Jump to ContentJump to Main Navigation

You are looking at 1-7 of 7 items

  • Keywords: Ernest Hogan x
Clear All Modify Search

View:

Afterword

Maurice Peress

in Dvorák to Duke Ellington: A Conductor Rediscovers America's Music and Its African-American Roots

Published in print:
2004
Published Online:
May 2008
ISBN:
9780195098228
eISBN:
9780199869817
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195098228.003.0019
Subject:
Music, History, Western

This final chapter takes a walk through what once was Dvorák's New York neighborhood. It discusses the unsuccessful battle to save the Dvorák House where Dvorák lived from 1892-5. The heightened ... More


Mestizaje and Heterotopia in Ernest Hogan’s High Aztech

Lysa M. Rivera

in Black and Brown Planets: The Politics of Race in Science Fiction

Published in print:
2014
Published Online:
May 2015
ISBN:
9781628461237
eISBN:
9781626740686
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781628461237.003.0010
Subject:
Literature, 20th-century and Contemporary Literature

Lysa M. Rivera, in “Critical Dystopia and Cyborg Consciousness: Ernest Hogan’s Chicano/a Cyberpunk,” examines the relationship between science fiction and experiences of mestizaje, colonialism, and ... More


A New Musical Rhythm Was Given to the People: Ragtime and Representation in Black Manhattan

David Gilbert

in The Product of Our Souls: Ragtime, Race, and the Birth of the Manhattan Musical Marketplace

Published in print:
2015
Published Online:
January 2016
ISBN:
9781469622699
eISBN:
9781469622712
Item type:
chapter
Publisher:
University of North Carolina Press
DOI:
10.5149/northcarolina/9781469622699.003.0002
Subject:
History, African-American History

This chapter examines the American cultural revolution brought about by the ragtime operetta, Clorindy; or, The Origin of the Cakewalk, and how it initiated a reevaluation of Negro music and its ... More


The “Students” and The Stage

Marva Griffin Carter

in Swing Along: The Musical Life of Will Marion Cook

Published in print:
2008
Published Online:
January 2010
ISBN:
9780195108910
eISBN:
9780199865796
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195108910.003.0008
Subject:
Music, History, American

This chapter talks about a musical ensemble known as the “Memphis Students”. It tells of how Cook stole the group away from their original organizer, took them on a European tour, and how their ... More


“Pickaninnies,” Ernest Hogan, and A World Tour

Mark Berresford

in That's Got 'Em!: The Life and Music of Wilbur C. Sweatman

Published in print:
2010
Published Online:
March 2014
ISBN:
9781604730999
eISBN:
9781604733716
Item type:
chapter
Publisher:
University Press of Mississippi
DOI:
10.14325/mississippi/9781604730999.003.0003
Subject:
Music, History, American

This chapter describes Nathaniel Clark Smith, an important African American composer, bandmaster, and the foremost black musical educator of his age; Sweatman’s tenure with the Smith Band from ... More


“I Want a Real Coon”: Twain and Ethnic Caricature

Henry B. Wonham

in Playing the Races: Ethnic Caricature and American Literary Realism

Published in print:
2004
Published Online:
September 2007
ISBN:
9780195161946
eISBN:
9780199788101
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780195161946.003.0003
Subject:
Literature, African-American Literature

This chapter explores Mark Twain's life-long fascination with ethnic humor and caricature, highlighting the oxymoronic logic involved in his affection for “the genuine nigger show” and other forms of ... More


Ragtime Before Scott Joplin

Edward A. Berlin

in King of Ragtime: Scott Joplin and His Era

Published in print:
2016
Published Online:
May 2016
ISBN:
9780199740321
eISBN:
9780190245221
Item type:
chapter
Publisher:
Oxford University Press
DOI:
10.1093/acprof:oso/9780199740321.003.0004
Subject:
Music, History, American, Opera

Rhythmic elements that were to become associated with ragtime, and which were recognized as clichés for African American music, were used on the minstrel stage in the 1880s. The term “rag,” ... More


View: