Liam Burke
- Published in print:
- 2015
- Published Online:
- May 2016
- ISBN:
- 9781628462036
- eISBN:
- 9781626745193
- Item type:
- book
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781628462036.001.0001
- Subject:
- Literature, Comics Studies
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed ...
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In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.Less
In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
Geoff Pearson
- Published in print:
- 2012
- Published Online:
- January 2014
- ISBN:
- 9780719087219
- eISBN:
- 9781781706145
- Item type:
- book
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719087219.001.0001
- Subject:
- Society and Culture, Cultural Studies
This is an ethnographic account of English football fans who travel home and away with their team, based upon sixteen years’ participant observation. The author identifies a distinct sub-culture of ...
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This is an ethnographic account of English football fans who travel home and away with their team, based upon sixteen years’ participant observation. The author identifies a distinct sub-culture of supporter – the ‘carnival fan’ – who dominated the travelling support of the three clubs observed - Manchester United, Blackpool and the England national team. This accessible account follows these groups home and abroad, describing their interpretations, motivations and behaviour and challenging a number of the myths about ‘hooliganism’ and crowd control. An Ethnography of English Football Fans identifies the primary motivation of these fan groups to be the creation of a carnival – a period of transgression from the norms of everyday life based upon congregating in groups, alcohol consumption, humour and tomfoolery, and expressions of identity. In achieving these aims, the fan groups were frequently brought into conflict with the football authorities, police and ‘hooligan’ groups and this account includes explanations of some of the most serious instances of crowd disorder involving English fans in the last two decades. The book also looks at issues such as attitudes to gender, sexuality and race, and the impact of technology upon football fandom.Less
This is an ethnographic account of English football fans who travel home and away with their team, based upon sixteen years’ participant observation. The author identifies a distinct sub-culture of supporter – the ‘carnival fan’ – who dominated the travelling support of the three clubs observed - Manchester United, Blackpool and the England national team. This accessible account follows these groups home and abroad, describing their interpretations, motivations and behaviour and challenging a number of the myths about ‘hooliganism’ and crowd control. An Ethnography of English Football Fans identifies the primary motivation of these fan groups to be the creation of a carnival – a period of transgression from the norms of everyday life based upon congregating in groups, alcohol consumption, humour and tomfoolery, and expressions of identity. In achieving these aims, the fan groups were frequently brought into conflict with the football authorities, police and ‘hooligan’ groups and this account includes explanations of some of the most serious instances of crowd disorder involving English fans in the last two decades. The book also looks at issues such as attitudes to gender, sexuality and race, and the impact of technology upon football fandom.
Niamh Thornton
- Published in print:
- 2017
- Published Online:
- May 2020
- ISBN:
- 9781474404310
- eISBN:
- 9781474434850
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474404310.003.0011
- Subject:
- Film, Television and Radio, Film
This chapter proposes that YouTube should be understood as a digital archive with its own developing aesthetic forms where fans act as attentive and specialist curators of a star text. Through an ...
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This chapter proposes that YouTube should be understood as a digital archive with its own developing aesthetic forms where fans act as attentive and specialist curators of a star text. Through an analysis of three Mexican stars from the so-called Golden Age of industrial cinema, Pedro Infante, Jorge Negrete and Emilio Fernández, this chapter focuses on their YouTube star texts, and draws out what these mean for the nascent field of online re-meditated star studies. It also considers the ways in which the star’s gender determines how fans produce an online star text and how YouTube can be understood to function as a precarious archive.Less
This chapter proposes that YouTube should be understood as a digital archive with its own developing aesthetic forms where fans act as attentive and specialist curators of a star text. Through an analysis of three Mexican stars from the so-called Golden Age of industrial cinema, Pedro Infante, Jorge Negrete and Emilio Fernández, this chapter focuses on their YouTube star texts, and draws out what these mean for the nascent field of online re-meditated star studies. It also considers the ways in which the star’s gender determines how fans produce an online star text and how YouTube can be understood to function as a precarious archive.
Raymond Boyle and Richard Haynes
- Published in print:
- 2009
- Published Online:
- September 2012
- ISBN:
- 9780748635924
- eISBN:
- 9780748671083
- Item type:
- chapter
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748635924.003.0010
- Subject:
- Society and Culture, Media Studies
Examines the role fan culture plays in sports culture. Looks at how social media and the media more generally reproduce and challenge expectations around fandom and sport. It examines the ...
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Examines the role fan culture plays in sports culture. Looks at how social media and the media more generally reproduce and challenge expectations around fandom and sport. It examines the implications of this process for the media and sport.Less
Examines the role fan culture plays in sports culture. Looks at how social media and the media more generally reproduce and challenge expectations around fandom and sport. It examines the implications of this process for the media and sport.
Roberta Wue
- Published in print:
- 2014
- Published Online:
- September 2017
- ISBN:
- 9789888208463
- eISBN:
- 9789888313280
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888208463.003.0002
- Subject:
- Art, Art History
Addresses Shanghai painting through the fashionable painted fan. Often overlooked because of its modest size and ambitions, the fan’s identity as a mobile image and object of self-adornment boosted ...
