Katrin Voltmer and Christiane Eilders
- Published in print:
- 2003
- Published Online:
- January 2012
- ISBN:
- 9780197262955
- eISBN:
- 9780191734465
- Item type:
- chapter
- Publisher:
- British Academy
- DOI:
- 10.5871/bacad/9780197262955.003.0009
- Subject:
- History, European Modern History
This chapter investigates whether the assumption that the media contribute to the communication deficit of the EU is reflected in the empirical pattern of political coverage. In particular, it ...
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This chapter investigates whether the assumption that the media contribute to the communication deficit of the EU is reflected in the empirical pattern of political coverage. In particular, it explores the extent to which German media take a Europeanized perspective on political affairs and whether or not they promote the politics of European integration. The study is based on a content analysis of the editorials of German national quality newspapers covering the period between 1994 and 1998. The findings show that the media under study devote only a very small portion of their attention to European issues, thus marginalizing Europe to an extent that is not warranted by the significance of the European level of governance. If the media do focus on European issues, they predominantly address them in terms of national politics, which is interpreted as a ‘domestication’ of Europe in public discourse. At the same time, the media unanimously support the idea of European integration. This pattern of communicating Europe reflects the élite consensus on European matters in Germany and may have contributed to the alienation of the general public from European politics.Less
This chapter investigates whether the assumption that the media contribute to the communication deficit of the EU is reflected in the empirical pattern of political coverage. In particular, it explores the extent to which German media take a Europeanized perspective on political affairs and whether or not they promote the politics of European integration. The study is based on a content analysis of the editorials of German national quality newspapers covering the period between 1994 and 1998. The findings show that the media under study devote only a very small portion of their attention to European issues, thus marginalizing Europe to an extent that is not warranted by the significance of the European level of governance. If the media do focus on European issues, they predominantly address them in terms of national politics, which is interpreted as a ‘domestication’ of Europe in public discourse. At the same time, the media unanimously support the idea of European integration. This pattern of communicating Europe reflects the élite consensus on European matters in Germany and may have contributed to the alienation of the general public from European politics.
Volker R. Berghahn
- Published in print:
- 2018
- Published Online:
- May 2019
- ISBN:
- 9780691179636
- eISBN:
- 9780691185071
- Item type:
- book
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691179636.001.0001
- Subject:
- History, Social History
This book takes an in-depth look at German journalism from the late Weimar period through the postwar decades. Illuminating the roles played by journalists in the media metropolis of Hamburg, the ...
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This book takes an in-depth look at German journalism from the late Weimar period through the postwar decades. Illuminating the roles played by journalists in the media metropolis of Hamburg, the book focuses on the lives and work of three remarkable individuals: Marion Countess Dönhoff, distinguished editor of Die Zeit; Paul Sethe, “the grand old man of West German journalism”; and Hans Zehrer, editor in chief of Die Welt. All born before 1914, Dönhoff, Sethe, and Zehrer witnessed the Weimar Republic's end and opposed Hitler. When the latter seized power in 1933, they were, like their fellow Germans, confronted with the difficult choice of entering exile, becoming part of the active resistance, or joining the Nazi Party. Instead, they followed a fourth path—“inner emigration”—psychologically distancing themselves from the regime, their writing falling into a gray zone between grudging collaboration and active resistance. During the war, Dönhoff and Sethe had links to the 1944 conspiracy to kill Hitler, while Zehrer remained out of sight on a North Sea island. In the decades after 1945, all three became major figures in the West German media. The book considers how these journalists and those who chose inner emigration interpreted Germany's horrific past and how they helped to morally and politically shape the reconstruction of the country. With fresh archival materials, the book sheds essential light on the influential position of the German media in the mid-twentieth century and raises questions about modern journalism that remain topical today.Less
This book takes an in-depth look at German journalism from the late Weimar period through the postwar decades. Illuminating the roles played by journalists in the media metropolis of Hamburg, the book focuses on the lives and work of three remarkable individuals: Marion Countess Dönhoff, distinguished editor of Die Zeit; Paul Sethe, “the grand old man of West German journalism”; and Hans Zehrer, editor in chief of Die Welt. All born before 1914, Dönhoff, Sethe, and Zehrer witnessed the Weimar Republic's end and opposed Hitler. When the latter seized power in 1933, they were, like their fellow Germans, confronted with the difficult choice of entering exile, becoming part of the active resistance, or joining the Nazi Party. Instead, they followed a fourth path—“inner emigration”—psychologically distancing themselves from the regime, their writing falling into a gray zone between grudging collaboration and active resistance. During the war, Dönhoff and Sethe had links to the 1944 conspiracy to kill Hitler, while Zehrer remained out of sight on a North Sea island. In the decades after 1945, all three became major figures in the West German media. The book considers how these journalists and those who chose inner emigration interpreted Germany's horrific past and how they helped to morally and politically shape the reconstruction of the country. With fresh archival materials, the book sheds essential light on the influential position of the German media in the mid-twentieth century and raises questions about modern journalism that remain topical today.
