Andrew Mein
- Published in print:
- 2006
- Published Online:
- September 2011
- ISBN:
- 9780199291397
- eISBN:
- 9780191700620
- Item type:
- book
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199291397.001.0001
- Subject:
- Religion, Biblical Studies
Whereas much recent work on the ethics of the Hebrew Bible addresses the theological task of using the Bible as a moral resource for today, this book aims to set Ezekiel's ethics firmly in the social ...
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Whereas much recent work on the ethics of the Hebrew Bible addresses the theological task of using the Bible as a moral resource for today, this book aims to set Ezekiel's ethics firmly in the social and historical context of the Babylonian Exile. The two ‘moral worlds’ of Jerusalem and Babylonia provide the key. Ezekiel explains the disaster in terms familiar to his audience's past experience as members of Judah's political elite. He also provides ethical strategies for coping with the more limited possibilities of life in Babylonia, which include the ritualization of ethics, an increasing emphasis on the domestic and personal sphere of action, and a shift towards human passivity in the face of restoration. Thus, the prophet's moral concerns and priorities are substantially shaped by the social experience of deportation and resettlement. They also represent a creative response to the crisis, providing significant impetus for social cohesion and the maintenance of a distinctively Jewish community.Less
Whereas much recent work on the ethics of the Hebrew Bible addresses the theological task of using the Bible as a moral resource for today, this book aims to set Ezekiel's ethics firmly in the social and historical context of the Babylonian Exile. The two ‘moral worlds’ of Jerusalem and Babylonia provide the key. Ezekiel explains the disaster in terms familiar to his audience's past experience as members of Judah's political elite. He also provides ethical strategies for coping with the more limited possibilities of life in Babylonia, which include the ritualization of ethics, an increasing emphasis on the domestic and personal sphere of action, and a shift towards human passivity in the face of restoration. Thus, the prophet's moral concerns and priorities are substantially shaped by the social experience of deportation and resettlement. They also represent a creative response to the crisis, providing significant impetus for social cohesion and the maintenance of a distinctively Jewish community.
Ted Gest
- Published in print:
- 2001
- Published Online:
- November 2003
- ISBN:
- 9780195103434
- eISBN:
- 9780199833887
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195103432.003.0008
- Subject:
- Political Science, American Politics
Gun control has stirred intense emotions in the war on crime, even though many controls have only a marginal impact on firearms violence. Laws and their enforcement have been influenced most ...
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Gun control has stirred intense emotions in the war on crime, even though many controls have only a marginal impact on firearms violence. Laws and their enforcement have been influenced most dramatically by assassinations and mass killings rather than by careful study. The first major modern federal gun regulations were approved by Congress in 1968 after the Robert Kennedy and Martin Luther King, Jr., assassinations. The National Rifle Association (NRA) worked hard to ease what it considered overly aggressive enforcement, finally succeeding with a 1986 law known as McClure‐Volkmer. The NRA offended many law enforcement leaders in the process. The combination of police support and a federal executive branch and Congress, both controlled by Democrats, helped enact two major gun control measures in 1993 and 1994: the Brady Act, which required a waiting period for handgun purchasers to enable checks of potential buyers’ records, and a ban on assault‐style weapons blamed in the deaths of police officers and others. Yet “copycat” assault weapons were manufactured, blunting the law's impact. Congress failed to enact proposed laws that would require trigger locks on handguns or to regulate gun shows, where firearms were sold with minimal regulation. The NRA argued for more enforcement of existing antigun laws, pointing to a federal program in Richmond, VA, called ‘Project Exile’.Less
Gun control has stirred intense emotions in the war on crime, even though many controls have only a marginal impact on firearms violence. Laws and their enforcement have been influenced most dramatically by assassinations and mass killings rather than by careful study. The first major modern federal gun regulations were approved by Congress in 1968 after the Robert Kennedy and Martin Luther King, Jr., assassinations. The National Rifle Association (NRA) worked hard to ease what it considered overly aggressive enforcement, finally succeeding with a 1986 law known as McClure‐Volkmer. The NRA offended many law enforcement leaders in the process. The combination of police support and a federal executive branch and Congress, both controlled by Democrats, helped enact two major gun control measures in 1993 and 1994: the Brady Act, which required a waiting period for handgun purchasers to enable checks of potential buyers’ records, and a ban on assault‐style weapons blamed in the deaths of police officers and others. Yet “copycat” assault weapons were manufactured, blunting the law's impact. Congress failed to enact proposed laws that would require trigger locks on handguns or to regulate gun shows, where firearms were sold with minimal regulation. The NRA argued for more enforcement of existing antigun laws, pointing to a federal program in Richmond, VA, called ‘Project Exile’.
