Joan D. Hedrick
- Published in print:
- 1995
- Published Online:
- October 2011
- ISBN:
- 9780195096392
- eISBN:
- 9780199854288
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195096392.003.0013
- Subject:
- History, American History: 19th Century
Harriet Beecher Stowe's initial publications had been in the Western Monthly Magazine. Between 1833 and 1834, she published five stories and sketches in James Hall's magazine. While becoming a ...
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Harriet Beecher Stowe's initial publications had been in the Western Monthly Magazine. Between 1833 and 1834, she published five stories and sketches in James Hall's magazine. While becoming a westerner was an important step on her way to reaching a national audience, Stowe's literary power intensified when she began writing for Sarah Josepha Hale's Godey's Lady's Book, self-described as “a proud monument reared by the Ladies of America as a testimony of their own worth.” Beginning in 1839 with “Trials of a Housekeeper,” Stowe published at least eight stories in Godey's Lady's Book during the three following years. The Lady's Book introduced Stowe to an audience she would have particular sympathies with: the women of America. In 1836 Hale merged her magazine with a new venture of Louis Godey. This merger resulted in a phenomenally successful national magazine and now that there was a distinct possibility that she might become a literary woman, Harriet expressed some ambivalence.Less
Harriet Beecher Stowe's initial publications had been in the Western Monthly Magazine. Between 1833 and 1834, she published five stories and sketches in James Hall's magazine. While becoming a westerner was an important step on her way to reaching a national audience, Stowe's literary power intensified when she began writing for Sarah Josepha Hale's Godey's Lady's Book, self-described as “a proud monument reared by the Ladies of America as a testimony of their own worth.” Beginning in 1839 with “Trials of a Housekeeper,” Stowe published at least eight stories in Godey's Lady's Book during the three following years. The Lady's Book introduced Stowe to an audience she would have particular sympathies with: the women of America. In 1836 Hale merged her magazine with a new venture of Louis Godey. This merger resulted in a phenomenally successful national magazine and now that there was a distinct possibility that she might become a literary woman, Harriet expressed some ambivalence.
Cynthia Lee Patterson
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737363
- eISBN:
- 9781621031185
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737363.001.0001
- Subject:
- History, American History: 19th Century
How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print ...
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How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print shops, Americans relied on mass-circulated illustrated magazines. One group of magazines in particular, known collectively as the Philadelphia pictorials, circulated fine art engravings of paintings, some produced exclusively for circulation in these monthlies, to an eager middle-class reading audience. These magazines achieved print circulations far exceeding those of other print media (such as illustrated gift books, or catalogs from art-union membership organizations). Godey’s, Graham’s, Peterson’s, Miss Leslie’s, and Sartain’s Union Magazine included two to three fine art engravings monthly, “tipped in” to the fronts of the magazines, and designed for pull-out and display. Featuring the work of a fledgling group of American artists who chose American rather than European themes for their paintings, these magazines were crucial to the distribution of American art beyond the purview of the East Coast elite to a widespread middle-class audience. Contributions to these magazines enabled many an American artist and engraver to earn, for the first time in the young nation’s history, a modest living through art. This book examines the economics of artistic production, innovative engraving techniques, regional imitators, the textual “illustrations” accompanying engravings, and the principal artists and engravers contributing to these magazines.Less
How did the average American learn about art in the mid-nineteenth century? With public art museums still in their infancy, and few cities and towns large enough to support art galleries or print shops, Americans relied on mass-circulated illustrated magazines. One group of magazines in particular, known collectively as the Philadelphia pictorials, circulated fine art engravings of paintings, some produced exclusively for circulation in these monthlies, to an eager middle-class reading audience. These magazines achieved print circulations far exceeding those of other print media (such as illustrated gift books, or catalogs from art-union membership organizations). Godey’s, Graham’s, Peterson’s, Miss Leslie’s, and Sartain’s Union Magazine included two to three fine art engravings monthly, “tipped in” to the fronts of the magazines, and designed for pull-out and display. Featuring the work of a fledgling group of American artists who chose American rather than European themes for their paintings, these magazines were crucial to the distribution of American art beyond the purview of the East Coast elite to a widespread middle-class audience. Contributions to these magazines enabled many an American artist and engraver to earn, for the first time in the young nation’s history, a modest living through art. This book examines the economics of artistic production, innovative engraving techniques, regional imitators, the textual “illustrations” accompanying engravings, and the principal artists and engravers contributing to these magazines.
