Kimberly Lamm
- Published in print:
- 2018
- Published Online:
- September 2019
- ISBN:
- 9781526121264
- eISBN:
- 9781526136176
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526121264.001.0001
- Subject:
- Art, Art History
This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing ...
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This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of ‘the other woman,’ a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork’s aspirations more concrete, it places the artists in correspondence with three writers – Angela Davis, Valerie Solanas, and Laura Mulvey – who also addressed the limited range of images through which women are allowed to become visible.Less
This book analyses how three artists – Adrian Piper, Nancy Spero, and Mary Kelly – worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of ‘the other woman,’ a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork’s aspirations more concrete, it places the artists in correspondence with three writers – Angela Davis, Valerie Solanas, and Laura Mulvey – who also addressed the limited range of images through which women are allowed to become visible.
Geraldine Pratt
- Published in print:
- 2004
- Published Online:
- September 2012
- ISBN:
- 9780748615698
- eISBN:
- 9780748671243
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748615698.001.0001
- Subject:
- Society and Culture, Social Groups
Working Feminism looks at key concepts and debates within feminist theory and puts them to work concretely in relation to the real problems faced by Filipina domestic workers and Asian youth in ...
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Working Feminism looks at key concepts and debates within feminist theory and puts them to work concretely in relation to the real problems faced by Filipina domestic workers and Asian youth in Canada. Written by a geographer, it draws to the fore the metaphorical and concrete geographies that lie implicit and underdeveloped within much feminist theory and suggests that a geographical imagination offers a means of reframing debates beyond polarised theoretical and political positions. Alternating between theoretical and empirical chapters, substantial and wide-ranging discussions of human rights, multiculturalism, transnationalism and feminist politics are brought to earth and – by putting them into the context of individual predicaments – to life. The empirical chapters build from a long collaboration with an activist group – the Philippine Women Centre – in Vancouver, Canada and demonstrate the fruits of a close and innovative engagement between feminist theory and participatory action research. The book demonstrates the immediate practicality of abstract debates; it has been widely and successfully used in upper level undergraduate and graduate seminars.Less
Working Feminism looks at key concepts and debates within feminist theory and puts them to work concretely in relation to the real problems faced by Filipina domestic workers and Asian youth in Canada. Written by a geographer, it draws to the fore the metaphorical and concrete geographies that lie implicit and underdeveloped within much feminist theory and suggests that a geographical imagination offers a means of reframing debates beyond polarised theoretical and political positions. Alternating between theoretical and empirical chapters, substantial and wide-ranging discussions of human rights, multiculturalism, transnationalism and feminist politics are brought to earth and – by putting them into the context of individual predicaments – to life. The empirical chapters build from a long collaboration with an activist group – the Philippine Women Centre – in Vancouver, Canada and demonstrate the fruits of a close and innovative engagement between feminist theory and participatory action research. The book demonstrates the immediate practicality of abstract debates; it has been widely and successfully used in upper level undergraduate and graduate seminars.
Sherie M. Randolph
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781469623917
- eISBN:
- 9781469625119
- Item type:
- chapter
- Publisher:
- University of North Carolina Press
- DOI:
- 10.5149/northcarolina/9781469623917.003.0010
- Subject:
- History, African-American History
This chapter examines Flo Kennedy’s leadership in creating a black feminist movement to challenge the critical linkages between all forms of oppression, especially racism and sexism. By 1972, while ...
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This chapter examines Flo Kennedy’s leadership in creating a black feminist movement to challenge the critical linkages between all forms of oppression, especially racism and sexism. By 1972, while she was excited about the growth of the predominantly white feminist movement, she was also profoundly disappointed that the struggle still did not fully embrace a black feminist position and make challenging racism as well as sexism central to its political agenda. Thus, Kennedy worked to create interracial feminist organizations that emphasized a black feminist praxis. Her activism during this period was central to building a women’s movement that included women of all races as well as an independent black feminist movement. To Kennedy’s thinking, Shirley Chisholm’s quest for the presidential nomination was the perfect opportunity for white feminists to build an alliance and support a black feminist politics. In 1971 she created the Feminist Party in hopes of bringing together an inclusive group of feminists to support not simply the candidacy of the black congresswoman but black feminism more generally. Equally interested in advancing black feminist praxis, she worked to create the National Black Feminist Organization in 1973 and pushed black women to form their own autonomous black feminist movement.Less
This chapter examines Flo Kennedy’s leadership in creating a black feminist movement to challenge the critical linkages between all forms of oppression, especially racism and sexism. By 1972, while she was excited about the growth of the predominantly white feminist movement, she was also profoundly disappointed that the struggle still did not fully embrace a black feminist position and make challenging racism as well as sexism central to its political agenda. Thus, Kennedy worked to create interracial feminist organizations that emphasized a black feminist praxis. Her activism during this period was central to building a women’s movement that included women of all races as well as an independent black feminist movement. To Kennedy’s thinking, Shirley Chisholm’s quest for the presidential nomination was the perfect opportunity for white feminists to build an alliance and support a black feminist politics. In 1971 she created the Feminist Party in hopes of bringing together an inclusive group of feminists to support not simply the candidacy of the black congresswoman but black feminism more generally. Equally interested in advancing black feminist praxis, she worked to create the National Black Feminist Organization in 1973 and pushed black women to form their own autonomous black feminist movement.