Randy E. Barnett
- Published in print:
- 2013
- Published Online:
- October 2017
- ISBN:
- 9780691159737
- eISBN:
- 9781400848133
- Item type:
- chapter
- Publisher:
- Princeton University Press
- DOI:
- 10.23943/princeton/9780691159737.003.0016
- Subject:
- Law, Constitutional and Administrative Law
In this afterword, the author reflects on the lessons that he has learned since the publication of the book's first edition in 2004 from the realms of both constitutional scholarship and ...
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In this afterword, the author reflects on the lessons that he has learned since the publication of the book's first edition in 2004 from the realms of both constitutional scholarship and constitutional law. He highlights some areas where his thinking has developed since the book's original publication in ways that should be of interest to readers. These include individual popular sovereignty and presumed consent, whether the Constitution protected economic liberty, how judges can protect the rights retained by the people without identifying them, the empirical nature of the new originalism, the gravitational force of originalism, and the so-called “Constitution in Exile movement.” The author concludes by rejecting the notion that this book offers a “libertarian” interpretation of the Constitution.Less
In this afterword, the author reflects on the lessons that he has learned since the publication of the book's first edition in 2004 from the realms of both constitutional scholarship and constitutional law. He highlights some areas where his thinking has developed since the book's original publication in ways that should be of interest to readers. These include individual popular sovereignty and presumed consent, whether the Constitution protected economic liberty, how judges can protect the rights retained by the people without identifying them, the empirical nature of the new originalism, the gravitational force of originalism, and the so-called “Constitution in Exile movement.” The author concludes by rejecting the notion that this book offers a “libertarian” interpretation of the Constitution.
Arieh Bruce Saposnik
- Published in print:
- 2008
- Published Online:
- January 2009
- ISBN:
- 9780195331219
- eISBN:
- 9780199868100
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195331219.003.0004
- Subject:
- Religion, Judaism
This chapter examines the impact of the “Uganda proposal” on Zionist cultural activity in Palestine. The small Zionist Yishuv (prestate community) was deeply divided between supporters and opponents ...
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This chapter examines the impact of the “Uganda proposal” on Zionist cultural activity in Palestine. The small Zionist Yishuv (prestate community) was deeply divided between supporters and opponents of a British offer of what some understood to be Jewish statehood in East Africa. In the bitter debate that ensued, political‐organizational divisions and personal rivalries fused with ideological discord and divergent visions of Jewish nationhood and the future national culture. Both sides considered their opponents to be exemplars of “exilic” thinking, evidence of Jewish disease, and lack of a healthy national constitution. Ultimately, the chapter argues, the controversy helped to give new form to the discourse of Zionism in Palestine and to the character of the Yishuv's public spaces, as holidays and community celebrations were given the form of a national liturgy.Less
This chapter examines the impact of the “Uganda proposal” on Zionist cultural activity in Palestine. The small Zionist Yishuv (prestate community) was deeply divided between supporters and opponents of a British offer of what some understood to be Jewish statehood in East Africa. In the bitter debate that ensued, political‐organizational divisions and personal rivalries fused with ideological discord and divergent visions of Jewish nationhood and the future national culture. Both sides considered their opponents to be exemplars of “exilic” thinking, evidence of Jewish disease, and lack of a healthy national constitution. Ultimately, the chapter argues, the controversy helped to give new form to the discourse of Zionism in Palestine and to the character of the Yishuv's public spaces, as holidays and community celebrations were given the form of a national liturgy.
Audrey Yue
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9789888028757
- eISBN:
- 9789882206618
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888028757.001.0001
- Subject:
- Film, Television and Radio, Film
The pioneering independent filmmaker Ann On-wah Hui has drawn much acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a career spanning three ...
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The pioneering independent filmmaker Ann On-wah Hui has drawn much acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a career spanning three decades, Hui has been director, producer, writer, and actress for more than thirty films. This work analyzes a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties, and generational reconciliation resonated strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favorite among returning Hong Kong emigrants and international cinema students alike.Less
The pioneering independent filmmaker Ann On-wah Hui has drawn much acclaim for her sensitive portrayals of numerous Hong Kong tragedies and marginalized populations. In a career spanning three decades, Hui has been director, producer, writer, and actress for more than thirty films. This work analyzes a 1990 film considered by many to be one of Hui's most haunting and poignant works, Song of the Exile. The semi-autobiographical film depicts a daughter's coming to terms with her mother's Japanese identity. Themes of cross-cultural alienation, divided loyalties, and generational reconciliation resonated strongly amid the migration and displacement pressures surrounding Hong Kong in the early 1990s. Even now, more than a decade after the 1997 Handover, the film is a perennial favorite among returning Hong Kong emigrants and international cinema students alike.
Audrey Yue
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9789888028757
- eISBN:
- 9789882206618
- Item type:
- chapter
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888028757.003.0001
- Subject:
- Film, Television and Radio, Film
Song of the Exile was released in Hong Kong from 27 April 1990 to 16 May 1990, and grossed over HK$3,071,212 (MPIA 1990). Produced by Cos Group and distributed by Golden Harvest, the film ...
