Isabelle Vanderschelden
- Published in print:
- 2013
- Published Online:
- February 2021
- ISBN:
- 9781906733162
- eISBN:
- 9781800342002
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781906733162.003.0010
- Subject:
- Film, Television and Radio, Film
This chapter explores the renewal of French historical drama and heritage film. French cinema has always sought inspiration in historical events to form the basis of powerful narratives. In the ...
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This chapter explores the renewal of French historical drama and heritage film. French cinema has always sought inspiration in historical events to form the basis of powerful narratives. In the 1980s, a range of films explored and renewed the approach to this cinematic genre by developing a trend of spectacular mainstream heritage films, known in France as 'les films du patrimoine'. Towards the mid-1990s, these lavish costume dramas became less popular in France, and some commercial flops made producers more wary of investing large sums in them. In the new millennium, however, the heritage drama seems to have been revamped to produce a series of innovative films that combine compelling elements of national identity and transnational features often borrowed from New Hollywood. These films are often described as popular in the sense of being 'seen by a large number of people', and 'reaching a broad public'. Le Pacte des loups/Brotherhood of the Wolf (Christophe Gans, 2001) illustrates the emergence of this trend perfectly, by combining popular cultural myths with the high production values of recent European superproductions in a competitive global market.Less
This chapter explores the renewal of French historical drama and heritage film. French cinema has always sought inspiration in historical events to form the basis of powerful narratives. In the 1980s, a range of films explored and renewed the approach to this cinematic genre by developing a trend of spectacular mainstream heritage films, known in France as 'les films du patrimoine'. Towards the mid-1990s, these lavish costume dramas became less popular in France, and some commercial flops made producers more wary of investing large sums in them. In the new millennium, however, the heritage drama seems to have been revamped to produce a series of innovative films that combine compelling elements of national identity and transnational features often borrowed from New Hollywood. These films are often described as popular in the sense of being 'seen by a large number of people', and 'reaching a broad public'. Le Pacte des loups/Brotherhood of the Wolf (Christophe Gans, 2001) illustrates the emergence of this trend perfectly, by combining popular cultural myths with the high production values of recent European superproductions in a competitive global market.
Elizabeth M. Scott (ed.)
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9780813054391
- eISBN:
- 9780813053127
- Item type:
- book
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9780813054391.001.0001
- Subject:
- Archaeology, Historical Archaeology
This collection offers a new understanding of communities of French heritage in the New World, drawing on archaeological and historical evidence from both colonial and post-Conquest settings. It ...
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This collection offers a new understanding of communities of French heritage in the New World, drawing on archaeological and historical evidence from both colonial and post-Conquest settings. It counters the prevailing but mistaken notion that the French role in New World histories was confined largely to Québec and New Orleans and lasted only through the French and Indian War. Some chapters in the volume reveal new insights into French colonial communities, while others concern the post-Conquest Francophone communities that thrived under British, Spanish, or American control, long after France relinquished its colonies in the New World. The authors in this collection engage in a dialogue about what it meant to be ethnic French or a French descendant, Métis, Native American, enslaved, or a free person of color in French areas of North America, the Caribbean, and South America from the late 1600s until the late 1800s. The authors combine archaeological remains (from artifacts to food remains to cultural landscapes) with a rich body of historical records to help reveal the roots of present-day New World societies. This volume makes clear that, along with Spanish, British, and early American colonial influences, French colonists and their descendant communities played an important role in New World histories, and continue to do so.Less
This collection offers a new understanding of communities of French heritage in the New World, drawing on archaeological and historical evidence from both colonial and post-Conquest settings. It counters the prevailing but mistaken notion that the French role in New World histories was confined largely to Québec and New Orleans and lasted only through the French and Indian War. Some chapters in the volume reveal new insights into French colonial communities, while others concern the post-Conquest Francophone communities that thrived under British, Spanish, or American control, long after France relinquished its colonies in the New World. The authors in this collection engage in a dialogue about what it meant to be ethnic French or a French descendant, Métis, Native American, enslaved, or a free person of color in French areas of North America, the Caribbean, and South America from the late 1600s until the late 1800s. The authors combine archaeological remains (from artifacts to food remains to cultural landscapes) with a rich body of historical records to help reveal the roots of present-day New World societies. This volume makes clear that, along with Spanish, British, and early American colonial influences, French colonists and their descendant communities played an important role in New World histories, and continue to do so.