Emma Craddock
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781529205701
- eISBN:
- 9781529205749
- Item type:
- book
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781529205701.001.0001
- Subject:
- Philosophy, Feminist Philosophy
With austerity’s disproportionately heavy impact on women now apparent, this engaging book considers activism against it from a feminist perspective. Emma Craddock goes deep inside activist culture ...
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With austerity’s disproportionately heavy impact on women now apparent, this engaging book considers activism against it from a feminist perspective. Emma Craddock goes deep inside activist culture to explore the many cultural and emotional dimensions of political participation. She questions what motivates and sustains protest, considering the enabling aspects of solidarity and empathy, as well as the constraining factors of negative emotions and gendered barriers associated with activism, examining the role of gender and emotion within protest. This is a lived-in study that gets to the heart of what it means to be an anti-austerity activist and an important addition to social justice debate. The book is organised into four parts. The first part establishes the theoretical and empirical context; the second part explores the enabling and constraining factors of political participation (‘doing activism’); the third part discusses the two main activist identity constructions in the local anti-austerity activist culture and the ‘dark side’ of activist culture that these feed (‘being activist’); the fourth and final part provides concluding remarks about the ambivalence of anti-austerity activist culture and the difficulty of resisting such a pervasive force as neoliberal capitalism.Less
With austerity’s disproportionately heavy impact on women now apparent, this engaging book considers activism against it from a feminist perspective. Emma Craddock goes deep inside activist culture to explore the many cultural and emotional dimensions of political participation. She questions what motivates and sustains protest, considering the enabling aspects of solidarity and empathy, as well as the constraining factors of negative emotions and gendered barriers associated with activism, examining the role of gender and emotion within protest. This is a lived-in study that gets to the heart of what it means to be an anti-austerity activist and an important addition to social justice debate. The book is organised into four parts. The first part establishes the theoretical and empirical context; the second part explores the enabling and constraining factors of political participation (‘doing activism’); the third part discusses the two main activist identity constructions in the local anti-austerity activist culture and the ‘dark side’ of activist culture that these feed (‘being activist’); the fourth and final part provides concluding remarks about the ambivalence of anti-austerity activist culture and the difficulty of resisting such a pervasive force as neoliberal capitalism.
Leigh Gilmore
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780231177146
- eISBN:
- 9780231543446
- Item type:
- book
- Publisher:
- Columbia University Press
- DOI:
- 10.7312/columbia/9780231177146.001.0001
- Subject:
- Society and Culture, Gender Studies
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed ...
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In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.Less
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.
Joan McCarthy
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719099465
- eISBN:
- 9781526104410
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719099465.003.0002
- Subject:
- Sociology, Culture
This chapter offers a feminist reading of two Irish cases that raise important ethical and legal concerns: the unnecessary peripartum hysterectomies at Our Lady of Lourdes Hospital Drogheda and the ...
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This chapter offers a feminist reading of two Irish cases that raise important ethical and legal concerns: the unnecessary peripartum hysterectomies at Our Lady of Lourdes Hospital Drogheda and the tragic death of Savita Halappanavar in October 2012. Key to this feminist analysis is a desire to understand the mechanisms by which the voices and concerns of the women at the centre of these cases were ignored, marginalised and trivialised. The chapter addresses the cultural dis-ease with women’s bodies and reproductive autonomy and the excess of epistemic and moral authority vested in doctors and religious leaders and the correlated lack of authority invested in women patients and midwives.Less
This chapter offers a feminist reading of two Irish cases that raise important ethical and legal concerns: the unnecessary peripartum hysterectomies at Our Lady of Lourdes Hospital Drogheda and the tragic death of Savita Halappanavar in October 2012. Key to this feminist analysis is a desire to understand the mechanisms by which the voices and concerns of the women at the centre of these cases were ignored, marginalised and trivialised. The chapter addresses the cultural dis-ease with women’s bodies and reproductive autonomy and the excess of epistemic and moral authority vested in doctors and religious leaders and the correlated lack of authority invested in women patients and midwives.