Rebecca Braun
- Published in print:
- 2008
- Published Online:
- September 2008
- ISBN:
- 9780199542703
- eISBN:
- 9780191715372
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199542703.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature, Prose (inc. letters, diaries)
This book traces a long-standing concern with issues of authorship throughout the work of Günter Grass, Germany's best-known contemporary writer and public intellectual. Through detailed ...
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This book traces a long-standing concern with issues of authorship throughout the work of Günter Grass, Germany's best-known contemporary writer and public intellectual. Through detailed close-readings of all of his major literary works from 1970 onwards and careful analysis of his political writings from 1965 to 2005, it argues that Grass's tendency to insert clearly recognizable self-images into his literary texts represents a coherent and calculated reaction to his constant exposure in the media-led public sphere. It underlines the degree of play which has characterized Grass's relationship to this sphere and his identity as part of it and explains how a concern with the very concept of authorship has conditioned the way his work as a whole has developed on both thematic and structural levels. The major achievement of this study is to develop a new interpretative paradigm for Grass's work. It explains for the first time how his playful tendency to manipulate his own authorial image conditions all levels of his texts and is equally manifest in literary and political realms.Less
This book traces a long-standing concern with issues of authorship throughout the work of Günter Grass, Germany's best-known contemporary writer and public intellectual. Through detailed close-readings of all of his major literary works from 1970 onwards and careful analysis of his political writings from 1965 to 2005, it argues that Grass's tendency to insert clearly recognizable self-images into his literary texts represents a coherent and calculated reaction to his constant exposure in the media-led public sphere. It underlines the degree of play which has characterized Grass's relationship to this sphere and his identity as part of it and explains how a concern with the very concept of authorship has conditioned the way his work as a whole has developed on both thematic and structural levels. The major achievement of this study is to develop a new interpretative paradigm for Grass's work. It explains for the first time how his playful tendency to manipulate his own authorial image conditions all levels of his texts and is equally manifest in literary and political realms.
Bernhard Siegert
- Published in print:
- 2015
- Published Online:
- September 2015
- ISBN:
- 9780823263752
- eISBN:
- 9780823268962
- Item type:
- chapter
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823263752.003.0001
- Subject:
- Information Science, Communications
The chapter relates the re-emergence of cultural techniques (a concept first employed in the 19th century in an agricultural context) to the changing intellectual constellation of postwar Germany. ...
