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WORDS, MUSIC, AND SONG: THE NINETEENTH‐CENTURY LIED

Lawrence M. Zbikowski

in Conceptualizing Music: Cognitive Structure, Theory, and Analysis

Published in print:
2002
Published Online:
May 2008
ISBN:
9780195140231
eISBN:
9780199871278
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195140231.003.0007
Subject:
Music, Theory, Analysis, Composition

This chapter explores further the nature of song and also the process of conceptual blending. As noted in Chapter 2, conceptual blending is a pervasive and often transparent process in which elements ... More


Languages of Listening

Laura Tunbridge

in Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars

Published in print:
2018
Published Online:
January 2019
ISBN:
9780226563572
eISBN:
9780226563602
Item type:
chapter
Publisher:
University of Chicago Press
DOI:
10.7208/chicago/9780226563602.003.0003
Subject:
Music, History, Western

This chapter addresses questions of repertoire and post-war debates over which songs should be sung, by whom, and in what language. In both London and New York there were objections not only to ... More


Reimagining Music in Barry Lyndon

Kate McQuiston

in We'll Meet Again: Musical Design in the Films of Stanley Kubrick

Published in print:
2013
Published Online:
January 2014
ISBN:
9780199767656
eISBN:
9780199369492
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199767656.003.0005
Subject:
Music, Popular, History, Western

Chapter 4 explores numerous steps and facets in Kubrick’s working process regarding music in Barry Lyndon, with special attention to the slow movement of Franz Schubert’s Piano Trio in E-flat, op. ... More


Schumann and the style hongrois

Julie Hedges Brown

in Rethinking Schumann

Published in print:
2011
Published Online:
May 2011
ISBN:
9780195393859
eISBN:
9780199894406
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195393859.003.0013
Subject:
Music, History, Western

This chapter explores how Robert Schumann imbued the style hongrois with his own poetic colorings. In three related finales—those concluding the F‐sharp Minor Piano Sonata, Op. 11; A‐Major String ... More


Re-composing Schubert

James Wishart

in The Musical Work: Reality or Invention?: Reality or Invention?

Published in print:
2000
Published Online:
June 2013
ISBN:
9780853238256
eISBN:
9781846313615
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9780853238256.003.0011
Subject:
Society and Culture, Media Studies

This chapter explores the relationship between hypotexts and hypertexts by focusing on composers Michael Tippett, Luciano Berio, Hans Zender and Franz Schubert. It looks at explicit parallels with ... More


Composing the Volk: Cultural Commemorations with Political Implications

Erin R. Hochman

in Imagining a Greater Germany: Republican Nationalism and the Idea of Anschluss

Published in print:
2016
Published Online:
May 2017
ISBN:
9781501704444
eISBN:
9781501706066
Item type:
chapter
Publisher:
Cornell University Press
DOI:
10.7591/cornell/9781501704444.003.0006
Subject:
History, European Early Modern History

This chapter looks at cultural commemorations for the anniversaries of the deaths of Ludwig van Beethoven in 1927, Franz Schubert in 1928, Walther von der Vogelweide in 1930, and Johann Wolfgang von ... More


Auf dem Flusse: Image and Background in a Schubert Song

David Lewin

in Studies in Music with Text

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195182088
eISBN:
9780199850594
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195182088.003.0005
Subject:
Music, Theory, Analysis, Composition

This chapter explores the relation of musical structure to textual imagery in Franz Schubert's song Auf dem Flusse, from Die Winterreise. First, it develops a general critical stance toward the ... More


Kakanian Variations: Four Hands and the Passing of the Nineteenth Century

Adrian Daub

in Four-Handed Monsters: Four-Hand Piano Playing and Nineteenth-Century Culture

Published in print:
2014
Published Online:
June 2014
ISBN:
9780199981779
eISBN:
9780199370085
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199981779.003.0009
Subject:
Music, History, Western, History, American