Susan Potter
- Published in print:
- 2019
- Published Online:
- January 2020
- ISBN:
- 9780252042461
- eISBN:
- 9780252051302
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5622/illinois/9780252042461.001.0001
- Subject:
- Film, Television and Radio, Film
This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to ...
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This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to lesbian representation, initially by reframing the emergence of lesbian figures in cinema in the late 1920s and early 1930s as only the most visible and belated signs of an array of strategies of sexuality. The emergence of lesbian representation and spectatorship in early cinema is not a linear progression and consolidation but rather arises across multiple sites in dispersed forms that are modern and backward-looking, recursive and anachronistic. In this tumultuous period, new but not always coherent sexual knowledges and categories emerge, even as older modalities of homoeroticism persist. The book articulates some of the discursive and institutional processes by which women’s same-sex desires and identities have been reorganized as impossible, marginal or—perhaps not so surprisingly—central to new forms of cinematic representation and spectatorship. Complicating the critical consensus of feminist film theory and history, the book foregrounds the centrality of women’s same-sex desire to historically distinct cinematic discourses of both homo- and heterosexuality. It articulates across its chapters the emergence of lesbian sexuality—and that of its intimate “other,” heterosexuality—as the effect of diverse discursive operations of early cinema, considered as a complex assemblage of film texts, exhibition practices, modes of female spectatorship, and reception.Less
This book is a counter-history of the emergence of lesbian sexuality in early cinema. Drawing on the critical insights of queer theory and the history of sexuality, it challenges approaches to lesbian representation, initially by reframing the emergence of lesbian figures in cinema in the late 1920s and early 1930s as only the most visible and belated signs of an array of strategies of sexuality. The emergence of lesbian representation and spectatorship in early cinema is not a linear progression and consolidation but rather arises across multiple sites in dispersed forms that are modern and backward-looking, recursive and anachronistic. In this tumultuous period, new but not always coherent sexual knowledges and categories emerge, even as older modalities of homoeroticism persist. The book articulates some of the discursive and institutional processes by which women’s same-sex desires and identities have been reorganized as impossible, marginal or—perhaps not so surprisingly—central to new forms of cinematic representation and spectatorship. Complicating the critical consensus of feminist film theory and history, the book foregrounds the centrality of women’s same-sex desire to historically distinct cinematic discourses of both homo- and heterosexuality. It articulates across its chapters the emergence of lesbian sexuality—and that of its intimate “other,” heterosexuality—as the effect of diverse discursive operations of early cinema, considered as a complex assemblage of film texts, exhibition practices, modes of female spectatorship, and reception.
Adelyn Lim
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9789888139378
- eISBN:
- 9789888313174
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139378.003.0005
- Subject:
- Society and Culture, Gender Studies
This chapter examines advocacy for the recognition of prostitution as legitimate work and sex workers as working women. The global restructuring of capital has reinforced the exploitation of gendered ...
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This chapter examines advocacy for the recognition of prostitution as legitimate work and sex workers as working women. The global restructuring of capital has reinforced the exploitation of gendered and racialized labor within regional and national sites and the flow of migrants who engage in sexual labor has become a site of intense feminist specification and engagement. In Hong Kong, women activists may disagree on prostitution itself as a practice, but there is extensive agreement that sex workers' entitlement to do their work and demand for recognition of their human rights are essential to cultural-political transformation and women's empowerment. The framing of feminism involves integrating sex workers into agenda setting, reflecting on local organizational forms, rhetoric, and strategies in response to global socio-cultural, economic, and political forces, and imagining new priorities, initiatives, and activities in acknowledgment of evolving feminist understandings.Less
This chapter examines advocacy for the recognition of prostitution as legitimate work and sex workers as working women. The global restructuring of capital has reinforced the exploitation of gendered and racialized labor within regional and national sites and the flow of migrants who engage in sexual labor has become a site of intense feminist specification and engagement. In Hong Kong, women activists may disagree on prostitution itself as a practice, but there is extensive agreement that sex workers' entitlement to do their work and demand for recognition of their human rights are essential to cultural-political transformation and women's empowerment. The framing of feminism involves integrating sex workers into agenda setting, reflecting on local organizational forms, rhetoric, and strategies in response to global socio-cultural, economic, and political forces, and imagining new priorities, initiatives, and activities in acknowledgment of evolving feminist understandings.
Naomi Paxton
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781526114785
- eISBN:
- 9781526139054
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9781526114785.001.0001
- Subject:
- Literature, Drama
This book provides the first detailed account of the work of the Actresses' Franchise League, taking the story of the organisation further than ever before. Formulated as a historiographically ...