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Song of the Exile was released in Hong Kong from 27 April 1990 to 16 May 1990, and grossed over HK$3,071,212 (MPIA 1990). Produced by Cos Group and distributed by Golden Harvest, the film consolidated the career of the director, Ann On-wah Hui, Hong Kong's “most influential director in the 80s” and “one of Asia's premium directors”. This book specifically analyzes her ninth film, Song of the Exile, undoubtedly one of her finest. This film is based on Hui's semi-autobiographical story about a daughter coming to terms with her mother's Japanese identity. It also approaches this film through several features of Hong Kong cinema as diasporic cinema. An overview of the chapters included in this book is given. It is hoped that this book can show how the border cinema of Song of the Exile, as a practice of representation and a representation of practice, can articulate an alternative Hong Kong modernity as a new form of public pedagogy central to the ethics of its re-turn.Less
Song of the Exile was released in Hong Kong from 27 April 1990 to 16 May 1990, and grossed over HK$3,071,212 (MPIA 1990). Produced by Cos Group and distributed by Golden Harvest, the film consolidated the career of the director, Ann On-wah Hui, Hong Kong's “most influential director in the 80s” and “one of Asia's premium directors”. This book specifically analyzes her ninth film, Song of the Exile, undoubtedly one of her finest. This film is based on Hui's semi-autobiographical story about a daughter coming to terms with her mother's Japanese identity. It also approaches this film through several features of Hong Kong cinema as diasporic cinema. An overview of the chapters included in this book is given. It is hoped that this book can show how the border cinema of Song of the Exile, as a practice of representation and a representation of practice, can articulate an alternative Hong Kong modernity as a new form of public pedagogy central to the ethics of its re-turn.
Martine Beugnet
- Published in print:
- 2007
- Published Online:
- September 2012
- ISBN:
- 9780748620425
- eISBN:
- 9780748670840
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748620425.001.0001
- Subject:
- Film, Television and Radio, Film
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices – and, by extension, of theoretical approaches – that give precedence to cinema as the ...
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This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices – and, by extension, of theoretical approaches – that give precedence to cinema as the medium of sensation. France offers an intriguing case in point here. A specific sense of momentum comes from the work of a group of filmmakers bent on exploring cinema's unique capacity to move us both viscerally and intellectually. Though extremely diverse, the films of Olivier Assayas, Catherine Breillat, Claire Denis, Vincent Dieutre, Bruno Dumont, Bertrand Bonello, Philippe Grandrieux, Pascal Ferrand and Nicolas Klotz, to name but a few, demonstrate a characteristic awareness of cinema's sensory impact and transgressive nature. In effect, with its interweaving of theoretical enquiry and film analysis, and its emphasis on the materiality of film, Cinema and Sensation's approach could also apply to the work of comparable filmmakers like David Lynch, Abel Ferrara or Wong Kar-Wai. Cinema and Sensation draws on the writings of Antonin Artaud, George Bataille and Gilles Deleuze, whilst also responding to the continuing interest in theories of haptic visuality (Laura Marks) and embodied spectatorship (Vivian Sobchack) inspired by Maurice Merleau-Ponty's phenomenology.Explored as forms of embodied thought, the films are shown to offer alternative ways of approaching key existential and socio-cultural questions: desire, violence and abjection as well as the growing supremacy of technology, globalisation, exile and exclusion – these are the themes and issues that appear embedded here in the very texture of images and sounds.Less
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices – and, by extension, of theoretical approaches – that give precedence to cinema as the medium of sensation. France offers an intriguing case in point here. A specific sense of momentum comes from the work of a group of filmmakers bent on exploring cinema's unique capacity to move us both viscerally and intellectually. Though extremely diverse, the films of Olivier Assayas, Catherine Breillat, Claire Denis, Vincent Dieutre, Bruno Dumont, Bertrand Bonello, Philippe Grandrieux, Pascal Ferrand and Nicolas Klotz, to name but a few, demonstrate a characteristic awareness of cinema's sensory impact and transgressive nature. In effect, with its interweaving of theoretical enquiry and film analysis, and its emphasis on the materiality of film, Cinema and Sensation's approach could also apply to the work of comparable filmmakers like David Lynch, Abel Ferrara or Wong Kar-Wai. Cinema and Sensation draws on the writings of Antonin Artaud, George Bataille and Gilles Deleuze, whilst also responding to the continuing interest in theories of haptic visuality (Laura Marks) and embodied spectatorship (Vivian Sobchack) inspired by Maurice Merleau-Ponty's phenomenology.Explored as forms of embodied thought, the films are shown to offer alternative ways of approaching key existential and socio-cultural questions: desire, violence and abjection as well as the growing supremacy of technology, globalisation, exile and exclusion – these are the themes and issues that appear embedded here in the very texture of images and sounds.