Amy G. Richter
- Published in print:
- 2015
- Published Online:
- September 2016
- ISBN:
- 9780814769133
- eISBN:
- 9780814769157
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9780814769133.003.0002
- Subject:
- History, American History: 19th Century
Chapter 1 explores the relationship between home and a new middle-class moral order emerging in the early decades of the nineteenth century. As men’s labor increasingly moved outside the home, ...
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Chapter 1 explores the relationship between home and a new middle-class moral order emerging in the early decades of the nineteenth century. As men’s labor increasingly moved outside the home, domestic spaces came to be associated with women who were expected to maintain them as bulwarks against the morally suspect, public world of business competition. Within this ideal of separate spheres, women’s domestic labor was recast—less and less depicted as productive labor with economic value and instead described as an extension of inherent femininity. Sources in this chapter include prescriptive literature from Godey’s Lady’s Book and documents by Catharine Beecher, Lydia Maria Child, and Susan Warner considering the relationship between home and femininity. John Angell James and Herman Melville consider the implications of middle-class domesticity for men and their place in the home, and Andrew Jackson Downing describes the relationship between architecture and morality.Less
Chapter 1 explores the relationship between home and a new middle-class moral order emerging in the early decades of the nineteenth century. As men’s labor increasingly moved outside the home, domestic spaces came to be associated with women who were expected to maintain them as bulwarks against the morally suspect, public world of business competition. Within this ideal of separate spheres, women’s domestic labor was recast—less and less depicted as productive labor with economic value and instead described as an extension of inherent femininity. Sources in this chapter include prescriptive literature from Godey’s Lady’s Book and documents by Catharine Beecher, Lydia Maria Child, and Susan Warner considering the relationship between home and femininity. John Angell James and Herman Melville consider the implications of middle-class domesticity for men and their place in the home, and Andrew Jackson Downing describes the relationship between architecture and morality.
Cynthia Lee Patterson
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737363
- eISBN:
- 9781621031185
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737363.003.0001
- Subject:
- History, American History: 19th Century
This chapter explores the proliferation of American art through the distribution of magazines with engraved pictures during the mid-1800s. It explains that several magazines such as Saturday Evening ...
More
This chapter explores the proliferation of American art through the distribution of magazines with engraved pictures during the mid-1800s. It explains that several magazines such as Saturday Evening Post, Godey’s Lady’s Book, and Graham’s Lady’s and Gentleman’s Magazine published various engraved American artworks and these were circulated for thousands of readers to see. It points out that the wide circulation of the magazines was an important factor in the democratization of American art, as it gave an opportunity for the middle and lower classes to appreciate and enjoy art.Less
This chapter explores the proliferation of American art through the distribution of magazines with engraved pictures during the mid-1800s. It explains that several magazines such as Saturday Evening Post, Godey’s Lady’s Book, and Graham’s Lady’s and Gentleman’s Magazine published various engraved American artworks and these were circulated for thousands of readers to see. It points out that the wide circulation of the magazines was an important factor in the democratization of American art, as it gave an opportunity for the middle and lower classes to appreciate and enjoy art.
Cynthia Lee Patterson
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737363
- eISBN:
- 9781621031185
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737363.003.0006
- Subject:
- History, American History: 19th Century
This chapter explores promotional strategies and editorial matter used in Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine. These show ...
