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This book provides an exhaustive reading of the significant yet understudied intellectual review Lignes, from 1987 to 2017, to demonstrate how it has managed to preserve and develop the legacy of French radical thought often referred to as ‘French Theory’ or ‘la pensée 68’. Whilst many studies on intellectual reviews from the 1930s to the 1980s exist, this book crucially illuminates the shifting intellectual and political culture of France since the 1980s, filling a major gap in contemporary debates on the continued relevance of French intellectuals. This book provides a strong counter-narrative to the received account that, after the anti-totalitarian ‘liberal moment’ of the late 1970s, Marxism and structuralism were completely banished from the French intellectual sphere. It provides the historical context behind the rise of such internationally renowned thinkers such as Alain Badiou, Jacques Rancière Jean-Luc Nancy, whilst placing them within an intellectual genealogy stretching back to Georges Bataille and Maurice Blanchot in the 1930s. The book also introduces the reader to lesser known but nonetheless significant thinkers, including Lignes editor Michel Surya, Dionys Mascolo, Daniel Bensaïd, Fethi Benslama, Anselm Jappe and Robert Kurz. Through the review’s pages, a novel cultural history of France emerges as intellectuals respond to pressing contemporary issues, such as the fall of Communism, the European migrant crisis and rising nationalist tensions, the globalisation of financial capitalism and the 2008 economic crisis, scandals surrounding paedophilia and the return of religious thought to France, as well as debates on literature and the political value of art.

The French philosopher and sociologist Bruno Latour (*1947) is a major figure of contemporary thought. This book provides a comprehensive overview of the Latourian oeuvre, from his early anthropological studies in Abidjan (Ivory Coast) to his influential books like Laboratory Life and Science in Action and his most recent reflections on an empirical metaphysics of “modes of existence.” The book argues that the basic problem to which Latour’s work responds is that of social tradition, i.e. the complex relationship of culture, knowledge, and time. It shows that Latour’s understanding of this problem is deeply informed by his early involvement with Biblical exegesis, in particular the work of the German theologian Rudolf Bultmann. Against this background, the book questions the innovative potential of actor-network theory (ANT) and the fruitfulness of Latour’s philosophical attempts to understand the plurality of “modes of existence.”

With the aim of rethinking the state and stakes of contemporary theory, Gabriel Rockhill critically works through some of the most important recent philosophical writings on the intertwined topics of history, politics and art. He offers guidance to some of the complex debates in these areas, as well as a commanding overview of the key issues and some of the central figures, including Foucault, Derrida, Castoriadis, Badiou and Rancière. By resituating theoretical work in a broader force field of culture and power, he advances an innovative and nuanced description of recent intellectual developments that calls into question the now standard but rather stereotypical accounts of prominent thinkers and philosophical movements. Far from hiding behind the towering figures with whom he engages, Rockhill stakes out positions in relationship to them and formulates precise arguments in favour of a novel understanding of the historical relationship between art and politics, arguing that there is a need for a deep shift in the tectonic plates that undergird these debates. The result is an invitation not only to retool extant methodological paradigms but also to ultimately reinvent the practice of theory itself.