Christopher Bryan
- Published in print:
- 2005
- Published Online:
- July 2005
- ISBN:
- 9780195183344
- eISBN:
- 9780199835584
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/0195183347.003.0009
- Subject:
- Religion, Early Christian Studies
The biblical tradition subverts human order not by attempting to dismantle or replace it with other structures, but by confronting its representatives with the truth about its origin and its purpose. ...
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The biblical tradition subverts human order not by attempting to dismantle or replace it with other structures, but by confronting its representatives with the truth about its origin and its purpose. Its origin is that God wills it. Its purpose is to serve God’s glory by promoting God’s peace and God’s justice for all. There is no evidence that Jesus or his followers stood aside from this tradition. Jesus made no common cause with those whose agenda was to exchange one structure—imperial Roman rule—for another: Jewish home rule. Power is a sacred trust, and those who have it may not abandon their responsibility. The Bible offers two images of the life of God’s people: that of exile (an image of weakness) and that of exodus (an image of power). We may not abandon either, nor may we escape the problem of violence that goes with the latter image. We, too, are constantly under judgment for our use of power.Less
The biblical tradition subverts human order not by attempting to dismantle or replace it with other structures, but by confronting its representatives with the truth about its origin and its purpose. Its origin is that God wills it. Its purpose is to serve God’s glory by promoting God’s peace and God’s justice for all. There is no evidence that Jesus or his followers stood aside from this tradition. Jesus made no common cause with those whose agenda was to exchange one structure—imperial Roman rule—for another: Jewish home rule. Power is a sacred trust, and those who have it may not abandon their responsibility. The Bible offers two images of the life of God’s people: that of exile (an image of weakness) and that of exodus (an image of power). We may not abandon either, nor may we escape the problem of violence that goes with the latter image. We, too, are constantly under judgment for our use of power.
Yasmine Ramadan
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781474427647
- eISBN:
- 9781474476775
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474427647.001.0001
- Subject:
- Society and Culture, Middle Eastern Studies
In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction argues that this literary generation presents a marked shift ...
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In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction argues that this literary generation presents a marked shift in the representation of rural, urban, and exilic space, reflecting a disappointment in the project of the postcolonial nation-state in post-revolutionary Egypt. If the countryside ceased to be the idealized space of the nation, neither the Cairene metropolis nor the city of Alexandria took its place. Moreover, the transgression of borders to an exilic space served to unsettle categories of national and regional belonging. At the heart of this book is an argument about the disappearance of an idealized nation in the Egyptian novel. It provides a full examination of the emergence and establishment of a group of the most significant writers in modern Egyptian literature across six decades, while also attending to the social, economic, political, and aesthetic changes during a pivotal moment in Egypt’s contemporary history.Less
In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction argues that this literary generation presents a marked shift in the representation of rural, urban, and exilic space, reflecting a disappointment in the project of the postcolonial nation-state in post-revolutionary Egypt. If the countryside ceased to be the idealized space of the nation, neither the Cairene metropolis nor the city of Alexandria took its place. Moreover, the transgression of borders to an exilic space served to unsettle categories of national and regional belonging. At the heart of this book is an argument about the disappearance of an idealized nation in the Egyptian novel. It provides a full examination of the emergence and establishment of a group of the most significant writers in modern Egyptian literature across six decades, while also attending to the social, economic, political, and aesthetic changes during a pivotal moment in Egypt’s contemporary history.
Laura Harris
- Published in print:
- 2018
- Published Online:
- January 2019
- ISBN:
- 9780823279784
- eISBN:
- 9780823281480
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823279784.001.0001
- Subject:
- Sociology, Race and Ethnicity
Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, James and Oiticica, Harris chart a desire in their work to formulate alternative theories of citizenship, ...
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Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, James and Oiticica, Harris chart a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, Harris argue that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of “the motley crew” historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, Harris show how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life.Less
Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, James and Oiticica, Harris chart a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experiments and relay their prophetic descriptions of and instructions for the new social worlds they wished to forge and inhabit, however, Harris argue that their projects ultimately challenge rather than seek to rehabilitate normative conceptions of citizens and polities as well as authors and artworks. James and Oiticica’s experiments recall the insurgent sociality of “the motley crew” historians Peter Linebaugh and Marcus Rediker describe in The Many-Headed Hydra, their study of the trans-Atlantic, cross-gendered, multi-racial working class of the seventeenth and eighteenth centuries. Reading James’s and Oiticica’s projects against the grain of Linebaugh and Rediker’s inability to find evidence of that sociality’s persistence or futurity, Harris show how James and Oiticica gravitate toward and seek to relay the ongoing renewal of dissident, dissonant social forms, which are for them always also aesthetic forms, in the barrack-yards of Port-of-Spain and the favelas of Rio de Janeiro, the assembly lines of Detroit and the streets of the New York. The formal openness and performative multiplicity that manifests itself at the place where writing and organizing converge invokes that sociality and provokes its ongoing re-invention. Their writing extends a radical, collective Afro-diasporic intellectuality, an aesthetic sociality of blackness, where blackness is understood not as the eclipse, but the ongoing transformative conservation of the motley crew’s multi-raciality. Blackness is further instantiated in the interracial and queer sexual relations, and in a new sexual metaphorics of production and reproduction, whose disruption and reconfiguration of gender structures the collaborations from which James’s and Oiticica’s undocuments emerge, orienting them towards new forms of social, aesthetic and intellectual life.
