Kenneth E. Hall
- Published in print:
- 2009
- Published Online:
- September 2011
- ISBN:
- 9789622099562
- eISBN:
- 9789882207097
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099562.003.0003
- Subject:
- Film, Television and Radio, Film
Woo came to The Killer with a diversified background in Hong Kong filmmaking. In addition to John Woo's apprenticeship with Chang Cheh, he had worked as a contract director for Golden Harvest. Woo's ...
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Woo came to The Killer with a diversified background in Hong Kong filmmaking. In addition to John Woo's apprenticeship with Chang Cheh, he had worked as a contract director for Golden Harvest. Woo's career had taken a downturn by the mid-1980s due to a series of unsuccessfully realized comedies. One of the reasons for the film's Western success may be its increased stylization relative to A Better Tomorrow; The Killer foregrounds allusions to European and Hollywood filmmaking in ways that the former film did not. Its conscious allusion to Melville as inspiration would also tend to generate interest in Western cinephile circles. The general tone and texture of The Killer fit more closely with the noir tradition than does A Better Tomorrow, which borrows more specifically from melodrama and the Hollywood gangster genre.Less
Woo came to The Killer with a diversified background in Hong Kong filmmaking. In addition to John Woo's apprenticeship with Chang Cheh, he had worked as a contract director for Golden Harvest. Woo's career had taken a downturn by the mid-1980s due to a series of unsuccessfully realized comedies. One of the reasons for the film's Western success may be its increased stylization relative to A Better Tomorrow; The Killer foregrounds allusions to European and Hollywood filmmaking in ways that the former film did not. Its conscious allusion to Melville as inspiration would also tend to generate interest in Western cinephile circles. The general tone and texture of The Killer fit more closely with the noir tradition than does A Better Tomorrow, which borrows more specifically from melodrama and the Hollywood gangster genre.