The moribund Hapsburg Empire always invited characterization through musical scenes, and prime among them were scenes of four-hand piano playing. This chapter focuses on a number of texts that ... More


Forests of the Heart

Paul Berry

in Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion

Published in print:
2014
Published Online:
November 2014
ISBN:
9780199982646
eISBN:
9780199365050
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199982646.003.0009
Subject:
Music, History, Western

An orchestral arrangement and a pair of revealing annotations in Brahms’s library bear witness to persistent fascination with Franz Schubert’s Greisen-Gesang, D 778, and especially with a pivotal ... More


Ihr Bild

David Lewin

in Studies in Music with Text

Published in print:
2006
Published Online:
October 2011
ISBN:
9780195182088
eISBN:
9780199850594
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195182088.003.0006
Subject:
Music, Theory, Analysis, Composition

The sense of gloom and despair in Franz Schubert's Ihr Bild is so immanent that we take the past tense of the text, on first encounter, as a literary substitute for a present-tense narration. The ... More


The Romantic Movement and Its Results

David Manning

in Vaughan Williams on Music

Published in print:
2007
Published Online:
October 2011
ISBN:
9780195182392
eISBN:
9780199851485
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195182392.003.0002
Subject:
Music, History, Western

The beginning of the romantic movement is to be found in the reaction against formal perfection that followed the death of Ludwig van Beethoven. Like so many other new movements, the romantic school ... More


Reading Poetry Through Music: Fanny Hensel and Others

Jürgen Thym

in The Songs of Fanny Hensel

Published in print:
2021
Published Online:
January 2021
ISBN:
9780190919566
eISBN:
9780190919597
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/oso/9780190919566.003.0011
Subject:
Music, Theory, Analysis, Composition, History, Western

In an extension of Stephen Rodgers’s efforts to turn “an analytical lens” on Fanny Hensel, this chapter focuses on selected Hensel settings whose texts have also inspired other composers: “Verlust” ... More


Anxiety: The Sublime as Trauma and Repetition

Kiene Brillenburg Wurth

in Musically Sublime: Indeterminacy, Infinity, Irresolvability

Published in print:
2009
Published Online:
March 2011
ISBN:
9780823230631
eISBN:
9780823235452
Item type:
chapter
Publisher:
Fordham University Press
DOI:
10.5422/fso/9780823230631.003.0006
Subject:
Philosophy, Aesthetics

This chapter offers a critical rewriting of the mathematical and dynamical sublimes—the sublime of the infinite and the sublime of terror—as specifically musical experiences. ... More


The Lovely Milleress and Stony Brook

Paul O. Jenkins

in Richard Dyer-Bennet: The Last Minstrel

Published in print:
2009
Published Online:
March 2014
ISBN:
9781604733600
eISBN:
9781604733617
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781604733600.003.0007
Subject:
Music, Popular

This chapter focuses on Richard Dyer-Bennet’s work on the translation of the Wilhelm Muller poems that Franz Schubert set to music as the song cycle Die schöne Müllerin. It explains that during this ... More


Introduction

Michael Talbot

in The Musical Work: Reality or Invention?: Reality or Invention?

Published in print:
2000
Published Online:
June 2013
ISBN:
9780853238256
eISBN:
9781846313615
Item type:
chapter
Publisher:
Liverpool University Press
DOI:
10.5949/liverpool/9780853238256.003.0001
Subject:
Society and Culture, Media Studies

This book contains the proceedings of a symposium, held at the University of Liverpool's Institute of Popular Music on September 21, 1998 to address musical work. It offers eleven different ... More


Introduction

Richard Cohn

in David Lewin's Morgengruß: Text, Context, Commentary

Published in print:
2015
Published Online:
October 2015
ISBN:
9780199844784
eISBN:
9780190228323
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199844784.003.0001
Subject:
Music, Theory, Analysis, Composition

This chapter is an introduction to Lewin’s 1974 Morgengruß essay, presenting an account of its genesis and reception, its position within Lewin’s intellectual development, and its influence on music ... More


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