Amir Engel
- Published in print:
- 2017
- Published Online:
- September 2017
- ISBN:
- 9780226428635
- eISBN:
- 9780226428772
- Item type:
- book
- Publisher:
- University of Chicago Press
- DOI:
- 10.7208/chicago/9780226428772.001.0001
- Subject:
- Society and Culture, Jewish Studies
This book discusses the life and work of the best-known Israeli scholar, the Kabbalah historian of German Jewish descent, Gershom Scholem (1897 – 1982). It offers a new perspective on this seminal ...
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This book discusses the life and work of the best-known Israeli scholar, the Kabbalah historian of German Jewish descent, Gershom Scholem (1897 – 1982). It offers a new perspective on this seminal figure and on major historical events and ideological struggles that took place during the first part of the 20th century in Europe and the Middle East. The book also makes a certain claim about how new knowledge is created. Scholem, it is here argued, is known beyond the narrow confines of his academic because, beyond being a capable philologist, he was a story-teller of unique talent. The two stories that make up Scholem’s fame are the story he told of himself and the story of Jewish history, told through the lens of his historiography of the Kabbalah. The objective of this book is therefore to critically retell these two stories thus that each story would shed light on the other. Pitting Scholem’s biography over and against his historiography, the book is able to approach questions about nationalism, spiritual revival, and colonialism in the 20th century. The discussion thus reflects the geo-political transformations that took place in Germany and in Palestine during this period. It gives a new perspective on Scholem’s life and his historiographical undertaking. And finally it shows that new knowledge is often the result, not of discovery but of re-reading and invention. Scholem, it is here argued, recreated Jewish mysticism in light of the political, social and spiritual questions of his time.Less
This book discusses the life and work of the best-known Israeli scholar, the Kabbalah historian of German Jewish descent, Gershom Scholem (1897 – 1982). It offers a new perspective on this seminal figure and on major historical events and ideological struggles that took place during the first part of the 20th century in Europe and the Middle East. The book also makes a certain claim about how new knowledge is created. Scholem, it is here argued, is known beyond the narrow confines of his academic because, beyond being a capable philologist, he was a story-teller of unique talent. The two stories that make up Scholem’s fame are the story he told of himself and the story of Jewish history, told through the lens of his historiography of the Kabbalah. The objective of this book is therefore to critically retell these two stories thus that each story would shed light on the other. Pitting Scholem’s biography over and against his historiography, the book is able to approach questions about nationalism, spiritual revival, and colonialism in the 20th century. The discussion thus reflects the geo-political transformations that took place in Germany and in Palestine during this period. It gives a new perspective on Scholem’s life and his historiographical undertaking. And finally it shows that new knowledge is often the result, not of discovery but of re-reading and invention. Scholem, it is here argued, recreated Jewish mysticism in light of the political, social and spiritual questions of his time.
Anne Marie Oliver and Paul F. Steinberg
- Published in print:
- 2006
- Published Online:
- October 2011
- ISBN:
- 9780195305593
- eISBN:
- 9780199850815
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780195305593.003.0033
- Subject:
- Religion, Islam
This chapter describes a notice of the End of the World snapped in the main hall of a Hamas-controlled mosque in Gaza City. Entitled “The Marj az–Zahur Exile: Between the Mercilessness of Winter and ...
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This chapter describes a notice of the End of the World snapped in the main hall of a Hamas-controlled mosque in Gaza City. Entitled “The Marj az–Zahur Exile: Between the Mercilessness of Winter and the Terrorism of Occupation”, the document catalogues the conditions faced by the “deported brothers”, reiterates the movement's opposition to the peace process, and predicts that the faith of Israel will be in the hands of the men of truth and the detachments of the Qur'an and the raisers of the banners of Islam. The theme of the Jews as corrupted corrupters appeared early on in the intifada, and can be found in Hamas' covenant.Less
This chapter describes a notice of the End of the World snapped in the main hall of a Hamas-controlled mosque in Gaza City. Entitled “The Marj az–Zahur Exile: Between the Mercilessness of Winter and the Terrorism of Occupation”, the document catalogues the conditions faced by the “deported brothers”, reiterates the movement's opposition to the peace process, and predicts that the faith of Israel will be in the hands of the men of truth and the detachments of the Qur'an and the raisers of the banners of Islam. The theme of the Jews as corrupted corrupters appeared early on in the intifada, and can be found in Hamas' covenant.
