Patrick Crowley and Shirley Jordan (eds)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781789620658
- eISBN:
- 9781789623918
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620658.001.0001
- Subject:
- Literature, European Literature
The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French ...
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The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage with external realities. The aim of this volume is to explore how the formal properties of a range of texts inflect our reading of them and, through that exploration, to renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.Less
The chapters in this book respond to important questions about the formal properties of French literary texts and the agency of form. A central feature of twentieth- and twenty-first century French and Francophone writing has been the exploration of how cultural forms (literary, philosophical and visual) create distinctive semiotic environments and at the same time engage with external realities. The aim of this volume is to explore how the formal properties of a range of texts inflect our reading of them and, through that exploration, to renew the engagement with form that has been a key feature of French cultural production and of analysis in French studies.
Lucas Hollister
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781786942180
- eISBN:
- 9781789623642
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781786942180.001.0001
- Subject:
- Literature, European Literature
Beyond Return examines how popular literary forms have been politicized or could be productively repoliticized in the literary period that we have called the contemporary (roughly: since 1980). In ...
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Beyond Return examines how popular literary forms have been politicized or could be productively repoliticized in the literary period that we have called the contemporary (roughly: since 1980). In the aftermath of the efflorescence of experimental literature and theory that characterized the Trente Glorieuses (1945-75), ‘contemporary’ French literature is often said to embrace more traditional or readable novelistic forms. This rejection of the radical aesthetics of mid-century French literature, this rehabilitation of fictional forms that have been called sub-literary, regressive, or outdated, has been given a name: the ‘return to the story.’ Beyond Return proposes new perspectives on the cultural politics of such fictions. Examining adventure novels, radical noir, postmodernist mysteries, war novels, and dystopian fictions, this book shows how authors like Jean Echenoz, Jean-Patrick Manchette, Jean Rouaud, and Antoine Volodine develop radically dissimilar notions of the aesthetics of ‘return,’ and thus redraw in different manners the boundaries of the contemporary, the French, and the literary. In the process, Beyond Return argues for the need to move beyond the nostalgic, anti-modernist rhetoric of the ‘return to the story’ in order to appreciate the potentialities of innovative contemporary genre fictions.Less
Beyond Return examines how popular literary forms have been politicized or could be productively repoliticized in the literary period that we have called the contemporary (roughly: since 1980). In the aftermath of the efflorescence of experimental literature and theory that characterized the Trente Glorieuses (1945-75), ‘contemporary’ French literature is often said to embrace more traditional or readable novelistic forms. This rejection of the radical aesthetics of mid-century French literature, this rehabilitation of fictional forms that have been called sub-literary, regressive, or outdated, has been given a name: the ‘return to the story.’ Beyond Return proposes new perspectives on the cultural politics of such fictions. Examining adventure novels, radical noir, postmodernist mysteries, war novels, and dystopian fictions, this book shows how authors like Jean Echenoz, Jean-Patrick Manchette, Jean Rouaud, and Antoine Volodine develop radically dissimilar notions of the aesthetics of ‘return,’ and thus redraw in different manners the boundaries of the contemporary, the French, and the literary. In the process, Beyond Return argues for the need to move beyond the nostalgic, anti-modernist rhetoric of the ‘return to the story’ in order to appreciate the potentialities of innovative contemporary genre fictions.
Jason Herbeck
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940391
- eISBN:
- 9781786944948
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940391.001.0001
- Subject:
- Literature, World Literature
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, ...
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Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.Less
Construction of identity has constituted a vigorous source of debate in the Caribbean from the early days of colonization to the present, and under the varying guises of independence, departmentalization, dictatorship, overseas collectivity and occupation. Given the strictures and structures of colonialism long imposed upon the colonized subject, the (re)makings of identity have proven anything but evident when it comes to determining authentic expressions and perceptions of the postcolonial self. By way of close readings of both constructions in literature and the construction of literature, Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean proposes an original, informative frame of reference for understanding the long and ever-evolving struggle for social, cultural, historical and political autonomy in the region. Taking as its point of focus diverse canonical and lesser-known texts from Guadeloupe, Martinique and Haiti published between 1958 and 2013, this book examines the trope of the house (architecture) and the meta-textual construction of texts (architexture) as a means of conceptualizing and articulating how authentic means of expression are and have been created in French-Caribbean literature over the greater part of the past half-century—whether it be in the context of the years leading up to or following the departmentalization of France’s overseas colonies in the 1940’s, the wrath of Hurricane Hugo in 1989, or the devastating Haiti earthquake of 2010.
