Thibaut Schilt
- Published in print:
- 2011
- Published Online:
- April 2017
- ISBN:
- 9780252036002
- eISBN:
- 9780252093043
- Item type:
- book
- Publisher:
- University of Illinois Press
- DOI:
- 10.5406/illinois/9780252036002.001.0001
- Subject:
- Film, Television and Radio, Film
In just over a decade, François Ozon has earned an international reputation as a successful and provocative filmmaker. A student of Eric Rohmer and Jean Douchet at the prestigious Fémis, Ozon has ...
More
In just over a decade, François Ozon has earned an international reputation as a successful and provocative filmmaker. A student of Eric Rohmer and Jean Douchet at the prestigious Fémis, Ozon has made a number of critically acclaimed shorts and eleven feature films, including international successes 8 femmes and Swimming Pool, and more recent releases such as Angel, Ricky, and Le refuge. Despite tremendous diversity in cinematic choices, Ozon's oeuvre is surprisingly consistent in its desire to blur the traditional frontiers between the masculine and the feminine, gay and straight, reality and fantasy, auteur and commercial cinema. The book provides an overview of François Ozon's career to date, contextualizing Ozon's filmmaking within the larger fields of French filmmaking and international queer cinema. The book discusses several major themes running through Ozon's work, including obsessions with inadequate fathers, various types of mourning, and a recurring taste for “the foreign.” The volume also includes an insightful interview with the director.Less
In just over a decade, François Ozon has earned an international reputation as a successful and provocative filmmaker. A student of Eric Rohmer and Jean Douchet at the prestigious Fémis, Ozon has made a number of critically acclaimed shorts and eleven feature films, including international successes 8 femmes and Swimming Pool, and more recent releases such as Angel, Ricky, and Le refuge. Despite tremendous diversity in cinematic choices, Ozon's oeuvre is surprisingly consistent in its desire to blur the traditional frontiers between the masculine and the feminine, gay and straight, reality and fantasy, auteur and commercial cinema. The book provides an overview of François Ozon's career to date, contextualizing Ozon's filmmaking within the larger fields of French filmmaking and international queer cinema. The book discusses several major themes running through Ozon's work, including obsessions with inadequate fathers, various types of mourning, and a recurring taste for “the foreign.” The volume also includes an insightful interview with the director.