Zeina G. Halabi
- Published in print:
- 2017
- Published Online:
- January 2019
- ISBN:
- 9781474421393
- eISBN:
- 9781474435673
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474421393.001.0001
- Subject:
- Literature, World Literature
The Unmaking of the Arab Intellectual examines the figure of the intellectual as prophet, national icon, and exile in contemporary Arabic literature and film. Staging a comparative dialogue with ...
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The Unmaking of the Arab Intellectual examines the figure of the intellectual as prophet, national icon, and exile in contemporary Arabic literature and film. Staging a comparative dialogue with writers and critics such as Elias Khoury, Edward Said, Jurji Zaidan, and Mahmoud Darwish, Halabi focuses on new articulations of loss, displacement, and memory in works by Rabee Jaber, Elia Suleiman, Rawi Hage, Rashid al-Daif, and Seba al-Herz. She argues that the ambivalence and disillusionment with the role of the intellectual in contemporary representations operate as a productive reclaiming of the 'political' in an allegedly apolitical context. The Unmaking of the Arab Intellectual invites us to engage in a practice of criticism that is inherently retrospective and evaluative, putting into question the very foundation of what constitutes the modern Arab intellectual legacy. It suggests a methodology to understand the evolving relations between intellectuals and power; authors and texts and generates a politics of reading that locates the political in the hitherto uncharted contemporary era.Less
The Unmaking of the Arab Intellectual examines the figure of the intellectual as prophet, national icon, and exile in contemporary Arabic literature and film. Staging a comparative dialogue with writers and critics such as Elias Khoury, Edward Said, Jurji Zaidan, and Mahmoud Darwish, Halabi focuses on new articulations of loss, displacement, and memory in works by Rabee Jaber, Elia Suleiman, Rawi Hage, Rashid al-Daif, and Seba al-Herz. She argues that the ambivalence and disillusionment with the role of the intellectual in contemporary representations operate as a productive reclaiming of the 'political' in an allegedly apolitical context. The Unmaking of the Arab Intellectual invites us to engage in a practice of criticism that is inherently retrospective and evaluative, putting into question the very foundation of what constitutes the modern Arab intellectual legacy. It suggests a methodology to understand the evolving relations between intellectuals and power; authors and texts and generates a politics of reading that locates the political in the hitherto uncharted contemporary era.
Máire ní Fhlathúin
- Published in print:
- 2015
- Published Online:
- May 2017
- ISBN:
- 9780748640683
- eISBN:
- 9781474415996
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9780748640683.001.0001
- Subject:
- Literature, 19th-century and Victorian Literature
The book traces the development of British Indian literature from the early days of the nineteenth century to the end of the Victorian period. Previously unstudied poems and essays drawn from the ...
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The book traces the development of British Indian literature from the early days of the nineteenth century to the end of the Victorian period. Previously unstudied poems and essays drawn from the thriving periodicals culture of British India are examined alongside novels and travel-writing by authors including Philip Meadows Taylor, Emma Roberts and Rudyard Kipling, and the historical narratives of James Tod. Opening with an overview and discussion of the literary marketplace of the early nineteenth century, it moves on to the analysis of key moments, events and concerns of Victorian India, including the legacy of the Hastings impeachment, the Indian ‘Mutiny’, the sati controversy, and the rise of Bengal nationalism. These are re-assessed within their literary and political contexts, emphasising the engagement of British writers with canonical British literature (Scott, Byron) as well as the mythology and historiography of India and their own responses to their immediate surroundings. The book examines representations of the experience of being in India, in chapters on the poetry and prose of exile, and the dynamics of consumption. It also analyses colonial representations of the landscape and societies of India itself, in chapters on the figure of the bandit / hero, female agency and self-sacrifice, and the use of historiography to enlist indigenous narratives in the project of Empire.Less
The book traces the development of British Indian literature from the early days of the nineteenth century to the end of the Victorian period. Previously unstudied poems and essays drawn from the thriving periodicals culture of British India are examined alongside novels and travel-writing by authors including Philip Meadows Taylor, Emma Roberts and Rudyard Kipling, and the historical narratives of James Tod. Opening with an overview and discussion of the literary marketplace of the early nineteenth century, it moves on to the analysis of key moments, events and concerns of Victorian India, including the legacy of the Hastings impeachment, the Indian ‘Mutiny’, the sati controversy, and the rise of Bengal nationalism. These are re-assessed within their literary and political contexts, emphasising the engagement of British writers with canonical British literature (Scott, Byron) as well as the mythology and historiography of India and their own responses to their immediate surroundings. The book examines representations of the experience of being in India, in chapters on the poetry and prose of exile, and the dynamics of consumption. It also analyses colonial representations of the landscape and societies of India itself, in chapters on the figure of the bandit / hero, female agency and self-sacrifice, and the use of historiography to enlist indigenous narratives in the project of Empire.