Lia Brozgal and Sara Kippur (eds)
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.001.0001
- Subject:
- Literature, Criticism/Theory
Being Contemporary emerges from a sense of critical urgency to probe the notion of ‘the contemporary’, and the place of the contemporary critic, in French literary and cultural studies today. ...
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Being Contemporary emerges from a sense of critical urgency to probe the notion of ‘the contemporary’, and the place of the contemporary critic, in French literary and cultural studies today. Consisting of twenty-two critical essays written by scholars in the field of French studies, the volume offers a sustained reflection on the status of the contemporary in French culture and takes a close look at the contemporary moment itself, as well as its concomitant discourse of crisis. The volume is split into four sections. The first section, ‘Conceptualizing the Contemporary’, offers distinct disciplinary approaches to broader questions about time, period, and categorization. The second section, ‘Contemporary Politics and French Thought’, brings broader theoretical inquiries to bear on the political sphere. The third section, ‘The Second World War and Vichy: Present Perspectives’, rearticulates the concern that the difficult negotiation of the past continues to haunt the present. The fourth section, ‘Writing the Contemporary Self’, features essays that probe the limits of autobiographical writing and self-representation. The fifth section, ‘Novel Rereadings’, offers new interpretations of monumental works of French fiction by literary giants such as Flaubert, Colette, Proust, Beckett. The sixth and final section, ‘Memory: Past and Future’, concludes with three different approaches to memory and representation. The essays in this volume, organised by theme rather than by definitions or denotations, encourage an expansive and elastic theoretical framework that charts a broad conceptual course and attempts to define what it means to ‘be contemporary’ both broadly and in terms of practice.Less
Being Contemporary emerges from a sense of critical urgency to probe the notion of ‘the contemporary’, and the place of the contemporary critic, in French literary and cultural studies today. Consisting of twenty-two critical essays written by scholars in the field of French studies, the volume offers a sustained reflection on the status of the contemporary in French culture and takes a close look at the contemporary moment itself, as well as its concomitant discourse of crisis. The volume is split into four sections. The first section, ‘Conceptualizing the Contemporary’, offers distinct disciplinary approaches to broader questions about time, period, and categorization. The second section, ‘Contemporary Politics and French Thought’, brings broader theoretical inquiries to bear on the political sphere. The third section, ‘The Second World War and Vichy: Present Perspectives’, rearticulates the concern that the difficult negotiation of the past continues to haunt the present. The fourth section, ‘Writing the Contemporary Self’, features essays that probe the limits of autobiographical writing and self-representation. The fifth section, ‘Novel Rereadings’, offers new interpretations of monumental works of French fiction by literary giants such as Flaubert, Colette, Proust, Beckett. The sixth and final section, ‘Memory: Past and Future’, concludes with three different approaches to memory and representation. The essays in this volume, organised by theme rather than by definitions or denotations, encourage an expansive and elastic theoretical framework that charts a broad conceptual course and attempts to define what it means to ‘be contemporary’ both broadly and in terms of practice.
Ruth Bush
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781381953
- eISBN:
- 9781786945181
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381953.001.0001
- Subject:
- Literature, Criticism/Theory
Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French ...