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This book provides the first detailed account of the work of the Actresses' Franchise League, taking the story of the organisation further than ever before. Formulated as a historiographically innovative critical biography of the League over the fifty years of the organisation’s activities, this book invites a total reassessment of the League within both 20th Century industry networks and accepted narratives of the development of political theatre in the UK. Making a genuine contribution to both theatre and suffrage histories, this book looks in detail at the performative propaganda of the suffrage movement and the role of feminist actresses as activists during and after the campaign for Votes for Women. It explores the extensive networks of political and theatrical activism and social campaigning through which suffragist performers, playwrights and producers shaped their careers, and reveals how determined the Actresses' Franchise League was to be visible in public space, and to create equal opportunities for women in the theatre industry. Drawing on archival material, this book shows how members and allies of the League addressed a broad range of political and social issues through their work, how they presented and represented women and womanhood, and how the organisation, formed and embedded in the Edwardian period, diversified during and after the First and Second World Wars.Less
This book provides the first detailed account of the work of the Actresses' Franchise League, taking the story of the organisation further than ever before. Formulated as a historiographically innovative critical biography of the League over the fifty years of the organisation’s activities, this book invites a total reassessment of the League within both 20th Century industry networks and accepted narratives of the development of political theatre in the UK. Making a genuine contribution to both theatre and suffrage histories, this book looks in detail at the performative propaganda of the suffrage movement and the role of feminist actresses as activists during and after the campaign for Votes for Women. It explores the extensive networks of political and theatrical activism and social campaigning through which suffragist performers, playwrights and producers shaped their careers, and reveals how determined the Actresses' Franchise League was to be visible in public space, and to create equal opportunities for women in the theatre industry. Drawing on archival material, this book shows how members and allies of the League addressed a broad range of political and social issues through their work, how they presented and represented women and womanhood, and how the organisation, formed and embedded in the Edwardian period, diversified during and after the First and Second World Wars.
Tim Allender
- Published in print:
- 2016
- Published Online:
- May 2016
- ISBN:
- 9780719085796
- eISBN:
- 9781526104298
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719085796.003.0006
- Subject:
- History, Imperialism and Colonialism
This chapter examines how missionary education feminised medical learning outcomes in India. Male medical colleges in each major Indian province were citadels that were cleverly infiltrated by female ...
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This chapter examines how missionary education feminised medical learning outcomes in India. Male medical colleges in each major Indian province were citadels that were cleverly infiltrated by female medical activists. The activism of these European females was still driven by a largely unremitting Western feminine discipline that enshrined a strong belief in the sanitation procedures of the West, which offered remedies for an ‘unclean’ Indian East. This approach was especially apparent when large numbers of Indian nurses and dais (midwives) entered into some form of Western training, even though this training also broke down some of the race barriers still strongly in place concerning female teaching. Feminist doctors in India contested the operation by males of large funding bodies like the Lady Dufferin Fund. Yet they were to keep their struggle against colonial men within the bounds of their colonial European communities, rather than attempting to instil a similar brand of feminism in their Indian female counterparts.Less
This chapter examines how missionary education feminised medical learning outcomes in India. Male medical colleges in each major Indian province were citadels that were cleverly infiltrated by female medical activists. The activism of these European females was still driven by a largely unremitting Western feminine discipline that enshrined a strong belief in the sanitation procedures of the West, which offered remedies for an ‘unclean’ Indian East. This approach was especially apparent when large numbers of Indian nurses and dais (midwives) entered into some form of Western training, even though this training also broke down some of the race barriers still strongly in place concerning female teaching. Feminist doctors in India contested the operation by males of large funding bodies like the Lady Dufferin Fund. Yet they were to keep their struggle against colonial men within the bounds of their colonial European communities, rather than attempting to instil a similar brand of feminism in their Indian female counterparts.
Susan Starr Sered
- Published in print:
- 1996
- Published Online:
- October 2011
- ISBN:
- 9780195104677
- eISBN:
- 9780199853267
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195104677.003.0002
- Subject:
- Religion, World Religions
Women's religions are, from a cross-cultural perspective, anomalous. Most of the religions of the world are dominated by men. This chapter presents twelve examples of religions dominated by women. ...
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Women's religions are, from a cross-cultural perspective, anomalous. Most of the religions of the world are dominated by men. This chapter presents twelve examples of religions dominated by women. First, it points out ways in which these religions differ from one another. Some of the examples are self-consciously independent religions that exist in a society where the dominant religion is male dominated (Feminist Spirituality, Afro-Brazilian religions). Others are religious streams that co-exist alongside of, and sometimes intertwined with, male-dominated religions (zār, Spiritualism, Korean shamanism, Burmese nat cultus). Still others are the major religion of an entire society (the Ryūkyū Islands, the Black Caribs of Belize). And finally, others are sects of otherwise male-dominated religions (Christian Science, Shakerism).Less
Women's religions are, from a cross-cultural perspective, anomalous. Most of the religions of the world are dominated by men. This chapter presents twelve examples of religions dominated by women. First, it points out ways in which these religions differ from one another. Some of the examples are self-consciously independent religions that exist in a society where the dominant religion is male dominated (Feminist Spirituality, Afro-Brazilian religions). Others are religious streams that co-exist alongside of, and sometimes intertwined with, male-dominated religions (zār, Spiritualism, Korean shamanism, Burmese nat cultus). Still others are the major religion of an entire society (the Ryūkyū Islands, the Black Caribs of Belize). And finally, others are sects of otherwise male-dominated religions (Christian Science, Shakerism).