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The chapter relates the re-emergence of cultural techniques (a concept first employed in the 19th century in an agricultural context) to the changing intellectual constellation of postwar Germany. More specifically, it traces how the concept evolved from – and reacted against – so-called German media theory, a decidedly anti-hermeneutic and anti-humanist current of thought frequently associated with the work of Friedrich Kittler. Post-hermeneutic rather than anti-hermeneutic in its outlook, the reconceptualization of cultural techniques aims at presenting them as chains of operations that link humans, things, media and even animals. To investigate cultural techniques is to shift the analytic gaze from ontological distinctions to the ontic operations that gave rise to the former in the first place. The chapter also includes a discussion of the similarities and differences between German and North American posthumanism.Less
The chapter relates the re-emergence of cultural techniques (a concept first employed in the 19th century in an agricultural context) to the changing intellectual constellation of postwar Germany. More specifically, it traces how the concept evolved from – and reacted against – so-called German media theory, a decidedly anti-hermeneutic and anti-humanist current of thought frequently associated with the work of Friedrich Kittler. Post-hermeneutic rather than anti-hermeneutic in its outlook, the reconceptualization of cultural techniques aims at presenting them as chains of operations that link humans, things, media and even animals. To investigate cultural techniques is to shift the analytic gaze from ontological distinctions to the ontic operations that gave rise to the former in the first place. The chapter also includes a discussion of the similarities and differences between German and North American posthumanism.
Julia Bösch, Max-Josef Meier, Philipp Rösch-Schlanderer, and Achim Ekkehard Henning Wolf
- Published in print:
- 2016
- Published Online:
- January 2016
- ISBN:
- 9780199987238
- eISBN:
- 9780190210182
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199987238.003.0006
- Subject:
- Sociology, Social Research and Statistics, Economic Sociology
This chapter looks at media ownership and concentration in Germany. Once it has given an overview of the German media landscape, the chapter focuses on print media (newspapers, book publishing, ...
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This chapter looks at media ownership and concentration in Germany. Once it has given an overview of the German media landscape, the chapter focuses on print media (newspapers, book publishing, magazine publishing), audiovisual media (radio, broadcast television, multichannel TV platforms, video portals, film), telecommunications media (wireline and wireless telecom), and Internet media (Internet Service Providers, search engines, online news market, Internet portals). The central players in German audiovisual media are the dozen public service broadcast institutions, organized in ARD and ZDF. Policy is set by the Länder audiovisual regulatory organizations dominated by the large political parties. Several large print publishers have established a major role in television, such as Bertelsmann (RTL) and Axel Springer (ProSiebenSat1). Agreements between all Länder has created the basics of a dual public-private system of broadcasting. The system includes regulation for media concentration, stating that no single company can control more than 30% of all TV audiences. In telecom, the major players are Deutsche Telekom, Vodafone, and Telefonica. Other major print publishers are Burda, Bauer, and Holtzbrinck.Less
This chapter looks at media ownership and concentration in Germany. Once it has given an overview of the German media landscape, the chapter focuses on print media (newspapers, book publishing, magazine publishing), audiovisual media (radio, broadcast television, multichannel TV platforms, video portals, film), telecommunications media (wireline and wireless telecom), and Internet media (Internet Service Providers, search engines, online news market, Internet portals). The central players in German audiovisual media are the dozen public service broadcast institutions, organized in ARD and ZDF. Policy is set by the Länder audiovisual regulatory organizations dominated by the large political parties. Several large print publishers have established a major role in television, such as Bertelsmann (RTL) and Axel Springer (ProSiebenSat1). Agreements between all Länder has created the basics of a dual public-private system of broadcasting. The system includes regulation for media concentration, stating that no single company can control more than 30% of all TV audiences. In telecom, the major players are Deutsche Telekom, Vodafone, and Telefonica. Other major print publishers are Burda, Bauer, and Holtzbrinck.
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0001
- Subject:
- Society and Culture, Media Studies
An introduction to WE’s media theory in relation to German media theory, Kittler and the wider Digital Humanities debates
An introduction to WE’s media theory in relation to German media theory, Kittler and the wider Digital Humanities debates
Wolfgang Ernst
Jussi Parikka (ed.)
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.001.0001
- Subject:
- Society and Culture, Media Studies
In Ernst’s media theory, archaeology becomes archivological analysis that refuses to stay on the interface level. Instead, it reveals the technological conditions of our contemporary techniques of ...