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Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French literary-political sphere, and engages with issues of authorial authenticity, literary value, and author autonomy. The study is built on careful documentations of the pre- and post-publication process, and explores the relentless interweaving of ideas expressed in literary form, their institutional contexts and underlying human relationships, and asks: Who writes about Africa and who is Africa written for? The book is split into two sections, ‘Institutions’ and ‘Mediations’. The first part of the book, ‘Institutions’, situates three institutions of particular significance, the publishing houses of Le Seuil and Présence Africaine, and the Association nationale des écrivains de la mer et de l’outre-mer. ‘Mediations’, the second section of the book, concludes with a consideration on how institutional structures work into or against the literary texture of selected publications, and examines readers’ reports and editorial revision; the use of pseudonyms; the development of named collections and the process of literary translation from English. Publishing Africa in French aims to bring book-historical principles to bear on a decisive period in French literary history and foregrounds the influencing factors on literary expression and its material impressions in the period of decolonization.Less
Publishing Africa in French provides a critical analysis of the global dynamics and cultural and publishing history of French and African literature. It focuses on French readership and the French literary-political sphere, and engages with issues of authorial authenticity, literary value, and author autonomy. The study is built on careful documentations of the pre- and post-publication process, and explores the relentless interweaving of ideas expressed in literary form, their institutional contexts and underlying human relationships, and asks: Who writes about Africa and who is Africa written for? The book is split into two sections, ‘Institutions’ and ‘Mediations’. The first part of the book, ‘Institutions’, situates three institutions of particular significance, the publishing houses of Le Seuil and Présence Africaine, and the Association nationale des écrivains de la mer et de l’outre-mer. ‘Mediations’, the second section of the book, concludes with a consideration on how institutional structures work into or against the literary texture of selected publications, and examines readers’ reports and editorial revision; the use of pseudonyms; the development of named collections and the process of literary translation from English. Publishing Africa in French aims to bring book-historical principles to bear on a decisive period in French literary history and foregrounds the influencing factors on literary expression and its material impressions in the period of decolonization.
Celia Britton
- Published in print:
- 2009
- Published Online:
- January 2019
- ISBN:
- 9781846311376
- eISBN:
- 9781786945303
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781846311376.001.0001
- Subject:
- Literature, World Literature
The Sense of Community in French Caribbean Fiction seeks to better understand the concept of community as a central and problematic issue in French Caribbean literature. The study examines ...
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The Sense of Community in French Caribbean Fiction seeks to better understand the concept of community as a central and problematic issue in French Caribbean literature. The study examines representations of community in seven French Caribbean novels, including Jacques Roumain’s Gouverneurs de la rosée, Edouard Glissant’s Le Quatrième Siècle, Simone Schwarz-Bart’s Pluie et vent sur Télumée Miracle, Vincent Placoly’s L’Eau-de-mort guildive, Patrick Chamoiseau’s Texaco, Daniel Maximin’s L’Ile et une nuit, and Maryse Condé’s Desirada. Each novel is discussed in chronological order, demonstrating a progressive move away from the ‘closed’ community towards a newer sense of an ‘open’ community. In this study, Britton offers an understanding of the postcolonial societies of the Caribbean by looking at French Caribbean literature’s role in the creation of community. The seven novels analysed reveal a correlation between a tightly knit, purposeful community and a linear narrative that ends in definitive resolution, and, conversely, between a dispersed or heterogeneous community and a narrative structure that avoids linearity and closure.Less
The Sense of Community in French Caribbean Fiction seeks to better understand the concept of community as a central and problematic issue in French Caribbean literature. The study examines representations of community in seven French Caribbean novels, including Jacques Roumain’s Gouverneurs de la rosée, Edouard Glissant’s Le Quatrième Siècle, Simone Schwarz-Bart’s Pluie et vent sur Télumée Miracle, Vincent Placoly’s L’Eau-de-mort guildive, Patrick Chamoiseau’s Texaco, Daniel Maximin’s L’Ile et une nuit, and Maryse Condé’s Desirada. Each novel is discussed in chronological order, demonstrating a progressive move away from the ‘closed’ community towards a newer sense of an ‘open’ community. In this study, Britton offers an understanding of the postcolonial societies of the Caribbean by looking at French Caribbean literature’s role in the creation of community. The seven novels analysed reveal a correlation between a tightly knit, purposeful community and a linear narrative that ends in definitive resolution, and, conversely, between a dispersed or heterogeneous community and a narrative structure that avoids linearity and closure.
Lucille Cairns
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382622
- eISBN:
- 9781786945273
- Item type:
- book
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382622.001.0001
- Subject:
- Literature, World Literature
Francophone Jewish Writers: Imagining Israel explores autobiographies, memoirs, and novels written by French-language Jewish writers in order to get an idea of Francophone Jewish imaginings of ...