Myra Strober
- Published in print:
- 2016
- Published Online:
- January 2017
- ISBN:
- 9780262034388
- eISBN:
- 9780262332095
- Item type:
- book
- Publisher:
- The MIT Press
- DOI:
- 10.7551/mitpress/9780262034388.001.0001
- Subject:
- Economics and Finance, Public and Welfare
Kicking in the Doorprovides an insider’s view of how sexism operates—what it’s like to live it, study it, and fight it. For not only was I the first woman ever to hold a tenure-track faculty position ...
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Kicking in the Doorprovides an insider’s view of how sexism operates—what it’s like to live it, study it, and fight it. For not only was I the first woman ever to hold a tenure-track faculty position at the Stanford Graduate School of Business, I was also the founding director of Stanford’s Center for Research on Women (now the Clayman Institute for Gender Research). I have been not only a role model, but also an initiator of institutional change—as an author, leader of national and international feminist organizations, consultant to businesses, and expert witness in discrimination and divorce cases.
In addition to its major theme, kicking in the door, the memoir examines my efforts to combine a demanding career with raising a family, my search for a loving relationship after my divorce, my quest for a non-sexist spiritual home within Judaism, the crucial supportive role of my women friends and male allies, the difficulties I experienced trying to create a loving relationship with my sister, Alice Amsden, who was also a Ph.D. economist at a prestigious university, the development of feminist economics and the importance of forgiveness as one moves through life.Less
Kicking in the Doorprovides an insider’s view of how sexism operates—what it’s like to live it, study it, and fight it. For not only was I the first woman ever to hold a tenure-track faculty position at the Stanford Graduate School of Business, I was also the founding director of Stanford’s Center for Research on Women (now the Clayman Institute for Gender Research). I have been not only a role model, but also an initiator of institutional change—as an author, leader of national and international feminist organizations, consultant to businesses, and expert witness in discrimination and divorce cases.
In addition to its major theme, kicking in the door, the memoir examines my efforts to combine a demanding career with raising a family, my search for a loving relationship after my divorce, my quest for a non-sexist spiritual home within Judaism, the crucial supportive role of my women friends and male allies, the difficulties I experienced trying to create a loving relationship with my sister, Alice Amsden, who was also a Ph.D. economist at a prestigious university, the development of feminist economics and the importance of forgiveness as one moves through life.
Jane de Gay
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781474415637
- eISBN:
- 9781474449687
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474415637.001.0001
- Subject:
- Literature, Women's Literature
This wide-ranging study demonstrates that Woolf, despite her agnostic upbringing, was profoundly interested in, and knowledgeable about, Christianity as a faith and a socio-political movement. Jane ...
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This wide-ranging study demonstrates that Woolf, despite her agnostic upbringing, was profoundly interested in, and knowledgeable about, Christianity as a faith and a socio-political movement. Jane de Gay provides a strongly contextual approach, first revealing the extent of the Christian influences on Woolf’s upbringing, including an analysis of the far-reaching influence of the Clapham Sect, and then drawing attention to the importance of Christianity among Woolf’s friends and associates. It shows that Woolf’s awareness of the ongoing influence of Christian ideas and institutions informed her feminist critique of society in Three Guineas. The book sheds new light on works including Mrs Dalloway, To the Lighthouse and The Waves by revealing her fascination with the clergy, the Madonna, churches and cathedrals; her interest in the Bible as artefact and literary text; and her wrestling with questions about salvation and the nature of God.Less
This wide-ranging study demonstrates that Woolf, despite her agnostic upbringing, was profoundly interested in, and knowledgeable about, Christianity as a faith and a socio-political movement. Jane de Gay provides a strongly contextual approach, first revealing the extent of the Christian influences on Woolf’s upbringing, including an analysis of the far-reaching influence of the Clapham Sect, and then drawing attention to the importance of Christianity among Woolf’s friends and associates. It shows that Woolf’s awareness of the ongoing influence of Christian ideas and institutions informed her feminist critique of society in Three Guineas. The book sheds new light on works including Mrs Dalloway, To the Lighthouse and The Waves by revealing her fascination with the clergy, the Madonna, churches and cathedrals; her interest in the Bible as artefact and literary text; and her wrestling with questions about salvation and the nature of God.