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Addresses Shanghai painting through the fashionable painted fan. Often overlooked because of its modest size and ambitions, the fan’s identity as a mobile image and object of self-adornment boosted its popularity in late Qing Shanghai, appealing to consumer tastes for flamboyant display and conspicuous consumption. This chapter examines the ways in which the painted fan embodied Shanghai School painting through the use of popular subjects, dynamic styles and compositions, and its fusion of accessory and artwork. The fan is also examined as a fashionable and sought-after commodity, retailed and distributed through Shanghai’s glamorous fan and letter-paper shops, contributing to the growth of the city’s vigorous art market for an urban middle-class clientele.Less
Addresses Shanghai painting through the fashionable painted fan. Often overlooked because of its modest size and ambitions, the fan’s identity as a mobile image and object of self-adornment boosted its popularity in late Qing Shanghai, appealing to consumer tastes for flamboyant display and conspicuous consumption. This chapter examines the ways in which the painted fan embodied Shanghai School painting through the use of popular subjects, dynamic styles and compositions, and its fusion of accessory and artwork. The fan is also examined as a fashionable and sought-after commodity, retailed and distributed through Shanghai’s glamorous fan and letter-paper shops, contributing to the growth of the city’s vigorous art market for an urban middle-class clientele.
Maud Lavin
- Published in print:
- 2017
- Published Online:
- January 2018
- ISBN:
- 9789888390809
- eISBN:
- 9789888390441
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888390809.003.0009
- Subject:
- Society and Culture, Gay and Lesbian Studies
The more than 30 percent of Hong Kong residents born in Mainland China often face discrimination in their daily lives. This essay explores how those of this group who are fans and followers of ...
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The more than 30 percent of Hong Kong residents born in Mainland China often face discrimination in their daily lives. This essay explores how those of this group who are fans and followers of Mainland singing star Li Yuchun use their participation in the fandom to build multiple senses of belonging that can help negotiate such tensions. Li Yuchun’s persona as a fresh face of China, cosmopolitan and gender ambiguous, and thus a new “new woman,” has a particular appeal to her Hong Kong–based female fans who are Mainland-born.Less
The more than 30 percent of Hong Kong residents born in Mainland China often face discrimination in their daily lives. This essay explores how those of this group who are fans and followers of Mainland singing star Li Yuchun use their participation in the fandom to build multiple senses of belonging that can help negotiate such tensions. Li Yuchun’s persona as a fresh face of China, cosmopolitan and gender ambiguous, and thus a new “new woman,” has a particular appeal to her Hong Kong–based female fans who are Mainland-born.
Naomi Brooks
- Published in print:
- 2017
- Published Online:
- September 2018
- ISBN:
- 9781447336846
- eISBN:
- 9781447336891
- Item type:
- chapter
- Publisher:
- Policy Press
- DOI:
- 10.1332/policypress/9781447336846.003.0007
- Subject:
- Public Health and Epidemiology, Public Health
This chapter discusses the health benefits of exercise and physical activity (PA) in the community. PA and exercise are known to improve a range of health outcomes. PA and exercise reduce the risk of ...
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This chapter discusses the health benefits of exercise and physical activity (PA) in the community. PA and exercise are known to improve a range of health outcomes. PA and exercise reduce the risk of cardiovascular disease, type 2 diabetes and metabolic disorders, and some cancers; improve functional ability by strengthening muscle and bones; and enhance psychological mood and well-being. In addition, PA and exercise can be a means of promoting social interactions, social support and reduced social isolation. The chapter explains these benefits in greater detail before considering physical inactivity (PIA) as a health concern and international policy aimed at promoting exercise and PA in the community. It also presents UK guidelines for exercise and PA and concludes with two examples of successful public health and community interventions to increase PA and exercise programmes in the community: the Daily Mile and the Football Fans in Training (FFIT) programme.Less
This chapter discusses the health benefits of exercise and physical activity (PA) in the community. PA and exercise are known to improve a range of health outcomes. PA and exercise reduce the risk of cardiovascular disease, type 2 diabetes and metabolic disorders, and some cancers; improve functional ability by strengthening muscle and bones; and enhance psychological mood and well-being. In addition, PA and exercise can be a means of promoting social interactions, social support and reduced social isolation. The chapter explains these benefits in greater detail before considering physical inactivity (PIA) as a health concern and international policy aimed at promoting exercise and PA in the community. It also presents UK guidelines for exercise and PA and concludes with two examples of successful public health and community interventions to increase PA and exercise programmes in the community: the Daily Mile and the Football Fans in Training (FFIT) programme.
Geoff Pearson
- Published in print:
- 2012
- Published Online:
- January 2014
- ISBN:
- 9780719087219
- eISBN:
- 9781781706145
- Item type:
- chapter
- Publisher:
- Manchester University Press
- DOI:
- 10.7228/manchester/9780719087219.003.0006
- Subject:
- Society and Culture, Cultural Studies
This chapter considers the relationship between the carnival fan groups and those responsible for crowd management, control and safety. It looks at how fans viewed the police service and how certain ...