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Francophone Jewish Writers: Imagining Israel explores autobiographies, memoirs, and novels written by French-language Jewish writers in order to get an idea of Francophone Jewish imaginings of Israel. Cairns contextualises her analysis of the texts in this book by drawing on social and political history as well as ideas of philosophy, journalism, psychoanalysis and sociology. The book foregrounds the differing emotional investments in Israel coming from both Francophone Jews physically situated in Israel and from diasporic Jews in France, thus investigating the ‘special’ Jewish relationship between the two countries.Less
Francophone Jewish Writers: Imagining Israel explores autobiographies, memoirs, and novels written by French-language Jewish writers in order to get an idea of Francophone Jewish imaginings of Israel. Cairns contextualises her analysis of the texts in this book by drawing on social and political history as well as ideas of philosophy, journalism, psychoanalysis and sociology. The book foregrounds the differing emotional investments in Israel coming from both Francophone Jews physically situated in Israel and from diasporic Jews in France, thus investigating the ‘special’ Jewish relationship between the two countries.
Lucille Cairns
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382622
- eISBN:
- 9781786945273
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382622.003.0003
- Subject:
- Literature, World Literature
‘Modern Israeli Paradigms of Identity’ considers how texts inscribe key elements within paradigms of Israeli identity from 1948 onwards and in doing so provides a general discussion of Zionism, the ...
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‘Modern Israeli Paradigms of Identity’ considers how texts inscribe key elements within paradigms of Israeli identity from 1948 onwards and in doing so provides a general discussion of Zionism, the kibbutzim - old and new, and the self-division of diasporic Jews. Also referred to in this chapter is the cult of the ‘New Hebrew’ and the role of the Israeli army in the formation of Israeli identity. Cairns concludes with an exploration of the influence of the Francophone community in inflecting modern Israeli identities and Israel’s perception of France.Less
‘Modern Israeli Paradigms of Identity’ considers how texts inscribe key elements within paradigms of Israeli identity from 1948 onwards and in doing so provides a general discussion of Zionism, the kibbutzim - old and new, and the self-division of diasporic Jews. Also referred to in this chapter is the cult of the ‘New Hebrew’ and the role of the Israeli army in the formation of Israeli identity. Cairns concludes with an exploration of the influence of the Francophone community in inflecting modern Israeli identities and Israel’s perception of France.
Lucille Cairns
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382622
- eISBN:
- 9781786945273
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382622.003.0006
- Subject:
- Literature, World Literature
This chapter assesses the conflict between Israel and France, which exists as a consequence of France’s perceived systematic anti-Israeli/anti-Zionist bias. In her discussion, Cairns analyses the ...
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This chapter assesses the conflict between Israel and France, which exists as a consequence of France’s perceived systematic anti-Israeli/anti-Zionist bias. In her discussion, Cairns analyses the link between French hostility towards Israel and the increase of antisemitism in twenty-first century France and twenty-first century Israeli’s view of France as a deeply anti-Semitic country.Less
This chapter assesses the conflict between Israel and France, which exists as a consequence of France’s perceived systematic anti-Israeli/anti-Zionist bias. In her discussion, Cairns analyses the link between French hostility towards Israel and the increase of antisemitism in twenty-first century France and twenty-first century Israeli’s view of France as a deeply anti-Semitic country.
Régine Robin
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.003.0005
- Subject:
- Literature, Criticism/Theory
‘Identities in Flux’, written by Régine Robin, is the first essay in the ‘Contemporary Politics and French Thought’ section and traces the major forces that have impacted post-colonial France: global ...
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‘Identities in Flux’, written by Régine Robin, is the first essay in the ‘Contemporary Politics and French Thought’ section and traces the major forces that have impacted post-colonial France: global capitalism, immigration and its resultant multiculturalism, the rise of the political right, and the persistent crises of memory that have occupied the second half of the twentieth century.Less
‘Identities in Flux’, written by Régine Robin, is the first essay in the ‘Contemporary Politics and French Thought’ section and traces the major forces that have impacted post-colonial France: global capitalism, immigration and its resultant multiculturalism, the rise of the political right, and the persistent crises of memory that have occupied the second half of the twentieth century.
Jason Herbeck
- Published in print:
- 2018
- Published Online:
- September 2018
- ISBN:
- 9781786940391
- eISBN:
- 9781786944948
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781786940391.003.0001
- Subject:
- Literature, World Literature
As a means of situating the correlative concepts of authenticity and identity within the historical context of the region, the Introduction discusses the frustrated notion of origins in the French ...