Robin Roberts and Frank de Caro
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9781496823786
- eISBN:
- 9781496823823
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496823786.003.0002
- Subject:
- Sociology, Culture
This chapter explores the history of the Joan of Arc parade, a women’s enterprise that celebrates the birthday of the famous saint, which happens to fall upon January 6th, Twelfth Night, the ...
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This chapter explores the history of the Joan of Arc parade, a women’s enterprise that celebrates the birthday of the famous saint, which happens to fall upon January 6th, Twelfth Night, the traditional commencement of the Carnival season. The parade runs through the French Quarter, concluding at the gilded Joan of Arc statue on Decatur Street (Joanie on a pony). The chapter looks at the feminist aspect of the group, which celebrates this female icon, a woman who spoke truth to power and actively fought against it. The parade also is significant for drawing upon European history in a way that underscores the French heritage of the city.Less
This chapter explores the history of the Joan of Arc parade, a women’s enterprise that celebrates the birthday of the famous saint, which happens to fall upon January 6th, Twelfth Night, the traditional commencement of the Carnival season. The parade runs through the French Quarter, concluding at the gilded Joan of Arc statue on Decatur Street (Joanie on a pony). The chapter looks at the feminist aspect of the group, which celebrates this female icon, a woman who spoke truth to power and actively fought against it. The parade also is significant for drawing upon European history in a way that underscores the French heritage of the city.
Anne-Laure Rigeade
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781942954422
- eISBN:
- 9781786944368
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781942954422.003.0031
- Subject:
- Literature, 20th-century Literature and Modernism
In this paper, I intend to analyze three French biographies and biofictions starring Virginia Woolf: Viviane Forrester's Virginia Woolf (2009), Christine Duhon's Une Année amoureuse de Virginia Woolf ...
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In this paper, I intend to analyze three French biographies and biofictions starring Virginia Woolf: Viviane Forrester's Virginia Woolf (2009), Christine Duhon's Une Année amoureuse de Virginia Woolf (1990), and Anne-James Chaton's elle regarde passer les gens (2016). My purpose is to show that these hybrid texts inherit of Woolf in two ways: first, because they propose a certain form of biography, a certain mix of fact and fiction, responding to Woolf's own creation, from Orlando to Roger Fry. Then, these texts inherit of an author's figure, an author who becomes more than a character, an icon.Less
In this paper, I intend to analyze three French biographies and biofictions starring Virginia Woolf: Viviane Forrester's Virginia Woolf (2009), Christine Duhon's Une Année amoureuse de Virginia Woolf (1990), and Anne-James Chaton's elle regarde passer les gens (2016). My purpose is to show that these hybrid texts inherit of Woolf in two ways: first, because they propose a certain form of biography, a certain mix of fact and fiction, responding to Woolf's own creation, from Orlando to Roger Fry. Then, these texts inherit of an author's figure, an author who becomes more than a character, an icon.
- Published in print:
- 2006
- Published Online:
- March 2013
- ISBN:
- 9780226514246
- eISBN:
- 9780226514239
- Item type:
- chapter
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226514239.003.0018
- Subject:
- History, American History: 19th Century
North of Sangamo and at the end of Edwards' Trace, most of the French character of Peoria quickly dissolved into the soil after Captain Craig's fires died out in the fall of 1812. The villagers did ...
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North of Sangamo and at the end of Edwards' Trace, most of the French character of Peoria quickly dissolved into the soil after Captain Craig's fires died out in the fall of 1812. The villagers did not return to the ruins, although a few families resettled down river on the opposite shore. Animals moved into the abandoned Fort Clark, and for a short time, Peoria was a very quiet place. After a few years of silence, the Americans began to visit, following the trace from the south. At first, they came to hunt or fish, but soon they began building their log houses. By the mid-1820s, Peoria—the last stand for the old ways of the eighteenth century—had become an American place. In less than a generation, the residents of Peoria began looking for the archaeological traces of its French heritage. This chapter describes excavations and artifacts from Peoria.Less
North of Sangamo and at the end of Edwards' Trace, most of the French character of Peoria quickly dissolved into the soil after Captain Craig's fires died out in the fall of 1812. The villagers did not return to the ruins, although a few families resettled down river on the opposite shore. Animals moved into the abandoned Fort Clark, and for a short time, Peoria was a very quiet place. After a few years of silence, the Americans began to visit, following the trace from the south. At first, they came to hunt or fish, but soon they began building their log houses. By the mid-1820s, Peoria—the last stand for the old ways of the eighteenth century—had become an American place. In less than a generation, the residents of Peoria began looking for the archaeological traces of its French heritage. This chapter describes excavations and artifacts from Peoria.