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This chapter explores promotional strategies and editorial matter used in Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine. These show differences on how these publications addressed their respective audiences. Godey’s artworks consisted mainly of images of women and children, to target its audience which consisted mainly of mothers. Both Graham’s and Peterson’s used numerous images of idealized beauty, as they both assumed that the majority of their readers were unmarried males. Sartain’s used titillating images of Indian maidens aimed to arouse a majority male readership.Less
This chapter explores promotional strategies and editorial matter used in Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine. These show differences on how these publications addressed their respective audiences. Godey’s artworks consisted mainly of images of women and children, to target its audience which consisted mainly of mothers. Both Graham’s and Peterson’s used numerous images of idealized beauty, as they both assumed that the majority of their readers were unmarried males. Sartain’s used titillating images of Indian maidens aimed to arouse a majority male readership.
Cynthia Lee Patterson
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737363
- eISBN:
- 9781621031185
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737363.003.0007
- Subject:
- History, American History: 19th Century
This chapter examines competition between the magazines Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine, in securing engravers. Both ...
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This chapter examines competition between the magazines Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine, in securing engravers. Both magazines Godey’s and Graham’s vied for the services of a well-known line engraver William E. Tucker. This ended with victory for Godey’s magazine. Peterson’s stayed away from conflict and relied heavily in its resident engraver, Jacob D. Gross, a pupil of the mezzotint engraving pioneer John Sartain. The chapter notes that Sartain’s competed heavily against Godey’s in securing engravers, with the former using John Sartain’s connections with his fellow engravers and the latter using its vast funds to attract talent.Less
This chapter examines competition between the magazines Godey’s Lady’s Book, Graham’s Lady’s and Gentleman’s Magazine, Peterson’s Magazine, and Sartain’s Union Magazine, in securing engravers. Both magazines Godey’s and Graham’s vied for the services of a well-known line engraver William E. Tucker. This ended with victory for Godey’s magazine. Peterson’s stayed away from conflict and relied heavily in its resident engraver, Jacob D. Gross, a pupil of the mezzotint engraving pioneer John Sartain. The chapter notes that Sartain’s competed heavily against Godey’s in securing engravers, with the former using John Sartain’s connections with his fellow engravers and the latter using its vast funds to attract talent.
Cynthia Lee Patterson
- Published in print:
- 2010
- Published Online:
- March 2014
- ISBN:
- 9781604737363
- eISBN:
- 9781621031185
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781604737363.003.0008
- Subject:
- History, American History: 19th Century
This chapter discusses the rise of lithographic art print companies such as Goupil, Vibert and Co. and Currier and Ives in the 1850s, which eclipsed the prominence of illustrated magazines in ...
More
This chapter discusses the rise of lithographic art print companies such as Goupil, Vibert and Co. and Currier and Ives in the 1850s, which eclipsed the prominence of illustrated magazines in Philadelphia. Lithographic prints were cheaper and easier to produce, and with the artists working for both Goupil, Vibert and Co. and Currier and Ives, the American public started to shift their focus toward art prints. Both Graham’s Lady’s and Gentleman’s Magazine and Sartain’s Union Magazine ended in the 1850s. Godey’s Lady’s Book and Peterson’s Magazine continued to thrive, as they continued to publish high quality literature and they kept a loyal readership.Less
This chapter discusses the rise of lithographic art print companies such as Goupil, Vibert and Co. and Currier and Ives in the 1850s, which eclipsed the prominence of illustrated magazines in Philadelphia. Lithographic prints were cheaper and easier to produce, and with the artists working for both Goupil, Vibert and Co. and Currier and Ives, the American public started to shift their focus toward art prints. Both Graham’s Lady’s and Gentleman’s Magazine and Sartain’s Union Magazine ended in the 1850s. Godey’s Lady’s Book and Peterson’s Magazine continued to thrive, as they continued to publish high quality literature and they kept a loyal readership.