Phyllis Lassner
- Published in print:
- 2016
- Published Online:
- January 2018
- ISBN:
- 9781474401104
- eISBN:
- 9781474426848
- Item type:
- book
- Publisher:
- Edinburgh University Press
- DOI:
- 10.3366/edinburgh/9781474401104.001.0001
- Subject:
- Literature, European Literature
Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined ...
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Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.Less
Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.
Waïl S Hassan
- Published in print:
- 2011
- Published Online:
- January 2012
- ISBN:
- 9780199792061
- eISBN:
- 9780199919239
- Item type:
- chapter
- Publisher:
- Oxford University Press
- DOI:
- 10.1093/acprof:oso/9780199792061.003.0005
- Subject:
- Literature, World Literature
The memoirs of 1948 Palestinian refugees Fawaz Turki, Edward Said, and Aziz Shihab reveal conflicted notions of home, belonging, and identity.
The memoirs of 1948 Palestinian refugees Fawaz Turki, Edward Said, and Aziz Shihab reveal conflicted notions of home, belonging, and identity.
Cecilia Enjuto-Rangel
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620252
- eISBN:
- 9781789623857
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620252.003.0017
- Subject:
- Society and Culture, Latin American Studies
This essay examines two contemporary films whose child protagonists end up in exile due to the violent military regimes in their respective native countries: Paisito (Small country, 2008), a ...
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This essay examines two contemporary films whose child protagonists end up in exile due to the violent military regimes in their respective native countries: Paisito (Small country, 2008), a Spanish-Uruguayan-Argentine coproduction that attempts to construct a Transatlantic poetics of exile and memory, and yet fails; and a Brazilian film, O ano em que meus pais saíram de férias (The Year My Parents Went on Vacation, 2006), which places exiles at the center of a nostalgic, nationalist discourse in which Brazil appears as a multiethnic, multicultural and multiracial ideal space threatened by the military dictatorship. Both Paisitoand The Year represent the 1970s in Uruguay and Brazil, countries torn by a military coup and a military dictatorship. In both films, soccer is presented as a central space, although it is at times questioned as a force for national cohesion; and in both films the child protagonists face exile when their fathers are killed by the military regimes. Both expose how the state uses soccer as a tool of collective appeasement, and yet the nostalgic recuperation of soccer as game seems in some way to infantilize the politics of memory.Less
This essay examines two contemporary films whose child protagonists end up in exile due to the violent military regimes in their respective native countries: Paisito (Small country, 2008), a Spanish-Uruguayan-Argentine coproduction that attempts to construct a Transatlantic poetics of exile and memory, and yet fails; and a Brazilian film, O ano em que meus pais saíram de férias (The Year My Parents Went on Vacation, 2006), which places exiles at the center of a nostalgic, nationalist discourse in which Brazil appears as a multiethnic, multicultural and multiracial ideal space threatened by the military dictatorship. Both Paisitoand The Year represent the 1970s in Uruguay and Brazil, countries torn by a military coup and a military dictatorship. In both films, soccer is presented as a central space, although it is at times questioned as a force for national cohesion; and in both films the child protagonists face exile when their fathers are killed by the military regimes. Both expose how the state uses soccer as a tool of collective appeasement, and yet the nostalgic recuperation of soccer as game seems in some way to infantilize the politics of memory.
James D. Fernández
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620252
- eISBN:
- 9781789623857
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620252.003.0020
- Subject:
- Society and Culture, Latin American Studies
In the late nineteenth and early twentieth centuries, tens of thousands of Spanish peasants, seamen, and workers emigrated to the United States, and settled in an archipelago of tight-knit enclaves ...
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In the late nineteenth and early twentieth centuries, tens of thousands of Spanish peasants, seamen, and workers emigrated to the United States, and settled in an archipelago of tight-knit enclaves that dotted the entire country from Barre, Vermont to Monterey, California, and from Boise, Idaho, to Tampa, Florida. Neither friars nor conquistadors, those tens of thousands of immigrants from Spain who ended up in the United States represent just a tiny percentage of the millions of Spaniards who, in those same years, crossed the Atlantic, most with the goal of settling in various points of the Spanish-speaking Americas. Herein lies one of the best-kept demographic secrets of the American hemisphere: the massive presence of Spaniards in the Americas –South, Central and North– is largely a post-imperial phenomenon. For every Spanish friar or explorer from Spain’s Age of Empire who is commemorated by a statue or a street name in the United States, there would arrive, during the Age of Immigration, thousands of Spanish seamen, nannies, cigar-makers, canners, miners, shopkeepers, sheepherders and steelworkers. But because their stories do not easily fit into any conventional national narrative in either country, these working-class Spaniards are, for the most part, absent from standard historical accounts of both Spanish emigration and US immigration. They are, as it were, invisible immigrants.Less
In the late nineteenth and early twentieth centuries, tens of thousands of Spanish peasants, seamen, and workers emigrated to the United States, and settled in an archipelago of tight-knit enclaves that dotted the entire country from Barre, Vermont to Monterey, California, and from Boise, Idaho, to Tampa, Florida. Neither friars nor conquistadors, those tens of thousands of immigrants from Spain who ended up in the United States represent just a tiny percentage of the millions of Spaniards who, in those same years, crossed the Atlantic, most with the goal of settling in various points of the Spanish-speaking Americas. Herein lies one of the best-kept demographic secrets of the American hemisphere: the massive presence of Spaniards in the Americas –South, Central and North– is largely a post-imperial phenomenon. For every Spanish friar or explorer from Spain’s Age of Empire who is commemorated by a statue or a street name in the United States, there would arrive, during the Age of Immigration, thousands of Spanish seamen, nannies, cigar-makers, canners, miners, shopkeepers, sheepherders and steelworkers. But because their stories do not easily fit into any conventional national narrative in either country, these working-class Spaniards are, for the most part, absent from standard historical accounts of both Spanish emigration and US immigration. They are, as it were, invisible immigrants.