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In Ernst’s media theory, archaeology becomes archivological analysis that refuses to stay on the interface level. Instead, it reveals the technological conditions of our contemporary techniques of memory and time. The archivological approach focuses on the infrastructure of media historical knowledge. With an extended concept of the archive, a media archaeological and archivological approach to the past means that media can not be made into “historical” objects of research only. Different media systems, from library catalogues to micro-filming, have influenced the content as well as the understanding of the historical remains of the archive itself. Alphabetic writing which has dominated the archive for centuries has dramatically been challenged by signal recording (photography, the phonograph, cinematography) and puzzled the archivists at the beginning of the age of media reproduction. Now, in the digital age, we are faced with further challenges concerning cultural memory, remembering and forgetting. Time is not registered only through historical writing but also through the microtemporality of the machines themselves. Instead of narrative and historical accounts of media history, Archives, Media and Cultural Memory that we need a more medium-specific account of the interaction of past and current media cultures. Media studies is extended into an analysis of their scientific and technological roots, while combining such specificity with exciting insights into contemporary philosophy and media theory.Less
In Ernst’s media theory, archaeology becomes archivological analysis that refuses to stay on the interface level. Instead, it reveals the technological conditions of our contemporary techniques of memory and time. The archivological approach focuses on the infrastructure of media historical knowledge. With an extended concept of the archive, a media archaeological and archivological approach to the past means that media can not be made into “historical” objects of research only. Different media systems, from library catalogues to micro-filming, have influenced the content as well as the understanding of the historical remains of the archive itself. Alphabetic writing which has dominated the archive for centuries has dramatically been challenged by signal recording (photography, the phonograph, cinematography) and puzzled the archivists at the beginning of the age of media reproduction. Now, in the digital age, we are faced with further challenges concerning cultural memory, remembering and forgetting. Time is not registered only through historical writing but also through the microtemporality of the machines themselves. Instead of narrative and historical accounts of media history, Archives, Media and Cultural Memory that we need a more medium-specific account of the interaction of past and current media cultures. Media studies is extended into an analysis of their scientific and technological roots, while combining such specificity with exciting insights into contemporary philosophy and media theory.
Klaus Peter Müller
- Published in print:
- 2016
- Published Online:
- January 2018
- ISBN:
- 9780748696581
- eISBN:
- 9781474418829
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748696581.003.0016
- Subject:
- Political Science, UK Politics
This chapter uses the concept of ‘the story’, applying a model of key story elements to the shape which the media imposed on the sequence of Scottish referendum events. The analysis offers ...
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This chapter uses the concept of ‘the story’, applying a model of key story elements to the shape which the media imposed on the sequence of Scottish referendum events. The analysis offers substantial, rich and dense data on press and broadcast coverage across three German-speaking nations. However, any important differences based on national perspectives among the three are not discernible. Across the board there tends to be a majority judgement against Scottish independence, not least associated with the views of sources such as business representatives, and there are some actively hostile views expressed in places toward Scottish aspirations for independence. However, and though in a minority, there is also supportive comment across the three countries, and after the vote and despite its result, there is a widespread media view that the referendum event has altered Scotland and Europe. Britain is seen as having been changed by the event, political democracy and regional diversity have been potentially enhanced, and the benefits of federalism are seen as reinforced.Less
This chapter uses the concept of ‘the story’, applying a model of key story elements to the shape which the media imposed on the sequence of Scottish referendum events. The analysis offers substantial, rich and dense data on press and broadcast coverage across three German-speaking nations. However, any important differences based on national perspectives among the three are not discernible. Across the board there tends to be a majority judgement against Scottish independence, not least associated with the views of sources such as business representatives, and there are some actively hostile views expressed in places toward Scottish aspirations for independence. However, and though in a minority, there is also supportive comment across the three countries, and after the vote and despite its result, there is a widespread media view that the referendum event has altered Scotland and Europe. Britain is seen as having been changed by the event, political democracy and regional diversity have been potentially enhanced, and the benefits of federalism are seen as reinforced.