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As a means of situating the correlative concepts of authenticity and identity within the historical context of the region, the Introduction discusses the frustrated notion of origins in the French Caribbean and the inherent obstacles faced in negotiating a murky, ambivalent, (pre)colonial past. After an initial assessment and discussion of what the authors of Éloge de la Créolité describe as the “domination of an elsewhere”—the external forces to which the colonized is subject as a direct result of the colonial project—critical attention is devoted to the different means of identity-building that have been proposed by French-Caribbean authors and critics. In subsequently asserting that “reading structure” in the region’s vibrant literature corpus illustrates well how endeavors of authenticity in the French Caribbean might be both conceived and realized in literary terms, the chapter concludes by clarifying the dual methodological approach (architectural and architextual) that constitutes the framework of analysis for this book.Less
As a means of situating the correlative concepts of authenticity and identity within the historical context of the region, the Introduction discusses the frustrated notion of origins in the French Caribbean and the inherent obstacles faced in negotiating a murky, ambivalent, (pre)colonial past. After an initial assessment and discussion of what the authors of Éloge de la Créolité describe as the “domination of an elsewhere”—the external forces to which the colonized is subject as a direct result of the colonial project—critical attention is devoted to the different means of identity-building that have been proposed by French-Caribbean authors and critics. In subsequently asserting that “reading structure” in the region’s vibrant literature corpus illustrates well how endeavors of authenticity in the French Caribbean might be both conceived and realized in literary terms, the chapter concludes by clarifying the dual methodological approach (architectural and architextual) that constitutes the framework of analysis for this book.
Lucille Cairns
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382622
- eISBN:
- 9781786945273
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382622.003.0004
- Subject:
- Literature, World Literature
‘Intra-Israeli Conflict’ examines how the primary corpus represents conflict between different ethnic and political demographics among Jews in Israel. Using cognitive science, social psychology, and ...
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‘Intra-Israeli Conflict’ examines how the primary corpus represents conflict between different ethnic and political demographics among Jews in Israel. Using cognitive science, social psychology, and cognitive psychology, Cairns attempts to understand how and why conflict comes to be. The chapter takes an in-depth view at the immigrants who form the main constituents of Francophone communities in Israel, namely those of Moroccan, Tunisian, and Algerian descent, and highlights their intra-ethnic differences and the intense emotions felt between them.Less
‘Intra-Israeli Conflict’ examines how the primary corpus represents conflict between different ethnic and political demographics among Jews in Israel. Using cognitive science, social psychology, and cognitive psychology, Cairns attempts to understand how and why conflict comes to be. The chapter takes an in-depth view at the immigrants who form the main constituents of Francophone communities in Israel, namely those of Moroccan, Tunisian, and Algerian descent, and highlights their intra-ethnic differences and the intense emotions felt between them.
Jeffrey Mehlman
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.003.0007
- Subject:
- Literature, Criticism/Theory
‘Of Sade, Blanchot, and the French Twentieth Century: Thoughts at Columbia’, written by Jeffrey Mehlman, retraces the peregrinations of Maurice Blanchot and considers his relevance today. The essay’s ...
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‘Of Sade, Blanchot, and the French Twentieth Century: Thoughts at Columbia’, written by Jeffrey Mehlman, retraces the peregrinations of Maurice Blanchot and considers his relevance today. The essay’s attention to authors’ reading (Blanchot’s readings of Sade and Duras; Marty’s readings, in turn, of Blanchot and Genet) underscores the critical valences of rereading as a contemporary practice.Less
‘Of Sade, Blanchot, and the French Twentieth Century: Thoughts at Columbia’, written by Jeffrey Mehlman, retraces the peregrinations of Maurice Blanchot and considers his relevance today. The essay’s attention to authors’ reading (Blanchot’s readings of Sade and Duras; Marty’s readings, in turn, of Blanchot and Genet) underscores the critical valences of rereading as a contemporary practice.
Ruth Bush
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781381953
- eISBN:
- 9781786945181
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381953.003.0004
- Subject:
- Literature, Criticism/Theory
This chapter considers the colonial heritage of the main literary prizes specific to African writing in French in the post-war period, awarded by the Association nationale desécrivains de la mer et ...