Jennifer Duprey
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781789620252
- eISBN:
- 9781789623857
- Item type:
- chapter
- Publisher:
- Liverpool University Press
- DOI:
- 10.3828/liverpool/9781789620252.003.0021
- Subject:
- Society and Culture, Latin American Studies
During the Spanish Civil War (1936-1939), Catalonia saw many of its writers and intellectuals leaving Spain for Latin America. Among them was Pere Calders. In 1937, he enlisted as a volunteer in the ...
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During the Spanish Civil War (1936-1939), Catalonia saw many of its writers and intellectuals leaving Spain for Latin America. Among them was Pere Calders. In 1937, he enlisted as a volunteer in the army of the Republic, and was appointed to the role of cartographer at the rearguard of Teruel. With the fall of the Republic, he was taken to the concentration camp of Prats de Mollo. At the end of the war, in 1939, Calders went into exile in Mexico, a country where he went on to live for twenty-three years. In exile, he encountered a different reality that often became an important aspect of his literary production, something clearly seen in his short novel Aquí descansa Nevares (1967). In this chapter, I shall argue that in Aquí descansa Nevares, Calders displays not only awareness but also recognition of both the indígenas’ cultural system of beliefs and their socio-political situation.Less
During the Spanish Civil War (1936-1939), Catalonia saw many of its writers and intellectuals leaving Spain for Latin America. Among them was Pere Calders. In 1937, he enlisted as a volunteer in the army of the Republic, and was appointed to the role of cartographer at the rearguard of Teruel. With the fall of the Republic, he was taken to the concentration camp of Prats de Mollo. At the end of the war, in 1939, Calders went into exile in Mexico, a country where he went on to live for twenty-three years. In exile, he encountered a different reality that often became an important aspect of his literary production, something clearly seen in his short novel Aquí descansa Nevares (1967). In this chapter, I shall argue that in Aquí descansa Nevares, Calders displays not only awareness but also recognition of both the indígenas’ cultural system of beliefs and their socio-political situation.
Ricardo Pau-Llosa
- Published in print:
- 2019
- Published Online:
- May 2020
- ISBN:
- 9781683400905
- eISBN:
- 9781683401193
- Item type:
- chapter
- Publisher:
- University Press of Florida
- DOI:
- 10.5744/florida/9781683400905.003.0012
- Subject:
- Society and Culture, Latin American Studies
Art critic and collector Ricardo Pau-Llosa proposes that certain “tropes of identity”—common metaphors inherited from previous generations of modern Cuban artists—continue to shape the work of ...
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Art critic and collector Ricardo Pau-Llosa proposes that certain “tropes of identity”—common metaphors inherited from previous generations of modern Cuban artists—continue to shape the work of contemporary Cuban-American artists. Pau-Llosa underlines the trope of theatricality as a form of representing “the poetics of shelter (from time, history, persecution, and other forces).” The early work in exile of Mario Carreño and Cundo Bermúdez launched a diasporic sensibility in Cuban art that still resonates in the more recent work of Emilio Sánchez, María Brito, and José Bedia. From this perspective, theatricality ties together several generations of Cuban modern artists and those who left the island after 1959.Less
Art critic and collector Ricardo Pau-Llosa proposes that certain “tropes of identity”—common metaphors inherited from previous generations of modern Cuban artists—continue to shape the work of contemporary Cuban-American artists. Pau-Llosa underlines the trope of theatricality as a form of representing “the poetics of shelter (from time, history, persecution, and other forces).” The early work in exile of Mario Carreño and Cundo Bermúdez launched a diasporic sensibility in Cuban art that still resonates in the more recent work of Emilio Sánchez, María Brito, and José Bedia. From this perspective, theatricality ties together several generations of Cuban modern artists and those who left the island after 1959.
