Smith, Australian bookseller Peter Porter, and BBC producer George ...
More
This chapter describes the creation of a poetry group in the 1950s, whose members included Ted Hughes, Philip Hobsbaum, Edward Lucie-Smith, Australian bookseller Peter Porter, and BBC producer George MacBeth. The Group may be considered a forerunner to the contemporary poetry workshop, or indeed the first proper poetry workshop in England. However, Group meetings had a distinct flavour that would make them unfamiliar to most who attend poetry workshops today. Not only was there the bearded and forbidding Hobsbaum in the chair and a heavy Leavisite aspect to proceedings, there was also the structure of the evening: its first half would concentrate on new work by one writer; this would then be followed by a coffee break, after which members could share work they particularly liked and, increasingly in later years, new poetry of their own. The Group also perpetuated ideas and an ambience as well as a social network that started in Oxford and Cambridge, and brought its members into contact with poets who had been very much outside both.Less
This chapter describes the creation of a poetry group in the 1950s, whose members included Ted Hughes, Philip Hobsbaum, Edward Lucie-Smith, Australian bookseller Peter Porter, and BBC producer George MacBeth. The Group may be considered a forerunner to the contemporary poetry workshop, or indeed the first proper poetry workshop in England. However, Group meetings had a distinct flavour that would make them unfamiliar to most who attend poetry workshops today. Not only was there the bearded and forbidding Hobsbaum in the chair and a heavy Leavisite aspect to proceedings, there was also the structure of the evening: its first half would concentrate on new work by one writer; this would then be followed by a coffee break, after which members could share work they particularly liked and, increasingly in later years, new poetry of their own. The Group also perpetuated ideas and an ambience as well as a social network that started in Oxford and Cambridge, and brought its members into contact with poets who had been very much outside both.