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0002
- Subject:
- Society and Culture, Media Studies
specifically written for this Anglo-American edition, Ernst gives his own introduction to media archaeology and archivology
specifically written for this Anglo-American edition, Ernst gives his own introduction to media archaeology and archivology
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0008
- Subject:
- Society and Culture, Media Studies
Chapter 6: elaborates the media philosophy of archives by arguing that the spatial and metaphorical set of interface concepts we have are insufficient to understand what the archive is in digital ...
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Chapter 6: elaborates the media philosophy of archives by arguing that the spatial and metaphorical set of interface concepts we have are insufficient to understand what the archive is in digital cultureLess
Chapter 6: elaborates the media philosophy of archives by arguing that the spatial and metaphorical set of interface concepts we have are insufficient to understand what the archive is in digital culture
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0004
- Subject:
- Society and Culture, Media Studies
Ernst introduces the idea of how the machine itself register time even before the intervention of the human observer
Ernst introduces the idea of how the machine itself register time even before the intervention of the human observer
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0010
- Subject:
- Society and Culture, Media Studies
Chapter 8: the chapter offers a case study of the media archaeology of the radio, or actually of the electron tube as a way to understand the grey, often neglected role of components in media history
Chapter 8: the chapter offers a case study of the media archaeology of the radio, or actually of the electron tube as a way to understand the grey, often neglected role of components in media history
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0003
- Subject:
- Society and Culture, Media Studies
Ernst contextualises his media archaeological method in relation to the art/cultural historical theories of Stephen Bann
Ernst contextualises his media archaeological method in relation to the art/cultural historical theories of Stephen Bann
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0005
- Subject:
- Society and Culture, Media Studies
A chapter in which the microtemporality of digital archives is introduced, and set as different from the classical archive definition/practices
A chapter in which the microtemporality of digital archives is introduced, and set as different from the classical archive definition/practices
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0006
- Subject:
- Society and Culture, Media Studies
Continues along the same themes of microtemporality and elaborates how the digital memory is always dynamic, in movement
Continues along the same themes of microtemporality and elaborates how the digital memory is always dynamic, in movement
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0007
- Subject:
- Society and Culture, Media Studies
addresses the questions of real time memory through the media technology of television, and the emergence of new kinds of dynamic archives as part of the post-broadcasting era
addresses the questions of real time memory through the media technology of television, and the emergence of new kinds of dynamic archives as part of the post-broadcasting era
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0011
- Subject:
- Society and Culture, Media Studies
Chapter 9: the chapter addresses the epistemological challenges in a sound based historical excavation
Chapter 9: the chapter addresses the epistemological challenges in a sound based historical excavation
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0012
- Subject:
- Society and Culture, Media Studies
Chapter 10: this chapter continues to elaborate the link between sound and mathematics, through three brief case studies of Pythagoras, Hertz and finally with Turing and the emergence of the digital ...
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Chapter 10: this chapter continues to elaborate the link between sound and mathematics, through three brief case studies of Pythagoras, Hertz and finally with Turing and the emergence of the digital ageLess
Chapter 10: this chapter continues to elaborate the link between sound and mathematics, through three brief case studies of Pythagoras, Hertz and finally with Turing and the emergence of the digital age
Wolfgang Ernst
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816677665
- eISBN:
- 9781452948065
- Item type:
- chapter
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816677665.003.0009
- Subject:
- Society and Culture, Media Studies
Chapter 7: the chapter elaborates the idea of the common roots of narratives and counting in calculational practices, and continues to discuss the digital as calculation, not narrative, culture
Chapter 7: the chapter elaborates the idea of the common roots of narratives and counting in calculational practices, and continues to discuss the digital as calculation, not narrative, culture
