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Cinematicity of Speech and Visibility of Literature: The Poetics of Soviet Film Scripts of the Early Sound Film Era

Anke Hennig

in Cinematicity in Media History

Published in print:
2013
Published Online:
May 2014
ISBN:
9780748676118
eISBN:
9780748695096
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748676118.003.0008
Subject:
Film, Television and Radio, Film

This chapter, written by Anke Hennig, offers an account of scriptwriting in the Soviet film culture of the 1930s. It locates an instance of cinematicity during this period in the political and ... More


Reading in the Age of Edison: The Cinematicity of ‘The Yellow Wall-Paper’

Karin Littau

in Cinematicity in Media History

Published in print:
2013
Published Online:
May 2014
ISBN:
9780748676118
eISBN:
9780748695096
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748676118.003.0005
Subject:
Film, Television and Radio, Film

This chapter, written by Karin Littau, addresses the media-transitional period of the late-nineteenth and early-twentieth centuries to show how aestho-physiological experiments in reading were linked ... More


Time and Motion Studies: Joycean Cinematicity in A Portrait of the Artist as a Young Man

Keith B. Williams

in Cinematicity in Media History

Published in print:
2013
Published Online:
May 2014
ISBN:
9780748676118
eISBN:
9780748695096
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748676118.003.0006
Subject:
Film, Television and Radio, Film

This chapter, written by Keith B. Williams, shows that James Joyce’s ‘eye and imagination were already trained by the rich and diverse optical culture in which he grew up’, even before cinema ... More


Dickensian ‘Dissolving Views’: The Magic Lantern, Visual Story-telling and the Victorian Technological Imagination

Joss Marsh

in Cinematicity in Media History

Published in print:
2013
Published Online:
May 2014
ISBN:
9780748676118
eISBN:
9780748695096
Item type:
chapter
Publisher:
Edinburgh University Press
DOI:
10.3366/edinburgh/9780748676118.003.0002
Subject:
Film, Television and Radio, Film

This chapter, written by Joss Marsh, suggests that visual culture in the nineteenth century cannot only be characterized by its fascination with what Tom Gunning calls, in Chapter Nine, ... More


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