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This chapter considers the colonial heritage of the main literary prizes specific to African writing in French in the post-war period, awarded by the Association nationale desécrivains de la mer et de l’outre-mer (ANEMOM). It demonstrates how the ANEMOM gradually adapted to the changing political and cultural context of decolonization during the vingt glorieuses and examines how it sought to preserve certain aspects of France’s colonial imaginary by consecrating the ‘Empire de la langue française’.Less
This chapter considers the colonial heritage of the main literary prizes specific to African writing in French in the post-war period, awarded by the Association nationale desécrivains de la mer et de l’outre-mer (ANEMOM). It demonstrates how the ANEMOM gradually adapted to the changing political and cultural context of decolonization during the vingt glorieuses and examines how it sought to preserve certain aspects of France’s colonial imaginary by consecrating the ‘Empire de la langue française’.
Alice Kaplan
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.003.0021
- Subject:
- Literature, Criticism/Theory
‘Making L’Etranger Contemporary: Kamel Daoud’s Meursault, contre-enquête’, written by Alice Kaplan, completes the ‘Novel Rereadings’ section and highlights another facet of rereading by offering a ...
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‘Making L’Etranger Contemporary: Kamel Daoud’s Meursault, contre-enquête’, written by Alice Kaplan, completes the ‘Novel Rereadings’ section and highlights another facet of rereading by offering a critique of a recent polemical Algerian novel. Through this critique, Kaplan assesses official history and language politics in contemporary Algeria.Less
‘Making L’Etranger Contemporary: Kamel Daoud’s Meursault, contre-enquête’, written by Alice Kaplan, completes the ‘Novel Rereadings’ section and highlights another facet of rereading by offering a critique of a recent polemical Algerian novel. Through this critique, Kaplan assesses official history and language politics in contemporary Algeria.
Ruth Bush
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781381953
- eISBN:
- 9781786945181
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381953.003.0007
- Subject:
- Literature, Criticism/Theory
‘Translating Africa in the French republic of letters’ is the concluding chapter in the ‘Mediations’ section of the text as well as the book itself, and focuses on the role of translation as a ...
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‘Translating Africa in the French republic of letters’ is the concluding chapter in the ‘Mediations’ section of the text as well as the book itself, and focuses on the role of translation as a further worldly aspect of literary mediation in the period of decolonization. The chapter suggests that translation depends not only on the relative position of languages, but on material conditions, shaped by the prestige of the translated author and, at times, the translator, and delineates writers’ and translators’ often strained relationships to notions of literary value during the decades of decolonization. By situating three translations in relation to the context of their publication and early reception, Bush considers the ways in which normative ideas of French as a literary language, bound up with the political transitions of this period, informed and accommodated translations of Anglophone African literature.Less
‘Translating Africa in the French republic of letters’ is the concluding chapter in the ‘Mediations’ section of the text as well as the book itself, and focuses on the role of translation as a further worldly aspect of literary mediation in the period of decolonization. The chapter suggests that translation depends not only on the relative position of languages, but on material conditions, shaped by the prestige of the translated author and, at times, the translator, and delineates writers’ and translators’ often strained relationships to notions of literary value during the decades of decolonization. By situating three translations in relation to the context of their publication and early reception, Bush considers the ways in which normative ideas of French as a literary language, bound up with the political transitions of this period, informed and accommodated translations of Anglophone African literature.
Richard J. Golsan
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.003.0009
- Subject:
- Literature, Criticism/Theory
‘What does ‘Vichy’ Mean Now?’, written by Richard J. Golsan, is the first essay in the section, ‘The Second World War and Vichy: Present Perspectives’, and offers an analysis of the changing ...