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This chapter considers the relationship between the carnival fan groups and those responsible for crowd management, control and safety. It looks at how fans viewed the police service and how certain policing strategies and tactics affected their behaviour, particularly with regard to cooperation with police requests (for example to join police escorts). It also considers the relationship fan groups had with match-day stewards and security staff. Finally the chapter details instances of where research participants and the author were subjected to abusive, indiscriminate and violent action by those in authority.Less
This chapter considers the relationship between the carnival fan groups and those responsible for crowd management, control and safety. It looks at how fans viewed the police service and how certain policing strategies and tactics affected their behaviour, particularly with regard to cooperation with police requests (for example to join police escorts). It also considers the relationship fan groups had with match-day stewards and security staff. Finally the chapter details instances of where research participants and the author were subjected to abusive, indiscriminate and violent action by those in authority.
Sharon Mazer
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9781496826862
- eISBN:
- 9781496826626
- Item type:
- chapter
- Publisher:
- University Press of Mississippi
- DOI:
- 10.14325/mississippi/9781496826862.003.0006
- Subject:
- Sociology, Sport and Leisure
What fans come to recognize and interact with as they “get in on the game” and move from “mark” to “smart,” is the play outside the play: first the signs of a hero or villain, then the inevitable ...
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What fans come to recognize and interact with as they “get in on the game” and move from “mark” to “smart,” is the play outside the play: first the signs of a hero or villain, then the inevitable failure of the representatives of authority in the ring to assure a fair fight and a just end, and finally that the true power lies in the hands of the promoter whose purchase of a wrestler includes the right to dictate his success or failure. For fans, not only are the stories that are told to them in the ongoing professional wrestling narratives drawn from life, life itself can be read through the structures and understandings that professional wrestling provides. The real contest is not between wrestlers, with whom fans identify, but between themselves as competing experts and, most important, between themselves as consumers and the guys with the money and power.Less
What fans come to recognize and interact with as they “get in on the game” and move from “mark” to “smart,” is the play outside the play: first the signs of a hero or villain, then the inevitable failure of the representatives of authority in the ring to assure a fair fight and a just end, and finally that the true power lies in the hands of the promoter whose purchase of a wrestler includes the right to dictate his success or failure. For fans, not only are the stories that are told to them in the ongoing professional wrestling narratives drawn from life, life itself can be read through the structures and understandings that professional wrestling provides. The real contest is not between wrestlers, with whom fans identify, but between themselves as competing experts and, most important, between themselves as consumers and the guys with the money and power.
Tamir Sorek
- Published in print:
- 2019
- Published Online:
- February 2020
- ISBN:
- 9780190065218
- eISBN:
- 9780190099558
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/oso/9780190065218.003.0004
- Subject:
- Political Science, Middle Eastern Politics
This chapter analyzes the rhetoric of hardcore Hapoel Tel Aviv (Israel) football and basketball fans, and quantitatively examines the many people who sympathize with various teams. Our study reveals ...
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This chapter analyzes the rhetoric of hardcore Hapoel Tel Aviv (Israel) football and basketball fans, and quantitatively examines the many people who sympathize with various teams. Our study reveals that stadium rhetoric is actually an expression of fundamental struggles between competing definitions of Israeliness. The rhetoric of Hapoel fans in the realm of Israeli sport is an uncommon combination of socialism, anti-nationalism and anti-racism. However, rather contradictorily, this rhetoric also lined with violence, sexism, classism, and Germanophobia. In addition, hardcore Hapoel fans use terminology associated with the Holocaust in a provocative manner. This rhetoric is partly related to the demographic of both the hardcore fans and the wider circle of sympathizers who tend to be mostly middle class and far more secular than the fans of other teams. It is argued that the transgressive rhetoric of Hapoel fans is partly related to the decline in the political power of the secular elite in Israel. These insights are based on an online survey that was conducted in September 2012, and the website and forums of Hapoel Tel Aviv fans, fans’ songs available on YouTube, as well as interviews with fans.Less
This chapter analyzes the rhetoric of hardcore Hapoel Tel Aviv (Israel) football and basketball fans, and quantitatively examines the many people who sympathize with various teams. Our study reveals that stadium rhetoric is actually an expression of fundamental struggles between competing definitions of Israeliness. The rhetoric of Hapoel fans in the realm of Israeli sport is an uncommon combination of socialism, anti-nationalism and anti-racism. However, rather contradictorily, this rhetoric also lined with violence, sexism, classism, and Germanophobia. In addition, hardcore Hapoel fans use terminology associated with the Holocaust in a provocative manner. This rhetoric is partly related to the demographic of both the hardcore fans and the wider circle of sympathizers who tend to be mostly middle class and far more secular than the fans of other teams. It is argued that the transgressive rhetoric of Hapoel fans is partly related to the decline in the political power of the secular elite in Israel. These insights are based on an online survey that was conducted in September 2012, and the website and forums of Hapoel Tel Aviv fans, fans’ songs available on YouTube, as well as interviews with fans.