Chris Coffman
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9781474438094
- eISBN:
- 9781474449694
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474438094.001.0001
- Subject:
- Literature, Women's Literature
By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity ...
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By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.Less
By reading written and visual artefacts of Gertrude Stein’s life, Gertrude Stein’s Transmasculinity reframes earlier scholarship to argue that her gender was transmasculine and that her masculinity was positive rather than a self-hating form of false consciousness. This book considers ways Stein’s masculinity was formed through her relationship with her feminine partner, Alice B. Toklas, and her masculine homosocial bonds with other modernists in her network. This broadens out Eve Kosofsky Sedgwick’s account of “male homosocial bonding” to include all masculine persons, opening up the possibility of examining Stein’s relationship to Toklas; masculine women such as Jane Heap; and men such as Pablo Picasso, Ernest Hemingway, and Carl Van Vechten. The Introduction and first four chapters focus on surfacings of Stein’s masculinity within the visual and the textual: in others’ paintings and photographs of her person; her hermetic writings from the first three decades of the twentieth century; and her self-packaging for mass consumption in The Autobiography of Alice B. Toklas (1933). Whereas the chapter on The Autobiography underscores Toklas’s role in the formation of Stein’s masculinity and success as a modernist, the final three register the vicissitudes of the homosocial bonds at play in her friendships with Picasso, Hemingway, and Van Vechten. The Coda, which cross-reads Stein’s Everybody’s Autobiography (1937) with the media attention two museum exhibits about her attracted between 2011 and 2012, points to possibilities for future work on the implications of her masculine homosocial bonds with Vichy collaborator Bernard Fäy.
Gwyneth Jones
- Published in print:
- 1998
- Published Online:
- January 2019
- ISBN:
- 9780853237839
- eISBN:
- 9781786945389
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.5949/liverpool/9780853237839.003.0014
- Subject:
- Literature, Criticism/Theory
In this review of David Brin’s Glory Season, Jones foregrounds the issues that arise when feminism is looked at from a male perspective. She criticises the text for presenting a feminist utopia so ...
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In this review of David Brin’s Glory Season, Jones foregrounds the issues that arise when feminism is looked at from a male perspective. She criticises the text for presenting a feminist utopia so clearly designed by a man and analyses the sexual stereotyping that comes out of it.Less
In this review of David Brin’s Glory Season, Jones foregrounds the issues that arise when feminism is looked at from a male perspective. She criticises the text for presenting a feminist utopia so clearly designed by a man and analyses the sexual stereotyping that comes out of it.
Anne Whitehead
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9780748686186
- eISBN:
- 9781474438728
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748686186.001.0001
- Subject:
- Literature, Criticism/Theory
This book offers a critique of the dominant understanding and deployment of empathy in the mainstream medical humanities. Drawing on feminist theory, it positions empathy not as something that one ...
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This book offers a critique of the dominant understanding and deployment of empathy in the mainstream medical humanities. Drawing on feminist theory, it positions empathy not as something that one has or lacks, and needs to accrue, but as something that one does and that is embedded within structural, institutional and cultural relations of power. It aims to provide a critically informed definition of empathy, drawing on phenomenology, in order to counter the vagueness of the term as it has often been used. It questions, too, the assumption that empathy is limited to the clinical relation, looking to a broader and more encompassing definition of the ‘medical’. Combining theoretical argument with literary case studies of Mark Haddon’s The Curious Incident of the Dog in the Night-Time, Pat Barker’s Life Class, Ian McEwan’s Saturday, Aminatta Forna’s The Memory of Love and Kazuo Ishiguro’s Never Let Me Go, this book contends that contemporary fiction is not a vehicle for accessing another’s illness experience, but itself engages critically with the question of empathy and its limits. The volume marks a key contribution to the rapidly evolving field of the critical medical humanities.Less
This book offers a critique of the dominant understanding and deployment of empathy in the mainstream medical humanities. Drawing on feminist theory, it positions empathy not as something that one has or lacks, and needs to accrue, but as something that one does and that is embedded within structural, institutional and cultural relations of power. It aims to provide a critically informed definition of empathy, drawing on phenomenology, in order to counter the vagueness of the term as it has often been used. It questions, too, the assumption that empathy is limited to the clinical relation, looking to a broader and more encompassing definition of the ‘medical’. Combining theoretical argument with literary case studies of Mark Haddon’s The Curious Incident of the Dog in the Night-Time, Pat Barker’s Life Class, Ian McEwan’s Saturday, Aminatta Forna’s The Memory of Love and Kazuo Ishiguro’s Never Let Me Go, this book contends that contemporary fiction is not a vehicle for accessing another’s illness experience, but itself engages critically with the question of empathy and its limits. The volume marks a key contribution to the rapidly evolving field of the critical medical humanities.