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‘What does ‘Vichy’ Mean Now?’, written by Richard J. Golsan, is the first essay in the section, ‘The Second World War and Vichy: Present Perspectives’, and offers an analysis of the changing signification of Vichy in the twenty-first-century imaginary. In his exploration of the Vichy period, Golsan navigates between past and present, bridging contemporary concerns and their origins. Combining a rigorous assessment of political and cultural debates, recent French laws, and new fiction, Golsan contends that the memory of Vichy has become dangerously allegorized, ‘ossified’, and ‘unmoored from historical realities.’Less
‘What does ‘Vichy’ Mean Now?’, written by Richard J. Golsan, is the first essay in the section, ‘The Second World War and Vichy: Present Perspectives’, and offers an analysis of the changing signification of Vichy in the twenty-first-century imaginary. In his exploration of the Vichy period, Golsan navigates between past and present, bridging contemporary concerns and their origins. Combining a rigorous assessment of political and cultural debates, recent French laws, and new fiction, Golsan contends that the memory of Vichy has become dangerously allegorized, ‘ossified’, and ‘unmoored from historical realities.’
Ruth Bush
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781381953
- eISBN:
- 9781786945181
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781381953.003.0002
- Subject:
- Literature, Criticism/Theory
This chapter is the first in the ‘Institutions’ section of the study, and considers the relative positions and strategies of selected editors who added literary voices concerning the Union française ...
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This chapter is the first in the ‘Institutions’ section of the study, and considers the relative positions and strategies of selected editors who added literary voices concerning the Union française to their catalogues in the late 1940s. Editors included in Bush’s discussion are Paul Flamand at Le Seuil, Charles Fasquelle of Éditions Fasquelle, Charles-André Julien at Presses universitaires de France, and Guy Lévis Mano. Each assessment provides the opportunity to contemplate how anthologies and edited collections engaged with the politically volatile context of the Union française in a period marked by a sustained sense of both guilt and hope.Less
This chapter is the first in the ‘Institutions’ section of the study, and considers the relative positions and strategies of selected editors who added literary voices concerning the Union française to their catalogues in the late 1940s. Editors included in Bush’s discussion are Paul Flamand at Le Seuil, Charles Fasquelle of Éditions Fasquelle, Charles-André Julien at Presses universitaires de France, and Guy Lévis Mano. Each assessment provides the opportunity to contemplate how anthologies and edited collections engaged with the politically volatile context of the Union française in a period marked by a sustained sense of both guilt and hope.
Henry Rousso
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.003.0002
- Subject:
- Literature, Criticism/Theory
‘Coping with Contemporariness’, written by Henry Rousso, is the first chapter within the ‘Conceptualizing the Contemporary’ section. This essay inquires into the meaning of writing contemporary ...
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‘Coping with Contemporariness’, written by Henry Rousso, is the first chapter within the ‘Conceptualizing the Contemporary’ section. This essay inquires into the meaning of writing contemporary history and deconstructs its definitional boundaries as a category and practice, decoupling it conceptually from relation terms in order to historicize the field of contemporary history in the French academy.Less
‘Coping with Contemporariness’, written by Henry Rousso, is the first chapter within the ‘Conceptualizing the Contemporary’ section. This essay inquires into the meaning of writing contemporary history and deconstructs its definitional boundaries as a category and practice, decoupling it conceptually from relation terms in order to historicize the field of contemporary history in the French academy.
Maurice Samuels
- Published in print:
- 2016
- Published Online:
- January 2019
- ISBN:
- 9781781382639
- eISBN:
- 9781786945198
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9781781382639.003.0008
- Subject:
- Literature, Criticism/Theory
‘Alain Badiou and Anti-Semitism’, written by Maurice Samuels, focuses on current French debates over the ‘new anti-Semitism.’ In his essay, Samuels identifies the resurgence of anti-Semitism as one ...
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‘Alain Badiou and Anti-Semitism’, written by Maurice Samuels, focuses on current French debates over the ‘new anti-Semitism.’ In his essay, Samuels identifies the resurgence of anti-Semitism as one of the defining features of the contemporary moment in France, and through a series of close readings of Badiou’s writings, explores the ways in which Badiou’s positions on Jewish issues produce what he calls an ‘anti-Semitic effect.’Less
‘Alain Badiou and Anti-Semitism’, written by Maurice Samuels, focuses on current French debates over the ‘new anti-Semitism.’ In his essay, Samuels identifies the resurgence of anti-Semitism as one of the defining features of the contemporary moment in France, and through a series of close readings of Badiou’s writings, explores the ways in which Badiou’s positions on Jewish issues produce what he calls an ‘anti-Semitic effect.’