Stephen Miller
- Published in print:
- 2009
- Published Online:
- March 2012
- ISBN:
- 9780520258334
- eISBN:
- 9780520943599
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520258334.001.0001
- Subject:
- Classical Studies, Ancient Greek, Roman, and Early Christian Philosophy
This book explores the provenance of the so-called Berkeley Herm of Plato, a sculptural portrait that the author first encountered over thirty years ago in a university storage basement. The head, ...
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This book explores the provenance of the so-called Berkeley Herm of Plato, a sculptural portrait that the author first encountered over thirty years ago in a university storage basement. The head, languishing since its arrival in 1902, had become detached from the body, or herm, and had been labeled a fake. In 2002, while preparing another book, the author—now an experienced archaeologist—needed an illustration of Plato, remembered this piece, and took another look. The marble, he recognized immediately, was from the Greek islands, the inscription appeared ancient, and the ribbons visible on the head were typical of those in Greek athletic scenes. This book tells the story of how the author was able to authenticate this long-dismissed treasure. His conclusion, that it is an ancient Roman copy possibly dating from the time of Hadrian, is further supported by art conservation scientist John Twilley, whose essay appears as an appendix in this book. The author's discovery makes a significant contribution to the worlds of art history, philosophy, archaeology, and sports history and will serve as a starting point for new research in the back rooms of museums.Less
This book explores the provenance of the so-called Berkeley Herm of Plato, a sculptural portrait that the author first encountered over thirty years ago in a university storage basement. The head, languishing since its arrival in 1902, had become detached from the body, or herm, and had been labeled a fake. In 2002, while preparing another book, the author—now an experienced archaeologist—needed an illustration of Plato, remembered this piece, and took another look. The marble, he recognized immediately, was from the Greek islands, the inscription appeared ancient, and the ribbons visible on the head were typical of those in Greek athletic scenes. This book tells the story of how the author was able to authenticate this long-dismissed treasure. His conclusion, that it is an ancient Roman copy possibly dating from the time of Hadrian, is further supported by art conservation scientist John Twilley, whose essay appears as an appendix in this book. The author's discovery makes a significant contribution to the worlds of art history, philosophy, archaeology, and sports history and will serve as a starting point for new research in the back rooms of museums.