Ariane Cruz
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9781479809288
- eISBN:
- 9781479899425
- Item type:
- chapter
- Publisher:
- NYU Press
- DOI:
- 10.18574/nyu/9781479809288.003.0002
- Subject:
- Society and Culture, Cultural Studies
This chapter examines black women’s participation in BDSM and how these performances illustrate a complex and contradictory brokering of pain, pleasure, and power for the black female performer. I ...
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This chapter examines black women’s participation in BDSM and how these performances illustrate a complex and contradictory brokering of pain, pleasure, and power for the black female performer. I reveal BDSM as a critical site for reconsidering the entanglement of black female sexuality and violence. Within BDSM, violence becomes both a mode of pleasure and a vehicle for accessing and contesting power. The chapter begins with a brief section that frames black women practitioners of BDSM in the context of still very vigorous feminist debates surrounding sexuality, violence, and BDSM. Here, I stage the unique theoretical and practical challenges of the unspeakable pleasures aroused in racial submission and domination that BDSM presents to black women specifically. I examine race play as a particularly problematic yet powerful BDSM practice for black women, one that unveils the contradictory dynamics of racialized pleasure and power via the eroticization of racism and racial-sexual alterity. In particular, I argue that race play unsettles the dichotomies of transgression/compliance, subversion/reproduction, mind/body, and fantasy/reality that buttress BDSM. This chapter unveils performances of black female sexual domination and submission in BDSM as critical modes for and of black women’s pleasure, power, and agency.Less
This chapter examines black women’s participation in BDSM and how these performances illustrate a complex and contradictory brokering of pain, pleasure, and power for the black female performer. I reveal BDSM as a critical site for reconsidering the entanglement of black female sexuality and violence. Within BDSM, violence becomes both a mode of pleasure and a vehicle for accessing and contesting power. The chapter begins with a brief section that frames black women practitioners of BDSM in the context of still very vigorous feminist debates surrounding sexuality, violence, and BDSM. Here, I stage the unique theoretical and practical challenges of the unspeakable pleasures aroused in racial submission and domination that BDSM presents to black women specifically. I examine race play as a particularly problematic yet powerful BDSM practice for black women, one that unveils the contradictory dynamics of racialized pleasure and power via the eroticization of racism and racial-sexual alterity. In particular, I argue that race play unsettles the dichotomies of transgression/compliance, subversion/reproduction, mind/body, and fantasy/reality that buttress BDSM. This chapter unveils performances of black female sexual domination and submission in BDSM as critical modes for and of black women’s pleasure, power, and agency.
Jerry Flores
- Published in print:
- 2016
- Published Online:
- May 2017
- ISBN:
- 9780520284876
- eISBN:
- 9780520960541
- Item type:
- book
- Publisher:
- University of California Press
- DOI:
- 10.1525/california/9780520284876.001.0001
- Subject:
- Sociology, Law, Crime and Deviance
Caught Up follows the lives of 50 Latina girls in “El Valle” Juvenile Detention Center and “Legacy” community school located 40 miles outside of Los Angeles, CA. Their path through these two ...
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Caught Up follows the lives of 50 Latina girls in “El Valle” Juvenile Detention Center and “Legacy” community school located 40 miles outside of Los Angeles, CA. Their path through these two institutions reveals the accelerated fusion of California schools and institutions of confinement. For example, the connection between both of these sites is a concerted effort between Legacy Community School and El Valle administrators to provide young people with wraparound services. These well-intentioned services are designed to provide youth with support at home, at school and in the actual detention center. However, I argue that wraparound services more closely resemble a phenomenon that I call wraparound incarceration, where students cannot escape the surveillance of formal detention despite leaving the actual detention center. For young people in Legacy school, returning to El Valle became an unavoidable consequence of wraparound services.Less
Caught Up follows the lives of 50 Latina girls in “El Valle” Juvenile Detention Center and “Legacy” community school located 40 miles outside of Los Angeles, CA. Their path through these two institutions reveals the accelerated fusion of California schools and institutions of confinement. For example, the connection between both of these sites is a concerted effort between Legacy Community School and El Valle administrators to provide young people with wraparound services. These well-intentioned services are designed to provide youth with support at home, at school and in the actual detention center. However, I argue that wraparound services more closely resemble a phenomenon that I call wraparound incarceration, where students cannot escape the surveillance of formal detention despite leaving the actual detention center. For young people in Legacy school, returning to El Valle became an unavoidable consequence of wraparound services.
