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Introduction: Film Authorship as Place Making

Dennis Lo

in The Authorship of Place: A Cultural Geography of the New Chinese Cinemas

Published in print:
2020
Published Online:
May 2021
ISBN:
9789888528516
eISBN:
9789888180028
Item type:
chapter
Publisher:
Hong Kong University Press
DOI:
10.5790/hongkong/9789888528516.003.0001
Subject:
Film, Television and Radio, Film

The introduction advances a theoretical framework for interpreting how New Chinese Cinema auteurs shoot on-location as a mode of “place making,” the experiencing and imaging of rural shooting ... More


David Mamet and ‘Indie’ Cinema

Yannis Tzioumakis

in The Spanish Prisoner

Published in print:
2009
Published Online:
September 2012
ISBN:
9780748633685
eISBN:
9780748671236
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748633685.003.0003
Subject:
Film, Television and Radio, Film

The Chapter examines David Mamet’s position within the independent and indie cinema landscapes. It starts with an overview of Mamet’s work in American cinema and points to the problem that despite ... More


Shane Meadows: Critical Essays

Martin Fradley, Sarah Godfrey, and Melanie Williams (eds)

Published in print:
2013
Published Online:
January 2014
ISBN:
9780748676392
eISBN:
9780748693856
Item type:
book
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748676392.001.0001
Subject:
Film, Television and Radio, Film

Since the attention-grabbing short film Smalltime (1996) and his debut feature Twenty Four Seven (1997), director Shane Meadows has emerged as arguably the most distinctive young film-maker in ... More


Everyday Structures/Everyday Language: (Breillat 2001), (Dumont 2003)

Alison Taylor

in Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema

Published in print:
2017
Published Online:
January 2018
ISBN:
9781474415224
eISBN:
9781474434829
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9781474415224.003.0004
Subject:
Film, Television and Radio, Film

Chapter four expands on both the aesthetic tendency to refuse guidance in relation to depictions of violence, and the need in the critical discourse that surrounds extreme cinema to impose coherence ... More


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