Avril Horner and Sue Zlosnik (eds)
- Published in print:
- 2016
- Published Online:
- September 2017
- ISBN:
- 9780748699124
- eISBN:
- 9781474422253
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748699124.001.0001
- Subject:
- Literature, Women's Literature
Women and the Gothic revitalises the long-running debate about women, the Gothic and identity. Containing fourteen original essays by established scholars and emerging critics in the field, it ...
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Women and the Gothic revitalises the long-running debate about women, the Gothic and identity. Containing fourteen original essays by established scholars and emerging critics in the field, it prioritises the concerns of woman as reader, author and critic. Recognising that since the 1970s theorisation of gender has become increasingly sophisticated and has resulted in a long interrogation of the category ‘women’, the contributors in this volume tackle the resulting conundrums in lively essays that explore Gothic works – from established classics to recent films, novels and digital games- from feminist and/or post-feminist perspectives. The result is a book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity. Part One examines family dynamics in the Gothic, focusing on female roles and identities from the late eighteenth century onwards: the girl child; the heroine figure seeking escape; the oppressed wife and the sometimes monstrous mother. In Part Two the focus is female transgression, with essays on the body, the spectralisation of femininity, women and the law, female vampirism and the myths of female ‘wickedness’. The final part opens up new directions in critical thinking about women, Gothic and the contemporary world, addressing queer identities, old age and gender in the virtual world.Less
Women and the Gothic revitalises the long-running debate about women, the Gothic and identity. Containing fourteen original essays by established scholars and emerging critics in the field, it prioritises the concerns of woman as reader, author and critic. Recognising that since the 1970s theorisation of gender has become increasingly sophisticated and has resulted in a long interrogation of the category ‘women’, the contributors in this volume tackle the resulting conundrums in lively essays that explore Gothic works – from established classics to recent films, novels and digital games- from feminist and/or post-feminist perspectives. The result is a book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity. Part One examines family dynamics in the Gothic, focusing on female roles and identities from the late eighteenth century onwards: the girl child; the heroine figure seeking escape; the oppressed wife and the sometimes monstrous mother. In Part Two the focus is female transgression, with essays on the body, the spectralisation of femininity, women and the law, female vampirism and the myths of female ‘wickedness’. The final part opens up new directions in critical thinking about women, Gothic and the contemporary world, addressing queer identities, old age and gender in the virtual world.
Stacy Clifford Simplican
- Published in print:
- 2015
- Published Online:
- January 2016
- ISBN:
- 9780816693979
- eISBN:
- 9781452950839
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816693979.001.0001
- Subject:
- Political Science, Political Theory
In the first sustained examination of disability through the lens of political theory, The Capacity Contract shows how the exclusion of disabled people has shaped democratic politics. Stacy Clifford ...
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In the first sustained examination of disability through the lens of political theory, The Capacity Contract shows how the exclusion of disabled people has shaped democratic politics. Stacy Clifford Simplican demonstrates how disability buttresses systems of domination based on race, sex, and gender. She exposes how democratic theory and politics have long blocked from political citizenship anyone whose cognitive capacity falls below a threshold level⎯marginalization with real-world repercussions on the implementation of disability rights today. Simplican’s compelling ethnographic analysis of the self-advocacy movement describes the obstacles it faces. From the outside, the movement must confront stiff budget cuts and dwindling memberships; internally, self-advocates must find ways to demand political standing without reinforcing entrenched stigma against people with profound cognitive disabilities. And yet Simplican’s investigation also offers democratic theorists and disability activists a more emancipatory vision of democracy as it relates to disability⎯one that focuses on enabling people to engage in public and spontaneous action to disrupt exclusion and stigma. Taking seriously democratic promises of equality and inclusion, The Capacity Contract rejects conceptions of political citizenship that privilege cognitive capacity and, instead, centers such citizenship on action that is accessible to all people.Less
In the first sustained examination of disability through the lens of political theory, The Capacity Contract shows how the exclusion of disabled people has shaped democratic politics. Stacy Clifford Simplican demonstrates how disability buttresses systems of domination based on race, sex, and gender. She exposes how democratic theory and politics have long blocked from political citizenship anyone whose cognitive capacity falls below a threshold level⎯marginalization with real-world repercussions on the implementation of disability rights today. Simplican’s compelling ethnographic analysis of the self-advocacy movement describes the obstacles it faces. From the outside, the movement must confront stiff budget cuts and dwindling memberships; internally, self-advocates must find ways to demand political standing without reinforcing entrenched stigma against people with profound cognitive disabilities. And yet Simplican’s investigation also offers democratic theorists and disability activists a more emancipatory vision of democracy as it relates to disability⎯one that focuses on enabling people to engage in public and spontaneous action to disrupt exclusion and stigma. Taking seriously democratic promises of equality and inclusion, The Capacity Contract rejects conceptions of political citizenship that privilege cognitive capacity and, instead, centers such citizenship on action that is accessible to all people.
